When Michael Kay arrived in Manchester, he found himself in a whole new world.
He’d accepted an offer from the new Polytechnic to study photography – swapping his humble, isolated cottage surroundings of Snowdonia for the bright lights of Mancunia.
It was a change of pace – not least due to the fact he had access to mains water and electricity for the first time.
Intoxicated by the foreign sights and sounds of the city landscape, Michael eagerly grabbed his camera and bounded into the streets – snapping everything he could along the way.
It might have been bigger and faster way of living than the young man was used to, but during his shoots, he saw that Manchester was troubled.
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The city was poor, poverty was rife, and gloom hung heavy in the air.
Council leaders, recognising the necessity for change, had just launched a programme of local urban regeneration in an attempt to spruce things up – leaving inner-city slums piled high with rubble as work commenced on clearing the path for a seemingly brighter future.
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With Manchester on the cusp of a new chapter, Michael caught it all on camera, sharing a dozen of his favourite photos from the 1970s with The Manc.
Down comes Moss Side
Fifty years ago, Moss Side was one part of Manchester undergoing significant transformation – as city leaders decided to tear down the old Victorian properties and replace them with council houses and flats.
“Most of this Moss Side street had been demolished,” Michael explains in reference to the image above.
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“But one or two properties were still occupied and these two friends still lived there.”
Also shown is a young boy – standing against the backdrop of another street scheduled to be mowed down by construction vehicles.
In the distance, Hulme’s controversial Crescents were being assembled; making the area home to the largest public housing development in Europe (with space for over 13,000 people).
The infamous project proved to be an enormous failure, turning Hulme into one of the most deprived places in Greater Manchester.
Within months, the block was overrun with infestations of mice, cockroaches and feral dogs prowling through the derelict complex, with hundreds of residents seeking new accommodation.
Much of the north was living hand to mouth during this decade, and although Michael describes the scenes of poverty as “heartbreaking”, he often used to see children scampering amongst the ruins of old houses without a care in the world
“The children played amongst the rubble and seemed happy,” the photographer tells us.
“I’d love to know what became of this young lad.”
This carefree spirit of youth is embodied in the image above – with five young boys beaming for the camera with unkempt bundles of wood at their backs.
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They’re accompanied by similarly-satisfied-looking pooch.
According to Michael, the dog used to follow this group of friends around wherever they went.
Pints and pennies
Michael took his camera indoors from time to time – seizing the opportunity to grab some pictures inside the local pubs.
These photos were shot at Birch Villa on Wilmslow Road in Rusholme – which eventually became known as Hardy’s Well (a famous old building with a Lemn Sissay poem written on the side wall).
“I spent a couple of hours taking photos in this pub,” Michael tells us.
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“I liked the way that this lady had dressed up in her finery. The man to her left was playing the mouth organ for most of the evening.”
Despite the boozer being a little rough around the edges, Michael said he felt completely comfortable snapping away within its confines.
“Although there were some tough characters in there I didn’t feel at all unsafe and everyone seemed to be having a good time.”
A little further afield from the drinking den was a sweet shop – which found itself trapped between two separate sets of currency around the time Britain changed the makeup of its legal tender; evolving from pounds, shillings, and pence.
“This shop was on Wilmslow Road near the junction with Platt Lane,” explains Michael.
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“[It was] just post decimalisation – with some of the sweets marked up in old and new currency.”
In amongst the crowd
Margaret Thatcher was an unpopular figure in Manchester long before she moved to Number 10.
The Iron Lady also managed to ruffled feathers in her preceding role as Education Secretary – a position she held between 1970 and 1974.
The photo above shows “one of many student protests from the early ‘70s,” says Michael.
“[Thatcher] was Secretary of State for Education and students generally disagreed with many of the changes she brought in.”
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Michael also managed to capture a superb shot of seventies crowds coming together for an “Armed Forces Fete” during his trek around the city.
“I think [this] was in Platt Fields but it could have been Wythenshawe,” Michael muses.
“There’s an armoured car somewhere under those kids.”
The city in the seventies
Manchester’s nucleus has changed beyond recognition in the half-century that has passed since these photos were taken.
And so has the typical way of life.
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Take this shot for example – with a baby left outside a shop in the middle of the busy city centre streets.
“No one thought anything of it in those days,” Michael says.
Still, despite the city remaining in a permanent state of flux, the presence of local cult characters has never wavered.
Before Frank Sidebottom and The Piccadilly Rats, there was the Piccadilly Gardens Man – who used to spend most of his days sat on a bench feeding the birds.
“I thought some people may remember him,” Michael says.
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“Apparently he used to regularly visit the Dance dept. of the Polytechnic which was nearby and give red roses to the girls!”
The final image in the collection is particularly striking – a snapshot of a space that has undergone so much renovation it looks like its from another city.
Look closely, and you’ll be able to see that beyond the heaps is actually the neighbourhood of Castlefield.
“[This was] the huge Castlefield fuel depot,” Michael tells us
“The buildings in the background and the bridge still remain.
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“But so much has changed in this area.”
One look at the cranes populating the city skyline reveals that plenty more change is yet to come.
After graduating, Michael moved away from Manchester and had a successful career as an advertising and food photographer with a studio in Wimbledon.
He is now semi retired and works from home in Surrey. Because of the lockdown he’s been digitising his old negatives. Most of the images shown here have never been seen before and none have ever been published.
View some of Michael Kay’s wonderful work online on the photographer’s official website.
Feature
Inside Sifters Records, the time capsule record shop that inspired Oasis
Harry Quick
The date the world never thought was coming is set. Manchester’s most famous brothers have against all the odds put their differences aside for music’s greater good. Oasis are BACK.
I suppose it is only good news at the moment if you were one of the lucky few who managed to secure a ticket to one of the 17 gigs (actually, now 19 with two new dates added) in the Oasis 25′ Tour. If you didn’t – hard luck – but there is arguably one shop owner who deserves one more than most.
Fans of our most iconic band from all around the world should show their gratitude to a little record store in Burnage for helping to make that happen. Some might say, Sifters Records is the home of the Gallaghers’ love for music. The two brothers were brought up just a stone’s throw away from here on Cranwell Drive and were regular visitors of Sifters throughout their teenage years.
Noel has previously mentioned how he used to stroll around to Sifters on Fog Lane and pick up records by the likes of The Smiths, Joy Division and The Happy Mondays, which would help inspire some of the world-renowned anthems Oasis would later go on to create. The relationship between the Gallaghers and Sifters Records is emblematic of their deep roots in Manchester’s music scene.
If you feel like you’ve heard the name before, you probably have as Liam mentions the store in the song ‘Shakermaker’. In the final verse of the song – before the closing Shake Along with Me / Them interlude – he gets his special mention.
The lyrics “Mr Sifter sold me songs when I was just sixteen, now he stops at traffic lights but only when they’re green” pay homage to its main road location and the lads’ musical upbringing before the international stardom.
If the lyrics alone don’t put an image in your head, the official music video for the song pictures Liam stereotypically swaggering towards the shop front in a parka and shades on the hunt for some new music. After flicking through a few 12″ vinyls he shows Red Rose Speedway to the camera by Paul McCartney’s – Wings. I wonder if he bought it that day or could it still be in there?
In a brand new 30-minute interview filmed ahead of the 30th anniversary of Definitely Maybe, Noel revealed how he wrote the infamous lyric in an off-the-cuff moment directly outside the shop.
“I have to say this shop has not changed a bit. I bought a lot of my records in here, it’s where I discovered my love of ‘best of’ albums.
“Every time I hear Shakermaker I remember pulling up in that car and looking over and seeing the song.”
It’s no wonder this was Noel’s favourite place to scope out new tunes growing up. It’s still one of Manchester’s most impressive collections with hundreds, if not thousands of vintage LPs.
Most of these are from the personal collection of ‘Mr Sifter’ himself Pete Howard who has run this musical mecca since 1977. The building itself has an unchanged charm – a time capsule of fading band posters, windows of unrelated local advertisements and well-trodden carpet from the thousands of feet on a pilgrimage from far and wide.
Fans from across the globe have rocked up for a word with Pete and the admiration for his store only keeps growing, which he sometimes struggles to believe how fortunate he got. If you pop in looking for any Oasis discography, good luck, it doesn’t stick around long.
When ‘Definitely Maybe’ dropped in ’94 he said he recognised the members of the band straight just from the album cover.
Now, with a deluxe edition re-release 30 years later, and a reunion tour around the corner, it’s undeniable that the whole world does – let’s just hope they stay mates this time!
Blossoms’ wonderful Wythenshawe Park show proved they’re ready to headline the big leagues
Danny Jones
Ok, full disclosure: as a fellow Stopfordian, this review was always going to be heavily biased, but I still wholeheartedly believe that Blossoms are some the best performers on the British music scene right now and, as far I’m concerned, their Wythenshawe Park gig was yet more proof of that.
The landmark show was their biggest to date with roughly 30,000 people packed into a Greater Manchester field for what was just the second year of the Wythenshawe Park gigs which looks destined to be a must-visit annual Manchester music event.
For starters, not only is being the second name chosen to headline this still relatively new event after Noel bloody Gallagher quite the achievement, but playing to what felt like an entire town full of people on your home turf is the kind of stuff usually reserved for, you know, GOATs…
Now, we’re not going to be so bold as to claim they’re at that point in their careers already, however, when you’re collecting the kind of support acts they are, playing to crowds this big and making music lovers of all ages sing about a giant fibreglass gorilla called Gary, you’re clearly doing something right.
🚨 Be advised: GMP are on the lookout for an eight-foot fibreglass Gorilla – first name Gary, second name trouble. 🦍
He was last spotted on stage as @BlossomsBand were playing absolute bangers at Wythenshawe Park.
Let’s kick off with the supports, shall we? That’s one of the best things about this Live From Wythenshawe Park series: these dates are closer to mini-Manc festivals than they are standalone gigs, and with such an impressive roster of so-called ‘warm-up’ acts, we were truly spoiled rotten.
From more fledgling artists like The Guestlist and Ttrruuces, fast-rising up-and-comers like Seb Lowe and The K’s, to UK veterans like Shed Seven and the always sensational indie stars Inhaler, it was a stacked lineup spanning several generations.
Before Inhaler got the crowd bouncing and ready from Blossoms, we even got special appearances from two incredible female voices during Shed Seven’s set as Issy Ferris and fellow Manc music royalty Rowetta took the stage for some supreme harmonies and what felt like a bit of a Sunday service moment.
But then it was time for the big guns and it really does feel like they’re among that calibre now. They’ve smashed Leeds, Glastonbury, Kendal – they even turned the Plaza and Edgeley Park back in Stockport into fully-fledged music venues – and they look more at home than ever on the big stages.
Blossoms’ Wythenshawe Park gig felt almost like a coming-of-age gig. (Credit: The Manc Group)
It feels mad to think that these lot have been going for 11 years when you first think about it, but when you actually sit back and look at the regular stream of top-quality indie bangers they’ve been putting out every couple of years, it starts to click into place.
Perhaps it’s because they’re still young men and have decades of releasing new music to come but they’re no longer the new kids and they haven’t been for ages – in fact, they’ve released some of the most popular contemporary releases in the genre consistently for a long time now.
Even in the final promo for their now landmark Wythenshawe Park concert, they did a spoof version of ‘Gary’ where one of the lines simply said ‘Honey Sweet’s a tune’ and, you know what, they’re right but the list goes much further than that.
‘Getaway’, ‘There’s A Reason Why’, ‘I Can’t Stand It’, ‘Your Girlfriend’, ‘What Can I Say After I’m Sorry?’ and on and on it goes. We heard them all in their very best iterations, with the band’s on-stage production now at a new level and Tom Ogden’s frontman chops up their with the best right now.
One thing we really enjoyed as a group of old mates from SK was that the set wasn’t the hits either; we got to roll back the years and enjoy the tracks from that debut album when we first started getting excited about a new band coming out of our hometown.
The big extended versions of ‘Blow’ and ‘Cut Me and I’ll Bleed’, in particular, felt rather special.
Blossoms also treated Wythenshawe to some seriously good solos and breakout instrumentals. (Credit: The Manc Group)
But then you look at where the style has gone since then and you genuinely have to just step back and applaud their evolution since that breakout record.
It’s very hard for any band to find that balance of developing their sound and actually changing whilst still managing to nail that instantly recognisable feeling that lets you know it’s one of their songs but they always seem to manage.
Whether it’s those surviving 80s influences that have stood them in good stead since the start, those poppy keyboard riffs from Myles that help keep every tune as catchy as the last, they can collaborate with the likes of Jungle and CMAT whilst still sounding unmistakably like themselves. It’s quite the skill.
That’s why they very quickly went from the one current band from Stockport that people could name to one of the most recognisable modern names in British music with hordes of fans all over, not just Greater Manchester. Just look at the energy coming off that crowd, not to mention the sheer size of it:
Now, all that is simply to say that, at this point, if you’re still someone who only knows ‘that first one’ and is under the presumption that Blossoms are another indie band who fell into that trap of all their songs sounding pretty similar, you’re wrong and the sea of fans at Wythenshawe Park will tell you the same.
Whether you’ve been there from day one and have watched these lads, well, blossom into fully graduated performers and festival-toppers like this currently very sappy Stopfordian, or you got hooked after dozenth irresistible indie anthem, we’re sure you’re all in agreement: they’re proper headliners.
‘Charlemagne’ will forever be a favourite but make no mistake, they’ve come on leaps and bounds in every department since it helped launch their career, and even if it is still their biggest song when they’re headlining the likes of Glasto one day (you heard us), it’ll still sound incredible.
In fact, who cares: here it is from another angle – we’re off to do a bit of research about some reunion people are talking about…