Sankeys is – quite rightly – the stuff of legend, a part of Manchester’s nightlife that will be talked about for decades to come.
While Ancoats 2024 is a maze of bars and restaurants, back in the 1990s Sankeys was the only destination most people bothered with – mostly everything else was a shell of a warehouse.
The doors to the club opened, and closed, and opened again, and closed again, with a few tweaks to its name along the way.
Whether you remember it as the Sankeys Soap that opened in 1994, or the Sankeys that built an actual beach (using 50 tonnes of sand) in 2009, or even if you never made it onto this hallowed dancefloor, you probably have a story about the venue.
It hosted everyone from Boy George to Bjork to the Spice Girls to Daft Punk, but famously turned away a baby-faced Justin Bieber (too shuffley, apparently).
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Yes the rumours are true…we turned Justin Bieber away last night. He shuffles on stage and we can't be having that in Sankeys now can we!!
Nowadays it’s one of many, many converted mill buildings around the neighbourhood, filled with small businesses and apartments.
But Urban Splash, who have repurposed Beehive Mill into a co-working space, have kept many traces of Sankeys alive.
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Building manager Carl Holt, once a doorman at Sankeys, remembers when the entrance – now a wall of glass doors with fingerprint recognition – when it had huge steel doors to deter the cars that used to try and ram their way in.
The entrance to Sankeys is now a fire escape. Credit: The Manc GroupBeehive Mill, which used to be Sankeys nightclubBeehive Mill, which used to be Sankeys nightclub
The foyer of the building proudly displays photographs from the club’s final days, showing off rows of empty spirits bottles, crumpled promotional posters, and sticky dance floors.
Videos from club nights at Sankeys are projected on to the concrete wall that houses the mail boxes.
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There’s even the old safe, which developers drilled open to find years-old contraband confiscated from clubbers.
The old dance floor is now home to the head office of The Prince’s Trust, who store their outdoors equipment (wetsuits and the like) in what was once the smoking area, the jungle-inspired graffiti still covering the walls.
The old wooden staircase of Sankeys is now a fire escape and mostly blocked off from public view, while the former recording studios have been turned into bicycle storage rooms and office spaces.
Important meetings that now take place here are actually in what was Sankeys’ medical room, tending to revellers who’d overdone it a bit.
Carl says: “When Urban Splash bought it, they revamped it from top to bottom.
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“It’s flipped on its head, where there’s now all this business based here. It’s great to see but it is a big change.
The safe Urban Splash found when converting Beehive Mill. Credit: The Manc GroupThe old Sankeys medical room. Credit: The Manc GroupFamiliar stairs at Beehive Mill, which used to be Sankeys. Credit: The Manc Group
“I find it quite satisfying – yes I loved it when it was Sankeys, but I also like it the way it is now.
“Some people say to me ‘No, Sankeys weren’t here, this ain’t Sankeys’, they say they don’t remember, and I tell them ‘You don’t remember for two reasons…’
“In the early days when we were refurbishing it, people used to come here for the history.
“For the cobbles and the bricks and all that. It’s history. I love it.”
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While Ancoats is now often lauded as one of the world’s coolest neighbourhoods, nowhere will ever quite be able to recreate the cool of the Sankeys days.
Harry Styles One Night Only at Co-op Live – he’s right, we do belong together
Daisy Jackson
This is not the Harry Styles we left behind in 2023, and he seems quite keen for us all to notice that from the get-go.
The sequin two-pieces have been packed away, the hair’s been cut into a modern mullet, and he’s into synths now.
Harry Styles emerges onto an in-the-round stage at Co-op Live and promptly hunches over a sound desk to mix the intro of Aperture. For a horrible moment, I think it’s going to be like a Fred Again concert – but then he straightens up, picks up the mic, and starts to dance, and we collectively realise we’re about to witness something truly special.
The chance to see Harry Styles on a small (hahahahaha) stage like this isn’t likely to happen again, not when he’s selling out record-breaking runs at Wembley Stadium.
The chance to see him after such a long hiatus, performing brand new music in full, is even less likely.
And the chance to have it all going on right here in Manchester, just days after our city also hosted the BRITs, is (and I don’t say this lightly) an honour.
Harry Styles One Night Only at Co-op Live. Credit: Netflix
For One Night Only, we hear every song off his fourth studio album (Kiss All The Time, Disco Occasionally) in full – with a few surprises thrown in at the end for good measure.
The whole thing has been filmed for Netflix, with a handful of cameramen chasing around after Harry on stage.
And there are definitely moments where you are conscious you’re watching a Netflix special being made, like when he ventures down the catwalk for Ready, Steady, Go and no spotlight follows him, but a camera does.
That’s not a reflection on Harry though, who performs for the audience first and foremost. He seems taken aback at how thoroughly we’ve all studied the lyrics to his hours-old album already, welling up with emotion as he returns to the live stage for the first time in three years.
Harry Styles on stage, in the round, in Manchester
“There’s so much danger in the world,” he says. “But love is powerful and kindness is powerful. The world could use a little extra peace right now.”
Unusually, too, the show had a strict phones-free policy, with the poor venue staff doing their level best to enforce Harry’s wishes to keep cameras in pockets for one night only.
I would love more gigs to be phone free. The crowd is DARK, and present, with both hands in the air, and it lets Harry shine. I don’t believe anyone could honestly say they had a worse night for not being able to film it.
As for those new songs which had their live debut last night, Season 2 Weight Loss makes a lot more sense live, with real thudding drums, than it does on the album (I ranked it my least-favourite of the record); Coming Up Roses translates beautifully with a live orchestra; and Pop is a certified bop that’ll have those stadiums boogying.
Harry Styles One Night Only. Credit: Netflix
If you listened to Dance No More and thought it was set up for a call and response, you were correct, even if we do all clumsily tiptoe around the lyrics a bit.
Carla’s Song is a perfect closer in every setting, whether it’s in your headphones listening to the album or as one final collective moment in an arena.
It wasn’t just the new album we got at the One Night Only – Harry also dug into the archives to play a few extra treats for us all – From the Dining Table (live for the first time in almost a decade), Golden, Watermelon Sugar, As It Was, and Sign of the Times.
The show opens and closes with Aperture, the lead single from the album, and his one night only proves his point from the song – we really do belong together.
Neighbourhood’s city centre festival returns to Manchester with promising first wave
Danny Jones
Neighbourhood Festival’s city centre all-dayer is returning to Manchester for 2026 after a year off, and this first wave of the lineup is looking promising already.
Following teasers over the past month or so, it didn’t take long for us to figure out that NBHD Festival was coming back, especially with the Weekender in Warrington having taken a similar hiatus in 2024.
However, when festivals like these take time out, it can be easy to worry whether or not they’ll lose momentum or come back stronger.
Judging by this initial batch of acts alone, there’s no doubt NBHD Fest ’26 will be another cracker.
Neighbourhood Festival 2026! Manchester’s biggest multi-venue festival returns on Saturday 17 October. The first wave of acts just announced with many more brilliant artists to be revealed. Sign-up for exclusive pre-sale which goes live 10am Tue 10 Mar. https://t.co/Qq0c7Ibuxqpic.twitter.com/8CQoeqdpWm
As you can see, as well as the fast-rising grungey alternative and garage rock quartet, KEO, being announced as one of the first big hitters on the list, there are some other familiar names on the lineup.
Especially for us Mancs.
With both Bolton and Altrincham youngsters, Florentenes and The Guest List, both joining the roster, as well as the likes of Bury-born ‘rockabilly’ revivalist Elliot James Reay also featuring on there, there’s a good deal of local talent to be enjoyed as always.
That goes for the regional delegation in general, too, with the likes of Jos River heading back up this way from her base in London, and Leeds’ fittingly named indie four-piece, The North, also booking a slot.
We’ll admit there are plenty of bands and artists coming up from the capital for the all-day festival, but at least they know where the UK’s real home of music is.
You only have to look at the festival vibes up here to know that…
It’s worth reminding, once again, that since its inception in 2016 (yes, it really has been a decade now), Neighbourhood Fest has continued to serve as a proper launchpad for the next wave of superstars, not just here in the North West but across the country.
We still remember seeing the likes of Sam Fender, Holly Humberstone, Declan McKenna, Mahalia, The Lathums and more – some for the very first time – on these city centre stages, and it’s crazy to see how big some of them have gone on to become.
Set to take over some of Manchester’s most iconic venues along the Oxford Road Corridor once again, this is, without a doubt, one of the best dates for independents on the annual live music calendar.
Hosting a total of 11 stages on Saturday, 17 October for a full day of live music, tickets for this year’s Neighbourhood Festival go on sale HERE at 10am on Friday, 13 March – and remember, there’s still plenty more to be added to the 2026 lineup.