Sankeys is – quite rightly – the stuff of legend, a part of Manchester’s nightlife that will be talked about for decades to come.
While Ancoats 2024 is a maze of bars and restaurants, back in the 1990s Sankeys was the only destination most people bothered with – mostly everything else was a shell of a warehouse.
The doors to the club opened, and closed, and opened again, and closed again, with a few tweaks to its name along the way.
Whether you remember it as the Sankeys Soap that opened in 1994, or the Sankeys that built an actual beach (using 50 tonnes of sand) in 2009, or even if you never made it onto this hallowed dancefloor, you probably have a story about the venue.
It hosted everyone from Boy George to Bjork to the Spice Girls to Daft Punk, but famously turned away a baby-faced Justin Bieber (too shuffley, apparently).
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Nowadays it’s one of many, many converted mill buildings around the neighbourhood, filled with small businesses and apartments.
But Urban Splash, who have repurposed Beehive Mill into a co-working space, have kept many traces of Sankeys alive.
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Building manager Carl Holt, once a doorman at Sankeys, remembers when the entrance – now a wall of glass doors with fingerprint recognition – when it had huge steel doors to deter the cars that used to try and ram their way in.
The foyer of the building proudly displays photographs from the club’s final days, showing off rows of empty spirits bottles, crumpled promotional posters, and sticky dance floors.
Videos from club nights at Sankeys are projected on to the concrete wall that houses the mail boxes.
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There’s even the old safe, which developers drilled open to find years-old contraband confiscated from clubbers.
The old dance floor is now home to the head office of The Prince’s Trust, who store their outdoors equipment (wetsuits and the like) in what was once the smoking area, the jungle-inspired graffiti still covering the walls.
The old wooden staircase of Sankeys is now a fire escape and mostly blocked off from public view, while the former recording studios have been turned into bicycle storage rooms and office spaces.
Important meetings that now take place here are actually in what was Sankeys’ medical room, tending to revellers who’d overdone it a bit.
Carl says: “When Urban Splash bought it, they revamped it from top to bottom.
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“It’s flipped on its head, where there’s now all this business based here. It’s great to see but it is a big change.
The safe Urban Splash found when converting Beehive Mill. Credit: The Manc GroupThe old Sankeys medical room. Credit: The Manc GroupFamiliar stairs at Beehive Mill, which used to be Sankeys. Credit: The Manc Group
“I find it quite satisfying – yes I loved it when it was Sankeys, but I also like it the way it is now.
“Some people say to me ‘No, Sankeys weren’t here, this ain’t Sankeys’, they say they don’t remember, and I tell them ‘You don’t remember for two reasons…’
“In the early days when we were refurbishing it, people used to come here for the history.
“For the cobbles and the bricks and all that. It’s history. I love it.”
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While Ancoats is now often lauded as one of the world’s coolest neighbourhoods, nowhere will ever quite be able to recreate the cool of the Sankeys days.
Listen to Bring Me the Horizon’s cover of an Oasis classic
Danny Jones
Sheffield favourites Bring Me the Horizon have covered not just an Oasis classic but arguably their biggest song of all time – but is it any good?
The high-flying alternative metalcore band are one of the biggest contemporary rock artists on the planet right now, having most recently been nominated as ‘Group of the Year’ ahead of the 2025 BRIT Awards.
Undoubtedly one of the best-known acts to ever come out of not just Sheffield but Yorkshire as a whole, there’s no project or challenge too big for these lads at this point, which is exactly why they had no trouble taking on one of the most famous songs ever written.
We never thought we’d hear Bring Me the Horizon covering Oasis‘ ‘Wonderwall’, but here we are.
Covering the legendary Britpop anthem to Spotify singles, if you’re expecting it to sound anything like the ‘Wonderwall’ you know, then you’re in for a shock.
It’s certainly not just a straightforward stripped-back bashed out quickly in a studio with an acoustic guitar – far from it…
However, if you are a fan of the current Bring Me sound, you’ll be glad to hear that the Northern heavyweights are tapping into that raw aggression with plenty of nu-metal production value.
On the other hand, although frontman Oli Sykes’ softer and more melodic vocals of late get a good deal of the spotlight, there are plenty of rip-roaring screams layered throughout, not to mention some emo-esque guitar playing and shredding drums with plenty of staccato, double-time and fun fills thrown in.
They even recreated that iconic shot from the music video for the cover art:
They faired rather well.
Uncanny, lads.
Put simply, it’s got some of the best bits from both old and new BMTH only with those iconic lyrics; it does take a minute to get used to hearing ‘Because mayyybe‘ being sung like that, but it’s definitely a grower in our opinion.
The single release also comes with a new somewhat lo-fi electronic ‘EarthcOre remix’ of ‘YOUtopa’ from their most recent seventh studio album, POST HUMAN: NeX GEn; again, this version is rather different from the original but we like both.
Without further ado, please enjoy a short preview down below and you can listen to the Bring Me the Horizon cover version of ‘Wonderwall’ by Oasis in full HERE.
What do you make of it?
Does the Bring Me The Horizon cover make ‘Wonderwall’ feel interesting again or is it still just Oasis’ most over-played song ever?
‘The Witcher in Concert’: the smash-hit video game’s soundtrack brought to life in Manchester
Danny Jones
One of the most iconic games ever, The Witcher III: Wild Hunt, is set to see its iconic score and soundtrack reborn in concert right here in Manchester.
Better still, due to the sheer demand for tickets already, an extra date has been added, giving you an extra chance to hear the record-breaking RPG brought to life on stage in front of your very eyes.
‘The Witcher in Concert’ is an immersive audio-visual experience from developers, CD PROJEKT RED (the same team behind Cyberpunk 2077), which will see the music from the series performed by a live orchestra at Aviva Studios.
Let the Wild Hunt begin…
Revolving around The Witcher III, specifically – widely considered to be not just the best in the franchise but one of the greatest games of all time – the show is soon set to take place all over the world, but Europe is getting the pleasure first.
The soon-to-be world tour coincides with the 10th anniversary of the third title, which remains one of the best-selling video game releases of all time, having sold well over 50 million copies and still counting.
Fans will get to witness the open-world RPG’s timeless score and soundscapes recreated not only by a live orchestra, but the show will also feature special appearances by Polish folk metal band, Percival (a.k.a. Percival Schuttenbach) – the original co-composers behind the game’s soundtrack.
This magical, cinematic experience combines breathtaking in-game visuals with live music, making it a must-see event for lovers of The Witcher or just classical/orchestral music in general.
It’s going to be special.
A glimpse at what ‘The Witcher in Concert’ will look and, more importantly, sound like when it lands in Manchester.
Although it’s the first event of its kind at the world-class arts and cultural space, as the official home of the ever-growing Factory International programme, it’s no surprise this was chosen as the location.
Taking place in Aviva Studios’ The Hall space, the original Manchester gig has sold out but they have now added an extra date on 6 November 2025 due to the scramble for tickets.
You can grab your seat HERE but be warned, they’ll be gone before you know it.
Over the other side of Manchester, a very similar celebration of video game music is taking place at one of the city’s other industry-leading entertainment venues.