It has been absolutely beyond baltic in Greater Manchester in the last couple of weeks, and all we’ve wanted to do is crawl in front of a roaring fire.
Ideally, we’d have had a giant plate of gravy-covered food in front of us at all times, and a comfy armchair and a pint of Guinness is a bonus.
Thankfully the hills around Greater Manchester are packed with cosy country pubs, perfect for whiling away these chilly winter days.
We’ve picked out five of our absolute favourites here for you to add to your list.
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Expect big plates of locally-sourced food, many great pints, and plenty of character.
The Pack Horse, Hayfield
Credit: The Pack Horse Hayfield
We never stop rabbiting on about this cosy pub, and for good reason.
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Headed up by chef and co-owner Luke Payne, The Pack Horse in the village of Hayfield is an outstanding establishment.
Here is a pub where you can have a world-class meal that shows off the best of British produce, while sipping an ale, with muddy boots on your feet.
In the space of one week last year, it earned a double whammy of successes, scooping up a place in both the Michelin Guide and the Top 50 Gastropubs.
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The menu changes all the time, but you expect things like venison Wellington with local meat, wild rabbit and smoked pig’s head pies, and Shetland plaice with potted shrimp butter.
The Hearth of the Ram is one of those local boozers that makes you hop straight on Rightmove to consider relocating closer to it.
Opened back in 2012 in the village of Ramsbottom, the 200-year-old building has been given a facelift by its current owners.
They’ve built a lovely outdoor terrace during the long months of lockdown last winter too.
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It’s a delightful range of pub grub here, like sausage rolls made with Bury black pudding, baked Inglewhite goats cheese, and Goosnargh chicken supreme.
Take a walk up Peel Tower, take in the views, then come right back down to refuel by the roaring fire.
You don’t even need to cross the threshold of The White Hart to see why it’s one of the country’s best and most cosy pubs – just a glimpse of the views from its doorway are enough to win you over.
The building itself goes way back to 1788 and has at various points in its existence been a police station, a schoolhouse, a WWII look-out point, and a brewery.
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Now, it’s a gorgeous gastropubs with real ales and roaring fires for those who have just ventured over from the surrounding hills, but also an elegant brasserie for anyone wanting a top-notch dinner.
The brasserie menu is packed with steaks and hearty pub classics.
There’s a familiar face behind The Church Green – Manchester’s very own Aiden Byrne, who has run the pub with his wife for more than a decade.
Aiden was the youngest chef to win a Michelin star, at just 22 years of age, so you know the kitchen’s in very safe hands.
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You’d be a fool to visit and not order one of the Church Green’s pies, baked in a perfectly golden pastry with regularly changing fillings.
If, for some reason, you don’t like pie (get out), there’s also mains like salt aged duck with barbecued beetroot, grilled salmon and nduja linguine, and an enormous 12oz Beef Wellington to share.
During lockdown, the couple really turned their attention to the deli part of the business, so you can also take some of those pies home with you.
When most people think of pub drinks, they think of a nice cold pint, but if you’re a gin drinker this is the pub for you.
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The Saddleworth boozer is home to a world record-breaking selection of gins. If you ask to see the list, you’re handed a binder so heavy it would break a toe if you dropped it.
The 18th century building is one of the cosiest pubs in the country, tucked away in the Saddleworth village of Delph.
Its menu is hearty, and properly northern – we’re talking steamed rag puddings, steak and ale pie made with Timothy Taylors, and a four cheese and onion pie served with baked beans.
Five Manchester artists we’ve been listening to this month | April 2025
Danny Jones
Fashionably late to the party this month, but we’re sure you’ll forgive us because we’re back with yet another stellar lineup of Manchester bands and artists for you to get your teeth into – some new, others criminally unsung, and all equally brilliant.
Your playlists are about to get a good old refresh.
In case you’re new around here, we here at The Manc and Audio North set aside some time every month to look back on the local musicians we’ve been listening to over the last few weeks.
Whether they are Greater Mancunians born and bred or they’re adoptees who have made Manchester their musical home, anything goes and there’s always something for everyone. Let’s get stuck in.
New Manchester bands and artists we’ve been listening to lately
1. Strawberry Lemonade
First up is the delightfully dubbed Strawberry Lemonade, who sound even sweeter than their name, not in a sugary pop music way, but in the sense that sliding guitar riffs as well as plenty of fast-paced strumming and drumming feel like you’ve just necked a glass of, well…
There’s a classic rock and roll swagger to their music, and while many might argue that a lot of new Manchester bands are trying to nail this kind of sound – already a challenge in a city so oversaturated within this genre – they’ve managed to catch our eye.
Having recently headlined a sold-out show at the iconic Deaf Institute, one thing we know for sure is that they’ll be moving on to even bigger venues sooner rather than later. In terms of standout tracks, we rate ‘Nightime’ and ‘Control’; plus, you’d be a fool not to give their latest single ‘Bother At All’ a go.
Next up is the alliterative Danny Darlington, who seems to have emerged out of nowhere to pique our curiosity with some of the most sprawling and varied songs in less than 12 months. He quietly released his first song back in March 2021 but we’re definitely paying attention to his most recent work.
To call it indie would be a major oversimplification; alt-pop doesn’t quite fit either – all we can tell you is that the solo artist from Bury seems to be more than happy pushing in different directions and experimenting with different sonics, with more effects, pedals and electronics being thrown into the mix.
‘Freya’ is a fantastically chill tune, ‘How To Feel’ ends with a really pleasant and punchy surprise, and we’re big fans and one of his older tunes, ‘Parma Violets’, which has a recognisable contemporary indie vibe with some great production for someone who was still just starting out.
3. Nightbus
Fittingly for number three, we’ve got a trio and a band that feels like one of the Manchester music scene’s best-kept secrets somehow. Seriously, we’re genuinely kind of annoyed that more people don’t know about Nightbus because they’re absolutely brilliant.
The xx, New Order and Cocteau Twins are some of the names that come to mind when making our way through their still limited discography, though there is a very fun collection of remixes of their work so far, which genuinely rival some of the original versions.
Also, it might only be a little thing, but we really like the very uniform aesthetic and visual style too; the album artwork typeface almost hints at limited gig poster prints with that self-contained theme per album cycle, a la The 1975. ‘Way Past Three’, ‘Average Boy’, and the E24 mix of ‘Mirrors’ are our three.
Such a jam.
4. Conor & The GreensKeepers
The penultimate name on our list is a collective that has actually been around for a while now and is steadily starting to earn some of the profile they’ve been long overdue in our opinion, but we’ll never tooting our horns about these lot. They’re also utterly incredible live.
Fronted by lead singer and charismatic performer Conor Michael, The GreensKeepers are some of the most underappreciated artists anywhere in Greater Manchester right now, and no matter how many new bands come along, we firmly believe these 13 unbelievable musicians deserve your attention.
As for picks, recent release ‘Roundabouts’ has that UKG and rap flavour they enjoy; ‘U + I’ is now a go-to lo-fi work soundtrack, and ‘Sip from a Rose’ is their spin on jazz and neo-soul in a nutshell. Put simply, it’s music that makes you feel something from the first note and almost never fails to inject a bit of joy.
Arriving by way of Birmingham, the Manchester-based group will be returning for MJF 2025 as well as Green Island Festival.
5. Slap Rash
Last but not least, we’re finishing the loudest, most raw, raucous and in-your-face artists we’ve probably ever put on one of these lists, and it comes in the form of the ferocious duo known as Slap Rash. Great name, even better ragers.
This absolutely riotous project is the brainchild of locally-based brother-and-sister partnership, Amelia and Huw Lloyd, who might just have knocked the likes of Royal Blood off the top spot for making the most noise that is physically possible for two humans to make.
We honestly love this pair. It’s the epitome of thrashy hardcore with an unhealthy dose of distortion, boasting hints of Drenge, early IDLES, Demob Happy and more. We genuinely don’t know where to best to start, but ‘Holy Smoke’ puts hairs on your chest, ‘Griefcase’ is class, and so is ‘Histrionic’.
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Swordplay and rock ‘n’ roll: A Knight’s Tale comes to Manchester Opera House
Danny Jones
From the moment the curtain rises at Manchester Opera House, A Knight’s Tale bursts into life with exhilarating energy. This stage adaptation of the beloved 2001 film expertly blends medieval spectacle with a bold, modern twist.
Full of jousting tournaments, noble quests, and underdog triumphs, the production delivers both heart and high drama – all with a heady dose of rock ‘n’ roll.
At the centre of it all is William Thatcher, a young squire who dares to defy his lowly birth and enter the world of high-born knights. Played with charm and confidence by Andrew Coshan, William’s journey from peasant to jousting champion is rousing, if occasionally veering into heroic cliché.
Still, Coshan’s likability and natural charisma keep the audience cheering for him through every lance charge and dramatic monologue. The supporting cast also shines.
A standout is Eva Scott, whose comic timing and delivery consistently land laughs, often stealing scenes with her sharp one-liners.
Meanwhile, Meesha Turner brings elegance and spark to the role of Princess Jocelyn. Her powerful vocals during the show’s pop-classic ballads transform the character into a fiery, modern princess you can’t help but root for.
The production’s standout sequences are undoubtedly the jousts, theatrical set pieces that are an absolute masterclass in stagecraft. Using a clever combination of rigging, physical choreography, and dynamic sound design, the creative team conjures a truly immersive atmosphere.
Dramatic lighting and resonant sound effects make you feel the thud of hooves and the crash of lances. The cleverly designed set, featuring an arena-style jousting field, draws the audience into the action in a way that feels fresh and cinematic.
However, the show stumbles slightly in its quieter, more emotional scenes. The dialogue, while laced with humour, sometimes dips into melodrama. The villain, Count Adhemar, feels a touch underwritten, with motivations that don’t quite match the emotional weight the story strives for, but is still well-acted.
Don’t just take it from us: the A Knight’s Tale reviews from Manchester crowds are already very strong.
The stakes between him and William never fully build to the payoff they could – leaving certain dramatic beats a little flat. Musically, the show makes a bold departure from traditional scores. Instead, it leans into a soundtrack of classic rock anthems; think Queen, AC/DC, The Who and more.
At first, it seems like an odd match for a medieval tale, just as it did with the movie, but it works brilliantly. The music injects the show with rebellious energy and gives it a timeless quality. It’s loud, bold, and exactly what this high-octane tale of ambition and identity calls for.
A special mention must go to the ensemble and choreography. The jousting scenes are beautifully choreographed, blending acrobatics, dance, and swordplay with seamless precision. Even in quieter moments, the movement on stage supports the storytelling with subtle grace.
But the unexpected stars of the show? The horses. Designed with clever costume and movement illusions, they create the convincing effect of riders in full gallop – and at times, they very nearly steal the spotlight altogether.
Credit: Supplied
Though clearly aimed at adult audiences, with its cheeky humour and classic rock soundtrack, the show flirts with the spirit of panto, oversized characters, regional accents, and exaggerated physical comedy. And it works.
The regional dialects add warmth and levity, grounding the fantasy in a cheeky, very British sensibility. In the end, A Knight’s Tale is a triumphant and entertaining spectacle, an electrifying mix of medieval mythology and modern musical theatre.
Whether you’re a die-hard fan of the original film or seeing the story for the first time, this production offers a fun, fast-paced, and surprisingly heartfelt night out. It’s not perfect, but it’s hard not to be swept up in the clashing swords, galloping hooves, and power chords.
Put simply, this is a knight to remember – with a soundtrack that slays.
Daisy Jackson -
16th December 2022 
