Bugzy Malone is a rap sensation, an actor, a clothing designer, and – in his words – a man who is ‘capable of anything’.
On the brink of his biggest UK tour to date, which includes a massive homecoming gig at Manchester’s AO Arena, Bugzy’s rise to the big leagues didn’t come easy.
He had to break into an industry that was stubbornly focused on London, escape a life of ‘struggle’, and put in serious graft.
He’s at the highest point of his career so far – and yet, this will be his final tour.
In an exclusive interview with The Manc, we hear about Bugzy’s retirement from the touring circuit, his memories of finding fame in Manchester, and how he got into ‘the shape of his life’.
‘People call me the king of the north’
Growing up in Crumpsall, Bugzy Malone is a born-and-bred, loud and proud Mancunian.
He’s been dubbed ‘King of the North’ – also the name of his chart-topping EP – which is a title he takes seriously.
“I see it as my duty to give a good account of myself for the north so people can come after me and be taken seriously,” he tells us.
“I was the first Manchester artist to get taken seriously in what was a London-centric industry, in my genre of music anyway – obviously there was Oasis and things like that.
Bugzy Malone
“We’ve laid a foundation here for other rappers from the north of England to go into the industry and make a serious impact.”
He name-checks a couple of rising stars from our region – Moston-born Aitch and ‘very talented’ rapper Meekz Manny.
“All I would really say to them guys is ‘Keep going’,” he says.
“The talent’s there in Manchester but the belief system’s not.
“I’m hoping this tour will demonstrate that it can happen – it’s been six years and here I am performing at the arena in my hometown.”
‘Who better to headline the Manchester Arena than me?’
Bugzy Malone will be the first solo grime artist to headline Manchester’s enormous AO Arena.
It’s a big undertaking to perform in front of a crowd of 21,000 but he’s match-ready.
“For the first rapper from my genre to headline the Manchester Arena, who better than me to do it?” he asks.
2.7M VIEWS IN 5 DAYS & TRENDING #1 😅 All i’m saying is if WARMODE hits 3 Million views by Thursday night, FUCK IT i’m bringing my Lambo out on stage the night of the Manchester arena tour show on Dec 4th!!! 💪🏾😤#RunItUppic.twitter.com/9NYiXlEIxV
“As you know, Manchester’s a unit. To stand there with my audience, who are a real loyal bunch of individuals.
“They’re my people – the people I was getting on the bus with, the people I was sat on the tram with, the people I was walking in the Arndale with. That’s a real deep connection.
“You can’t beat the atmosphere at a Manchester show.”
He promises that there are ‘serious surprises’ in store on the Resurrection tour, adding: “There are people coming out on stage to perform with me that’s going to blow people’s minds that they’re coming out on tour with me.”
‘Parklife was a big moment’
The AO Arena gig is a big deal, but it’s not the first time the star has been faced with a huge hometown crowd.
He was one of the headliners of Parklife festival back in 2018, a performance that stands out for him.
“I went there nervous,” he admits. “You do wonder if anyone will care when you rock up on stage.
Bugzy Malone on stage at Parklife in 2018. Credit: Andy Hughes
“But I remember I couldn’t see to the back of the audience, it was just thousands of people out on the field.
“The reaction was insane. When I rolled up on stage it was just a complete shutdown.
“That for me stands out as a big moment and a moment when I knew that my hometown was behind me and I’d built to a big place.”
‘You’re not supposed to go shopping when your face is in the window’
Bugzy’s fame has grown exponentially since his days of freestyling on YouTube (he’s now amassed more than 320m views), and the journey has come full circle.
He says he remembers window-shopping at JD (though he was always ‘nervous’ browsing in Selfridges, which is ‘a bit posh’) with his mates as a teenager.
Then the first time he was recognised and asked for a photograph was also in a JD.
And now, his face is in the windows.
He says: “There are things that I miss from when I wasn’t famous – Manchester is a real community-based place and I was a kid who was just everywhere all the time.
In 2019, with the B. Malone trainers he designed. Credit: Twitter @thebugzymalone
“You start becoming a little bit famous and that becomes harder to navigate.
“For the first year I’d be looking at my friends like ‘This is mad isn’t it?’ but eventually you start to understand the connection with you and your fans.
“And then flipping heck, eventually we had the clothing [his range B.Malone] in JD.
“I was still in the habit of running in there for a pair of trainers but one time I was shopping and there was a big picture of me.
“It started to not look right and not feel right. The perception is that you’re not supposed to be in there buying a pair of Nikes when your face is in the window.”
‘Touring is too big of an obligation’
While he’s promised to keep making music, and working the festival circuit, there won’t be a tour of this scale again.
He’s just not got the time with his fingers in so many pies, and refuses to do anything half-heartedly.
“I’ve just got to a stage now where my time’s just really taken up with the bigger picture of where I’m going and where I’m expanding to, so instead of half-heartedly doing anything, I thought I’ll go and do some festivals and connect with people there, but in terms of a tour, it’s a little bit too big of an obligation.
“People will get 100% of me, but next year, the year after, if I’ve got three or four films lined up and big business ventures flowing, I can’t promise that.
“And that’s what’s important for me. As long as I put 100% in, I’m happy.”
Bugzy appeared in Guy Ritchie’s The Gentlemen alongside Hugh Grant and Matthew McConaughey, and has recently been filming alongside Jason Statham in Doha, again on a Guy Ritchie project, due to for release in January.
Acting is time-consuming, he’s discovering, saying: “It all involves a lot of commitment to rehearsals and a lot of commitment to training.
“I’m a secret agent now,” he jokes, “I had to look cool, you know?
“I’m in the film with Jason Statham and as you know, he’s in crazy shape, so I had to put myself through my paces to get into the shape of my life.
“I turned up in the Middle East for that film and I was in solid shape, I won’t lie to you, and it’ll be the same process for the tour.
“It makes you a sharper individual.
“I’ve got myself to a level of fitness now where I’m capable of anything.”
‘It takes hard work and dedication to transcend the position you start in’
Bugzy Malone in The Gentlemen. Credit: Twitter @thebugzymalone
Bugzy repeatedly circles back to the message of inspiring future generations.
“I have an investment in people that come from a similar situation to me, which was basically struggle,” he says.
“It takes hard work and dedication to transcend the position you start in.
“You’ve got to figure out who you want to be and build yourself up.
“Any ventures that I’ve got going on, it’s a new opportunity to speak to my audience and teach lessons.
“Everything I do is about the narrative of get up out of bed and create yourself some freedom – financially and psychologically.”
Bugzy Malone will play at the AO Arena on Saturday, December 4. Final tickets are now on sale through Gigs and Tours.
Featured image: Publicity picture
Feature
Drinking around the ‘Beermuda Triangle’ of brewery taprooms in Manchester
Daisy Jackson
If you’re looking for the best pints in Manchester, turn your ass around at the door of the pub and head to the ‘Beermuda Triangle’, a corner of the city centre where taprooms are king.
Our city has a great rep for craft beer and microbreweries, and a lot of these are concentrated in one brilliant, unexpected stretch of industrial estate.
Head beyond Manchester Piccadilly and you’ll find yourself in an area nicknamed the ‘Beermuda Triangle’, where tucked among tool shops and warehouses are breweries welcoming in thirsty punters.
These are places where you can sip on the freshest lagers, ales and sours, straight from the source.
As you kick back in one of these taprooms, you can see the brewers hard at work on their next creation, and see beers being canned before your eyes.
There are, of course, plenty of other taprooms and brewery-operated bars all over Greater Manchester, but if you want to minimise your step count and maximise your drinking time, this is where to head.
So we’ve gone out exploring the current residents on the Beermuda Triangle (I know, tough job) to give you the low-down for your next pub crawl.
All the taprooms on Manchester’s Beermuda Triangle
Cloudwater
When you think of craft beer, you probably think of these guys.
Since being founded in 2014, Cloudwater has gone on huge things and is now listed among the largest craft beer brands in the UK.
They’ve got their own pub (The Sadler’s Cat), a taproom down in London, and a huge brewery next-door to their taproom on the Piccadilly Trading Estate.
In here, it’s a stripped-back, Scandi-style interior upstairs, with a few extra tables squeezed in amongst oak barrels downstairs, plus a decent suntrap terrace out the front.
Our order? A pint of Fuzzy pale ale.
Track
Track TaproomTrack Taproom
Another big player in the craft beer game, Track’s taproom is comfortably one of Manchester’s coolest bars.
It’s a huge space, split between the actual brewery and the taproom, where beers are displayed on a rainbow-hued menu board and their own merch lines the walls.
With loads of plants, a leafy little beer garden, and a small kitchen that’s home to Slice Culture pizzeria, this one is the least rough-and-ready of all the taprooms on the Beermuda Triangle.
The most logical order here has, and will always be, Sonoma, they’re easy-drinking session pale ale available on both cask and keg – but there are always tonnes of other beers beyond their core range that are worth your attention.
Sureshot
Sureshot proves that you can take the art of brewing seriously but still have a laugh, with silly beer names and a giant bear mascot manically grinning at you as you sip your beer.
What’ll it be – a pint of ‘Wait… What?’, a schooner of ‘Small Man’s Wetsuit’, or a third of ‘Be Polite and Comb Your Hair?’.
They’re known for their hop-forward styles but are always dreaming up new creations and collaborations, like a recent sour with Bundobust, and collaboration with inclusive football club Manchester Lacesm with a donation of each ‘I Thought She Was A Pisces’ sold going to the club.
This one’s off the Piccadilly Trading Estate and is under the railway arches, handily with Nell’s next door who will deliver you a pizza while you’re on your taproom crawl.
Balance Brewing & Blending
The final stop on the Beermuda triangle is Balance, who specialise in barrel-fermented sours.
The taproom itself is a real looker, with fairy lights festooned overhead, a deep burgundy bar, and persian rugs thrown all over the concrete floors.
The beers here are all funky and punchy and well worth ordering a few testers of before you make your final decision.
Whatever you order, it’s going to have good British roots and a beautiful flavour.
Five Manchester artists we’ve been listening to this month | July 2025
Danny Jones
Hello again, it’s us: The Manc, or more specifically, our Audio North arm – back to talk about the music coming out of Greater Manchester that we’ve been listening to over the past month.
If you’re new here, it really is as simple as that, and whether they’re revered veterans of the region’s music scene or what we think might be the next up-and-coming thing, as long as it’s from ’round our way, we’ll give it a chance.
Five native artists, three recommended tracks from each and hopefully hours of exciting new listening if you play your cards right.
Headphones and playlists at the ready. Here’s what we had on in July.
Manchester music we’ve been into recently
1. poor effort
We’re kicking things off with an experimental project from Salford-born and Manchester-based musician and writer, Matty Dagger, whose new outing in the spoken word space immediately caught our attention when it came down the grapevine. It’s a bit alternative, a bit punk and very Manc. We love it.
Some might say it’s reminiscent of Yard Act and Sleaford Mods, which would be fair, but more specifically, our first listens gave us Stockport’s very own Hello Cosmos with a sprinkling of Oldham’s Seb Lowe (both previous monthly picks). The lyrical/vocal delivery is charmingly casual and anecdotal.
Dagger’s poor effort couldn’t be anything less than; there seems to be a very considered approach to the more electronic style of spoken word and poetry-driven music. You can complete the discography already, but we’d start with ‘you’re wrong, i’m right (symphony)’, ‘HMRC’, and then ‘City of Hope’.
Cool visual aesthetics going on too.
2. Victoria Jane
Next up is a big knee-jerking turn in genre and overall temperament, as if Dagger has been making us pay microscopic attention to every word and Greater Mancunian reference, this local musician hooked us in with her somewhat quieter but inviting timbre of voice and smooth, almost sleepy melodies at times.
Victoria Jane may have been born in London, having previously collaborated as part of the Vibbar collective, but having moved to 0161 as a kid and falling in love with Man United, she’s always immersed herself in the Northern way. The R’n’B act also presents BBC Radio 1 ‘Future Soul’ show.
Her work really hits all the notes you want, from smooth and soulful singing, to not quite voice cracks but soft, intentional breaks that often feel nigh on agonising – as if she’s into you and welcoming you to slump back the other way. ‘The One’, ‘Voicenote Freestyle’ and ‘On My Own’ are our picks.
Number three is, admittedly, another big whiplash when it comes to overall experience, but it’s one of the most unique musical discoveries we’ve made in a hit minute. This musical duo is called Phellotape, conceived by double bassist Alice Phelps and multi-instrumentalist producer Thomas ‘Twem’ Twemlow.
They met while playing in the queer alt-rock outfit, The Irrepressibles, but this project could be branded as anything from alternative and/or experimental to maybe even art pop. All we know is the multi-talented mix of instruments within almost every section, and pulling from numerous styles is pretty staggering.
Rather fittingly, there are only two recorded tracks to their name so far; ‘Rain’ is a quiet, atmospheric song that puts you in mind of London Grammar with a mix of the xx and Massive Attack, while ‘Hungry Ghost’ is quite easily one of the most interesting tunes we’ve heard in the past decade. No exaggeration.
4. 10cc
Fancing something more familiar for number four? Well, as a born and bred Stopfordian myself, every now and again I go back and admire some of the incredible names that recorded at the town’s famous Strawberry Studios – one of which is Stockport‘s very own 10cc. Great name, great band.
The moment I heard my then-teenage brother play ‘Donna’, I was baffled as to why he was playing what I then just dismissed as “old music”, before it quickly got stuck in my head. Is it their best tune? No. Does it still hold a special place in my head and heart? Yes. Do they have other standouts? Absolutely.
For the record, while most people recognise the likes of the controversial ‘Dreadlock Holiday’, I’d argue ‘Good Morning Judge’ is their best track and the first time I listened to it, I thought it was one of the coolest sounding intros ever. Still do. ‘I’m Not In Love’ with them, but they are a core childhood memory.
A hugely undercelebrated of Greater Manchester music history (Credit: AVRO/Dirk Annemans (via Wikimedia Commons)
5. Oasis
Speaking of legends who evoke nothing but feelings of hometown pride, legacy and pure admiration, it’d be the most see-through lie ever to pretend that we haven’t spent most of this last month listening to the almighty Oasis amid their comeback tour.
We had the pleasure of being there at Heaton Park and up on ‘Gallagher Hill’, which now has its own precious place in British music history, and July as a whole still feels akin to a fever dream and similar to what we imagine Glastonbury is like for those nearby when it takes over their entire universe.
July 2025 really was “biblical” and we don’t think we’ll ever get over it, so, last but not least, we’d thought we’d give a special shout-out to some of our favourite tracks that didn’t make the setlist. ‘Don’t Go Away’, ‘Shock of the Lightning’, ‘Round Are Way’. Done.
As The Masterplan proved, everything from the so-called ‘filler’ album tracks to those B-sides is better than most other bands could dream of. As you were x
Daisy Jackson -
19th November 2021 
