Bugzy Malone is a rap sensation, an actor, a clothing designer, and – in his words – a man who is ‘capable of anything’.
On the brink of his biggest UK tour to date, which includes a massive homecoming gig at Manchester’s AO Arena, Bugzy’s rise to the big leagues didn’t come easy.
He had to break into an industry that was stubbornly focused on London, escape a life of ‘struggle’, and put in serious graft.
He’s at the highest point of his career so far – and yet, this will be his final tour.
In an exclusive interview with The Manc, we hear about Bugzy’s retirement from the touring circuit, his memories of finding fame in Manchester, and how he got into ‘the shape of his life’.
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‘People call me the king of the north’
Growing up in Crumpsall, Bugzy Malone is a born-and-bred, loud and proud Mancunian.
He’s been dubbed ‘King of the North’ – also the name of his chart-topping EP – which is a title he takes seriously.
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“I see it as my duty to give a good account of myself for the north so people can come after me and be taken seriously,” he tells us.
“I was the first Manchester artist to get taken seriously in what was a London-centric industry, in my genre of music anyway – obviously there was Oasis and things like that.
Bugzy Malone
“We’ve laid a foundation here for other rappers from the north of England to go into the industry and make a serious impact.”
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He name-checks a couple of rising stars from our region – Moston-born Aitch and ‘very talented’ rapper Meekz Manny.
“All I would really say to them guys is ‘Keep going’,” he says.
“The talent’s there in Manchester but the belief system’s not.
“I’m hoping this tour will demonstrate that it can happen – it’s been six years and here I am performing at the arena in my hometown.”
‘Who better to headline the Manchester Arena than me?’
Bugzy Malone will be the first solo grime artist to headline Manchester’s enormous AO Arena.
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It’s a big undertaking to perform in front of a crowd of 21,000 but he’s match-ready.
“For the first rapper from my genre to headline the Manchester Arena, who better than me to do it?” he asks.
2.7M VIEWS IN 5 DAYS & TRENDING #1 😅 All i’m saying is if WARMODE hits 3 Million views by Thursday night, FUCK IT i’m bringing my Lambo out on stage the night of the Manchester arena tour show on Dec 4th!!! 💪🏾😤#RunItUppic.twitter.com/9NYiXlEIxV
“As you know, Manchester’s a unit. To stand there with my audience, who are a real loyal bunch of individuals.
“They’re my people – the people I was getting on the bus with, the people I was sat on the tram with, the people I was walking in the Arndale with. That’s a real deep connection.
“You can’t beat the atmosphere at a Manchester show.”
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He promises that there are ‘serious surprises’ in store on the Resurrection tour, adding: “There are people coming out on stage to perform with me that’s going to blow people’s minds that they’re coming out on tour with me.”
‘Parklife was a big moment’
The AO Arena gig is a big deal, but it’s not the first time the star has been faced with a huge hometown crowd.
He was one of the headliners of Parklife festival back in 2018, a performance that stands out for him.
“I went there nervous,” he admits. “You do wonder if anyone will care when you rock up on stage.
Bugzy Malone on stage at Parklife in 2018. Credit: Andy Hughes
“But I remember I couldn’t see to the back of the audience, it was just thousands of people out on the field.
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“The reaction was insane. When I rolled up on stage it was just a complete shutdown.
“That for me stands out as a big moment and a moment when I knew that my hometown was behind me and I’d built to a big place.”
‘You’re not supposed to go shopping when your face is in the window’
Bugzy’s fame has grown exponentially since his days of freestyling on YouTube (he’s now amassed more than 320m views), and the journey has come full circle.
He says he remembers window-shopping at JD (though he was always ‘nervous’ browsing in Selfridges, which is ‘a bit posh’) with his mates as a teenager.
Then the first time he was recognised and asked for a photograph was also in a JD.
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And now, his face is in the windows.
He says: “There are things that I miss from when I wasn’t famous – Manchester is a real community-based place and I was a kid who was just everywhere all the time.
In 2019, with the B. Malone trainers he designed. Credit: Twitter @thebugzymalone
“You start becoming a little bit famous and that becomes harder to navigate.
“For the first year I’d be looking at my friends like ‘This is mad isn’t it?’ but eventually you start to understand the connection with you and your fans.
“And then flipping heck, eventually we had the clothing [his range B.Malone] in JD.
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“I was still in the habit of running in there for a pair of trainers but one time I was shopping and there was a big picture of me.
“It started to not look right and not feel right. The perception is that you’re not supposed to be in there buying a pair of Nikes when your face is in the window.”
‘Touring is too big of an obligation’
While he’s promised to keep making music, and working the festival circuit, there won’t be a tour of this scale again.
He’s just not got the time with his fingers in so many pies, and refuses to do anything half-heartedly.
“I’ve just got to a stage now where my time’s just really taken up with the bigger picture of where I’m going and where I’m expanding to, so instead of half-heartedly doing anything, I thought I’ll go and do some festivals and connect with people there, but in terms of a tour, it’s a little bit too big of an obligation.
“People will get 100% of me, but next year, the year after, if I’ve got three or four films lined up and big business ventures flowing, I can’t promise that.
“And that’s what’s important for me. As long as I put 100% in, I’m happy.”
Bugzy appeared in Guy Ritchie’s The Gentlemen alongside Hugh Grant and Matthew McConaughey, and has recently been filming alongside Jason Statham in Doha, again on a Guy Ritchie project, due to for release in January.
Acting is time-consuming, he’s discovering, saying: “It all involves a lot of commitment to rehearsals and a lot of commitment to training.
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“I’m a secret agent now,” he jokes, “I had to look cool, you know?
“I’m in the film with Jason Statham and as you know, he’s in crazy shape, so I had to put myself through my paces to get into the shape of my life.
“I turned up in the Middle East for that film and I was in solid shape, I won’t lie to you, and it’ll be the same process for the tour.
“It makes you a sharper individual.
“I’ve got myself to a level of fitness now where I’m capable of anything.”
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‘It takes hard work and dedication to transcend the position you start in’
Bugzy Malone in The Gentlemen. Credit: Twitter @thebugzymalone
Bugzy repeatedly circles back to the message of inspiring future generations.
“I have an investment in people that come from a similar situation to me, which was basically struggle,” he says.
“It takes hard work and dedication to transcend the position you start in.
“You’ve got to figure out who you want to be and build yourself up.
“Any ventures that I’ve got going on, it’s a new opportunity to speak to my audience and teach lessons.
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“Everything I do is about the narrative of get up out of bed and create yourself some freedom – financially and psychologically.”
Bugzy Malone will play at the AO Arena on Saturday, December 4. Final tickets are now on sale through Gigs and Tours.
Featured image: Publicity picture
Feature
Five Manchester artists we’ve been listening to this month | April 2025
Danny Jones
Fashionably late to the party this month, but we’re sure you’ll forgive us because we’re back with yet another stellar lineup of Manchester bands and artists for you to get your teeth into – some new, others criminally unsung, and all equally brilliant.
Your playlists are about to get a good old refresh.
In case you’re new around here, we here at The Manc and Audio North set aside some time every month to look back on the local musicians we’ve been listening to over the last few weeks.
Whether they are Greater Mancunians born and bred or they’re adoptees who have made Manchester their musical home, anything goes and there’s always something for everyone. Let’s get stuck in.
New Manchester bands and artists we’ve been listening to lately
1. Strawberry Lemonade
First up is the delightfully dubbed Strawberry Lemonade, who sound even sweeter than their name, not in a sugary pop music way, but in the sense that sliding guitar riffs as well as plenty of fast-paced strumming and drumming feel like you’ve just necked a glass of, well…
There’s a classic rock and roll swagger to their music, and while many might argue that a lot of new Manchester bands are trying to nail this kind of sound – already a challenge in a city so oversaturated within this genre – they’ve managed to catch our eye.
Having recently headlined a sold-out show at the iconic Deaf Institute, one thing we know for sure is that they’ll be moving on to even bigger venues sooner rather than later. In terms of standout tracks, we rate ‘Nightime’ and ‘Control’; plus, you’d be a fool not to give their latest single ‘Bother At All’ a go.
Next up is the alliterative Danny Darlington, who seems to have emerged out of nowhere to pique our curiosity with some of the most sprawling and varied songs in less than 12 months. He quietly released his first song back in March 2021 but we’re definitely paying attention to his most recent work.
To call it indie would be a major oversimplification; alt-pop doesn’t quite fit either – all we can tell you is that the solo artist from Bury seems to be more than happy pushing in different directions and experimenting with different sonics, with more effects, pedals and electronics being thrown into the mix.
‘Freya’ is a fantastically chill tune, ‘How To Feel’ ends with a really pleasant and punchy surprise, and we’re big fans and one of his older tunes, ‘Parma Violets’, which has a recognisable contemporary indie vibe with some great production for someone who was still just starting out.
3. Nightbus
Fittingly for number three, we’ve got a trio and a band that feels like one of the Manchester music scene’s best-kept secrets somehow. Seriously, we’re genuinely kind of annoyed that more people don’t know about Nightbus because they’re absolutely brilliant.
The xx, New Order and Cocteau Twins are some of the names that come to mind when making our way through their still limited discography, though there is a very fun collection of remixes of their work so far, which genuinely rival some of the original versions.
Also, it might only be a little thing, but we really like the very uniform aesthetic and visual style too; the album artwork typeface almost hints at limited gig poster prints with that self-contained theme per album cycle, a la The 1975. ‘Way Past Three’, ‘Average Boy’, and the E24 mix of ‘Mirrors’ are our three.
Such a jam.
4. Conor & The GreensKeepers
The penultimate name on our list is a collective that has actually been around for a while now and is steadily starting to earn some of the profile they’ve been long overdue in our opinion, but we’ll never tooting our horns about these lot. They’re also utterly incredible live.
Fronted by lead singer and charismatic performer Conor Michael, The GreensKeepers are some of the most underappreciated artists anywhere in Greater Manchester right now, and no matter how many new bands come along, we firmly believe these 13 unbelievable musicians deserve your attention.
As for picks, recent release ‘Roundabouts’ has that UKG and rap flavour they enjoy; ‘U + I’ is now a go-to lo-fi work soundtrack, and ‘Sip from a Rose’ is their spin on jazz and neo-soul in a nutshell. Put simply, it’s music that makes you feel something from the first note and almost never fails to inject a bit of joy.
Arriving by way of Birmingham, the Manchester-based group will be returning for MJF 2025 as well as Green Island Festival.
5. Slap Rash
Last but not least, we’re finishing the loudest, most raw, raucous and in-your-face artists we’ve probably ever put on one of these lists, and it comes in the form of the ferocious duo known as Slap Rash. Great name, even better ragers.
This absolutely riotous project is the brainchild of locally-based brother-and-sister partnership, Amelia and Huw Lloyd, who might just have knocked the likes of Royal Blood off the top spot for making the most noise that is physically possible for two humans to make.
We honestly love this pair. It’s the epitome of thrashy hardcore with an unhealthy dose of distortion, boasting hints of Drenge, early IDLES, Demob Happy and more. We genuinely don’t know where to best to start, but ‘Holy Smoke’ puts hairs on your chest, ‘Griefcase’ is class, and so is ‘Histrionic’.
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Swordplay and rock ‘n’ roll: A Knight’s Tale comes to Manchester Opera House
Danny Jones
From the moment the curtain rises at Manchester Opera House, A Knight’s Tale bursts into life with exhilarating energy. This stage adaptation of the beloved 2001 film expertly blends medieval spectacle with a bold, modern twist.
Full of jousting tournaments, noble quests, and underdog triumphs, the production delivers both heart and high drama – all with a heady dose of rock ‘n’ roll.
At the centre of it all is William Thatcher, a young squire who dares to defy his lowly birth and enter the world of high-born knights. Played with charm and confidence by Andrew Coshan, William’s journey from peasant to jousting champion is rousing, if occasionally veering into heroic cliché.
Still, Coshan’s likability and natural charisma keep the audience cheering for him through every lance charge and dramatic monologue. The supporting cast also shines.
A standout is Eva Scott, whose comic timing and delivery consistently land laughs, often stealing scenes with her sharp one-liners.
Meanwhile, Meesha Turner brings elegance and spark to the role of Princess Jocelyn. Her powerful vocals during the show’s pop-classic ballads transform the character into a fiery, modern princess you can’t help but root for.
The production’s standout sequences are undoubtedly the jousts, theatrical set pieces that are an absolute masterclass in stagecraft. Using a clever combination of rigging, physical choreography, and dynamic sound design, the creative team conjures a truly immersive atmosphere.
Dramatic lighting and resonant sound effects make you feel the thud of hooves and the crash of lances. The cleverly designed set, featuring an arena-style jousting field, draws the audience into the action in a way that feels fresh and cinematic.
However, the show stumbles slightly in its quieter, more emotional scenes. The dialogue, while laced with humour, sometimes dips into melodrama. The villain, Count Adhemar, feels a touch underwritten, with motivations that don’t quite match the emotional weight the story strives for, but is still well-acted.
Don’t just take it from us: the A Knight’s Tale reviews from Manchester crowds are already very strong.
The stakes between him and William never fully build to the payoff they could – leaving certain dramatic beats a little flat. Musically, the show makes a bold departure from traditional scores. Instead, it leans into a soundtrack of classic rock anthems; think Queen, AC/DC, The Who and more.
At first, it seems like an odd match for a medieval tale, just as it did with the movie, but it works brilliantly. The music injects the show with rebellious energy and gives it a timeless quality. It’s loud, bold, and exactly what this high-octane tale of ambition and identity calls for.
A special mention must go to the ensemble and choreography. The jousting scenes are beautifully choreographed, blending acrobatics, dance, and swordplay with seamless precision. Even in quieter moments, the movement on stage supports the storytelling with subtle grace.
But the unexpected stars of the show? The horses. Designed with clever costume and movement illusions, they create the convincing effect of riders in full gallop – and at times, they very nearly steal the spotlight altogether.
Credit: Supplied
Though clearly aimed at adult audiences, with its cheeky humour and classic rock soundtrack, the show flirts with the spirit of panto, oversized characters, regional accents, and exaggerated physical comedy. And it works.
The regional dialects add warmth and levity, grounding the fantasy in a cheeky, very British sensibility. In the end, A Knight’s Tale is a triumphant and entertaining spectacle, an electrifying mix of medieval mythology and modern musical theatre.
Whether you’re a die-hard fan of the original film or seeing the story for the first time, this production offers a fun, fast-paced, and surprisingly heartfelt night out. It’s not perfect, but it’s hard not to be swept up in the clashing swords, galloping hooves, and power chords.
Put simply, this is a knight to remember – with a soundtrack that slays.
Daisy Jackson -
19th November 2021 
