At a fancy-dress party in the early 1980s, one guest stood out among the various heroes and villains of the night: A man in a giant papier-mache head.
The face was shaped like a rugby ball. The eyes were wide and unblinking, resembling a pair of Pacman heads. The hair was painted-on – with a single streak removed to resemble a side parting. The mouth was carved out as a pair of protruding, pillowy lips.
That party crowd – who were both tickled and terrified by what they saw – would be Frank Sidebottom’s first ever audience.
Within months, people were actually paying to see him.
By the nineties, Sidebottom – a whiney, constantly-distracted overgrown child in a badly-fitted suit – had turned into a multi-talented superstar of Timperley: A lead singer, comedian, chat show host, guest speaker and football club founder all rolled into one.
He left his mark in music, media and print; spending a lot of time performing off-key, localised covers of classic songs (Born In Timperley, Panic On The Streets Of Timperley, Anarchy In Timperley etc.) whilst his other adventures were detailed in cartoons (drawn himself).
When he wasn’t performing on stage or cheering on his football team Timperley Bigshorts (which he created) from the sidelines, Sidebottom could be found frolicking all over Manchester, be it splashing through water fountains on live TV, pestering passers-by, or parading through gardens with the head of Aphex Twin on a stick.
He appeared at Reading Festival, Wembley, The Cavern Club and pretty much any place in Manchester that had a stage. Sometimes he’d just head out to the pubs and chat nonsense to a half-drunk crowd.
He lived an enigmatic life quite unlike any other character in history – with authors, journalists, filmmakers and fans still poring through his back catalogue to this day.
The man underneath the head was Chris Sievey – a young illustrator, doodler and musician. He’d mocked up the costume on a whim for an evening out, but decided to don the large head more regularly after seeing Sidebottom strike a chord.
The papier-mache was constantly being refined before eventually being upgraded to fibreglass, and Sievey would always wear a nosepeg tied to a cord around his ears to ensure Sidebottom spoke with a nasal, northern twang.
One person to play with Sidebottom during his heyday was journalist Mark Kermode.
“Everyone who was in Manchester at that period gigged with Frank Sidebottom,” commented the critic.
“Because Frank Sidebottom performed all the time, anywhere and everywhere.”
Starting out as mega-fan for The Freshies (Sievey’s band), Sidebottom slowly turned into a big draw on the gig circuit, which led to him branching out as his own musician, before eventually turning into an interviewer and on-the-ground journalist.
He became the Manc equivalent of The Naked Cowboy in Times Square; a familiar sight for locals, but someone who perplexed out-of-towners.
Given his Marmite brand of humour, it was always fascinating to see what type of reaction Sidebottom would get from his interview subjects. Celebrity guests on his chat series Frank’s Proper Tele Show would either keel over laughing at the absurdity of it all, or sit squirming in their seats in visible discomfort.
Not that it really mattered who was on the show, anyway. They’d barely get a word in edgeways.
Sidebottom would pepper his guests with inane questions and seemingly lose interest in the answer before the final word fell off his tongue; promptly flopping back into his chair, flailing his limbs in the air, or letting his oval head droop to the ground.
Sometimes, he’d make an inquiry then respond to it himself. On other occasions he’d throw tantrums.
Sidebottom’s later shows were screened on the now-defunct Channel M for smaller local audiences, and there’d be ridiculous prizes for those who tuned in. He would proudly present items like “out of date food”; “a press pass to get into an event that’s already finished” and “pickled Power Rangers” (toy figures inside pickle jars); promising to mail each gift out to the winner.
As if Sidebottom himself wasn’t peculiar enough, he’d often bring out a cardboard mirror image puppet – Little Frank – who he’d routinely berate.
Anyone meeting Sidebottom would find getting a sensible conversation out of him absolutely impossible. One BBC interviewer, adamant to uncover the truth, once asked him: “What is it you’re trying to do?”
“I’m trying to make some money without me mum finding out,” replied Sidebottom.
But it was supposed to be that way. As his old bandmate Rick Sarko put it: “Frank didn’t want to be exposed as being a normal human being. Which he wasn’t.”
Very few people had Sidebottom figured out. Even now, ten years after his death, speculation surrounding the character remains rife.
Some think he was just a bizarre comic creation built solely as an excuse for Sievey to act daft and score cheap laughs in snooker clubs. But those closest to the man with the big red smile believed it was more complicated than that.
The fact that Sidebottom’s true identity was a mystery for many years was no accident. Sievey had gone to great lengths to keep it that way.
One of the few people who knew the real man during his lifetime was the journalist Jon Ronson, who played alongside Sidebottom in his Oh Blimey Big Band (the criteria for getting into the group was Ronson’s ability to play notes C, F and G successfully).
When Ronson walked backstage for the first time and said hello to “Chris”, a strange silence filled the air. He cautiously corrected the greeting to “Frank”, and only then, did he get a cheery, nasally reply.
When it came to Sidebottom, Sievey never, ever phoned it in. When that giant head went on, he completely slipped away and let his chaotic character take the reins.
Mick Middles, Sidebottom’s biographer, suggested Sievey was consumed by his creation, calling the transformation into Sidebottom as “unsettling and remarkable”.
It reached a point where Sievey flipping between egos wasn’t entirely voluntary. It just happened.
Ronson remembers that Sievey would sometimes stay in character as Sidebottom for hours after he was done performing – despite there being no audience to play up to.
Andy Hay / Flickr
Sievey and Sidebottom seemed to live very different lives. But occasionally, the lines between them would blur.
When Sievey was summoned to court for late payments to HMRC, for example, the experience was supposed to scare him straight, but instead it served as inspiration for Sidebottom to write a song about the merits of the taxman.
The footage of him singing “tax is absolutely fantastic” whilst merrily filling in financial forms on a kitchen table in front of an absolutely baffled onlooker is gold.
A restless creative and fun-loving cartoonist, Sievey had little time for the dull seriousness of adulthood, and Sidebottom offered him the perfect outlet for escape.
Still, the pair didn’t always coexist harmoniously.
In Steve Sullivan’s wonderful documentary, “Being Frank”, it’s revealed that Sievey set the costume aside for a period, partly resenting the fact that Sidebottom had become famous when “Chris” had not.
Sievey spent time away from Sidebottom by working as a designer on animated shows like Pingu and Bob The Builder, but he couldn’t stay mad at his alter ego for long.
After a lengthy absence, he blew the dust off the head and the two reconciled, although the comeback would tragically be cut short.
Sievey was diagnosed with cancer in 2010, and he was found unresponsive on the floor of his flat just weeks later.
He passed away on 21 June 2010 at the age of 54.
Frank Sidebottom & Chris Sievey’s Big Page / Facebook
Despite Sidebottom’s local fame, Sievey died almost penniless, and was left facing a pauper’s funeral until Ronson tweeted the news to followers.
Within hours, Sievey’s family had a pot overspilling with thousands to give him the kind of send-off he deserved.
Sidebottom has been gone for a decade, but you can still see him today – encased in bronze in his hometown of Timperley; a single thumb raised to greet passers-by.
The Sidebottom statue sculptor, who hailed from Eastern Europe, admitted she’d never seen anyone quite like him when she was recruited to do the work.
Even in death, Sidebottom was still surprising people.
A scheduled memorial was due to take place in Timperley this weekend; ten years to the day since Sidebottom bid farewell. But, like so many other major gatherings in 2020, the meet-up has been scuppered.
You can’t help but wonder what Sidebottom would have made of everything happening today. He’d certainly have had no problem with being locked down in his hometown.
Between his statue’s feet lies a plaque containing a message scrawled in the lower-case cartoonish handwriting style that both Sievey and Sidebottom favoured.
“As long as I gaze on Timperley sunset, I am in paradise,” it reads.
You know he was, he really was.
Feature
The Manchester charity that’s championing the community one step at a time
Thomas Melia
There’s a Manchester-based charity which is helping uplift and champion communities throughout the city centre and wider Greater Manchester region.
Us Mancs certainly know a thing or two about community, whether it’s our influential music scene, football clubs, our hospitality scene and so on, but Forever Manchester takes this to the next level.
This charity has been consistently funding and supporting community initiatives throughout Greater Manchester by helping people achieve the extraordinary, all while maintaining plenty of local pride.
Forever Manchester was born from a mission to support the people and places that make Greater Manchester magic, and is all about making sure the community is at the forefront of everything they do.
Credit: Forever Manchester
The community-first charity has invested over £65 million into local communities and awarded £517,968 to over 100 different community groups.
This isn’t a new charity either, Forever Manchester has been deep in our city’s culture for quite some time since launching in 1989, most notably commissioning local poet Tony Walsh’s ‘This is the Place’.
The piece was originally published in 2012 before finding a very special place in our hearts back in 2017 when Walsh performed the poem at a vigil for the Manchester Arena attack.
This love letter to Manchester has not only gone on to become a part of the city’s history but also reaffirmed this organisation’s place throughout communities in the region.
Credit: Supplied
Now, the community-minded charity is ready to make a mark in 2025 with a whole host of initiatives, including a Forever Manchester lottery, pub quizzes, comedy nights and disco bingo.
Anyone looking to find out more information about this community-first charity and see some examples of the work it does can visit Forever Manchester’s official website.
Remember, this is a city that looks after its own – that’s the kind of energy we want to see you keeping up all year long.
And, if you have a soft spot for a tote bag or wall art prints, look no further than Forever Manchester’s shop, where every purchase directly contributes to community activities in Greater Manchester HERE.
14 iconic Oasis locations you need to visit in Manchester
Thomas Melia
Oasis are back and ahead of their sold out Heaton Park gigs, we’re showing you some of the band’s most iconic Manchester-based locations.
If you haven’t heard already, the Oasis reunion is well and truly in full swing, so what better way to celebrate than visiting some of the band’s most iconic locations in and around Manchester city centre.
Whether you want to visit the place where the boys sat together practicing their hits and eating ‘Digsy’s Dinner’, or feel ‘Supersonic’ as you stroll past their favourite football stadium, these locations should be on all Oasis fan’s radars.
Take it easy and ‘Roll With It’ as you admire an Oasis mosaic in Manchester’s Northern Quarter or ‘Go Let It Out’ as you fangirl before posing next to the actual fireplace from the Definitely Maybe album cover.
Enough time talking, now we’ve got to figure out ‘The Masterplan’ to fitting a visit to each of these iconic Oasis locations all in one day… ‘Stand by Me’ we’ve got some ground to cover.
Iconic Oasis locations around Manchester city centre
Oasis are set to play five historic sold out nights at Heaton Park in Manchester this July.
Etihad Stadium
Both Liam and Noel Gallagher have been Manchester City supporters since day one / Credit: The Manc Group
If there’s one thing Manchester loves as much as its music – it’s football, and these two Burnage boys are no different, because they’ve been showing up for a familiar blue team since day one.
Located and right next to Manchester’s newest live entertainment venue Co-op Live, why not pay the Manchester music landmark a visit too.
Where to find: Etihad Stadium, Etihad Campus, Manchester M11 3FF
India House
Noel lived in a flat at India House from 1989 to 1993 / Credit: The Manc Group
Just off Oxford Street you’ll find a very impressive Edwardian-style building with a big gold plaque outside labelled ‘India House’ – it’s even more impressive when you learn that Noel Gallagher had a flat here.
Legend has it the Gallagher brother came up with lots of the Britpop band’s most legendary hits including ‘Rock ‘n’ Roll Star’ here. Oh to be a fly on the wall when Noel wrote ‘Live Forever’.
He loved this city centre flat so much that he decided to pose outside it in 2023 for a student-led photography project titled ‘Greater Mancunians’.
Where to find: India House, 73 Whitworth Street, Manchester, M1 6LG.
This place needs no introduction as the second you even speak the word ‘Hacienda‘ the yellow and black striped poles, spotlights and cigarette smoke hit you like a brick.
Besides being one of Manchester’s most famed nightclubs thanks to the help of performances from The Smiths, New Order, Oasis and even pop royalty Madonna.
Unfortunately, this piece of Manchester’s music history was demolished in 2002 but its legacy lives on with the film 24 Hour Party People Where one scene was filmed on a rooftop in Rochdale – now The Hacienda Apartments stand in its place.
Where to find: The Hacienda Apartments, 21 Albion St, Manchester M1 5DA
The Boardwalk Nightclub
Oasis played their first gig at The Boardwalk on 14 August 1991 / Credit: The Manc Group
The Boardwalk was once a thriving nightclub and entertainment venue that welcomed the likes of The Charlatans, Happy Mondays, The Stone Roses and of course the venue where Oasis played their first gig.
The basement of this popular live music venue was once a rehearsal space for some of Manchester’s most recognisable names including James and Simply Red.
From the 90s until its closure just before the Millennium, The Boardwalk became a cultural hub for all things indie rave scoring itself a blue plaque as a ‘Madchester Venue Nightclub and Rehearsal Rooms’.
Where to find: 21 Little Peter St, Manchester M15 4PS
The next place isn’t just an iconic Oasis location, it’s also one of the most important as it’s where the band came to fruition.
This terraced property is the childhood home of founding Oasis member and guitarist, Paul Arthurs, more often known by his nickname ‘Bonehead’.
The West Didsbury house is also a part of global music history with the band shooting the artwork for their 1994 debut studio album Definitely Maybe, now one of the most recognisable Britpop covers ever.
Where to find: 8 Stratford Avenue, West Didsbury, Manchester, M20 2LH
Fog Lane Park
The Didsbury green space has a very special place in the Oasis brothers’ hearts after being an outdoor area they used to play football at growing up.
Eagle-eyed Oasis fans will be able to recognise particular shots from the band’s ‘Shakermaker’ music video which features Fog Lane Park and Burton Road.
This park is also not too far from Sifter’s Records, another notable Manc spot for the band, which also sits pretty on, you guessed it, Fog Lane.
Where to find: 139 Fog Ln, Parkville Rd, Park, Manchester M20 4UP
This musical instrument superstore near both Manchester universities has been a trusted trader for all artists and acts since 1955.
Oasis pay homage to the blue-and-yellow-signed music shop in their The Masterplan video which sees the matchstick figures of the band woven into Lowry paintings with an Oasis twist.
Roadhouse himself was known as Manchester’s Mr Music so it’s only fitting that Manchester’s biggest musical export added this shop in this animated music video.
Where to find: 123 Oxford Rd, All Saints, Manchester M1 7DU
New Islington Marina may have been completed after the boys stopped making and releasing music but it sure knows its musical history.
This canal side spot has attracted many due to its modern charm but it’s also drawn in an Oasis fan or two who have spotted a hidden message under the marina’s footbridge.
Underneath this raised walkway, Oasis fans have spotted that the title to their 1995 track ‘Cast No Shadow’ reflects in the water below, now isn’t that just ‘Supersonic’.
Where to find: New Islington Marina Prom, Manchester M4 6BX
If you know your Manchester lore then you know this record shop we’re talking about here – Sifters in Burnage is well known for being mentioned in Shakermaker by Oasis.
‘Mr Sifter sold me songs when I was just sixteen..’
Walking through the doors is like stepping through a time machine and you’re transported back to an era when physical media was still appreciated and music came on round pieces of plastic.
Microdot Boutique
Microdot on King Street is run by Brian Cannon, the designer behind iconic artwork for Oasis and The Verve (Richard Ashcroft is supporting them at their Manchester gigs), plus loads more.
It’s packed with original prints, rare memorabilia, and design history you’ll recognise instantly, such as the actual fireplace from the ‘Definitely Maybe’ cover, kindly on loan from Bonehead himself.
From the original Oasis logo to some of the most iconic sleeves of the 90s, this store is a proper slice of UK music culture – whether you’re just having a nosey or looking to take something home.
Definitely Maybe bar (and mosaic)
Everywhere in Manchester has been pretty lively ahead of the reunion shows – but it’s really going to go off at Definitely Maybe, a new Oasis-inspired bar beneath Afflecks in the Northern Quarter.
There’s a menu of cocktail inspired by the Burnage brothers, loads of memorabilia and photography from the band’s illustrious career, and even a pair of Liam’s Tommy Hilfiger underwear pegged up alongside a variety of awards, posters and vintage memorabilia of the Manchester music pioneers.
A new mosaic by Mark Kennedy has also just been unveiled on the side of Afflecks just outside.
Oasis Live ’25 wall art
Now this, is a Wonderwall.
The Coach and Horses pub in Whitefield, which has found itself on the doorstep of the Oasis reunion shows in Heaton Park, unveiled a new mural last year dedicated to the Gallaghers.
Painted by Snow Graffiti Scott, it replicates that first photo we had of the boys together for the first time in 16 years.
adidas shop
adidas made a return to Manchester city centre in spectacular style last month, launching back onto Market Street with a huge store packed with sportswear and streetwear.
And they’re honouring The Band with the Three Stripes too, with an entire section dedicated to the Oasis x adidas collection.
The limited-edition 26-piece drop brings together classic 90s silhouettes with a fresh twist including bucket hats, Firebird tracksuits, jerseys and more. So if you’re heading to Heaton Park this month, you know where to head to.