Canpubs, cafes, restaurants and their patrons be trusted during times of crisis?
By bringing last orders forward to 10pm, the government’s opinion on the matter is clear.
It’s a resounding ‘no’.
COVID is suddenly swarming all over Britain again – and the finger of blame is being pointed squarely at the pubs.
The virus enjoyed a fresh lease of life when the quarantine barriers came down in summer, gleefully trampling over the fragile Test & Trace system which folded at the first sign of pressure.
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Today, the UK is registering its highest case rate since May.
Yet just a few weeks ago, the government was urging the public to drink and dine out in droves – reassuring them all was safe and well with social distancing measures intact.
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Not anymore.
In a spectacular u-turn, it’s been decided that all hospitality in England must shut early from Thursday to halt the spread of COVID – a curfew that could be intact for six months.
COVID has turned hospitality into the black sheep of the economy.
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The food and drink sector has been treated like unruly troublemaker that repeatedly needs scolding, reprimanding and restraining in the current dangerous climate.
You can’t the trust the company it keeps, and if you give it an inch, it’ll take a mile.
This is the government’s attitude, but the sector sees things differently.
Pubs, restaurants and cafes have spent half a year trying desperately hard to tick off an ever-changing COVID-criteria checklist with two hands tied behind their back.
So far, they’ve gritted their teeth whilst spinning plates and redecorating.
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But the new law – shutting at 10pm – seems like it might just be the straw that broke the camel’s back.
Exhausted, depleted and in some cases downright angry, hospitality is beginning to fight back against its ‘scapegoat’ label.
A social media movement – spearheaded by BarChick – is gaining traction as food and drink outlets argue that their industry “deserves better”.
BarChick has praised the fast implementation of new safety measures, “kick-ass teams” who have “pivoted the way they work”, and the “brave owners” of bars in Britain.
Their argument is that hospitality, by and large, is going above and beyond what is required – and is entitled to more respect.
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According to the campaign, less than 5% of new cases have been attributed to the hospitality sector (although it is unclear as to where these stats were obtained).
Martin Greenhow, Managing Director at MOJO – a popular city centre bar in Manchester – called the new curbs “unjust, punitive, illogical and irrational”, claiming there is no “evidence to support the assumption that hospitality is driving infection”.
“Only 35 cases reported in the sector and as of yet no sign of the threatened dramatic upturn in deaths,” said Greenhow.
“The move to curtail the operational hours of our already crippled industry seems unjust and punitive, not to mention illogical and irrational.
“Are people more infectious after 10pm?
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“Hospitality has slaved to work responsibly within the constraints laid out for us and now we are being thrown aside with scant concern for the impact these measures will have on our businesses and the wider economy.”
Carl Morris, a representative at Yard and Coop restaurant in Manchester’s Northern Quarter, reassured the public that the venue was still a safe place to visit, urging customers not to be deterred by the curfew.
“As a hospitality business we are finding all the ever changing restrictions extremely challenging and are urging all customers to continue to support our small independent business,” he said.
“We are also reminding everybody that we are a really safe place to come and enjoy a meal out and drinks with their families and households.”
Tonight (Wednesday 23) is the last time pubs will be permitted to remain open past 22:00 until possibly March – which would mark almost a year to the day they were all shut down.
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Probably the last time this sign means anything for a while…
Open until 4am in Manchester TONIGHT – come and show us some socially distanced love.
There are some small silver linings for hospitality.
So far, there’s been no second national lockdown, and the food/drinks industry can continue to trade.
Indeed, some other sectors have had it even worse.
Take live music for instance.
Musicians, venue operators and festival hosts have been left feeling abandoned since COVID came along – and would likely give anything to swap positions with hospitality right now.
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Some casino staff have been furloughed for so long they’ve probably forgotten the rules of Blackjack, whereas bowling alley workers are also struggling to find their feet again after being closed throughout much of the summer.
The ability to look on the bright side, though, is a necessary trait looking ahead. Hospitality needs to get into the right frame of mind and psych itself up for what is guaranteed to be a true test of mettle this winter.
The Old Wellington and Oyster Bar, pre-COVID
The logic behind the early bell is that closing pubs sooner will result in fewer drunken yobs breaking social distancing rules and prevent people from staying indoors too long – which is what can cause the virus to spread.
Night-time bars will now need to find a way to survive.
Do they open earlier? Do they open on their usual days off? Or do they change the menu to attract more customers during the day?
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Some experts have commended the government’s move as necessary, but others are sceptical – claiming the act will just see a rise in house parties.
Wales has already attempted to combat the prospect of gaff raves by banning the sale of booze in shops after 10pm.
Whether England follow suit remains to be seen.
For now, the government continues to keep a hawk-like eye on hospitality.
Only this time, the industry is glaring back.
Feature
Liam Broady is on the comeback – here’s why you need to watch out for him at Wimbledon
The Manc
Local tennis player Liam Broady is quietly rising back up the ranks on the ITF Tour, and here’s why we think you should watch out for him come Wimbledon 2026 this summer.
He is physical proof that the ATP Tour ranking means so much to a player’s career.
The Stockport-born tennis player has suffered many injury setbacks since turning pro in 2014. With a host of ankle and back injuries plaguing his playing career, he has had to turn to the ITF (International Tennis Federation) Tour to climb the rankings once again.
He is currently placed at 283* on the ATP (Association of Tennis Professionals) Tour after reaching two semi-finals in the space of a month.
With wins on two of Portugal’s hard courts in Faro and Santo António, the 32-year-old has climbed from rank 303 at the start of the year to under the threshold in less than three months.
His hard work on outdoor courts is paying off as his seeding is slowly improving, and his opponents are becoming less of a challenge.
For the unititated, the ATP ranking is decided by a points system that determines your playing level, and therefore who you can possibly draw, with lower seeds getting tougher games as they need more points, and vice versa.
These point tallies factor into every win, loss, serve, and shot as it propels you up or down the table.
With an injury over Christmas, the Stopfordian Team GB player came back stronger for the start of the annual tournament calendar and now looks to be in fighting form on the ITF Tour.
He’s definitely had to tackle some obstacles over the years, both on and off the court…
Competing solely on outdoor hard courts to gain his fitness levels back is necessary, but the grass courts – his speciality – will come around with time and consistent form, with Wimbledon being his home tournament and his highlight of the competitive calendar.
His career best ranking was 93, after becoming the first British wildcard entry to beat an ATP top five player in 2023 when defeating Casper Rudd on Wimbledon’s centre court.
His win against the Norwegian in round two sent him into the top 100 rankings for the first time, and into the shining spotlight alongside British tennis stars.
The adverse effects of time away from the tour are clear to see with Broady’s peaks and dips in the table below; this means taking a hit to player motivation, game-to-game momentum and teamworking within doubles pairs.
Liam Broady’s career rankings progression chart. (Credit: ATP Tour)
It is a likely situation for players to neglect their doubles career without the added stress of injury, so if they are to arise, it does not just impact individual physicality levels but also communication between doubles pairs.
A fellow British player with similar injury problems is Emma Raducanu, who rose to fame with a shocking US Open grand slam win as a qualifier. Since her win, she has had multiple surgeries, which saw her plummet down WTA (Women’s Tennis Association) standings due to time spent off court.
The issues that come with injury upsets can make a career really difficult to reclaim, even at a young age; tour rankings can be brutal on game time and match opponents, such as Broady’s Wimbledon draw against Holland’s Van De Zandschulp and Raducanu’s recent draw against American no.3 Anisimova.
We hope to see Team GB’s athletes fit and ready to fight on tour, and we have a strong feeling we’ll see native talent Broady back in the spotlight where he belongs.
Gig review | KEO at the O2 Ritz in Manchester – Sometimes you just KNOW…
Danny Jones
Fontaines D.C., Turnstile, Wunderhorse, Sleep Token, Neck Deep; sometimes it only takes a few listens and a live show to KNOW that a band is going to catch fire and go on to be huge – for Audio North and KEO, it only took a few.
But having now seen KEO for a third time, collectively, we’re more convinced than ever that they’re going to be massive.
Sadly, a prior engagement meant that we just missed catching the support act, Tooth (though we did hear great things rumbling around the eager young crowd), but there was no chance we were going to miss this lot show off how very good they are at what they do.
And there was absolutely no chance they were going to disappoint us, either…
We first caught this fast-rising post-grunge outfit live in action at Kendal Calling last year, where they somehow turned a daytime slot on the Woodlands stage into a moody mid-evening mosh.
They had even less fully produced and officially released music out then, but then we had the pleasure of watching them at The Key Club in Leeds this past October, and they were even better; punchier, more graduated at their game, and their fandom seemed plenty strong already.
As it turns out, that same progression proved true in Manchester, as KEO played their biggest headline show to date, and that same cult following only appeared more fervent than ever.
They might be based down in the capital, with roots in Portugal, brothers Finn and Conor having grown up there, but they certainly know a thing or two about how to please a Northern audience.
Of course, we’re sure they go off just as hard down in the capital – in fact, we’re certain they do – but the response they got from two sold-out rooms full of Yorkshire folk and us equally discerning Mancs felt like they had well and truly passed the litmus.
With flying colours, may we add.
Everything from the raw ’90s rock feel to the aesthetic hits just right. (Credit: Audio North)
It’s also worth noting that these London lads have built up this hype like very few ever manage to do: by developing a sterling live reputation right from the off and putting top-notch shows first.
For those unaware, they only just released their first five-track EP, Siren, back in June 2025, yet they’ve been packing out venues and festival stages pretty much since day dot, with die-hards growing their love for the band via performance and initially only learning the lyrics through social clips and snippets online.
While some have questioned why they’ve been chosen to headline this year’s Neighbourhood Festival here in Manchester city centre before they’ve even dropped a debut album, you only need to hear the entire Ritz screaming back the lyrics to ‘I Lied, Amber’, ‘Thorn’ and ‘Hands’ to know they fit the bill.
Frontman Finn pours so much unbridled power and emotion into his vocals, guitarist Jimmy Lanwern didn’t even need to look to know that his riffs were ripping the roof off, and they’ve quickly moved far beyond the early Wunderhorse parallels – they’re their own beast just waiting to be fully woken.