Canpubs, cafes, restaurants and their patrons be trusted during times of crisis?
By bringing last orders forward to 10pm, the government’s opinion on the matter is clear.
It’s a resounding ‘no’.
COVID is suddenly swarming all over Britain again – and the finger of blame is being pointed squarely at the pubs.
The virus enjoyed a fresh lease of life when the quarantine barriers came down in summer, gleefully trampling over the fragile Test & Trace system which folded at the first sign of pressure.
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Today, the UK is registering its highest case rate since May.
Yet just a few weeks ago, the government was urging the public to drink and dine out in droves – reassuring them all was safe and well with social distancing measures intact.
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Not anymore.
In a spectacular u-turn, it’s been decided that all hospitality in England must shut early from Thursday to halt the spread of COVID – a curfew that could be intact for six months.
COVID has turned hospitality into the black sheep of the economy.
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The food and drink sector has been treated like unruly troublemaker that repeatedly needs scolding, reprimanding and restraining in the current dangerous climate.
You can’t the trust the company it keeps, and if you give it an inch, it’ll take a mile.
This is the government’s attitude, but the sector sees things differently.
Pubs, restaurants and cafes have spent half a year trying desperately hard to tick off an ever-changing COVID-criteria checklist with two hands tied behind their back.
So far, they’ve gritted their teeth whilst spinning plates and redecorating.
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But the new law – shutting at 10pm – seems like it might just be the straw that broke the camel’s back.
Exhausted, depleted and in some cases downright angry, hospitality is beginning to fight back against its ‘scapegoat’ label.
A social media movement – spearheaded by BarChick – is gaining traction as food and drink outlets argue that their industry “deserves better”.
BarChick has praised the fast implementation of new safety measures, “kick-ass teams” who have “pivoted the way they work”, and the “brave owners” of bars in Britain.
Their argument is that hospitality, by and large, is going above and beyond what is required – and is entitled to more respect.
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According to the campaign, less than 5% of new cases have been attributed to the hospitality sector (although it is unclear as to where these stats were obtained).
Martin Greenhow, Managing Director at MOJO – a popular city centre bar in Manchester – called the new curbs “unjust, punitive, illogical and irrational”, claiming there is no “evidence to support the assumption that hospitality is driving infection”.
“Only 35 cases reported in the sector and as of yet no sign of the threatened dramatic upturn in deaths,” said Greenhow.
“The move to curtail the operational hours of our already crippled industry seems unjust and punitive, not to mention illogical and irrational.
“Are people more infectious after 10pm?
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“Hospitality has slaved to work responsibly within the constraints laid out for us and now we are being thrown aside with scant concern for the impact these measures will have on our businesses and the wider economy.”
Carl Morris, a representative at Yard and Coop restaurant in Manchester’s Northern Quarter, reassured the public that the venue was still a safe place to visit, urging customers not to be deterred by the curfew.
“As a hospitality business we are finding all the ever changing restrictions extremely challenging and are urging all customers to continue to support our small independent business,” he said.
“We are also reminding everybody that we are a really safe place to come and enjoy a meal out and drinks with their families and households.”
Tonight (Wednesday 23) is the last time pubs will be permitted to remain open past 22:00 until possibly March – which would mark almost a year to the day they were all shut down.
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Probably the last time this sign means anything for a while…
Open until 4am in Manchester TONIGHT – come and show us some socially distanced love.
There are some small silver linings for hospitality.
So far, there’s been no second national lockdown, and the food/drinks industry can continue to trade.
Indeed, some other sectors have had it even worse.
Take live music for instance.
Musicians, venue operators and festival hosts have been left feeling abandoned since COVID came along – and would likely give anything to swap positions with hospitality right now.
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Some casino staff have been furloughed for so long they’ve probably forgotten the rules of Blackjack, whereas bowling alley workers are also struggling to find their feet again after being closed throughout much of the summer.
The ability to look on the bright side, though, is a necessary trait looking ahead. Hospitality needs to get into the right frame of mind and psych itself up for what is guaranteed to be a true test of mettle this winter.
The Old Wellington and Oyster Bar, pre-COVID
The logic behind the early bell is that closing pubs sooner will result in fewer drunken yobs breaking social distancing rules and prevent people from staying indoors too long – which is what can cause the virus to spread.
Night-time bars will now need to find a way to survive.
Do they open earlier? Do they open on their usual days off? Or do they change the menu to attract more customers during the day?
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Some experts have commended the government’s move as necessary, but others are sceptical – claiming the act will just see a rise in house parties.
Wales has already attempted to combat the prospect of gaff raves by banning the sale of booze in shops after 10pm.
Whether England follow suit remains to be seen.
For now, the government continues to keep a hawk-like eye on hospitality.
Only this time, the industry is glaring back.
Feature
Five Manchester artists we’ve been listening to this month | April 2025
Danny Jones
Fashionably late to the party this month, but we’re sure you’ll forgive us because we’re back with yet another stellar lineup of Manchester bands and artists for you to get your teeth into – some new, others criminally unsung, and all equally brilliant.
Your playlists are about to get a good old refresh.
In case you’re new around here, we here at The Manc and Audio North set aside some time every month to look back on the local musicians we’ve been listening to over the last few weeks.
Whether they are Greater Mancunians born and bred or they’re adoptees who have made Manchester their musical home, anything goes and there’s always something for everyone. Let’s get stuck in.
New Manchester bands and artists we’ve been listening to lately
1. Strawberry Lemonade
First up is the delightfully dubbed Strawberry Lemonade, who sound even sweeter than their name, not in a sugary pop music way, but in the sense that sliding guitar riffs as well as plenty of fast-paced strumming and drumming feel like you’ve just necked a glass of, well…
There’s a classic rock and roll swagger to their music, and while many might argue that a lot of new Manchester bands are trying to nail this kind of sound – already a challenge in a city so oversaturated within this genre – they’ve managed to catch our eye.
Having recently headlined a sold-out show at the iconic Deaf Institute, one thing we know for sure is that they’ll be moving on to even bigger venues sooner rather than later. In terms of standout tracks, we rate ‘Nightime’ and ‘Control’; plus, you’d be a fool not to give their latest single ‘Bother At All’ a go.
Next up is the alliterative Danny Darlington, who seems to have emerged out of nowhere to pique our curiosity with some of the most sprawling and varied songs in less than 12 months. He quietly released his first song back in March 2021 but we’re definitely paying attention to his most recent work.
To call it indie would be a major oversimplification; alt-pop doesn’t quite fit either – all we can tell you is that the solo artist from Bury seems to be more than happy pushing in different directions and experimenting with different sonics, with more effects, pedals and electronics being thrown into the mix.
‘Freya’ is a fantastically chill tune, ‘How To Feel’ ends with a really pleasant and punchy surprise, and we’re big fans and one of his older tunes, ‘Parma Violets’, which has a recognisable contemporary indie vibe with some great production for someone who was still just starting out.
3. Nightbus
Fittingly for number three, we’ve got a trio and a band that feels like one of the Manchester music scene’s best-kept secrets somehow. Seriously, we’re genuinely kind of annoyed that more people don’t know about Nightbus because they’re absolutely brilliant.
The xx, New Order and Cocteau Twins are some of the names that come to mind when making our way through their still limited discography, though there is a very fun collection of remixes of their work so far, which genuinely rival some of the original versions.
Also, it might only be a little thing, but we really like the very uniform aesthetic and visual style too; the album artwork typeface almost hints at limited gig poster prints with that self-contained theme per album cycle, a la The 1975. ‘Way Past Three’, ‘Average Boy’, and the E24 mix of ‘Mirrors’ are our three.
Such a jam.
4. Conor & The GreensKeepers
The penultimate name on our list is a collective that has actually been around for a while now and is steadily starting to earn some of the profile they’ve been long overdue in our opinion, but we’ll never tooting our horns about these lot. They’re also utterly incredible live.
Fronted by lead singer and charismatic performer Conor Michael, The GreensKeepers are some of the most underappreciated artists anywhere in Greater Manchester right now, and no matter how many new bands come along, we firmly believe these 13 unbelievable musicians deserve your attention.
As for picks, recent release ‘Roundabouts’ has that UKG and rap flavour they enjoy; ‘U + I’ is now a go-to lo-fi work soundtrack, and ‘Sip from a Rose’ is their spin on jazz and neo-soul in a nutshell. Put simply, it’s music that makes you feel something from the first note and almost never fails to inject a bit of joy.
Arriving by way of Birmingham, the Manchester-based group will be returning for MJF 2025 as well as Green Island Festival.
5. Slap Rash
Last but not least, we’re finishing the loudest, most raw, raucous and in-your-face artists we’ve probably ever put on one of these lists, and it comes in the form of the ferocious duo known as Slap Rash. Great name, even better ragers.
This absolutely riotous project is the brainchild of locally-based brother-and-sister partnership, Amelia and Huw Lloyd, who might just have knocked the likes of Royal Blood off the top spot for making the most noise that is physically possible for two humans to make.
We honestly love this pair. It’s the epitome of thrashy hardcore with an unhealthy dose of distortion, boasting hints of Drenge, early IDLES, Demob Happy and more. We genuinely don’t know where to best to start, but ‘Holy Smoke’ puts hairs on your chest, ‘Griefcase’ is class, and so is ‘Histrionic’.
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Swordplay and rock ‘n’ roll: A Knight’s Tale comes to Manchester Opera House
Danny Jones
From the moment the curtain rises at Manchester Opera House, A Knight’s Tale bursts into life with exhilarating energy. This stage adaptation of the beloved 2001 film expertly blends medieval spectacle with a bold, modern twist.
Full of jousting tournaments, noble quests, and underdog triumphs, the production delivers both heart and high drama – all with a heady dose of rock ‘n’ roll.
At the centre of it all is William Thatcher, a young squire who dares to defy his lowly birth and enter the world of high-born knights. Played with charm and confidence by Andrew Coshan, William’s journey from peasant to jousting champion is rousing, if occasionally veering into heroic cliché.
Still, Coshan’s likability and natural charisma keep the audience cheering for him through every lance charge and dramatic monologue. The supporting cast also shines.
A standout is Eva Scott, whose comic timing and delivery consistently land laughs, often stealing scenes with her sharp one-liners.
Meanwhile, Meesha Turner brings elegance and spark to the role of Princess Jocelyn. Her powerful vocals during the show’s pop-classic ballads transform the character into a fiery, modern princess you can’t help but root for.
The production’s standout sequences are undoubtedly the jousts, theatrical set pieces that are an absolute masterclass in stagecraft. Using a clever combination of rigging, physical choreography, and dynamic sound design, the creative team conjures a truly immersive atmosphere.
Dramatic lighting and resonant sound effects make you feel the thud of hooves and the crash of lances. The cleverly designed set, featuring an arena-style jousting field, draws the audience into the action in a way that feels fresh and cinematic.
However, the show stumbles slightly in its quieter, more emotional scenes. The dialogue, while laced with humour, sometimes dips into melodrama. The villain, Count Adhemar, feels a touch underwritten, with motivations that don’t quite match the emotional weight the story strives for, but is still well-acted.
Don’t just take it from us: the A Knight’s Tale reviews from Manchester crowds are already very strong.
The stakes between him and William never fully build to the payoff they could – leaving certain dramatic beats a little flat. Musically, the show makes a bold departure from traditional scores. Instead, it leans into a soundtrack of classic rock anthems; think Queen, AC/DC, The Who and more.
At first, it seems like an odd match for a medieval tale, just as it did with the movie, but it works brilliantly. The music injects the show with rebellious energy and gives it a timeless quality. It’s loud, bold, and exactly what this high-octane tale of ambition and identity calls for.
A special mention must go to the ensemble and choreography. The jousting scenes are beautifully choreographed, blending acrobatics, dance, and swordplay with seamless precision. Even in quieter moments, the movement on stage supports the storytelling with subtle grace.
But the unexpected stars of the show? The horses. Designed with clever costume and movement illusions, they create the convincing effect of riders in full gallop – and at times, they very nearly steal the spotlight altogether.
Credit: Supplied
Though clearly aimed at adult audiences, with its cheeky humour and classic rock soundtrack, the show flirts with the spirit of panto, oversized characters, regional accents, and exaggerated physical comedy. And it works.
The regional dialects add warmth and levity, grounding the fantasy in a cheeky, very British sensibility. In the end, A Knight’s Tale is a triumphant and entertaining spectacle, an electrifying mix of medieval mythology and modern musical theatre.
Whether you’re a die-hard fan of the original film or seeing the story for the first time, this production offers a fun, fast-paced, and surprisingly heartfelt night out. It’s not perfect, but it’s hard not to be swept up in the clashing swords, galloping hooves, and power chords.
Put simply, this is a knight to remember – with a soundtrack that slays.