Every now and again we’re fortunate enough to get the opportunity not only to see a big name but to experience them in a smaller, more intimate setting for those special one-offs that people go on to talk about for years to come — that’s how we got to see Maggie Rogers at Gorillaon Monday.
Better still, we were incredibly lucky to be offered time to speak with the American singer-songwriter just a couple of hours prior to her all-acoustic set at Gorilla and just before she and her band set off to tour her new album, Don’t Forget Me, which drops next month.
Manchester being the first of these up close and personal pre-album launch shows here in the UK, of which she listed just four, it’s always an honour to be picked for the start or the end of an album cycle but it was immediately clear she had a lot of love for our city.
Arriving in 0161 on Sunday just in time for the Paddy’s Day chaos and to watch the FA Cup final between Man United and Liverpool in a local pub, our conversation started with simply: “That game!”
We’re loving these intimate gigs at Gorilla — give us more.There are some very passionate Maggie Rogers here.Credit: Piran Aston (via Gorilla)/The Manc
The interview
After meeting and greeting the line of people already queuing up for the 500-cap Gorilla show, we walked backstage for what ended up being a laid-back chat about live music, relaxing into herself as an artist and an album process that was recorded in a whirlwind five days.
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Touching on the upcoming third album and that beautiful title track, Maggie said, “It feels like coming home. In a lot of ways, it’s like a return to a lot of the style of songwriting and production and arrangement that really got me into music in this place when I was like 16/17.
“It just feels really relaxed and my friends keep saying that it sounds like the version of me that they know. I think, after doing this for quite a while, I’m finally relaxing into it.
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“I think it’s always been authentic but I think music sort of takes some of the most sensitive and intense people and puts them in really high-intensity situations… It’s not even that I wasn’t being authentic before, I think it’s just that my guard was a little bit up yeah. I was a little scared — I still am, you know, but I think that’s normal.”
Describing how it felt her last LP Surrender had the punchiest and most contemporary rock approach of her music to date, we then moved on to where her style is at currently and the difference between the studio listening experience and live performance.
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“I mean, my undergrad was in production engineering but that record was really designed to be played live, especially in a time like the pandemic, where all I was thinking about was coming back to touring and really missing it.
“I got really into British rock and, at least during the Surrender era, I was like fully like in Oasis mode, but you guys are responsible for some of the best music and pop culture.”
Chuffed that she dropped in the Burnage boys so early in the conversation, she went on to say that although she was “discovered in a moment of experimentation” — that old Pharrell meme (yes, that is her if you’ve never put two and two together), her “songwriting has always been the same at the centre.”
“What I love about making albums is the world-building part of it, and I’ve just gotten to build different worlds. I always think about where the albums are designed to be listened to and Heard It in a Past Life was really designed for headphones, Surrender was really designed for stage and this is really designed for a car — like a Sunday afternoon drive”.
As she puts it, the debut was lots of synths, the sophomore was “drums and distortion” and the star of Don’t Forget Me is the acoustic guitar. “There’s definitely different forms of energy”, she said, adding: “but this is more on the stripped side and the whole record was kind of designed as a live album. Almost everything was a first take and this record was made in five days”. Some achievement in its own right.
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Credit: Maggie Rogers
Having the most fun on stage
After touching on that internet moment from back in 2016, we then talked about how seeing her for the first time at Victoria Warehouse back in November 2022 (which she described as “so sick” and one of her favourite venues here in Manchester) was the real ‘wow’ moment for us and realising just important it is to see her live. Maggie puts a lot of it down to the band.
“I think that on stage what I love is that it’s different every night. I’ve worked really hard to be excellent at something that I really love and I get to play with some of the best musicians around and my band is just so f***ing talented.”
“It’s sort of like I hope the audience is having a good time too but also if they’re not I’m just having a really good time anyway.” She definitely was too; jumping ahead a little bit, one of our favourite moments from the gig was when she stopped between songs to laugh and say, “I just love playing music”.
She said similar about the creative process this time around too. Although there’s a lengthy newsletter post describing how the album came to be on her Instagram, she summed up it by saying, “Creativity, often comes from some of the most essential and sometimes childish or playful senses.
“Like, it’s called playing music and I think keeping that like sense of playfulness alive is so inherent to keeping my creativity alive, and in the studio making this record I was just having so much fun and was just feeling really playful, so we sort of made a record by not trying to make a record.”
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Again, you could see that “contagious joy” she talked about written on her face and everyone else’s.
She was having the most fun and, believe us, so was everyone who managed to get a ticket for Maggie Rogers’ sell-out Gorilla show.
The show
Moving on to the show itself, Maggie said she was most looking forward to playing the likes of ‘Drunk’ which they’ve been doing live for a while now, as well as a track she called “devastating” with just the keys and a guitar entitled, ‘The Kill’ — and she wasn’t lying.
She set up the song by promising “It’s such a jam” with a full band but the stripped-back version fittingly killed us off in the crowd and the same could be said for a lot of the versions we heard on the night. From ‘Begging for Rain’ to an almost ethereal take on ‘Alaska’, you really get to appreciate just how incredible her voice is in this kind of scenario.
Bigging up British and Manchester crowds in particular because we “know culture and [we] care”, insisting, “It’s crazy how important those two things are”, her audience certainly lived up to the billing. She said there’s no “half-assing” it with us and she was right. We were emotional and so was she.
The set naturally closed with ‘Don’t Forget Me and a few teary faces (we didn’t dare film that moment as we wanted to be present) but nothing summed up the night better than when the Manc Maggie fans pretty much turned Gorilla into a congregation for ‘That’s Where I Am’, perfectly harmonising and clapping like a gospel choir.
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We’re already looking back on the show and thinking of it as going down as one of those ‘I was there’ moments and we think we speak for everyone when they say they won’t forget the time they saw Maggie Rogers at Gorilla with nothing more than a guitar and her piano player — also incredible, by the way.
Don’t Forget Me releases on Friday, 12 April and we already can’t wait to hear not only how the rest of it sounds but how the tracks we heard sound fully-fledged.
‘That’s Where I Am’ – Maggie Rogers, live at Gorilla (Credit: The Manc Audio)
Featured Images — The Manc Group/Press Image (supplied)
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Liam Gallagher sheds light on potential reunion setlist for Oasis Live ’25
Danny Jones
Liam Gallagher is perennially on social media these days and in his latest spell killing timeonline, the Oasis frontman has hinted at a potential setlist for the long-awaited reunion tour.
We’ve still got to wait until summer before the Oasis Live ’25 world tour fully kicks off, with Manchester’s Heaton Park set for five massive hometown dates in July, but people are already starting to lick their lips at the mere idea of what songs the legendary Britpop band might play now they’re back.
Now, of course, you can rightly assume we’ll hear the likes of ‘Wonderwall’, ‘Don’t Look Back In Anger’, ‘Live Forever’, ‘Champagne Supernova’ and all the other hits, but it’s trying to fill in the blanks between the famous singles that people are having most fun with.
One Twitter—sorry, X user looks to have come pretty close in fact, as Liam Gallagher himself replied to a fan asking if a rumoured Oasis reunion setlist ‘leaked’ online was genuine – to which the 52-year-old had this to say.
As you can see, his reply to the heavily reshared mock-up of the suspected Oasis Live ’25 setlist looks to be one largely of confirmation, admitting that it’s not far off what the Burnage boys have cooking up.
LG himself confirmed that rehearsals had begun back in October which means that, yes, the Gallaghers haven’t just been in the same room as each other for a few quick pictures but they’ve actually played music together for the first time in over 15 years – and have been doing so for the past few months.
Whether or not the creator of this supposed setlist has managed to guess roughly the right running order or manage to guess a few of the less obvious album tracks that the Manchester icons, we’ll just have to wait and see.
If it’s even a little bit the latter then fans of deeper cuts like ‘The Hindu Times’ and ‘Shakermaker’ will be buzzing, but the greater likelihood is that the duo have just packed their upcoming performances with as many well-known and much-loved bangers as possible.
We’ll be happy with whatever they come out with, to be honest – we just want to finally see scenes like this in this flesh.
One of Oasis’ last-ever gigs.
Noel sings ‘Half The World Away’ with his brother Liam sitting down on stage looking on.
That being said, they were of course still touring the last album they put out, Dig Out Your Soul (2008), back then and, as much of a soft spot we have for some of the tracks on there, we expect much very few of the songs off that record will make the final cut.
What about you lot, then: what tunes would you most like to hear on the ‘Oasis Live ’25’ setlist when the reunion finally rolls around?
We’ve certainly got our favourites – and in order, no less…
Manchester club to host fundraising night in memory of young DJ who passed away
Danny Jones
A Manchester city centre nightclub is set to host a fundraising memorial gig in honour of local DJ, Noxxic, who sadly died in a traffic collision late last year.
The aspiring drum and bass artist was cycling along Albion Way near the roundabout linking the M602 and A57 Regent Road when he collided with the HGV. Despite the best efforts of paramedics and emergency at the scene, he was pronounced dead at the scene.
Mourned not only by his family and countless friends but also by the Manchester music scene and local clubbing community at large, Kable Club on New Wakefield Street is now set to host a memorial night for charity as a tribute to the talent “gone far too soon”.
Set up with the help of friend, collaborator and DnB peer, Max Clarke, the fundraising memorial night is taking place this month and will aim to not only honour Lewis and the Simpson family but also remember and celebrate his life the way he would have wanted: with music and a good time.
The Warrington-based artist and producer, who goes by ‘Clarkey‘, regularly played b2b sets with the 25-year-old over the years, including charity livestream performances to raise money for the homeless during the festive period. Noxxic was also a proud and well-known mental health advocate.
As well as the likes of Hedex, Sota and J Bookey paying tribute online following the tragedy, Clarkey and Noxxic’s ‘Blckhry – Bite’ remix was played on BBC Radio 1’s Drum & Bass Show with Charlie T, as well as ‘Tribute Get Lit Mix’ including all of his tunes featuring n 1Xtra’s Rave Show.
Manchester-based promoters, music label and all-round D’n’B brand, Hit & Run, said: “Really is such a shock to hear about the tragic and untimely passing of Lew Simpson aka Noxxic.”
The post continues: “He was a near-permanent fixture at the night and across the scene in the city – he lived and breathed D&B and his passion and dedication not just for production and DJing but also the community of this city is something [we] truly admired about the man.”
“He’d made such great strides in his career these last few years so seems so very unfair that he’s been taken from us at such a young age – he had so much more to give.
So many people we know and care about will be hurting too too much right now – I know you will all make him proud and honour his legacy and friendship. Such very sad news.”
Clarkey himself shared a touching video of the pair playing together to rapturous applause:
Writing a lengthy statement underneath the charity event page on Skiddle, Clarkey wrote: “On 17 January, we come together to celebrate the life, passion, and legacy of Lew Simpson, known to many as Noxxic, a true champion of the jump-up drum and bass community.
“With a heart that beat for the wicked sounds of the genre he loved so deeply, Lew was more than just a fan; he was an advocate, a believer and an inspiration to everyone who shared his love for the music. This historic night in Manchester promises to be an unforgettable tribute to Noxxic, featuring a lineup of monumental talent.
“From the legends who have defined jump-up over the past few years to the rising stars pushing it to even new boundaries, each artist on the bill represents everything Lew cherished about this incredibly unifying genre.
“Together, we’ll create a night that embodies the energy, spirit and passion he brought to the scene. This night is about more than music, it’s about making a difference to people’s lives like Lew strived to do. All proceeds from this event will go to Mind, a charity dedicated to mental health support, advocacy, and awareness.
“As a serious champion for mental health, Lew’s commitment to the well-being of others continues through this deeply meaningful cause. Come witness jump-up drum and bass in its purest form, as we honour Noxxic with the kind of night he could only have dreamed about: one filled with love, community and some of the finest music.”
Kable aren’t the only ones who have helped pay tribute with a club night in his name either, with London outfit North Base also dedicated their ‘& Friends’ show to the much-loved artist this past December.
Noxxic was a real up-and-comer on the scene.Manc DJs Kormz and Clarkey with Noxxic (right).Credit: Noxxic/Clarkey (via Facebook)
As mentioned, the proceeds from the show will go towards Mind (a charity close to Lewis’ heart) and are priced at just £11.25 including the booking fee. Alternatively, fans who can’t make the date can still make a total Noxxic donation of £6 to help do their bit.
With the lineup for the memorial gig night now out – not to mention two special guests still yet to be announced – Clarkey, Kormz, North Base and many more will be giving fans a lively albeit emotional night to remember.
Clarkey signed off by simply adding, “Let’s come together to celebrate his life and legacy in the most fitting way possible!”
You can grab your tickets HERE. Rest in peace, Noxxic.
Danny Jones -
19th March 2024 
