This past weekend, The Manc Audio had the honour of going along to one of the North West’s biggest and, for our money, one of the UK’s best festivals in Kendal Calling 2023 and boy did we have an ace time — so, naturally, we wanted to put together a little review.
Spoilers: it was really, REALLY good. To quote the organisers themselves, “There was something very special in the air this year”. They weren’t wrong — you could feel it.
Nestled in a little valley behind the lush treelines of Lowther Deer Park near Penrith and the Lake District, Kendal Calling music and arts festival returned for 2023 quite literally bigger and better than ever, boasting a sellout crowd of 40,000 and some of the best names the weekend has ever hosted.
Started way back in 2006 with less than a thousand people attending, Kendal Calling has not only become Cumbria’s largest festival but a Great British favourite and after going along for the first time, it didn’t take us long to figure out why.
One of the most live music scenic settings you could hope for
Us busy Manc worker bees were still bustling away on Thursday, so we unfortunately couldn’t make it along to see the handful of artists who played the opening night but, luckily, we had a few friends who all went along to confirm it was just as wonderful as it looked.
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With the likes of Scouting for Girls, Gengahr and Black Honey getting things started before the legendary Nile Rodgers & Chic polished off a class first night, the hordes of gig-goers began trickling into the site and by the time we arrived on Friday, the party was in full swing.
As we battled our way up the big hill from our parking spot to the festival entrance (bring a trolley, guys — don’t be muppets like us), we got a second wind when we heard Example playing through the forest and raced to pitch our tent, crack that first tin and start enjoying ourselves.
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But even before we made it to where the music was, we couldn’t help but take in the gorgeous Cumbrian countryside dappled with every colour imaginable — and that was just people’s bucket hats. Seriously though, seeing the sea of tents, flags flying high, music lovers sharing booze and tunes and just generally having a good time was a real antidote after a long week.
Credit: Abbie JenningsCredit: George HarrisonCredit: Tom Martin
The Northerners showing everyone how it’s done
By the time we got into the festival proper, we couldn’t have asked for better timing and a warmer welcome than the wonderful sound of Wigan‘s very own, The Lathums, serenading the packed-out main stage. Dreamland stuff.
That felt like the case throughout the festival, in fact; every hour or so it felt like we were treated to either a Manc band or a nearby North West favourite on one of the nine stages. The crowd felt like it was largely comprised of people from the North too, which gave the whole weekend an added layer of familiarity.
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Be it the Happy Mondays, The Lottery Winners, Mel C or Reverend and the Makers, up-and-coming Manc artist Phoebe Green, the Kaiser Chiefs, Circa Waves or the one and only Rick Astley, just to name a few, there were countless Northern acts to enjoy and it came as no surprise that they smashed their slots harder than anyone.
It was only fitting that probably the biggest moment of the weekend came when the Mayor of Greater Manchester himself, Andy Burnham, surprised everyone on stage by introducing Blossoms for the headline set, celebrating the North and Stockport, specifically, on Saturday night.
Come rain or shine, the British festival spirit was unshakeable
Much to our delight, the sun was shining as well; in fact, we were treated to plenty of it throughout the weekend considering the forecast we were facing on the drive up, and you know what Brits are like when the sun is and they’ve had a beer or two.
Yes, the wind and rain eventually came and made it feel like a proper UK festival — people rushing around after flying tent pegs and trying not to slip on the increasingly muddy walk from the campsite to the arena simply becoming part of the routine — but it was genuinely all part of the fun.
As our new mates from Leigh said during their dynamite set on the main stage, “We don’t mind a bit of rain do we!?”. We didn’t, not one bit, especially when the lineup was stacked with so much talent.
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Putting our regional bias aside, some of our top picks would have to be post-punk outfit DEADLETTER, who were simply insane (we still have the bruises to prove it), the mighty Frank Turner — who joined The Lottery Winners on the main stage in a truly unforgettable moment — The Hunna and, of course, Kasabian because their Friday headline set was absolutely dynamite.
Kendal Calling after dark was quite the experience…
And then came the late-night DJ sets, after parties and all-round craziness that ensued after the headliners finished their respective slots at 11pm, which we’re pretty sure we’ll never be able to fully put into words, so that should give you enough of a hint.
One thing we loved about Kendal Calling 2023 so much was how mixed the crowd was, with people of all different ages and cultural backgrounds turning up to enjoy the festivities. There were so many young families there having the time of their lives and what a way to introduce kids to the festival scene.
However, if you didn’t have little ones to put to bed and fancied staying up until the early hours in a forest lit by neon, multi-coloured lanterns and, or raving in a tent to one of the most unique electronic sets we’ve ever heard by DJ Yoda, you could — it was all there for you.
There was even an acoustic guitarist called Matthew One Man recreating club classics with an acoustic guitar and loop pedal whilst a truly indescribable musical theatre company called the Rimski’s Yard performed around him and some bloke with a big afro shoved a firework up his arse. Yes, of course, we have video evidence:
The truth is, we probably didn’t even scratch the surface when it came to experiencing everything this festival had to offer but based on what we did get to see during our time at Kendal Calling 2023 left a huge impression and we know what we’ll be doing again this time next year.
Grammy-winning hardcore band Turnstile perform ‘exceptional’ cover of a Stone Roses classic
Danny Jones
In a cover version we never knew we needed, multiple Grammy award-winning hardcore band Turnstile have taken social media timelines by storm with a cover of a true British rock classic by The Stone Roses.
Described as everything from “pretty damn brilliant” and “exceptional” by CLASH Magazine to “one of the best triplej covers ever”, it’s fair to say they smashed it with this one.
This one was always likely to go down well with us Mancs, but you never know how possessive people are going to be with iconic tunes treasured not just by regions but entire eras like this.
Without further ado, please enjoy Turnstile’s cover of ‘I Wanna Be Adored’ by The Stone Roses:
Lost track of how many times we’ve watched this now.
Truly excellent.
Not only did they manage to capture the ambient atmosphere of that legendary intro, but they managed to tow the thin paint-splattered line between simply trying to imitate the original and making it their own.
There’s something about frontman Brendan Yates’ vocals that suits this particular cover so very well right from the off.
We’re, of course, not saying that he sounds like Ian Brown in any way, but his range and top notes, in particular, seemed to fit almost perfectly.
Pair that with a contemporary rock band helping rejuvenate their particular guitar-driven genre, and those raw, driving D-beat-centric drums, and you’ve got a winning combo.
As you can see, the majority of the internet seems to agree with us…
.@TURNSTILEHC step into the @triplej studio to recover their take on The Stone Roses' debut album opener 'I Wanna Be Adored'.
The bulk of social media didn’t just hail the reimagining as one that did Brown, John Squire, Reni and the late, great Mani justice, but perhaps one of the greatest that the popular Australian radio station, YouTube channel and Spotify playlisters have seen in a long time.
In fact, in Audio North‘s humble opinion, we’d go so far as to say this is the best we’ve heard in the platform since their native Royel Otis’ delightful duo of The Cranberries and Sophie Ellis-Bextor covers.
Safe to say it’s been an incredible year for Turnstile, who mopped up all manner of accolades in 2025 and were even nominated for International Group at the BRITs here in Manchester this past weekend. They might not have won that one, but they get all the plaudits from us for their song selection alone.
What did you make of it? Better still, do you have a favourite triplej ‘Like a Version’? Actually, no – scrap that: is there a better cover of a Manc artist‘s track that you can think of?
Featured Images — triplej (screenshot via YouTube)/Silverstone Records
Audio
Harry Styles One Night Only will be strictly phone-free – with thousands of real cameras handed out instead
Daisy Jackson
Harry Styles’ show in Manchester on Friday night will have a strict no-phones policy, it’s been confirmed.
Instead, the lucky few thousand of fans heading to his One Night Only gig will be handed proper disposable cameras to capture moments from the night.
Rumours of a phone ban had been swirling online for weeks after job adverts appeared for extra staff to help promote a phones-free event.
But the news has now been confirmed by the Co-op Live itself, following the announcement that Netflix would be filming the full Harry Styles show.
In a statement, the venue said it hopes fans will ‘take this opportunity to enjoy the show fully and allow yourself to be fully immersed in the experience’.
Any use of cameras, smart glasses, smart watches, or other recording devices won’t be permitted in the venue on Friday night.
Fans will instead have to secure their phones inside recyclable bags, which will allow them to be used in normal ways for communications, but without the camera.
At the end of the night, your phone will be removed from the bag and the bag will be recycled.
Anyone caught using a digital recording device during the Harry Styles One Night Only phones-free show may be asked to leave the venue.
Instead of a sea of phones, Harry Styles will be asking fans to capture their memories from the night on disposable cameras, which will be included with every pair of tickets sold.
Harry Styles’ One Night Only gig in Manchester will be the subject of a Netflix documentary
The statement shared by Co-op Live says: “We are looking forward to seeing you on Friday 6th March to be part of a very special live performance – Harry Styles One Night in Manchester at Co-op Live! We’re pleased to announce Netflix will be filming the full show for everyone to enjoy and re-live again and again, it will be available globally from Sunday 8th March at 7pm GMT.
“We hope you will take this opportunity to enjoy the show fully and allow yourself to be fully immersed in the experience.
“The use of cameras, smart glasses, smart watches and similar recording devices will not be permitted in the event space. Phones will be secured in a recyclable bag, kept on your person upon entry to the event, and will still be able to be used in a normal way including all communication functions but without the camera. All other recording devices will not be permitted in the building.
“At the end of the night your phone will be removed from the bag and the bag will be recycled. Please note that anyone using a digital recording device during the performance will be asked to stop and if they do not, they may be asked to leave.
“Each pair of tickets sold will receive a disposable camera on the night so you can still capture your own special moments and share them after the show.”
Danny Jones -
31st July 2023 
