Over on the border of Whalley Range and Moss Side, for over twenty years sat a tiny little green shed full to the brim with dusty 7, 10, and 12″ records.
A place of myth and legend, by all accounts, the shop was just as mysterious and unconventional as the man who ran it – an Irishman by the name of Mike.
Filled with box after sagging box, all overflowing with dusty vinyl, and with perhaps two square feet of floor space to stand in, the Record Shack was famously filled with thousands of records in no discernable order, mostly collected from charity shops and car boot sales.
At the door would sometimes sit a selection of racks with an A-Z of soul, funk and pop albums, with more shelves bursting with hundreds of 7″ records mostly dedicated to pop from the 80s and 90s.
Elsewhere, Mike’s own personal love of jazz was reflected in the massive collection, which reportedly spanned every genre all the way from the 1930s to 1990s.
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His shop was tiny, really tiny, and we’ve heard from quite a few who visited that he wasn’t normally that pleased to see you in there, either.
Rather, many speculated that the store functioned as an outlet for his own record-hoarding tenencies, and that he just happened to be there, as opposed to being on hand to help you actually find anything.
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Not one to be held down by such conventional norms as opening and closing times, Mike opened the Record Shack as and when he liked. Sometimes that would be two o’clock in the afternoon, sometimes it might be five or six at night.
Manchester DJ and musician Konny Kon of Children of Zeus told The Manc: “He was always grumpy, he’d just turn up at 2pm if he wanted to.
“Sometimes he’d just open whenever he wanted in the afternoon, and it was like you were doing him a massive disservice by actually being in the shop and buying anything like he would get pissed off, like he didn’t want people to be in there.
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“One day I went in there and if you haven’t been in there the back of his shop you just couldn’t reach anything because it was just records, piled on top of records, piled on top of records, like three stacks deep, like you couldn’t get there.
“So one day […] I was interested to find out what was at the back […] so I was like, erm, ‘what’s the records at the back of the shop?’ and he got really annoyed and was like ‘why does everyone always ask that? What’s wrong with the records at the front?’
“And I think that kind of sums up his whole shop.”
This disregard for opening times meant that even some of the city’s most avid crate diggers never actually got a chance to step inside.
Andy Newens, a vinyl enthusiast and long-time Manchester DJ, told The Manc: “I went many times but never saw it open.
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“I often wondered what was in there and always just ended up going to Chicken Run instead.”
Those who managed to get inside would find piles on piles on piles of records, with seemingly no system of management to them whatsoever. Still, it appears that Mike did know where things were – to the surprise of one visitor.
Whalley Range resident James Greenwood, a label owner and part of the Manchester DJ collective Supernature Disco, told The Manc: “I last visited the Record Shack just after the first easing of Covid restrictions when the pandemic had first hit.
“He’d set up a few records outside so I bought a couple of disco cheapies. Then I didn’t see it open again. I’d often see him walking that way but never to the Shack.
“I first moved to Whalley Range eight years ago and went in to see what sort of stuff he sold. The shop was total chaos and seemed to have zero order to it.
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“I was looking for some KISS stuff at the time and asked if he had any in. He pointed at a stack in the far corner of the shop and said to me “just behind there on the bottom shelf should be some KISS albums” and sure enough there were.
“I was pretty stunned that he knew where to find stuff amongst all those stacks and shelves. Like I say, it seemed to have no order whatsoever.”
Now closed after some twenty-odd years, the RecordfShack still lives on in the memories of many of the city’s vinyl enthusiasts.
One avid vinyl blogger wrote of a visit: “A few times I’ve tried to befriend the owner in the vain hope that once in his inner circle he would lead me quietly to the hidden stash of rare records but by this visit I had accepted that this probably doesn’t exist and the shop is not so much a shop as a glorified storage unit for a pretty chronic hoarder.
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“Maybe the holy grail does exist in the melee but I was happy to pick up “Dirty Cash” and a Candi Staton version of “Suspicious Minds” for £1 and move on.”
Another enthusiast who had visited the shop wrote online: “It sells records and it really is a shack! This is a place of myth and legend and to even offer opening times would be ridiculous.
“I love this place for its chaos, confusion, dust, dirt, randomness and just pure vinyl mania. Having chatted to the owner he has always had the vinyl bug and can’t stop collecting bag after bag of stuff with perhaps little saleable value but what the hell.
“I guess the scary truth is that when I’m his age perhaps my house will resemble this shop. I understand him …now is that a good or bad thing? We both also love Jazz…enough said!”
Do you have a memory of the Record Shack? If so, we’d love to hear it. Send your stories to us on Twitter @TheMancUk.
Chicago the Musical razzles (and dazzles) at the Palace Theatre in Manchester
Clementine Hall
A story of murder, greed and corruption was performed with style, ease and flair; Chicago is the longest-running American musical in Broadway and West End history, and it’s easy to see why now that it’s arrived in Manchester.
The jazz-fuelled fiasco is filled with catchy songs that you can’t help but click along to, funny one-liners, and likeable characters such as Miss Roxy Hart herself.
Best-known for appearing as Kate Connor in Coronation Street, the opening night in Manchester on Chicago‘s UK tour may have been a daunting prospect, but it’s one Faye Brookes pulled off seamlessly.
Here’s our full review…
Brookes is fantastically expressive and brings new energy to a classic, complemented throughout by a sultry cast dressed in buckles and mesh that really bring the ‘Razzle Dazzle’ to the stage.
Her co-star, Strictly Come Dancing‘s Kevin Clifton, struts through the show transformed into Billy Flynn – a flamboyant 1920s American lawyer who has the desperate inmates in the palm of his hand.
The opening number, ‘All That Jazz’, is spearheaded by Djalenga Scott as Velma Kelly and she does it brilliantly.
The cast slink their way across the stage with Scott at the forefront, who undoubtedly delivers a faultless performance and complements Brookes as Roxie Hart perfectly.
A highlight of course included the hilarious‘Cell Block Tango’, the audience were laughing along as the women sang the stories of their murderous deeds whilst performing sharp and sultry choreography.
Not even a toe out of place.
The set is minimalist, dark and simple, but is simply brought to life by the wonderful expression and lively musical numbers performed on stage by the live band.
The live band sits on a staircase centre stage and their playful use of instruments throughout is truly impressive.
Neil MacDonald, the show’s musical director, even got involved with a few on-stage conversations which was a fabulous touch that made the show feel bespoke to us.
Other notable performances included Brenda Edwards as Mamma Morton, whose powerhouse voice left the audience in absolute awe, and Joshua Lloyd as ‘Mister Cellophane’ caused a couple of pitiful “awws” from the auditorium.
Overall, this was a fantastic production of the Broadway classic – the standing ovation at the end proves I wasn’t the only one who thought that too.
Chicago the Musical is playing at the Palace Theatre Manchester until Saturday, 9 November and you can grab your last-minute tickets HERE.
StreamGM launch brand new livestreamed DJ series, ‘Room Two’, at The Yard
Emily Johnson
Starting this Friday, 8 November, StreamGM and Audio North are bringing the next big names in dance music directly to fans through ‘Room Two‘ – a weekly DJ series broadcasting from StreamGM HQ, The Yard, over in Cheetham Hill.
This new initiative champions the freshest talents from Greater Manchester’s dynamic underground dance scene, giving viewers worldwide a chance to experience exclusive, high-energy sets across house, garage, jungle, techno, dubstep, bassline and more.
Every Friday at 7pm for the next six weeks, you can tune in for an hour-long, genre-defying mix featuring six standout artists and collectives — all handpicked for their unique takes on the UK dance scene.
Here’s their debut lineup:
StreamGM x Audio North + The Yard = ‘Room Two’, a.k.a. the Manc music scene’s best-kept new secret.
For fans of raw talent and boundary-pushing beats, Room Two promises a weekly showcase of Manchester’s most exciting rising stars — completely free to watch on StreamGM’s website and social channels.
Let’s get to know the talent.
Meet the artists taking over Room Two
Credit: Press Images (supplied)
Shimrise
Kicking off the series, Shimrise is the female duo who’ve made waves in Manchester’s house music scene, known for their fearless high-energy performances and risk-taking setlists.
Recently featured at Parklife and supporting the likes of Tarsza (NTS, 6 Music), Vanessa Maria (Foundation FM), and Kennedy Taylor (Capital Xtra), Shimrise’s sets blend dance classics with unexpected twists, creating a nostalgic yet electrifying vibe.
Prepare for a captivating opener as they set the tone for Room Two. You can watch our interview with the impressive pair of DJs down below:
Renowned for his mastery of grime, garage, bassline and house, Oldboy merges authentic UK sounds with modern twists, capturing the gritty energy of pirate radio and evolving it for today’s club scene.
His sets, steeped in UK bass culture, showcase explosive productions on labels like Untitled Dist. and his own Front Toward Enemy, making him a perfect choice to bring the classic Manchester rave vibe to Room Two.
A top talent well worth keeping your eyes on.
One of the most exciting names coming to the new StreamGM event at The Yard. (Credit: Press Images/The Manc Group)
Lapalace
With dreamy synths and classic drum breaks, Lapalace’s ambient dance project combines nostalgia with cutting-edge soundscapes.
Since launching in 2020, this Manchester-based artist has built a loyal following, recently crafting a new EP that expands her sonic palette beyond breaks, ambient, and jungle, creating an introspective yet powerful listening experience.
Genre-bending and certainly one to watch.
Credit: Supplied
Ghoulish
Speaking of which, as one of UKF and Mixmag’s ‘Ones to Watch’, Ghoulish is also setting the UK club scene alight with genre-blurring productions and intense DJ sets.
From euphoric dance to core-rattling dubstep, he blends a broad spectrum of sounds, recently earning a release on Skream’s label I FEEL and a spot on Warehouse ProjectRecords.
Expect a high-octane set that defies genres and pushes boundaries.
Credit: Press Images (supplied)
Me Gusta Collective
Taking fans on a global musical journey, Me Gusta Collective brings a rhythmic mix of Latin house, reggaeton, broken Beat, Gqom, afro-techno and house.
Known for uniting diverse sounds and creating an inclusive dance floor atmosphere, Me Gusta Collective’s sets resonate with anyone looking for beats that transcend borders.
Also, goes without saying but… great f***ing name, isn’t it?
Credit: Press Images (supplied)
Finn
Inspired by both Manchester’s electric dance scene and US West Coast influences, Finn has cultivated a reputation for soulful, high-energy tracks.
With hits like ‘Keep Calling’ and ‘Do What You Want Forever’, his releases have become dancefloor staples.
A regular on NTS and a curator at SOUP and A Party Called, Finn’s sets are a celebration of Manchester’s underground energy with global appeal.
Finn rounds out the first wave of Room 2 acts set to play for StreamGM at The Yard (Credit: Supplied)
Join the launch this Friday, 8 November, at 7 pm with Shimrise, and catch all upcoming sets on StreamGM’s website and the Facebook pages of The Manc and StreamGM.
With an exhilarating line-up set to redefine Manchester’s underground scene, Room Two is where the future of dance music begins.