It’s that time of year again. The moment that the ‘worst places to live’ in England are officially revealed – thanks to a poll that generates unprecedented patriotic debate amongst social media audiences.
Website ilivehere publish an annual list of the country’s most unpleasant towns and cities – all of which are voted for by the unfortunate souls who’ve had to wake up in them every morning.
The tongue-in-cheek survey invariably stirs up some strong responses right across the nation, and as many as 125,681 people voted for their worst place to live in England in 2021 – rushing to condemn the dullest, dreariest parts of the country often forgotten about by government because of what side of the map they land on. Just saying.
Last year, two towns in Greater Manchester made the ‘top’ ten. But this time around, things are looking a little better for our region (even if it definitely didn’t feel that way during the previous twelve months of isolation and tiers).
John S Turner / Geograph
Here’s the definitive list for 2021 (according to 125,000+ ‘Ilivehere’ voters):
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Peterborough
Huddersfield
Liverpool
Bradford
Hull
Wakefield
Luton
Jaywick Sands
Torquay
Halifax
As for the winner, who else could it be?
Peterborough has yet again retained its title as the Worst Town in England.
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That’s three years in a row it’s had the ‘honour’ of doing so – but if it helps, we don’t think it’s THAT bad?
Many Mancs will surely be a little smug to see Liverpool so high up, whilst Yorkshire also fared rather badly; with Huddersfield, Wakefield, Bradford, Hull and Halifax all making the cut.
Jaywick Sands and Torquay – seemingly two of Britain’s most miserable-looking seaside spots – made up the top ten.
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Jaywick Sands – Duncan Graham / Geograph
But people in Greater Manchester shouldn’t get too smug.
Whilst Rochdale and Oldham have dropped out of the top ten from 2020, they both still appeared in the larger list of 50 worst places to live in England.
Oldham ranked 17th and Rochdale came in 23rd.
Neighbours Wigan also came in at 20th, with Bolton 29th.
That’s four of the 10 Greater Manchester boroughs in the Top 50 this year.
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Not great. But I’m sure we can all agree it could have been much, much worse.
Self Esteem at Manchester Academy – a night of pure energy and immaculate music
Kristen MacGregor-Houlston
A Complicated Woman – the name of Self Esteem’s album, she is currently touring around the UK and Europe. While she may be complicated, there is nothing complicated about how absolutely sensational a performer is.
I only ‘got into’ Self Esteem (Rebecca Lucy Taylor) this year. I kept hearing others talk about her and her music, but I’d never really given her a listen until we saw her on the line-up for Glastonbury. A Complicated Woman had just come out, so that was my intro, and I immediately became a massive fan.
I was lucky enough to watch her set at Glastonbury, which brought tears to my eyes for being both an incredible performance and thematically. When the opportunity then came to see her again, but at home in Manchester, I practically bit the promoter’s hand off.
The energy is palpable at Manchester Academy; everyone is just buzzing with a joyful energy that’s incredibly infectious.
Unfortunately Moonchild Sanelly, the collaborator on ‘In Plain Sight’ and Self Esteem’s support act on this tour, was unwell, so the delightful Tom Rasmussen stepped in at the last minute.
Fresh from a family christening and pulling in some last-minute pals, he delivers a delightfully camp and moving show, getting everyone pumped up.
The lights went down at 9pm, and the audience was met with a wall of handmaids, and then Rebecca walked out on stage to a huge eruption from the crowd. Her fans (myself included) clearly love her. She opens with ‘I Do And I Don’t Care’ which brings a tear to my eye once again.
This is more than just a ‘gig’. It is a full, theatrical experience with dancing and storytelling the whole way through.
Whilst Taylor is very clearly the focus, her team of performers are an essential element of the whole show: they’re so much more than just simple backing singers/dancers. They’re so in sync with each other, and there is so much joy on stage as they shine together – a very clear bond ripples through with such love.
The show flows almost as different ‘Acts’, with the running order not following the album order itself, with a mix of songs from her current album and the 2021 album, Prioritise Pleasure. ‘Mother’ gets the crowd grinding away as she moves onto ‘Lies’ and ‘69’ – which always gets a chuckle from the crowd.
We are fixated on her. She just draws you in and holds you there throughout the whole gig. Nobody is shifting around to go to the loo or get a beer; everyone is just glued to their spot and basking in her sensational energy. Despite some of the themes during the gig, everyone was abuzz with energy.
When ‘Fucking Wizadry’ comes on, every single person sings (or screams) along, and Taylor and her onstage posse absolutely lap it up.
With Moonchild Sanelly being unwell during our gig, when ‘In Plain Sight’ is performed, Self Esteem still moves to the side of the stage when the recording of Moonchild is played, giving space to where she would have been. Hopefully, she is feeling better for her further dates, because her presence would have been a powerful addition to the song, and I’m gutted to have not experienced it.
When ‘Cheers To Me’ came on, the party really began; the audience went utterly MAD for it when the inflatable men (like the ones you see at car garages) appeared. It is honestly so hard to describe the feeling of euphoric joy that is just blasting through the crowd – it is a sight and sensation to behold.
Now you may or may not know, but Self Esteem is personal friends with Julie Hesmondhalgh – yes, as Hayley Cropper from CORRIE! – in who appeared on stage on night two of her three-night gig in Manchester.
She admits to us that on night one, she forgot that Julie was only doing night two and had shouted to introduce her during ‘If Not Now, It’s Soon’, which had apparently caused a bit of a stir with some of the night one’s audience.
Making light of it, she asked if the crowd wanted her to shout Julie Hesmondhalgh again, so we all felt equal – of course, we did.
The show goes from strength to strength, “finishing” with ‘The Deep Blue Okay’ which perfectly encapsulates the raw emotion and talent of Self Esteem. The crowd is beside itself with cheer as they erupt in applause, deafening just about everyone around them as the stage empties and the lights dim.
Self Esteem returns to the stage alone initially, and chats to us about two important charities she is raising money for, the Schools Consent Project, which goes into schools and teaches kids about consent, and the other is X – helping relocate people displaced as a result of conflicts around the globe.
She then moves into ‘I Do This All The Time’, joined by her troupe again on stage, and finally finishing on ‘Focus Is Power’. Emotions are incredibly high. There isn’t a single person who hasn’t been moved and hyped by the whole show.
Review | FLO at Manchester Academy – three fly girls and a cardboard box full of hits
Thomas Melia
UK girl group FLO visited Manchester Academy yesterday and let the crowd ‘Access All Areas’ of their discography on their tour of the same name.
Jorja, Stella and Renée, more widely recognised as R&B girl group FLO, had Manchester in awe, treating the crowd to a night of silky vocals, stylish choreography and expert harmonising.
After visiting New Century Hall in 2023, Gorilla in 2024 and Parklife twice, the latest being earlier this summer – this time they’re setting ‘The Mood’ in Manchester Academy.
As the show begins, the trio pop out one by one and poses in a way that harks back to cult classic action film Charlie’s Angels, with the girls only visible by their silhouettes.
FLO played to a very lively Manchester Academy crowd last night (Credit: Audio North)
The song soundtracking this initial greeting is none other than the Cynthia Erivo-narrated ‘AAA’, which gives each member their own individual time to shine.
This girl group are ready to show off their musical skills in full force.
Next is the sassy and playful ‘Walk Like This’ which has the Manchester Academy crowd strutting their stuff while chanting “There’s a reason I walk like this / Side to side with a sway in my hip.”
‘Check’, which clocks in at just under three minutes, sees the girls ticking off some important relationship traits: “Is he loyal? Check / He spoil you? Check”; “Is he faithful? Check / Gentleman? Check.”
Jorja, Stella and Renée wowing the Manchester crowd with their stacked musical roster (Credit: The Manc Group)
This fun-filled single keeps the vibes at a high with the girls finishing each chorus admitting, “The way I trust him, I ain’t gotta check”, while giving each other a smile or two.
The gospel influenced ‘Bending My Rules’ was nothing short of religious. FLO made sure to take us to church for four minutes with their vocal runs, belts and stellar harmonies.
Following this is a number of much-loved album tracks like ‘Shoulda Woulda Coulda’, ‘Get It Till I’m Gone’ and the confident ‘How Does It Feel?’ which all go down a treat and show the girls in their elements or as they’d phrase it… in their bags.
As soon as the trumpet-heavy instrumental for ‘In My Bag’ plays out, the audience self-appoints themselves the role of US rapper GloRilla, making sure to recite her flow bar for bar – “On gang, gang”.
UK girl group FLO performing as part of their long-awaited ‘Access All Areas’ tour in Manchester (Credit: The Manc)
During this track, the girl group brought their A-game, recreating the choreography from this song’s music video with the audience acting as their hype men – it’s safe to say, it wasn’t just the girl group lapping up this moment; everyone was in their bag.
As Stella blurts “I got a confession”, the opening line to the band’s debut single ‘Cardboard Box’, there’s a flurry of screams from the crowd for this fan favourite.
Performing this penultimately really gave fans, such as myself, the time to process the journey these three have been on in the past five years and also to come to terms with the fact that the show was almost over.
The introduction to ‘I’m Just a Girl’ plays out, and in that moment, it’s safe to say no one could name a better closing song, as this encapsulates the band’s feelings towards the industry they’re working in.
This R&B trio put on quite the performance at Manchester Academy last night (Credit: The Manc)
Lyrics like “What’s a girl got to do to be seen?” and “How many black girls do you see on centre stage now?” reinforce the harsh realities this girl group have had to face and how they’re slowly inserting themselves in mainstream conversations.
Although this rock-twanged R&B hit might not be the perfect fairytale ending, the fact that over 2,000 fans have shown up and shown out for FLO’s Manchester gig is.
Their fanbase isn’t leaving anytime soon, and last night was a prime example.
The Manc -
6th January 2021 
