On first glance, New Mills may seem like any other Peak District town: small, picturesque with little-much-to-do. Venture just a few steps towards the River Sett, and you’ll find yourself in another landscape entirely.
Just below the hustle and bustle of the main shopping centre lies New Mill’s (not so) hidden gem – The Torrs Millennium Walkway.
Having done this route a few times, each time we’ve been amazed at the natural gorge that lies below.
The spectacular gritstone gorge was previously impassable to walkers, but the walkway built at the turn of the millennium, nicknamed the ‘steel spider’s web’, has transformed the dramatic landscape.
The Torrs Millennium Walkway is a 175-yard aerial walkway spanning the cliffsides above the River Goyt and River Sett, with links to many walking and cycling routes across the area.
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If you’re new to the area, the heritage centre provides maps and guides for several nearby walks, including the iconic Kinder Trespass Trail.
Torrs Millennium Walkway. Credit: GetlostmcrViews along the walking route from Torrs Millennium Walkway. Credit: Getlostmcr
Below, Getlostmcr has mapped out a couple of walking route options, one of which soaks in all the best bits of Stockport’s forgotten history.
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And if you plan your walk to finish in New Mills, you can nip in to the dog-friendly, traditional local pub, The Pride of the Peaks, for a swift pint of Guinness by the real fire.
For those short on time, we recommend this route by Getlostmcr – a short, four-mile, out-and-back loop around the walkway and along the Sett Valley Trail. This route starts in the town of New Mills, easily reached via train or by car, with ample parking space at Market Street Carpark in the town centre.
And for those looking to get the extra steps in, why not extend the route by starting at nearby Marple?
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History buffs, this one’s for you: Getlostmcr have mapped out a lengthier walk that takes in the best of Stockport’s forgotten history.
Starting from Marple, you’ll head towards The Roman Lakes, past the site of Mellor Mill Ruins: once a shining start of the Oldknow Empire. Back in its heyday, Mellor Mill was the biggest spinning mill the world had seen.
What remains of the site has since been taken over by the natural world, making a perfect pitstop on the first leg of your walk.
From here, you’ll make the ascent to Mellor Cross close to Cobden Edge. Mellor Cross was originally erected in 1970 by a group of local church goers who carried the individual pieces up the steep hill to ensure the cross overlooked the community.
Once you’ve marvelled at the size of this landmark, it’s time to head towards Mellor Moor where you’ll be rewarded with views right across the western edge of the Peak District and the Cheshire Plain.
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The moor’s umpteen tracks date back to prehistoric Old Mercian trackways, said to be the route of monks and pilgrims way back when. Next, you’ll follow the trackways until you reach New Mills, where you can stop off to marvel at the walkway above. As for the return? That’s up to you!
You can follow Getlost’s out-and-back route here, or simply get the train back to either Piccadilly or the starting point in Marple if you drove down. For those following the half route, this is the link you need.
Enjoy!
The good-to-knows
The Pride of the Peaks pub in New Mills. Credit: GetlostmcrA pint of Guinness in the Pride of the Peaks pub. Credit: Getlostmcr
Car parks
We parked in New Mills’ Market Street Carpark, £2 for 4 hours. 44 spaces.
New mills Carpark: Market Street, New Mills, High Peak, Derbyshire, SK22 4AA.
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For those starting in Marple, there is ample free street parking near Hibbert Lane, SK6. There is also a carpark just off Hibbert Lane.
Marple carpark: Marple Memorial Park, Hibbert Lane, Stockport, SK6 6BD.
Cafes
There are plenty of cafes in both New Mills and Marple. For those following the short loop from New Mills, Sett Valley Café is en route and have a 10/10 selection of homemade and vegan drinks and snacks.
Pubs
We went to Pride of the Peaks in New Mills, but there are plenty to choose from in both New Mills and Marple, depending where you choose to start.
Difficulty
There are various options to suit different walking abilities. For those wanting to do the out and back from Marple, we’d recommend walking boots.
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It’s also worth noting the ascent is all in one short stint so decent level of fitness is required. The short loop from New Mills is perfect for a Sunday dog walk.
Five Manchester artists we’ve been listening to this month | April 2025
Danny Jones
Fashionably late to the party this month, but we’re sure you’ll forgive us because we’re back with yet another stellar lineup of Manchester bands and artists for you to get your teeth into – some new, others criminally unsung, and all equally brilliant.
Your playlists are about to get a good old refresh.
In case you’re new around here, we here at The Manc and Audio North set aside some time every month to look back on the local musicians we’ve been listening to over the last few weeks.
Whether they are Greater Mancunians born and bred or they’re adoptees who have made Manchester their musical home, anything goes and there’s always something for everyone. Let’s get stuck in.
New Manchester bands and artists we’ve been listening to lately
1. Strawberry Lemonade
First up is the delightfully dubbed Strawberry Lemonade, who sound even sweeter than their name, not in a sugary pop music way, but in the sense that sliding guitar riffs as well as plenty of fast-paced strumming and drumming feel like you’ve just necked a glass of, well…
There’s a classic rock and roll swagger to their music, and while many might argue that a lot of new Manchester bands are trying to nail this kind of sound – already a challenge in a city so oversaturated within this genre – they’ve managed to catch our eye.
Having recently headlined a sold-out show at the iconic Deaf Institute, one thing we know for sure is that they’ll be moving on to even bigger venues sooner rather than later. In terms of standout tracks, we rate ‘Nightime’ and ‘Control’; plus, you’d be a fool not to give their latest single ‘Bother At All’ a go.
Next up is the alliterative Danny Darlington, who seems to have emerged out of nowhere to pique our curiosity with some of the most sprawling and varied songs in less than 12 months. He quietly released his first song back in March 2021 but we’re definitely paying attention to his most recent work.
To call it indie would be a major oversimplification; alt-pop doesn’t quite fit either – all we can tell you is that the solo artist from Bury seems to be more than happy pushing in different directions and experimenting with different sonics, with more effects, pedals and electronics being thrown into the mix.
‘Freya’ is a fantastically chill tune, ‘How To Feel’ ends with a really pleasant and punchy surprise, and we’re big fans and one of his older tunes, ‘Parma Violets’, which has a recognisable contemporary indie vibe with some great production for someone who was still just starting out.
3. Nightbus
Fittingly for number three, we’ve got a trio and a band that feels like one of the Manchester music scene’s best-kept secrets somehow. Seriously, we’re genuinely kind of annoyed that more people don’t know about Nightbus because they’re absolutely brilliant.
The xx, New Order and Cocteau Twins are some of the names that come to mind when making our way through their still limited discography, though there is a very fun collection of remixes of their work so far, which genuinely rival some of the original versions.
Also, it might only be a little thing, but we really like the very uniform aesthetic and visual style too; the album artwork typeface almost hints at limited gig poster prints with that self-contained theme per album cycle, a la The 1975. ‘Way Past Three’, ‘Average Boy’, and the E24 mix of ‘Mirrors’ are our three.
Such a jam.
4. Conor & The GreensKeepers
The penultimate name on our list is a collective that has actually been around for a while now and is steadily starting to earn some of the profile they’ve been long overdue in our opinion, but we’ll never tooting our horns about these lot. They’re also utterly incredible live.
Fronted by lead singer and charismatic performer Conor Michael, The GreensKeepers are some of the most underappreciated artists anywhere in Greater Manchester right now, and no matter how many new bands come along, we firmly believe these 13 unbelievable musicians deserve your attention.
As for picks, recent release ‘Roundabouts’ has that UKG and rap flavour they enjoy; ‘U + I’ is now a go-to lo-fi work soundtrack, and ‘Sip from a Rose’ is their spin on jazz and neo-soul in a nutshell. Put simply, it’s music that makes you feel something from the first note and almost never fails to inject a bit of joy.
Arriving by way of Birmingham, the Manchester-based group will be returning for MJF 2025 as well as Green Island Festival.
5. Slap Rash
Last but not least, we’re finishing the loudest, most raw, raucous and in-your-face artists we’ve probably ever put on one of these lists, and it comes in the form of the ferocious duo known as Slap Rash. Great name, even better ragers.
This absolutely riotous project is the brainchild of locally-based brother-and-sister partnership, Amelia and Huw Lloyd, who might just have knocked the likes of Royal Blood off the top spot for making the most noise that is physically possible for two humans to make.
We honestly love this pair. It’s the epitome of thrashy hardcore with an unhealthy dose of distortion, boasting hints of Drenge, early IDLES, Demob Happy and more. We genuinely don’t know where to best to start, but ‘Holy Smoke’ puts hairs on your chest, ‘Griefcase’ is class, and so is ‘Histrionic’.
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Our new tune, brought to life by Samuel Jones at Low Four Studios + Norman Nitzsche at Calyx Mastering
Swordplay and rock ‘n’ roll: A Knight’s Tale comes to Manchester Opera House
Danny Jones
From the moment the curtain rises at Manchester Opera House, A Knight’s Tale bursts into life with exhilarating energy. This stage adaptation of the beloved 2001 film expertly blends medieval spectacle with a bold, modern twist.
Full of jousting tournaments, noble quests, and underdog triumphs, the production delivers both heart and high drama – all with a heady dose of rock ‘n’ roll.
At the centre of it all is William Thatcher, a young squire who dares to defy his lowly birth and enter the world of high-born knights. Played with charm and confidence by Andrew Coshan, William’s journey from peasant to jousting champion is rousing, if occasionally veering into heroic cliché.
Still, Coshan’s likability and natural charisma keep the audience cheering for him through every lance charge and dramatic monologue. The supporting cast also shines.
A standout is Eva Scott, whose comic timing and delivery consistently land laughs, often stealing scenes with her sharp one-liners.
Meanwhile, Meesha Turner brings elegance and spark to the role of Princess Jocelyn. Her powerful vocals during the show’s pop-classic ballads transform the character into a fiery, modern princess you can’t help but root for.
The production’s standout sequences are undoubtedly the jousts, theatrical set pieces that are an absolute masterclass in stagecraft. Using a clever combination of rigging, physical choreography, and dynamic sound design, the creative team conjures a truly immersive atmosphere.
Dramatic lighting and resonant sound effects make you feel the thud of hooves and the crash of lances. The cleverly designed set, featuring an arena-style jousting field, draws the audience into the action in a way that feels fresh and cinematic.
However, the show stumbles slightly in its quieter, more emotional scenes. The dialogue, while laced with humour, sometimes dips into melodrama. The villain, Count Adhemar, feels a touch underwritten, with motivations that don’t quite match the emotional weight the story strives for, but is still well-acted.
Don’t just take it from us: the A Knight’s Tale reviews from Manchester crowds are already very strong.
The stakes between him and William never fully build to the payoff they could – leaving certain dramatic beats a little flat. Musically, the show makes a bold departure from traditional scores. Instead, it leans into a soundtrack of classic rock anthems; think Queen, AC/DC, The Who and more.
At first, it seems like an odd match for a medieval tale, just as it did with the movie, but it works brilliantly. The music injects the show with rebellious energy and gives it a timeless quality. It’s loud, bold, and exactly what this high-octane tale of ambition and identity calls for.
A special mention must go to the ensemble and choreography. The jousting scenes are beautifully choreographed, blending acrobatics, dance, and swordplay with seamless precision. Even in quieter moments, the movement on stage supports the storytelling with subtle grace.
But the unexpected stars of the show? The horses. Designed with clever costume and movement illusions, they create the convincing effect of riders in full gallop – and at times, they very nearly steal the spotlight altogether.
Credit: Supplied
Though clearly aimed at adult audiences, with its cheeky humour and classic rock soundtrack, the show flirts with the spirit of panto, oversized characters, regional accents, and exaggerated physical comedy. And it works.
The regional dialects add warmth and levity, grounding the fantasy in a cheeky, very British sensibility. In the end, A Knight’s Tale is a triumphant and entertaining spectacle, an electrifying mix of medieval mythology and modern musical theatre.
Whether you’re a die-hard fan of the original film or seeing the story for the first time, this production offers a fun, fast-paced, and surprisingly heartfelt night out. It’s not perfect, but it’s hard not to be swept up in the clashing swords, galloping hooves, and power chords.
Put simply, this is a knight to remember – with a soundtrack that slays.