Some meals are just meals. Others stay with you, not just because the food is great, but because the whole experience feels special.
That’s exactly how I felt after spending an evening at the well-renowned Michelin Star restaurant, Northcote – tucked away in the beautiful Ribble Valley countryside.
The place itself is stunning. Northcote is a countryside manor that manages to feel grand without being stuffy, and not to mention the views are picture-perfect too. A pre-meal perch on the terrace outside with a glass of non-alcoholic elderflower spritz set me up for a perfect afternoon.
But of course, I wasn’t there just for the scenery. I was invited to dine in a private dining room with an open kitchen, where Great British Menu star and MasterChef: The Professionals judge, Lisa Goodwin-Allen, and her incredible team cooked right in front of us. Lisa recently returned to lead the kitchen after a brief time away, and so this meal felt like a celebration of her return. From the moment she stepped into the kitchen, it was clear she was exactly where she belonged.
Lisa Goodwin-Allen, Chef Patron and Director at Northcote / Credit: Jonny Lake (Supplied)
The menu was thoughtful, seasonal, and beautifully put together. Every course felt carefully considered, with bold flavours but nothing fussy or overdone.
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Words from Lisa herself endorse this, as she says: “This menu reflects everything the Northcote kitchen stands for – a deep respect for produce, a commitment to innovation and a passion for pushing culinary boundaries. It’s elegant, playful and full of flavour and more than that, it’s significant, because it marks the start of a new era.”
My favourite course was the chilled Isle of Wight tomato. I’m absolutely hooked on goats cheese at the moment and it paired so well with the fresh tomatoes. The bread meant you could just rip it apart and scoop everything up so the plate was well and truly spotless afterwards.
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An honourable mention has to go to the beautifully-simple way we ended the meal too. Having been watching Wimbledon all week, I was craving some strawberries and cream. The strawberries were full of flavour, the elderflower gave a gentle lift, and the clotted cream made it feel indulgent.
‘Northcote is more than just a place to eat, it’s an experience’ / Credit: The Manc Group
I was driving, so wine was off the cards… or so I thought. The sommelier had a whole non-alcoholic wine pairing option. One non-alcoholic pairing really stood out. It was a tea served in a wine glass, not just for the look, but because it shared the same flavour-enhancing compound found in wine.
During our afternoon of indulgent food and drink, Managing Director Craig Bancroft offered us an exclusive look at some of the exciting developments on the horizon at Northcote. These include a full refurbishment of the hotel’s bedrooms, a refreshed restaurant design with an expanded private dining area, and the addition of a brand-new on-site spa.
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Plans are also underway to relaunch Northcote’s outside catering arm, with a focus on high-end, small-scale events such as private dinner parties and boutique corporate gatherings – all delivered with the same signature quality the brand is known for.
Northcote is more than just a place to eat. It’s somewhere that brings together setting, service, and food in a way that feels personal and memorable. Whether you’re there for a special occasion or just looking to treat yourself, it offers an experience that’s hard to forget.
With Lisa Goodwin-Allen back at the helm of the ship, Northcote feels grounded, inspired, and full of promise.
Featured Image – Supplied
Opinion
The Strokes at Co-op Live, Manchester – actually very hard to explain
Daisy Jackson
Manchester has waited a long, long time for this – The Strokes back on stage in our city.
I’ve been a fan of the band for as long as I can remember, but have never managed to catch them live, partly because they’ve left it TWENTY YEARS between shows here.
But back they are, with an enormous gig at the Co-op Live on their Reality Awaits tour.
The Strokes are known as one of the most solid indie bands of the 2000s, going triple platinum with their debut album Is This It and releasing massive anthems like Last Nite, Reptilia, and Someday.
They’re also known as a bit of an unpredictable live act – some will say they’re one of the best on the circuit, others will say they’re disappointing, and it really can depend on the night.
What they’re not known for is their audience interaction, so when frontman Julian Casablancas tries to have a bit of a chat with the audience, we all sort of stare blankly back at him. He’s speaking to us? What do we do?
“Wow, tough crowd,” he says, which is the first time I’ve ever heard anyone describe a Manchester audience as tough.
Then he turns back to drummer Fabrizio Moretti and says: “This is f*cking hideous, let’s play some songs.”
The setlist seems to get a shake-up every couple of shows, which is a nice surprise for us – and apparently also Julian, who regularly pops over to ask his bandmates what’s up next.
It doesn’t really matter that he’s not done his homework, because the second that drum kicks in, along with the impeccable guitar work of Schiltz, Fraiture and Hammond Jr., he snaps into action.
It’s impressive that their songs still have such singalong quality when Casablancas enunciates like a man with a dislocated jaw. For certain songs he’s so incoherent that if you weren’t a fan you’d walk in this room and wonder what the f*ck was going on.
But then, that’s sort of why us The Strokes fans love them so much. There’s a calamitous beauty to the work they put out and it’s so fun to belt out some words, even if they’re not the right ones.
I was hoping that seeing it live would sell that divisive new album, Reality Awaits, to me, but it didn’t. It’s too autotuney, too languid, and too often the victim of everyone’s toilet breaks.
Their earlier tracks still land best in a live setting, especially Reptilia, an absolute juggernaut in their back catalogue.
Rollercoaster set and tricky crowd interactions aside, we all had a great time – I’m just not sure I could say the same about Julian Casablancas.
Hans Zimmer at Co-op Live, Manchester – movie magic brought to life
Lonnie Bowes
What do Batman, Kung Fu Panda, and Captain Jack Sparrow all have in common? Music by Hans Zimmer, of course.
I must admit it’s an odd sight seeing 20,000 people seated in the Co-op Live. Manchester is no stranger to a big night out, but this is a different beast entirely. No mosh pits, no flying pints, no one on anyone’s shoulders. Just a full orchestra, a choir, and a wall of screens.
At the centre of it all is conductor Matt Dunkley, steering the Odessa Orchestra & Friends through some of the most recognisable music ever put to film. Zimmer appears on the big screens between pieces to introduce the music and the stories behind it. I was disappointed that Hans didn’t make an appearance but let me tell you this performance was no less impressive.
And in no time at all the gloves came off. Batman is, quite simply, incredible. All menace and muscle, strings sawing away like something is about to go very wrong, brass and percussion hitting so hard you feel it in your ribcage before you hear it.
Gladiator pulls things the other way. Where Batman pins you to your seat, this one lifts you out of it in a big way. Lets face it, if you are some what of a self respecting movie head, you’ll have seen Gladiator and know first hand how ‘Now we are free’ can command your mood. Well imagine that in person.
If the orchestra is the engine, the Nairobi Chamber Chorus is the heart. When their voices rise for The Lion King, it stops being a concert and becomes something closer to gospel.
Hans Zimmer at Co-op Live. Credit: The Manc Group
Because beneath the scale and the spectacle, there’s something more intentional at play. These pieces of music are part of people’s lives. We are talking first trips to the cinema, films watched with parents, soundtracks that got someone through a rough year.
And then there’s Interstellar. ‘No Time for Caution’ creates it own suspense. The organ churns, the tempo tightens like a ticking clock, you genuinely find yourself gripping the armrest as if you’re the one trying to dock a spinning spacecraft.
Time, from Inception, is the other side of that coin when it comes to what it emotes during the performance. It’s slow, it’s patient and it’s moving. It builds from almost nothing, layer on layer.
After all that, there’s only one way to send people home. Pirates of the Caribbean closes the night at full tilt. You think everything is drawing to end, Matt Dunkley has already guided you to the apex of nights performance, but no. Hans Zimmer flashes on to the screen one more time and alluded that’s we aren’t at the finish line just yet. Strings galloping, the whole orchestra going hell for leather. Heads nodding, feet stamping, grins everywhere.
Epic, emotional and beautifully played. This wasn’t just a concert it was a reminder: that a piece of music can take you somewhere else entirely, and that you don’t need a single lyric to make thousands of strangers feel the exact same thing at the exact same time.
Hats off to every musician on that stage. You absolutely smashed it.
Will Kendrick -
17th July 2025 
