The AO Arena is the home of core memories in Manchester, and is about to celebrate a monumental 30 years of creating magical music moments.
Over the last three decades, the AO Arena has been pulling in massive acts across a variety of genres, scales, demographics and styles of entertainment.
It’s hosted some of the world’s biggest tours and been a nurturing place for homegrown talent to perform their first-ever arena-level shows.
From head spinning and record breaking performances in 2008 with the company ofKylie Minogue to hundreds of comedy shows (a hundred of them courtesy ofPeter Kay alone) this live music space really has welcomed some golden moments and continues to do to this day.
Manchester has been a pioneer city for the Northern music scene, and there’s no denying AO Arena has played a major part in transporting this scene to some unreal heights.
ADVERTISEMENT
To celebrate the venue’s 30th birthday, we chatted with director of operations Miriam Stone, and although her name may not be familiar to a lot of you, we wouldn’t have the incredible memories we hold so dearly without her.
Interview with Miriam Stone, Director of Operations at AO Arena
There have been lots of acts who have made AO Arena their home for the night or for a couple of nights with their various tours and shows, who’s been your favourite to see live?
ADVERTISEMENT
That is the question that people ask a lot. If you imagine over 130 shows a year, for 18 years, that’s a lot of shows. Tina Turner always stands out as being one of the most incredible events that we ever did, partly because you look at the stage and go, that’s Tina Turner. She had these big, massive heels, and went striding out to the audience, incredible!
Prince was the one that made me cry. We had three weeks notice that we were doing Prince’s concerts, and because of my age and where he sat in my life, that made me cry. That was amazing. Those two shows just make me sit back and take a breath.
Kylie Minogue has played more than 30 shows at AO Arena. Credit: Supplied
Living legends and rock royalty alike have stepped out and played shows here over the years, have there been any pinch me moments in your career that still leave you feeling starstruck to this day?
ADVERTISEMENT
Billy Bragg. He was always one that made me laugh and made him laugh, I suppose it’s who you grew up listening to, isn’t it? Spice Girls were an interesting one too, because I was too old for the Spice Girls, when they were first around and but when they had their reunion tour, and I stepped out again and had a listen, there was just that swooping moment.
It’s the audiences, almost as much, if not more, than the artists, because when you have that many people all singing all at the same time its magical. When Coldplay did an arena tour I’d never seen seats behind the screen and stage sold before. That’s how much people wanted to be in that room and that crowd, because they all wanted to sing their heart out.
Spice Girls at AO Arena. Credit: Supplied
I had my first ever concert experience here at AO Arena, my first ever show was Ariana Grande all the way back in 2014, who was the first artist you saw play here?
The first concert I worked here was Richard Ashcroft in 2006 followed very quickly by Christina Aguilera, two massive shows!
What are some of the strangest requests the team have received from a performer?
ADVERTISEMENT
Most of those requests go to the promoter. We’ve had artists install doors and temporary walls to cut off certain parts of the room. We have a we have a wire that runs around the dressing room walls, because some artists like to style the dressing rooms the same everywhere they go. Most artists have a curtain that they then would normally bring a framework to hang things on to make the room more homely but in our venue, they don’t need to. They can just clip it around the walls. Whatever it is that makes the artists feel the most comfortable, we’ll do it.
What’s the most surprising event that you’ve ever held here?
The World Taekwondo championships, Disney on Ice the day after, and then, Cirque du Soleil was coming in the day after that, Oh my God!
We had to start building ice which we then covered up with wood, carpet and plastic so that we could then build the Taekwondo mats all on top of that, we did the Taekwondo on top of the ice. As soon as the event finished, we whipped it all out, carried on making the ice, did the ice show, brought in mini diggers, to break the ice up,and then loaded in Cirque du Soleil. I suppose those back-to-back days showed a really good range of the of the kind of events that we do.
David Haye at AO Arena, highlighting just the range of events this entertainment space can do. Credit: Supplied
We’re only in the first few weeks of 2025 but I know music lovers like myself will be buzzing to fill up their concert calendars, what artists can we expect to see at the arena so far this year?
ADVERTISEMENT
We’ve got, again, that range of things, from James Blunt to Toto to Sean Paul and Ashanti. Olly Murs, The Lumineers, Twenty One Pilots, Busted head to head with McFly, Lynnyrd Skynnyrd, Parkway Drive and Deacon Blue.
As Director of Operations for AO Arena, you will have spoken to plenty of attendees that have walked through the door and into this incredible live entertainment arena, which seat/view have people said is the best?
I mean that changes depending on your taste. When it comes to tennis some people want to be on the net line in 103 and 114. 108 and 109 are just brilliant, if you’re struggling for tickets, the front rows of the upper tiers are brilliant with a great view. The good thing about the front rows of of 102, 103, 114 and 115 is that you can feel like you’re part of the standing floor, but you still get your own seat.
You’ve worked in the music industry for more than a decade so you will be more than aware of how much planning goes into events and concerts, but if you could pick three individuals to play a special one night only show at AO Arena who would you choose?
If I could have David Bowie here, then, then that I could end my career! Billy Connolly, I have never laughed so much as I have watching him, people talk about crying laughing, I was almost sobbing laughing. And finally, The Dalai Lama, I’ve got this photo of him holding my hand, if they could come back and I could do that again, that’s a once in a lifetime, opportunity.
ADVERTISEMENT
Another living legend, Madonna performed at AO Arena, opening her European leg of her ‘Invention World Tour’. Credit: Supplied
AO Arena turns 30 on 15 July 2025 and to celebrate they want you to submit your favourite pictures and memories in return for a chance to win free tickets, more info HERE.
A beautifully chaotic Thursday night – Rossi. at YES Pink Room for BRITs Week 2026 for War Child | Review
Harry Quick
There’s something beautifully chaotic about watching Rossi. take over a room the size of YES’s Pink Room on a midweek night in Manchester.
No towering LED walls. No Ibiza sunset backdrop. Just low ceilings, flashing pink strobes, and a crowd packed in tight enough to feel every kick drum in your ribcage.
For a DJ who has commanded renowned venues across the globe like Space Miami, Hï Ibiza, and Manchester’s very own Warehouse Project, it felt almost mischievous seeing him in a space this intimate on a Thursday night.
If you were lucky enough to grab a ticket to this instalment of the BRITs Week 2026 for War Child fringe events, you could tell early doors that whoever had one was more than ready to turn up for him. When Rossi. stepped behind the decks, taking over from the talented Olive F, who set the tone for the evening, and once the headphones were firmly sat on his curly locks, he eased us in with a rolling, groovy opener – not so subtly dripping in snippets of his biggest and best tracks. We’d have to wait for those.
His sound sits in that sweet spot between underground grit and polished punch. Tech-house, but with his own East End character. The drums feel tight and deliberate. The basslines don’t just thud, they glide.
To start us out, we were hit with a few dancey vocals filled with his hometown of London’s Grime influence, all the way to Frank Ocean’s ‘Lost’ at 125 bpm. Within minutes, the pink room was in full swing.
From there, the set unfolded like a guided tour through the different shades of Rossi.’s catalogue. Underground favourites like ‘U WONT SEE ME’ slipped into the mix with a knowing reaction from the very keen lads at the front. ‘FREAK IN THE SHEETS’ followed later, cheeky and rhythmic, drawing that half-grin from dancers absolutely going for it at the front right.
It’s easy to forget how far he’s come. A decade ago, he was carving out space in the underground. Now he’s headlining globally recognised parties like Circoloco, Music On, Paradise, and Fuse, and launching a world tour that’s been tearing through the UK, Ireland, Europe, and the US. Yet here, there was no arena ego. Just a cheeky lad going back to his roots like he’s on his CDJs in the bedroom.
Mid-set, he began to lift the energy. Brighter synths edged in with the odd jangly finger floater for good measure (that’s what I’m calling that dance move anyway!). The percussion grew punchier. The room, already warm, never quite tipped into sweatbox territory. Strangers were dancing together. Drinks were abandoned on ledges. I had realised I’d bagged the perfect vantage spot overlooking things on the ledge, in prime view of a truly fortuitous occasion.
Rossi. at YES for BRITs Week 2026 for War Child / Credit: Holly Pimlott (Supplied)
Then came one of the night’s real eruptions. ‘High On Me’ – his breakout collaboration with Jazzy – landed like a spark in dry grass. The track, which stormed into the UK Top 20 and racked up over 20 million streams in a matter of weeks, felt enormous in a room this size.
Arms shot up. Lyrics were shouted back. For a few minutes, YES felt like the epicentre of British dance music or maybe a flashback to a ruthless TikTok doom scroll session.
But what impressed me most was the pacing. Rossi. didn’t sprint through bangers. He let grooves breathe. He allowed tension to stretch before unleashing the drop on almost every occasion. Teasing in a little snippet of an upcoming track, a few minutes before we could revel in it in full. It’s the confidence of someone who’s sold out 2,500-capacity headline shows – even breaking ticketing systems with demand – yet still understands that the magic is in the build.
The talented Olive F supported and set the tone for the evening / Credit: Holly Pimlott (Supplied)
As the final stretch approached, he nudged the tempo upward… and he was about to drop some serious crowd pleasers.
LEDs dampened. Darkness fell. The murmurings of ‘Lady – Hear Me Tonight’ rose in unison with the crowd’s curiosity. It didn’t take long until the entire gaff was going mental. Just pure, euphoric house music.
And to finish, with his headphones resting against the decks and mixing all said and done, he pressed play on the swan song. As ‘These Sounds Fall Into My Mind’ echoed around the room, the speakers hardly needed to be playing anymore. When he finally eased out, it felt less like an ending and more like an enticing warning shot for the summer ahead… hello, is that Ibiza calling?
Rossi. at YES wasn’t just a warm-up for this Saturday’s big BRIT Awards, it was proof that no matter how big the stages get, he thrives in the arm-flaring closeness of a proper club room.
Global headline DJ. Underground heart.
Featured Image – Holly Pimlott (Supplied)
Gigs & Nightlife
Olivia Dean proves she deserves all her flowers with a captivating performance for BRITs Week 26 for War Child
Clementine Hall
BRITs Week 26 for War Child continued in Manchester last night, with Olivia Dean taking over a beautiful candle-lit Albert Hall… and it was a night we won’t forget.
I don’t need to tell you how utterly brilliant Olivia Dean is.
It’s something I’ve known for years (humble brag), but luckily it seems the entire world has caught on over the past few months.
I’ve been lucky enough to see Olivia five times now, and from watching her joyfully shake here banana-shaped maraca on a small stage at Glastonbury in 2023, to swishing her olive green satin gown at one of the country’s best venues last night – her indisputable talent remains.
Images: The Manc
The Art of Loving, her sophomore album, came out in September last year and features global hits ‘Man I Need’ and ‘Nice to Each Other’.
The record is a perfect analysis of love in all forms. Her heartfelt yet humoured lyricism explores its constant ups and downs, but perhaps the most prominent theme of love throughout is self-love.
And this is so clear as we watch Olivia beam from ear to ear as she makes her way through a setlist that is a celebration of her entire discography.
Of course, we heard all the fan favourites from the new album including ‘Lady Lady’ and ‘So Easy (To Fall In Love)’, but we were also treated to some of her older songs like ‘Echo’ and ‘UFO’ that initially brought her into the limelight.
A highlight for me was Ladies Bathroom which saw the gigantic disco ball hanging above us kick into gear, which as you can imagine at the gorgeous Albert Hall was a real sight to behold.
The entire evening underlined why smaller, grassroots venues are so bloody brilliant and deserving of our support now more than ever.
Image: Supplied
No pushing, no overcrowding, we were all there to revel in Olivia’s greatness and we all knew how lucky we were.
This was no doubt a very special show, a complete one-off in aid of BRITs Week 2026 to raise money for War Child, which Olivia joyfully announced that we had raised £270,000 for that night.
It’s no surprise that Olivia Dean is one of the most exciting artists in the world right now, oozing class, charm and impeccable talent.
We’ll be watching with our fingers crossed as she attends the BRIT Awards on Saturday evening with an impressive (and very well deserved) five nominations.
If you’re lucky enough to have tickets to her upcoming tour then just know how much fun you’ll have, but you’ll never have as much fun as Olivia does on that stage.
You can find out more about the remaining War Child performances here.
Thomas Melia -
24th January 2025 
