Khruangbin, meaning ‘airplane’ in Thai, is a rather fitting name for a group who take their fans on a voyage across genres and styles through their funky, melodic tones.
Their second night in Manchester was no exception, as the first snow of the season began to fall outside the audience was psychedelically transported to sun-soaked places with Khruangbin’s celestial and enchanting melodies.
The set was laid back and minimal, featuring three arched windows and a white staircase that the band members travelled up and down smoothly throughout.
It’s fair to say that bassist, Laura Lee Ochoa, might just be one of the coolest people we’ve ever laid our eyes on.
Khruangbin in Manchester. (Credit: The Manc Group)
Sporting sequin black trousers that twinkled under the stage lights and a matching sequin headband, we’ve already started planning our Christmas party looks accordingly.
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Accompanied by guitarist Mark Speer, both were of course wearing their iconic chunky black fringed wigs that shimmied side to side with every key change and with every understated, choreographed movement.
The first half of the evening was dedicated to their latest album, A La Sala. It’s a chilled album that features Ochoa’s soft vocals drifting over soothing drum work and ambient guitar.
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With every track, the colour scheme of the windows behind them changed and Ochoa pinpointed each bass line with a point of the toe, a dip in her step, a quick turn of the head. The entire audience were left completely mesmerised, united in a syncopated head bop from the start.
Khruangbin’s psychedelic tones left us in a magical trance, and so the second half which featured more funky tracks from the trio was very much welcomed.
Playing fan favourites such as ‘White Gloves and People Everywhere (Still Alive)’, the audience couldn’t help but throw a few shapes and so did Ochoa and Speer.
Their choreography was so carefully considered and in synch, even their sips of water were in perfect harmony.
Encore songs ‘Evan Finds the Third Room’ and ‘Maria Tambien’ showed off quintessential guitar-driven Khruangbin melodies, providing the perfect end to their final night in Manchester.
Seeing Khruangbin live is a very unique experience, let alone in a venue like the O2 Apollo; I entered with an amateur knowledge of their songs and left eager to deep-dive into their vast catalogue.
Featured Images – Press image (supplied)/The Manc Group
Gigs & Nightlife
Unknown Mortal Orchestra at the Albert Hall Manchester – groovy, hazy and effortlessly cool
Clementine Hall
Unknown Mortal Orchestra at the Albert Hall proved exactly why they’ve built such a cult following over the past decade.
Formed in 2010 by frontman Ruban Nielson, the band first broke through with their scrappy, lo-fi self-titled debut and since then, they’ve become known for their signature blend of psychedelic rock, funk, and warped pop.
I first saw the band back in 2023 at Glastonbury, and yes sorry I am one of those annoying people that bring it up all the time.
They’re the perfect band to close your eyes, sway your head and tap your foot to – and that’s exactly what the crowd were doing in unison last night at the Albert Hall.
Image: The Manc Group
From the second they stepped on stage, there was no rush – just that signature hazy groove met with enough stage lights to sink a ship.
You could barely see them on stage, but that made it even cooler. And you can only imagine how gorgeous the Albert Hall looked with hundreds of spotlights in different colours whizzing all over it.
Early tracks simmered and pulled us in before the band stretched out into crowd pleasers like ‘Multi-Love’ and ‘Hunnybee’. What an absolute tune by the way.
Image: The Manc Group
There wasn’t much crowd interaction but, again, there didn’t need to be. They let the music do the talking and by treating us to some of the most epic guitar solos we’ve ever heard (no, seriously), we’ll forgive them for not talking to us.
Each song melted into each other as the band oozed effortless charm and talent throughout the almost two hour set, which is no mean feat.
Of course, a sea of phones shot up for ‘So Good at Being in Trouble‘, their most popular track which prompted a harmonious audience singalong. Not very harmonious by me, admittedly.
It was a fantastic ending that left the audience feeling united by the laidback brilliance of Unknown Mortal Orchestra, and I hope they don’t leave it too long to come back this time.
Review | Leon Thomas at Manchester Academy – ‘Mutts Don’t Heel’ but this gig healed me
Thomas Melia
American singer-songwriter Leon Thomas visited Manchester Academy last night, performing hits from his deluxe album to a sold-out crowd of more than 2,600.
One year after an exclusive London MUTT Live date, Mr Thomas returns to the UK with the ‘MUTTS DON’T HEEL’ Tour, venturing to five cities, including the music capital of the North: Manchester.
The night started off just how it should’ve done with ‘HEEL’, as the audience were welcomed by the drum-loop and a chill atmosphere from the start.
Now, it wouldn’t be a Leon Thomas gig without at least one Ty Dolla $ign collaboration making the setlist, and there’s plenty to choose from with a new one dropping just over a month ago, ‘miss u 2’.
Leon Thomas performing hits at Manchester Academy (Credit: Audio North)
The funk-influenced musician opted for ‘FAR FETCHED’, and the audience was in the palm of his hand. No matter which of the four link-ups he chose, it was always going to go down well – Manchester never disappoints.
Leon didn’t even have to ask the crowd to bring more energy; they already matched him. When he sings, “For someone who don’t ask for favours, I’ve done way too many favours”, on ‘PARTY FAVORS’, he really meant it.
Last year, Leon Thomas dropped PHOLKS, a project which saw him exploring old-school funk and soul sounds even further and ‘Just How You Are’ had even the shyest dancer pulling out a little two step.
This isn’t the only hit that sent the crowd into a frenzy; ‘Baccarat’ and its impressive psychedelic guitar solo had jaws literally falling to the floor at Manchester Academy.
His songs might not be dramatic or extravagant, but they don’t need to be. Leon’s artistry prevails when he’s softly singing, and you’re still able to detect each instrument.
Leon Thomas brought the MUTTS DON’T HEEL Tour to Manchester Academy (Credit: The Manc)
‘Breaking Point’ is an easy-listening soul track that had all 2,600 Leon Thomas fans in our feelings as we realised we were coming to the end of a phenomenal concert.
And of course, ‘Mutt’ – his biggest single to date: a bouncy and swag-filled number that sticks in your head for weeks on end – sounded even better when backed by a live band as I discovered last night.
There was some insane musicality, distinct bangers and impeccable live arrangements that elevated the original studio recordings. Maybe ‘Mutts Don’t Heel’, but Leon Thomas definitely healed me.
He wasn’t the only cool cat playing last night either:
Clementine Hall -
19th November 2024 
