One of Manchester’s leading independent theatres has been left devastated after missing out on ‘much-needed’ funding.
53two, a theatre and arts hub beneath the railway arches in the city centre, had applied for Arts Council funding, but its bid was rejected.
The government-funded body said that it had to make ‘tough decisions’ after receiving a huge number of applications.
53two had hoped to use the fund to build a disabled access facility known as a Changing Places toilet – something that no theatre in Manchester currently has.
Creative director Simon Naylor said it’s ‘heartbreaking’ to see theatre-goers with complex access needs having to go home due to a lack of accessible facilities in the city.
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Credit: Fiona Finchett
The Watson Street venue is now planning a party to drum up some support and some investment so that it continue to build its fully accessible creative space.
Theatre patron Tony Walsh (better known to many as Longfella), will be working with the venue to find a local business to invest in the project.
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The theatre only opened in its new home last year, in the Grade II*-listed railway arches and tunnels beneath Manchester Central.
They have already opened a bustling bar and cafe space and secured the planning permission to upgrade the theatre to a 150-seat facility, and install the toilet facilities.
Simon Naylor, creative director of 53two, said that it was ‘terrible’ to miss out on the Arts Council funding – but that the team are now rallying and taking matters into their own hands.
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The vision for 53two’s new 150-seat theatre. Credit: Supplied
He said: “Obviously it was a terrible email to read, but, we sat on it, re-grouped and it was clear that we had to press on regardless of the bid outcome.
“We have already helped produce quality theatre in our small venue, and are continuing to support those artists who need a platform. We have a season of brand new writing lined up including the return of a much loved Manchester institution, loved by many but yet to be announced.
“We have no choice but to take matters into our own hands and are now looking to Manchester’s business community to help us raise the funds needed.”
Speaking of the importance of a specialist Changing Places toilet, Simon continued: “Many of our guests, artists and visitors have complex access needs and can only stay at the venue if we have fully accessible toilet facilities.
“The Changing Places toilet would provide a changing bed, a hoist and lots of space and privacy for carers to help people with using the toilet. Without it many have to leave the venue and go home which is heart breaking to see happen time and time again.
“So, to celebrate our first year anniversary on 27 May, we are inviting people from across Manchester, including those visionaries and giants who we are hoping can provide the financial support we need to grow the venue and create the facilities our patrons require.
“We are offering companies the naming rights for the auditorium for up to the next five years, in return for the investment required to get the theatre space up to spec.”
Coronation Street star, BAFTA winner and TripleC founder Cherylee Houston added her support to the fund-raising drive, saying: “53two is an incredibly important venture for creatives across Manchester.
“Not only did they design their building so far to be entirely step free they actively ensure they include disabled creatives across their work. They are an accessible venue that is warm and welcoming and ensure that all disabled creatives continually feel part of their phenomena programme of work.”
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The party on 27 May will feature live music from The Villanelles, a DJ set and hosting from Tom Finkill, a routine from International Wheelchair Dance Champion Monique Jarrett, and a reading from Tony Walsh himself.
Alexandra Maxwell, venue manager, said: “It’s been a rollercoaster of a year dealing with the challenges of a new business and the ever-changing climate in hospitality. That said, our community was well established at our old venue and their support has been incredible.
“By January 2022 we felt positive that we could start the next chapter of our journey and open up the second arch in its entirety, however the Arts Council’s surprising response and has driven us to try to raise the funds in a different way.”
A spokesperson for Arts Council England said: “Demand for the Capital Investment Programme was extremely high and we received a large number of both Expressions of Interest and applications.
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“We had to make tough decisions, but we awarded funding to applications that most closely meet the criteria and made the strongest contribution to the aims of the programme.
“In 2020 53Two was awarded £61,116 through the Government’s Culture Recovery Fund which supported cultural organisations through the impact of the Covid-19 pandemic and we would welcome applications from the organisation to other Arts Council funding programmes in the future.”
If you’re interested in attending the evening or for more information on the Sponsorship Package, please contact Simon on [email protected]
Kinky Boots’ message transcends the music at the Palace Theatre in Manchester | Review
Oli Lowe
Kinky Boots strutted into Manchester last night (bet I’m the only reviewer witty enough to come up with an opening line that original) and in doing so encapsulated an audience with its inspiring message.
I want to preface this review by stating that up until last night, I knew next to nothing about Kinky Boots.
Admittedly, even as a born and raised theatre kid, there will always be the odd musical that manages to slip through the cracks and elude me, much like a cinephile who’s never seen Jaws and, shamefully, Kinky Boots is my Jaws. Until now.
This actually gave me a huge sense of excitement going into the press night for the all-new production of Kinky Boots.
It’s very rare that I review a show that I’m not comparing to some form of source material, a different production that I’d already seen, the movie adaptation, the original cast recording, etc.
So, to sit down last night at 7:29 absolutely clueless about what was set to unfold in front of me, was a genuine breath of fresh air.
Kinky Boots is set between the towns of Northampton, London and climatically, Milan. The story follows two lead characters Charlie Price, a Northampton boy who begins the show having just inherited his late father’s shoe manufacturing business.
It’s a fate he’s been trying to run from since his childhood and Lola/Simon, a fierce and powerful drag queen who uses their dress sense and divaesque attitude as a shield from the outside world that wishes to, ironically, drag her down
The two collide when Charlie is inspired to save his late father’s failing business by exchanging the manufacturing of boring brogues for fabulous ‘kinky boots’ that can be fabulous, whilst fully supporting the weight of any drag queen.
His energy has dropped one iota from rehearsals to the tour. (Credit: Press Images)
Johannes Radebe – best known for being one of the professionals on Strictly Come Dancing – was nothing short of absolutely breathtaking as Lola.
I’ll be honest, celebrity castings generally put me off shows more than attract me to them; in some cases, they can feel like desperate pleas to get bums in seats (which given the current state of arts within the UK, production companies can hardly be blamed for).
However, Johannes genuinely seems born to play this role. I was expecting his dancing to be well… professional but I was intrigued to see how his vocals and acting would compare and boy, oh boy, did they compare. He didn’t miss a beat.
His acting was fierce and powerful, just as his character demanded whilst also showing real vulnerability and humility. In terms of individual performances, it’s one of the best I’ve seen at Manchester’s Palace Theatre for a long while.
The supporting cast was just as fabulous, with special shoutouts to Courtney Bowman who played the adorably loveable Lauren, whilst delivering serious powerhouse vocals and to Scott Paige who played George.
You could see through Scott’s performance a real sense of pride and shared experience with the story plus his comedic timing was absolutely impeccable, I hope to see more of him in the future.
Kinky Boots boasts a strong supporting cast all-round (Credit: Supplied via Palace Theatre Manchester).
With a book by Harvey Fierstein and music and lyrics by the legendary Cyndi Lauper, I must admit it’s Harvey who carries the weight in this production.
Whilst catchy enough to tap your feet to, I didn’t leave the theatre with so much as an earworm from Cyndi’s musical offering, however, the heart and passion of the story is something I think everyone should look to experience.
Kinky Boots is about accepting people for who they are instead of seeking to change them and this show does a fantastic job of encapsulating that message, not only from the standpoint of the LGBTQ+ community but for everyone.
The show implores people to accept everyone from the fiercest drag queen to the most bullish, typical ‘blokes’ out there and the way each of those groups manages to come together by the end of the production is a testament to what can happen if we all embrace each other with open arms.
Kinky Boots is only in Manchester until Saturday (8 February), so please, get tickets if you can and go and see this fabulous show. You can grab yours HERE. Who knows? Maybe you’ll get to see a living legend in the flesh like we did…
Featured Images — Press Images (supplied via Palace Theatre and Opera House Manchester)
Theatre
Five historic Greater Manchester theatres named as ‘at risk’ of being lost forever
Emily Sergeant
Five historic theatres in Greater Manchester have sadly been named as being ‘at risk’ of being lost forever on an annual list.
Each January, Theatres Trust – a charity campaigning to protect the UK’s theatres – publishes its annual Theatres at Risk Register, highlighting a number of theatres across the UK that are under threat of closure, redevelopment, or severe decay, but all of which have the potential to be revived for their local communities with the right support.
This year’s list is made up of 43 buildings – five of which are in Greater Manchester, and have all featured in the past.
Each of the buildings named by Theatres Trust this year have been noted for their architectural merit, cultural heritage, or value to the local community as a performance venue.
The five venues in Greater Manchester are the Grade II-listed Tameside Theatre in Ashton-under-Lyne, Co-op Hall in the Bury town of Ramsbottom, Victoria Theatre in Salford, the famous Hulme Hippodrome, and Manchester’s oldest surviving theatre building, the Theatre Royal.
Alongside the five venues within our region, there are also a number of other venues listed across the North West as a whole.
Several venues in Lancashire have been named, including two in Blackpool and one in Morecambe, both on the coast, as well as Epstein Theatre in Liverpool and the Garrick Theatre in Southport.
Five historic Greater Manchester theatres have been named as ‘at risk’ of closure / Credit: Flickr
Theatres Trust has added five more theatres to the list this year too, all local authority owned and located outside of major cities, one of which is the Oswaldtwistle Civic Arts Centre in Lancashire, named at risk due to pressures on local authority budgets, leading to Councils seeking savings by closing their theatres.
Some good news, however, is that since the list began in 2006, more than 80 theatres have been restored, revived, or had a suitable replacement built.
And on a more local note, Theatre Royal Hyde has been removed from the 2025 Theatres at Risk Register, as although it has not returned to theatrical use, it is being maintained and used by its current owners, so the threat of harm to the building has been greatly reduced.
Daisy Jackson -
17th May 2022 
