The former home of the BBC on Oxford Road is now home to Manchester’s highest private dining space.
Boasting stunning views across the city, at 35 storeys high Circle Square’s top-floor Astronomer private dining space is officially the highest private dining space in Manchester – sitting a staggering 14 floors above the dining room at Spinningfields’ restaurant 20 Stories.,
Inside The Astronomer, Manchester’s new highest private dining space and roof terrace / Image: Vita Group
Housed at the top of the new residential development, the dining space also features a bookable private roof terrace, which stands tall at over 110 metres above city level and celebrates breath-taking views across the city.
It has been built as part of the huge regeneration project Circle Square, a joint venture between Vita Group and Bruntwood SciTech that is currently one of the north’s largest urban regeneration projects.
The development will also bring the first and largest public park created in the city in a decade, by way of a beautifully designed new green space created to be enjoyed by residents and passers-by.
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Called Symphony Park, the new green space is open to the public and brings some much-needed greenery to the busiest bus route in Europe.
Inside The Astronomer, Manchester’s new highest private dining space and roof terrace / Image: Vita Group
As the joint venture nears completion and heads into its final stage, tenants are now being welcomed to take residence in the building’s luxury apartments designed by Vita Living.
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As well as the breathtaking top floor dining room, the snazzy new building also features three more private dining rooms which have been purpose-built for the enjoyment of residents.
First launched in January 2021, Vita Living East is now nearing full occupancy with only a handful of the 266 apartments still available.
Vita Living North also boasts 417 design-led apartments across 35 storeys, with class-leading amenity space over three floors, bookable suites, a 24-hour gym, communal lounges, and casual workspaces.
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Inside The Astronomer, Manchester’s new highest private dining space and roof terrace / Image: Vita Group
Boutique fitness studio TRIB3 has also now to officially opened its doors to the public, alongside a host of retail and leisure brands such as Canvas and Hello Oriental all heading into their final stages of fit-out ready to open.
They join Circle Square’s thriving urban village of quirky independent retailers at Hatch, which has been bustling since it first opened in 2017 and now welcomes over 55,000 visitors each month.
Inside Circle Square, the home of Manchester’s new highest private dining space and roof terrace / Image: Vita Group
Vita Group’s Mark Stott said: “The sheer sense of occasion really hits you when you arrive at Circle Square now that park is open, and work draws to a close. Symphony Park, Manchester’s first public park to open in decades creates a harmonic escape from the hustle and bustle of Oxford Road.
“Vita Living North completes the puzzle, boasting some of the very best luxury apartments in the city with unbeatable views. The scale of investment which has gone into Manchester’s Circle Square is something which hasn’t been delivered in a city outside of London and Vita Living North apartments offer the very best in terms of place, amenities, and location. As such, we’re expecting unprecedented demand as these apartments launch to market for the first time.”
Feature image – Vita Group
Manchester
The K’s kick off Manchester’s BRITs Week celebrations early with jam-packed intimate gig
The Manc
If you were ‘Hoping Maybe’ to see The K’s at some point this year, this is your sign do it, as the rising indie band did not let the occasion of playing an intimate BRITs-backed gig get to them – they were buoyed by it.
Beloved city centre venue Gorilla was overflowing for The K’s last night, hosting an unreal small-cap set as part of Brits Week ‘26 for a very important cause: War Child.
Perfectly teed up by fellow nearby band, Florentenes from Bolton, The K’s took to a familiar stage many years on from their debut, and instantly had the crowd ready and raring for an hour of pure tunes and some very, very sweaty brows.
Earlestown’s finest certainly carried that Northern charm and energy throughout the whole night; their indie and almost nostalgic lyrical storytelling has you moshing one minute, whilst grasping your mate and ascending into live music heaven the next. There really aren’t many feelings like it.
Sobbing and swaying in the vast ocean of shoulders whilst screaming the lyrics to ‘Helen. Oh I’, I questioned how any compliment will ever compare to launching “thousand ships every time” from a kiss.
The K’s were yearning before Wuthering Heights made it vogue (again).
Musically, the band were seamless and a well-oiled machine, and so were the audience as they wholeheartedly echoed every lyric back at the lads and bounced it off the walls.
The K’s have come a long way since their first visit to Gorilla (Credit: Lucy Wagstaffe)
Every primary school assembly proudly led us to this moment, and it did not disappoint, displaying their increasingly seasoned and successful career, which I can only imagine is going to go from strength to strength this year.
I don’t think we even one more fan could have squeezed one more passionate fan into Gorilla on the night; it was heaving with people and pride; the sweat dripping down the walls indicated things are big for these local lads, and we couldn’t be prouder.
They are another prime example of shining a deserving light on Northern artists! And having the 2026 BRIT Awards up here with us is a testament to that.
Featured Images — Lucy Wagstaffe (supplied via War Child UK)
Manchester
Florence + The Machine at the Co-op Live, Manchester – the star has never been better
Clementine Hall
Florence + The Machine make a triumphant return to the stage in a thrilling exploration of female rage.
When you think of Florence Welch, you can’t help but picture her barefoot complete with flower crown and bouncy skirts racing around the stage in a fairy-like fashion.
And yes whilst she still is this, the band’s new era is suddenly a lot darker and haunting with their new album Everybody Scream exploring topics of loss and grief.
Florence and her coven-like quartet of dancers did not leave the stage once throughout the 21-track setlist, but not once did it feel tired.
Image: The Manc
The album’s title track kicked off the show before transitioning into fan-favourite anthem Shake It Out.
Florence’s voice is just as recognisable as ever, as is her long auburn hair that she swishes with her as she strides up and down the stage alongside her flowing sleeves.
Beneath the powerful vocals, the haunting atmosphere grew stronger as Seven Dials and Which Witch saw the dancers, coined as ‘the witch choir’, crawling up and down the stage in a Michael Jackson Thriller-style fashion.
Daffodils saw Florence interact with the crowd – embracing a woman pressed to the front of the barrier sporting a bright yellow flower crown.
It’s clear to see how much their music means to so many, and being at a Florence gig you feel as though you’re really part of something special.
A highlight came half way through the two-hour spectacle, as Florence dedicated Never Let Me Go to her sister in the crowd who she stated was “clever enough to marry a man from Manchester”.
Image: The Manc
We couldn’t agree more Florence.
Spectrum (Say My Name) really ignited a fire in the crowd, the entire arena was up and moving to the iconic track.
Her most vulnerable moment of the night comes as she returns for the encore, when she sings You Can Have It All which is written about her near-fatal ectopic pregnancy she experienced in 2013.
It’s raw and haunting, and we feel every note as she summons the strength to perform a song so revealing.
Of course, as the first two notes of Dog Days Are Over the crowd erupts into chaos.
Florence asks us to put our phones down, “you won’t get a good video and if you’re holding your phone, you can’t move” she states, and so we did what we were told.
It’s proof of the power that Florence holds over her audience, and from then on we were left to dance with complete abandon as the show ended in a feeling of pure joy and euphoria.