MIF is offering £10,000 to local musicians and creatives in and around Manchesteras part of its MIF Sounds initiative.
Pledging £10,000 to support ten Greater Manchester music industry creatives and practitioners, the funds have been specially created to help local artists develop new projects across the region.
Manchester International Festival’s MIF Sounds Initiative provides financial help and talent development opportunities.
First launched in 2020 at the height of the pandemic, the first round of funding helped support the creation of new music, a series of production workshops run for women, non-binary and trans musicians, a sound artist collective to produce an installation in a church, and the launch of a new gig night promoting the best in Northern talent.
Now, the funding has been opened up for 2021 – meaning that each successful applicant will receive up to £1,000 whilst also benefiting from peer-to-peer support, access to MIF’s Talent Development activity and networking opportunities.
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MIF SOUNDS IS BACK! 🎶 Are you a music creative in Greater Manchester looking for extra financial support? Apply for MIF Sounds today, our programme designed to support you on your creative journey. Deadline: 12pm, Thursday 16 December https://t.co/FFL18pazNLpic.twitter.com/oOotp0WfOz
From recording music to presenting a gig, releasing a record or starting a new label imprint., people from all areas of the music industry in Greater Manchester are encouraged to apply with no restrictions on what they can ask to use the money for.
Jane Beese, head of music at MIF said: “I’m pleased to announce another round of MIF Sounds support, open to everyone who makes music happen in Manchester. MIF is committed to helping rebuild our sector following the impact of Covid*, in which tens of thousands of jobs have been impacted.
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“We encourage everyone involved in the local music scene to apply, artists, technicians, promoters, venues, labels, managers and beyond we look forward to hearing all of your brilliant ideas and proposals.”
Those supported through MIF Sounds so far have included: All Hands on Deck, Swing Ting founder Balraj Samrai, Jacob Connor, Loose Articles, Lone Taxidermist, singer OneDa, SAF-S2E, Sprechen, Vzion, and more.
Swing Ting founder Balraj Samraiexplains how the initiative helped him, saying: “The backing from MIF Sounds enabled me to commit to work outside of my comfort zone. There was support, feedback and encouragement from the rest of the Sounds cohort and MIF team throughout the creative process”.
On 23 November Balraj will release Someone Died Today, new work created with the support of MIF Sounds, which explores loss in a South Asian household during the COVID-19 pandemic.
The piece will be available to purchase on Bandcamp with money raised from sales going to Taraki, a non-profit working with Punjabi communities to reshape approaches to mental health.
People interested in applying MIF Sounds can attend an online meeting with MIF at 6.30 pm on Monday, 29 November to get advice from the selection panel on applying.
Applications for MIF Sounds should be submitted by video or in writing by midday on Thursday 16 December here. Successful applicants will be announced in January 2022.
Feature image – WHP
Manchester
The K’s kick off Manchester’s BRITs Week celebrations early with jam-packed intimate gig
The Manc
If you were ‘Hoping Maybe’ to see The K’s at some point this year, this is your sign do it, as the rising indie band did not let the occasion of playing an intimate BRITs-backed gig get to them – they were buoyed by it.
Beloved city centre venue Gorilla was overflowing for The K’s last night, hosting an unreal small-cap set as part of Brits Week ‘26 for a very important cause: War Child.
Perfectly teed up by fellow nearby band, Florentenes from Bolton, The K’s took to a familiar stage many years on from their debut, and instantly had the crowd ready and raring for an hour of pure tunes and some very, very sweaty brows.
Earlestown’s finest certainly carried that Northern charm and energy throughout the whole night; their indie and almost nostalgic lyrical storytelling has you moshing one minute, whilst grasping your mate and ascending into live music heaven the next. There really aren’t many feelings like it.
Sobbing and swaying in the vast ocean of shoulders whilst screaming the lyrics to ‘Helen. Oh I’, I questioned how any compliment will ever compare to launching “thousand ships every time” from a kiss.
The K’s were yearning before Wuthering Heights made it vogue (again).
Musically, the band were seamless and a well-oiled machine, and so were the audience as they wholeheartedly echoed every lyric back at the lads and bounced it off the walls.
The K’s have come a long way since their first visit to Gorilla (Credit: Lucy Wagstaffe)
Every primary school assembly proudly led us to this moment, and it did not disappoint, displaying their increasingly seasoned and successful career, which I can only imagine is going to go from strength to strength this year.
I don’t think we even one more fan could have squeezed one more passionate fan into Gorilla on the night; it was heaving with people and pride; the sweat dripping down the walls indicated things are big for these local lads, and we couldn’t be prouder.
They are another prime example of shining a deserving light on Northern artists! And having the 2026 BRIT Awards up here with us is a testament to that.
Featured Images — Lucy Wagstaffe (supplied via War Child UK)
Manchester
Florence + The Machine at the Co-op Live, Manchester – the star has never been better
Clementine Hall
Florence + The Machine make a triumphant return to the stage in a thrilling exploration of female rage.
When you think of Florence Welch, you can’t help but picture her barefoot complete with flower crown and bouncy skirts racing around the stage in a fairy-like fashion.
And yes whilst she still is this, the band’s new era is suddenly a lot darker and haunting with their new album Everybody Scream exploring topics of loss and grief.
Florence and her coven-like quartet of dancers did not leave the stage once throughout the 21-track setlist, but not once did it feel tired.
Image: The Manc
The album’s title track kicked off the show before transitioning into fan-favourite anthem Shake It Out.
Florence’s voice is just as recognisable as ever, as is her long auburn hair that she swishes with her as she strides up and down the stage alongside her flowing sleeves.
Beneath the powerful vocals, the haunting atmosphere grew stronger as Seven Dials and Which Witch saw the dancers, coined as ‘the witch choir’, crawling up and down the stage in a Michael Jackson Thriller-style fashion.
Daffodils saw Florence interact with the crowd – embracing a woman pressed to the front of the barrier sporting a bright yellow flower crown.
It’s clear to see how much their music means to so many, and being at a Florence gig you feel as though you’re really part of something special.
A highlight came half way through the two-hour spectacle, as Florence dedicated Never Let Me Go to her sister in the crowd who she stated was “clever enough to marry a man from Manchester”.
Image: The Manc
We couldn’t agree more Florence.
Spectrum (Say My Name) really ignited a fire in the crowd, the entire arena was up and moving to the iconic track.
Her most vulnerable moment of the night comes as she returns for the encore, when she sings You Can Have It All which is written about her near-fatal ectopic pregnancy she experienced in 2013.
It’s raw and haunting, and we feel every note as she summons the strength to perform a song so revealing.
Of course, as the first two notes of Dog Days Are Over the crowd erupts into chaos.
Florence asks us to put our phones down, “you won’t get a good video and if you’re holding your phone, you can’t move” she states, and so we did what we were told.
It’s proof of the power that Florence holds over her audience, and from then on we were left to dance with complete abandon as the show ended in a feeling of pure joy and euphoria.
Georgina Pellant -
17th November 2021 
