It can be notoriously difficult to break into the music industry at the best of times, without chucking a pandemic into the mix. But with a bit of patience, work and determination (and lot of balls), it’s still possible.
In Manchester, we’re lucky enough to have some of the most exciting up-and-coming artists and bands around. And so our Manc Audio x Open Beat Introducing series continues this week with a look at five artists that need to be on your radar in 2021.
These lot represent the emerging artists of the city – the ones with that patience, work and determination to make it.
Have a listen to their music, drop them a follow, like what you can, it all makes a difference.
Manta
Twenty-one-year-old Manta has been busying himself with song writing, producing and directing his own music videos all from his bedroom in Manchester. His debut single “Dream World” was done entirely from his house – including the video which features a load of messy red paint and we’re not envious of that clean up operation.
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But Manta admits that music wasn’t always his chosen career path. He’d studied for years to get onto his chosen course in architecture at the University of Manchester, before realising it wasn’t the one for him. By the end of his first year, he dropped out of the course after falling into a dark place mentally. He found that music was a release and chose to explore that instead.
Manta’s lyrics dig deep emotionally, because of how much music has influenced his personal journey. His style has a lo-fo vibe which takes elements of hip-hop and pop, shown in his debut track “Dream World”.
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So, with self-managing himself, self-producing and self-releasing, Manta’s DIY approach shows that you can do it on very few resources.
Hailing from Somalia, HMD (pronounced Hamdi) is now Manchester based, but has spent time living Denmark in the past. His music is heavily influenced by these places, but particularly by the area he grew up in in Somalia which is known locally for its poetry and storytelling, making HMD’s lyrical prowess a given.
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The singer-songwriter likes to explore themes of identity, love and loss with clever lyrics that resonate with probably the majority of us. He channels a pop and R&B sound, which stems largely from his time in Denmark.
His latest track Many Maries shows why HMD is an exciting artist to watch this year – and we’re lucky to have him in Manchester.
Newcastle-born Sweets moved to Manchester to have a crack at his music career not too long ago – and it’s already paying off. He started out messing about with lyrics and freestyling with his mates and uploading beats to Soundcloud. Up in Newcastle, he became a member of DJ collective Well Irie, where he began MCing for their garage and grime events.
After making the move to Manchester, Sweets started playing open mic nights and gigging some of the smaller venues in the city. He says his experience of working the Manchester circuit was what really helped him find his voice and sound. Now, Sweets’ music is more mellow and refined, using hip-hop style beats.
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He’s been working with a variety producers and writers over the past few months to create something very special that’s coming soon. In the meantime, his track “Ashtray Cowboy” is a taster of what’s to come.
Bolton-born Harriet Dagnall was raised on a musical diet of Fleetwood Mac, Kate Bush and Joni Mitchell – if you cut her, she says she bleeds “dad music”. But there’s nothing wrong with a good classic. Now, Harriet takes inspiration from The Japanese House, Marika Hackman and Rae Morris which all encompass beautiful vocals alongside timeless piano soundtracks.
Living in the city centre has allowed Harriet to immerse herself into the music scene and it’s enabled her to consistently perform and write which has massively developed her music. Her debut EP is out this year and we can expect something eclectic and exciting when it comes, as she doesn’t like to be confined by genre.
For now, have a listen to her new track “Tied Up” out now, and follow her on Instagram here to stay up to date.
Five-piece rock band The Demo from Middleton take inspiration from early 00s rock from both sides of the Atlantic. They cite The Strokes and Kings of Leon as their main influences though and try to put their own twist on this style.
Their key focus at the moment is not to play the big venues, but to refine and perfect their song writing – and fair play to that. But going off their latest selection of songs, it looks like they’re already there. Ever the perfectionists! But if you’re gonna do something, you might as well do it properly, right?
Have a listen to their latest song “Apart” for yourself and follow them here.
All five of these artists (plus loads more) are featured on our Manc Audio x Open Beat Introducing playlist which is on Spotify now! Have a listen below and follow The Manc Audio and Open Beat for more.
Music
Government to introduce price cap on ticket touts and launch consultation on dynamic pricing
Danny Jones
The UK government are finally set to install a price cap on re-sale tickets for touts and open an official consultation on the growing trend of dynamic pricing.
If you’ve bought a ticket to a live music show over the past year or so, you’ll have noticed that ticket prices in general are on the up – particularly if purchased from a reseller, in which case you might have paid through the nose for the privilege.
Not only does ticket touting remain a prevailing problem in the industry, with tonnes of tickets for big shows, especially, being snapped up in bulk or by bots and listed for re-sale before you’ve even added them to your basket, but the advent of this new dynamic pricing lark has made things even harder.
You only have to look at the controversy and chaos surrounding Oasis’ reunion tour, which ultimately saw some fans paying significant amounts more for practically the same ticket just a few days later in what many dubbed as ‘fraud’ and even ’emotional blackmail’.
Justin Timberlake at Co-op Live Manchester was one of countless gigs where ticket prices fluctuated. (Credit: The Manc Group)
Tackling resellers head-on
Knowing full well that people will go to extreme lengths to try and see the musicians and artists they love so dearly – in some cases being backed into a corner as the final figure displayed on the screen when they checkout suddenly jumps up – the modern ticketing industry is severely broken.
With all that in mind, the government are now looking to enact more stringent measures on resellers, by announcing a new price cap on tickets put back up for sale which is set to be introduced (hopefully) in the very near future.
Targeting sites infamous for inflating re-sale costs such as Viagogo, StubHub and others, the bill published on Friday, 10 January proposes a price cap of face value plus 10-30% but no more, with an obvious aim to keep that number as low as possible.
According to the current figures, touts reportedly cost music fans alone more than £145 million in extra re-sale fees when purchasing tickets every year – a frankly ridiculous sum. There will always be tickets ending up on re-sale sites, that’s unavoidable, but a price cap could seriously improve the situation.
The Manc music legends themselves claim they had little control over the situation.
Down with dynamic pricing
Labour, who were voted into power back in July, are also set to try and combat dynamic prices, which essentially sees gigs and events set people back more or less depending on how the popular ticket sales have been up to that point, market trends and general demand. An initial review was called for last year.
Put simply, the more people want to attend a gig, platforms like Ticketmaster feel they are able to jack up their margins even after the initial price point has been established. The European Commission has been investigating these methods since September 2024.
Although it is still unclear as to the exact time scale of when these changes will come in, Labour MP Chris Bryant told NME that although they are still in the early stages, it is “now just a matter of how the government takes action.” And that’s where you come in.
The consultation is also crucially public, with the calling for people to submit their evidence on current pricing practices and continue engaging in the discussion throughout the progress. New Year’s Resolution: let’s curb ticket touts as much as we possibly can.
David and Victoria Beckham’s son Cruz is kicking off his own music career
Danny Jones
David Beckham’s son, Cruz, is the latest member of the Beckham family to try and make a name for themselves, as he is now making his first foray into the music business.
Cruz, 19, is the third child of David and Victoria Beckham and while daughter (youngest of the four) Harper is still just a kid, each of the famous couple’s boys has begun making a name for themselves.
First-born Brooklyn has already enjoyed multiple ventures at just 25, trying everything from modelling, photography, being a chef, as well as investing in everything from hot sauce to saké and more. As for Romeo, the former footballer looks to have hung up boots at just 22 to focus on his fashion career.
Now, though, it’s the turn of Cruz who is looking to follow not in the footsteps of his dad but rather ‘Posh Spice’, as he has now started releasing the first glimpses of his new music.
As you can see, Becks junior has been spending plenty of time in the studio and trying to create his own unique sound.
While the fledgling musician will no doubt have greater access to the industry thanks to his mum’s massively successful career in pop, and no doubt a few contacts through his dad here and there, there’s clearly plenty of natural talent there the youngster it clearly putting the work in.
It’s also worth noting that the 19-year-old dabbles in various different instruments: as well as the guitar, he has taught himself to play drums, piano, mandolin and isn’t shy from offering vocals either.
Cruz looks to be working with multi-platinum songwriting and production duo, The Wavys – made up of musicians Jack Brady and Jordan Roman – and although he hasn’t properly released anything of his own just yet, we have now had a snippet of his original track, ‘Ya Love’, which is rumoured to drop very soon.
Rewind to 2016 when he was just 11, the little lad even did his own festive single for charity entitled, ‘Every Day Was Christmas’, which was his first-ever bit of original music.
It’s safe to say that while he’s still a pretty fresh-faced teenager, his general creative direction has come quite some way since then.
From what we’ve heard, it’s all sounding pretty too; you only have to head to the comments to see followers complimenting the funk guitar and overall sound, as well as even drawing comparisons to the likes of Oasis and more. One person conceded: “Nepo baby aside this is actually very good.”
Son of a Man United legend and British popstar or not, there’s enough style to his stuff so far that we’ll be keeping on his music – who knows, maybe the next famous Beckham will be an artist called Cruz?
Hannah Starkie -
26th March 2021 
