If like me, you had resided in the fact that you’d never see the day that you’d be dancing with your pals and enjoying live music again, then you’re probably breathing a sigh of relief seeing the mass of gig and event announcements that are flooding your timelines.
But one person even more excited than us is Tom Kingham, co-founder of Open Beat, whose inaugural music event has been nearly two years in the making now.
Back in April last year, Open Beat were forced to wait it out like the rest of the music industry, after their launch night at Hatch was of course cancelled. Now, they’re full steam ahead with organising monthly live showcases of some of Manchester’s best unsigned talent.
And we’re finally allowing ourselves to get excited over the prospect.
Live music at Hatch. Credit: Hatch/Mike Garry
But lockdown wasn’t all bad for Open Beat – as Tom recalls it was almost a blessing in disguise. It gave them the unique chance to refine their idea and widen their circle of contacts. “We’d kind of planned [the first event] pretty quick last year and didn’t think long term,” he said. “But now we’ve had a good year to plan it, it’s kind of worked in our favour because we’ve managed to get so many more acts on the cards.
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“That’s how big the expansion has gone now and we’re not just looking at the indie bands now, we’re also looking at the Manchester grime and hip-hop artists, too.”
In the beginning, Tom admits there were worries over the longevity of Open Beat, wondering, “are we going to be able to keep it up? Are we going to be able to find more and more acts to bring through? Or is it just going to be the same people?” In the end, lockdown forced the guys to take it slow and make careful decisions – and the result is more focused and determined.
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One thing at the forefront of Open Beat’s ethos is promoting the city’s up-and-coming musicians. The idea for the event first came about in the summer of 2019, when Tom and fellow co-founder, Miftah Ali, realised there was little in the way of a big platform for up-and-coming artists to play live.
With a history in organising music events, Tom has experience with some of the biggest events in Manchester like Warehouse Project and Parklife. But he shares humble beginnings putting on student nights at the old Tiger Tiger in the Printworks back in the day. So, he understands how these things work on multiple levels.
But even after working with such big events, Tom likes to go back to his roots with intimate open mic nights and showcases every now and again. Simply because of the connection you get with a smaller audience. “It’s the intimacy – you get emotionally connected to it because it’s just you and them,” said Tom.
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“Of course, there’re other people around you. But it’s not another 60,000 people – it’s just you, them, their guitar and the same appreciation of that act as you in the same room.
“These [acts] are really, really good – they’re good enough to make it and sign a deal. It’s just them not being in the right place at the right time – and we want to get them in the right place at the right time.”
So this ended up being the driving force behind Open Beat – to give these amazing artists the large platform they deserve, whilst bringing likeminded music lovers together at the same time.
Tom believes these kinds of opportunities are limited for unsigned artists. “[Music] is sort of like a pyramid system, like there would be in football. There’s a lot of money at the top but the further and further you go down, there is less and we kind of want to even the odds as much as we can.”
Open mic night at The Whisky Jar. Credit: Jason S Kenny
Tom and Miftah have already managed to grow the Open Beat team. Joining them are two members of the music scene. The first being DJ and Unity Radio presenter, Jermaine Lee, who has made appearances at Parklife, Warehouse Project and Victoria Warehouse. The second being singer Joe McAdam, who has also ran the legendary open mic night at The Whisky Jar for seven years. Together, they make up a solid team with tons of industry knowledge.
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With this growing team, expansion is more likely. So, aside from soon becoming a recognised and well-respected Manchester promoter, naturally there are plans take the concept to other cities. In doing this, the guys hope to jump into the festival scene and host their own small stage as a platform to do what they do on an even bigger scale. Still using the same local and unsigned talent, but giving them opportunities that really don’t come along all too often.
Now that we’re allowed to play out again soon, the thought of hearing live music again makes us want to burst. To get ourselves prepared, The Manc Audio will be partnering with Open Beat over the next few months to bring you even more of Manchester’s unsigned music. So, you’ll be hearing plenty from them in the near future as they finally get to live out their summer 2019 masterplan.
Green Island Festival and Nell’s team up for bank holiday street party in Northern Quarter next month
Emily Sergeant
Green Island Festival is teaming up with pizza pros Nell’s and taking over the Northern Quarter for a big street party early next month.
For one day only, Edge Street will be locked off and a ‘fiesta’ will be taking over.
This early May bank holiday weekend, Green Island Festival will be linking up with Manchester’s favourite New York-style pizza merchants, Nell’s, for a special street party takeover right in the heart of the Northern Quarter.
Set to take over from midday on Saturday 2 May, families are first invited to join in on the bank holiday fun, as Born to be Wild Child – celebrated for their family-friendly parties – will be first up, encouraging all daytime ravers to get down early doors with their little ones.
Deptford George then takes the reins afterwards with his signature blend of soulful house, disco, funk and deeper electronic music, while Manc heavyweights Sprechen are guaranteed to bring a mixture of groove, soul, and energy with no limits.
Into the evening, Manchester-based collective Me Gusta will be taking things up a notch, so you can expect to hear sounds ranging from Afro-Latin and Caribbean, to Middle Eastern musical diaspora.
Closing the street party is La Noche, who again, will be bringing the best of Afro and Latin music to the streets of the city.
Green Island Festival and Nell’s are teaming up for bank holiday street party in the Northern Quarter next month / Credit: Supplied | The Manc Group
All day long, Nell’s famous New York-style pizza slices and pies will be available to feast on, as will Yard & Coop’s legendary buttermilk fried chicken, burgers, wings by order.
And then to wash it all down with, RIPE Beer are also getting involved, so partygoers can sip on delicious pints of beer as they dance the night away right through to 9pm.
Green Island x Nell’s Bank Holiday Street Party is landing on Edge Street from 12-9pm on Saturday 2 May, and it’s completely free to attend with no booking needed – just turn up on the day.
Featured Image – Supplied
Music
‘If only he was here’: Peter Hook reflects on Ian Curtis as Joy Division join Rock and Roll Hall of Fame
Danny Jones
We were lucky enough to play a part in a bit of music history (albeit only a small one) this week, as we had the privilege of chatting with the one and only Peter Hook of Joy Division and New Order, as the pair were finally admitted into the Rock and Roll Hall of Fame.
A long overdue bit of recognition, if you ask, but a momentous day nonetheless.
Chatting with Hooky and a long-time friend, collaborator, and beloved Manchester-based DJ, Graeme Park, in the aftermath of being named in the ‘Class of 2026’, he was visibly moved and honoured by the announcement. Here’s what he had to say…
Joking from the off by repeating Graeme’s initial question, “How does it feel?” (an absolute tap-in, that one), the 70-year-old bassist and co-founder of both iconic Greater Manchester groups admitted that they “had a couple of false starts”, to put it mildly, but went on to add: “we can only thank our fans.”
Confessing there has been somewhat of a mixed reaction about “what it means” to them and/or in the industry these days, he made it clear that on a personal level, it’s still a huge moment.
Put simply, he said: “Without the fans, we’d all be nothing.”
He also went on to praise the sort of no-nonsense, DIY and unapologetic approach of the Manc music scene, quipping: “You know, what would Simon Cowell have said about Ian Curtis, Bez, Shaun [Ryder] – Ian Brown, for god’s sake?!”
Acknowledging that while no one was necessarily an “accomplished singer” (often the case when you start early and just pursue a passion), his caveat was that “they had heart and soul” and “they embody something deep within us all that has lasted and will continue to last.”
Noting a de facto ‘Renaissance’ that a few names have enjoyed – especially following the passing of certain notable figures – he believes, rather, that they never went anywhere and that Northern crowds and beyond have helped those songs stretch to three, four, even five different generations.”
He’s not wrong: they’ve never stopped connecting with audiences, and they NEVER will.
Once more, it was an absolute joy (again, pardon the pun) to chat with Peter and Parky, who clearly haven’t lost their love for each other, nor this business – even after all these decades.
Congratulations to both bands, Hooky, Bernard Sumner, Stephen Morris, Gillian Gilbert, Tom Chapman, Phil Cunningham, as well as every session musician who’s ever played these tunes and kept them alive.
Last but not least: forever and always, rest in peace, Ian Curtis.
Hannah Starkie -
15th March 2021 
