An extremely rare Oasis gig contract that requests “sober-speaking” staff members is to be auctioned off this month.
The Primary Talent International contract was drawn up on 18th April 1994.
This was just a few weeks ahead the iconic Manchester band’s show at The Old Trout in Berkshire on 7th May, and three months before they released their debut album Definitely Maybe.
The venue had played host to other Britpop names of the era including Oasis’ chart-rivals Blur, as well as performances from groups such as Everything But The Girl, fellow Manchester band Inspiral Carpets, Spiritualized and Pop Will Eat Itself.
If “sober-speaking” staff wasn’t a bizarre enough request for a contract as it is though, that’s not all it specifies either, as a two-course meal that’s “not fast food”, water, fruit juice and soft drinks are also among the catering requests that feature, as well as a comprehensive snack list of “crisps, nuts, biscuits, fresh fruit (minimum of eight pieces)”, which is seen scribbled out.
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And of course, as most Oasis fans would expect, “24 large cans of quality lager” was the main request.
If you’re wondering what the “sober-speaking” staff are for, it was requested that the venue management should provide them to “assist the band’s road crew” in moving equipment and setting up the stage.
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Hansons AuctioneersHansons Auctioneers
The paperwork is expected to sell for up to £1,500 at Hansons Auctioneers in Derbyshire later this month.
Hansons said the seller is a woman who worked in the music industry and bought it directly from a man who organised gigs at The Old Trout at the time, and she is looking to sell the contract, along with a flyer advertising the gig, ahead of her retirement.
A music memorabilia specialist at Hansons said items like this were “extremely rare”.
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Claire Howell – Music Memorabilia Specialist at Hansons – said: “Items like this are extremely rare and this lot comes with great provenance. It also includes a flyer advertising the gig.
“It’s valued at £1,000-£1,500 but I wouldn’t be surprised to see it sell for more.
“It could easily whip up a bidding frenzy among fans at auction, such is the enduring popularity and nostalgia for Oasis. The seller is a lady who worked in the music industry and amassed an interesting collection over the years [and] she is now looking to sell some specialist pieces ahead of retirement”.
Hansons Auctioneers
Claire continued: “The contract was purchased directly from a man who organised gigs at the time.
“Memorabilia linked to Britpop bands from the 1990s is gaining in value and UK groups don’t come much bigger than Oasis.
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“This 27-year-old find has certainly brought memories of the band’s early days flooding back.”
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The paperwork is set to go for auction at Hansons Auctioneers’ music memorabilia sale on 23rd March, and you can find more information ahead of the sale here.
Music
An unmissable Whitney Houston tribute event is returning to Greater Manchester
Thomas Melia
A much-adored and cherished Whitney Houston tribute show is returning to Greater Manchester later this year for not one but two different shows, each channelling the charisma and energy of the pop legend.
To celebrate the 10th anniversary of the phenomenal theatre production, ‘Queen of the Night’, the show is visiting a multitude of stages and venues all across the UK.
0161 had to receive at least one date on this tour, partly due to being the music capital of the North and also due to the fact that this is a city many fans of the 80s diva will forever hold close to their hearts.
Houston played her final ever concert performance of her career here in this very city back in 2010, taking up residence in AO Arena for two nights of world-renowned ballads and mesmerising live vocals.
This tribute show is set to include some of the diva’s biggest and much-loved hits like ‘I Will Always Love You’, ‘How Will I Know’ and ‘The Greatest Love of All’, the audience is sure to be singing along.
Adenike Adewale is taking on the role of the American R’n’B Pop singer and is no stranger to the stage or TV, featuring on The Voice in 2021 where she sang a Whitney classic, making it to the semi-finals.
Fast forward to 1 June and the tour returns to Greater Manchester and legendary city centre space, Bridgewater Hall: an incredible room more than fit for renditions of the powerhouse vocalist.
A pair of stunning venues, two stunning shows and one incomparable voice.
It’s not only our lovely region the Queen of the Night experience will be visiting; our friends over at The Hoot have plenty of nearby opportunities to sing along too, with Yorkshire dates in Hull, Halifax, Harrogate and Bradford to name a few.
I’m definitely saving all my love for when this show visits us later this year in March, and after I buy out the front row for all my friends I’ll certainly relate to the smash 1993 single ‘I Have Nothing’.
Tickets are on sale already now – you can grab yours HERE.
Government to introduce price cap on ticket touts and launch consultation on dynamic pricing
Danny Jones
The UK government are finally set to install a price cap on re-sale tickets for touts and open an official consultation on the growing trend of dynamic pricing.
If you’ve bought a ticket to a live music show over the past year or so, you’ll have noticed that ticket prices in general are on the up – particularly if purchased from a reseller, in which case you might have paid through the nose for the privilege.
Not only does ticket touting remain a prevailing problem in the industry, with tonnes of tickets for big shows, especially, being snapped up in bulk or by bots and listed for re-sale before you’ve even added them to your basket, but the advent of this new dynamic pricing lark has made things even harder.
You only have to look at the controversy and chaos surrounding Oasis’ reunion tour, which ultimately saw some fans paying significant amounts more for practically the same ticket just a few days later in what many dubbed as ‘fraud’ and even ’emotional blackmail’.
Justin Timberlake at Co-op Live Manchester was one of countless gigs where ticket prices fluctuated. (Credit: The Manc Group)
Tackling resellers head-on
Knowing full well that people will go to extreme lengths to try and see the musicians and artists they love so dearly – in some cases being backed into a corner as the final figure displayed on the screen when they checkout suddenly jumps up – the modern ticketing industry is severely broken.
With all that in mind, the government are now looking to enact more stringent measures on resellers, by announcing a new price cap on tickets put back up for sale which is set to be introduced (hopefully) in the very near future.
Targeting sites infamous for inflating re-sale costs such as Viagogo, StubHub and others, the bill published on Friday, 10 January proposes a price cap of face value plus 10-30% but no more, with an obvious aim to keep that number as low as possible.
According to the current figures, touts reportedly cost music fans alone more than £145 million in extra re-sale fees when purchasing tickets every year – a frankly ridiculous sum. There will always be tickets ending up on re-sale sites, that’s unavoidable, but a price cap could seriously improve the situation.
The Manc music legends themselves claim they had little control over the situation.
Down with dynamic pricing
Labour, who were voted into power back in July, are also set to try and combat dynamic prices, which essentially sees gigs and events set people back more or less depending on how the popular ticket sales have been up to that point, market trends and general demand. An initial review was called for last year.
Put simply, the more people want to attend a gig, platforms like Ticketmaster feel they are able to jack up their margins even after the initial price point has been established. The European Commission has been investigating these methods since September 2024.
Although it is still unclear as to the exact time scale of when these changes will come in, Labour MP Chris Bryant told NME that although they are still in the early stages, it is “now just a matter of how the government takes action.” And that’s where you come in.
The consultation is also crucially public, with the calling for people to submit their evidence on current pricing practices and continue engaging in the discussion throughout the progress. New Year’s Resolution: let’s curb ticket touts as much as we possibly can.
Emily Sergeant -
9th March 2021 
