We had the pleasure of going along to see Hello Cosmos play a special one-off show at none other than St Mary’s Church in Stockport town centre on Friday night, just the gig the building has ever seen and given how incredible an experience it was, we hope there’ll be many more.
Picture the scene: it’s a frosty Foodie Friday night in Stockport with people wearing beer jackets and sharing hot street food to keep warm as the tunes ring around the marketplace; then you spot some light off in the background and notice the windows of the old town centre church glowing.
Not only was that our signal to get a move on, finish our scran and head over to the intimate gig, but it was also a beacon of light for other punters to go and check out as they looked for any excuse to come in from the cold.
And that’s pretty much how it happened. Our three-man party was full of SK natives who wanted to see what it would be like to have a church we grew up with turned into a gig venue, so we were always on board, but plenty of other locals had the pleasure of simply stumbling upon tickets at the door.
We don’t think we’d be putting words in their mouths to say they will have been glad they did, as within a few seconds of walking into the oldest parish church in Stockport, we had never seen the already ornate and historical site look so stunning.
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This wasn’t just a case of plonking some speakers and some drums near the altar like some half-arsed church fête, the roof, windows, pillars and various arches were all lit up by various multi-coloured projectors and strobes and it all felt pretty surreal.
If you’ve ever watched any kind of performance at Manchester Cathedral or a similar venue, you’ll know this kind of set-up is nothing new per se, but it did feel like something different for Stockport, especially when one of our party’s last memories was standing at the pulpit to read the Christmas story.
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Then the music kicked off and we have to start by saying we were pretty impressed by the two support acts, Fondabath — fellow Stopfordians who were probably just as surprised to be in St Mary’s as we were — and Big Society, also local lads, both of which gave plenty of reason to go away and listen to more.
Then came the main event, Hello Cosmos, spearheaded by frontman and bass player Ben Robinson, who along with his jumpsuited bandmates wasted no time in transporting the crowd to what felt like a little pocket of space in some alternate reality.
Having had a few drinks and being given kaleidoscope glasses on arrival certainly helped, but it really was a truly audio-visual experience, from the various coloured jumpsuits and neon hula-hooping to the truly mesmerising light show that lit up the church throughout the set.
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It all felt rather fittingly though when you take into account that Robinson is not just a musician but the founder of both Kendal Calling and bluedot Festival — I mean, even their sophomore album Golden Dirt has a glowing spaceman walking through a sea of sunflowers.
If you’ve never heard them before, think post-punk spoken word and almost Yard Act vibes, only if Christopher Ecclestone was on vocals instead. But their sound is truly sprawling, with ‘Fuse’ from their debut record giving the harder-hitting sounds and ‘Loud is Beautiful’ showing how they best intertwine electronics, keys and those oh-so-good horns from sax player Elara.
Be it jumping up and down in unison as the electric violinist played or Ben dropping to his knees to scream his head off, hopping off stage to walk around the crowd with a megaphone or releasing a sea of balloons from above for the big finish, this ‘Live at St Mary’s’ one-off special had a bit of everything.
It went from a little gig on a random winter evening in Stockport to an unforgettable one that SK-born gig-goers like us never thought we’d see in this particular borough of Greater Manchester whose culture and music scene are clearly thriving.
We really hope this is among the first of many — Hello Cosmos helped make it a success and we can seriously see the Live at St Mary’s series taking off if it continues to get the backing.
Government to introduce price cap on ticket touts and launch consultation on dynamic pricing
Danny Jones
The UK government are finally set to install a price cap on re-sale tickets for touts and open an official consultation on the growing trend of dynamic pricing.
If you’ve bought a ticket to a live music show over the past year or so, you’ll have noticed that ticket prices in general are on the up – particularly if purchased from a reseller, in which case you might have paid through the nose for the privilege.
Not only does ticket touting remain a prevailing problem in the industry, with tonnes of tickets for big shows, especially, being snapped up in bulk or by bots and listed for re-sale before you’ve even added them to your basket, but the advent of this new dynamic pricing lark has made things even harder.
You only have to look at the controversy and chaos surrounding Oasis’ reunion tour, which ultimately saw some fans paying significant amounts more for practically the same ticket just a few days later in what many dubbed as ‘fraud’ and even ’emotional blackmail’.
Justin Timberlake at Co-op Live Manchester was one of countless gigs where ticket prices fluctuated. (Credit: The Manc Group)
Tackling resellers head-on
Knowing full well that people will go to extreme lengths to try and see the musicians and artists they love so dearly – in some cases being backed into a corner as the final figure displayed on the screen when they checkout suddenly jumps up – the modern ticketing industry is severely broken.
With all that in mind, the government are now looking to enact more stringent measures on resellers, by announcing a new price cap on tickets put back up for sale which is set to be introduced (hopefully) in the very near future.
Targeting sites infamous for inflating re-sale costs such as Viagogo, StubHub and others, the bill published on Friday, 10 January proposes a price cap of face value plus 10-30% but no more, with an obvious aim to keep that number as low as possible.
According to the current figures, touts reportedly cost music fans alone more than £145 million in extra re-sale fees when purchasing tickets every year – a frankly ridiculous sum. There will always be tickets ending up on re-sale sites, that’s unavoidable, but a price cap could seriously improve the situation.
The Manc music legends themselves claim they had little control over the situation.
Down with dynamic pricing
Labour, who were voted into power back in July, are also set to try and combat dynamic prices, which essentially sees gigs and events set people back more or less depending on how the popular ticket sales have been up to that point, market trends and general demand. An initial review was called for last year.
Put simply, the more people want to attend a gig, platforms like Ticketmaster feel they are able to jack up their margins even after the initial price point has been established. The European Commission has been investigating these methods since September 2024.
Although it is still unclear as to the exact time scale of when these changes will come in, Labour MP Chris Bryant told NME that although they are still in the early stages, it is “now just a matter of how the government takes action.” And that’s where you come in.
The consultation is also crucially public, with the calling for people to submit their evidence on current pricing practices and continue engaging in the discussion throughout the progress. New Year’s Resolution: let’s curb ticket touts as much as we possibly can.
The AO Arena is giving away FREE tickets for a year to celebrate 30 years in Manchester
Daisy Jackson
The AO Arena has announced it’s giving away free tickets for a year to celebrate its 30th anniversary in Manchester.
The iconic music venue has welcomed the biggest names in the world in its three decades, with millions of us making memories for life inside its huge space.
And now you could win VIP tickets for an entire year, simply for sharing those memories with the AO Arena.
Fans who submit their old photos, videos and tickets will be in with a chance to win tickets to all the shows coming up in 2025 – which already includes massive gigs like Kylie Minogue, Katy Perry and Busted vs McFly.
AO Arena wants to dig deep into ‘first gig’ nostalgia territory, using fan-submitted snaps to build a collection of Manchester memories.
Were you in the same room as Taylor Swift, did you party like it was 1999 (because it was) with Spice Girls, did you cry over the sight of Gary Barlow or cry laughing with Peter Kay?
Britney Spears and Beyonce are among the names who have performed at AO Arena in its 30 year history. Credit: Supplied
Whatever your AO Arena memories are, you can share them before the end of the month to be entered into the competition to win VIP tickets for the year.
One overall winner picked at random will get the ultimate VIP experience, including access to a premium suite and The Beautiful North, as well as access to The Mezz with panoramic views of the main stage.
The 30th birthday campaign has been inspired by Adele’s monumental When We Were Young performance at Glastonbury, and all these memories will be projected around the arena before every performance.
You can submit your footage and enter the competition via the AO Arena website HERE.
Danny Jones -
24th February 2024 
