The lineup for Kendal Calling 2026 has been officially revealed in full, and let’s just say the list of headliners alone is absolutely box office.
It feels like we say this every year, but this could be one of their best to date.
With the likes of Scottish rock legends Biffy Clyro (after years of courting them), Mercury Prize-winning Wolf Alice, as well as indie veterans The Kooks and Two Door Cinema Club topping the bill on the main stage, next year’s Kendal Calling is shaping up to be a tasty one.
Next summer will mark the 21st year of the annual music and arts festival, and after a wonderful 20th anniversary edition in 2025, we have every faith the KC crew are going to nail it yet again.
Announcing a total of 120 acts – yes, this lineup is already STACKED – the roster is packed with everything from timeless indie stalwarts, Northern favourites, some pop surprises and plenty more.
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For instance, we were genuinely buzzing to see not only the one and only Scissor Sisters, but also Gabrielle, and even noughties throwback, Vanessa Carlton.
We’re now hoping and praying she doesn’t pull out and quite literally travels ‘A Thousand Miles’ over to the Lake District.
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After making their own comebacks this year, the likes of The Libertines, Deaf Havana, Hard-Fi and several others have joined the lineup, which is spread across more than a dozen stages, including non-musical acts and other bits of live entertainment.
We were very much spoilt for choice for our favourite festivals this year, but you only have to read our review of ‘KC20’ to know how much it meant to be there.
You can see the Kendal Calling 2026 lineup poster down below.
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Biffy Clyro, Wolf Alice, Two Door Cinema Club, The Kooks, Scissor Sisters, The Libertines & more head to the Lakes! pic.twitter.com/HoI0qpgrxQ
If you look closely, you can also see that there’s a special guest slot thrown in there, too, though we’re stumped as to even the slightest hint of who it could be.
We’re sure you’ll have your theories and guesses in the chamber already, but let’s just say that after seeing how well they’ve done with surprises in the past, we cannot wait.
Commenting on the drop, co-founder Ben Robinson said: “I’m so excited to reveal next year’s line-up! Our brilliant team has secured a line-up worthy of the jaw-dropping faith the Kendal Calling family puts in us each year.
“Selling 98% of the tickets before announcing a single artist is the biggest compliment we could ever receive, so here’s an early Christmas present to say thank you!”
Like the man said, most full weekend passes have already gone, but if this lineup tickles your interest, you can still register for the final release of Kendal Calling 2026 tickets right HERE.
Featured Images — Press shot (supplied)/Audio North
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Tame Impala at Co-op Live, Manchester – lasers, lights, and a bit of a hangover
Daisy Jackson
The coolest man in the southern hemisphere has finally made his way back up north, for his first Manchester gig in a decade.
That cool man in question is Tame Impala, the music project of what-the-hell-can’t-he-play multi-instrumentalist Kevin Parker.
Sure, last year’s single release ‘Dracula’, and then its remix re-release with K-pop megastar Jennie, may have propelled Tame Impala up towards the top of the UK singles chart for the first time, but he’s got almost two decades-worth of music to dig through beyond that too.
It’s a hefty discography and it leads to a setlist that seems to almost peak about six times.
‘How could it possibly get better than this?’ we seem to ask as he plays The Moment, Elephant, Dracula, and Let It Happen pretty early on – but better it does indeed get.
It doesn’t seem to matter whether he’s up on the main space-ship-esque stage surrounded by lasers and lights, or sat on the floor of the B Stage playing around with a keyboard, Tame Impala has an irresistible, enchanting charisma. A lot more charisma that you’d expect from a man called Kevin.
Early on, he confesses that he’s quite severely hungover from last night’s show, where he had Dua Lipa (he wrote and produced her Radical Optimism album) as a surprise guest.
But you can see the hangover clear from his eyes in real time as 23,500 Mancs scream in his face. Which might not sound like a likely hangover cure, but who am I to argue with the evidence in front of me?
Although Kevin writes, produces, and records his music solo, he’s got half a dozen musicians up on the main stage with him, which looks like a convoluted space ship that fires confetti out of its thrusters (FOUR TIMES!).
With revolving lights, dancing lasers, and a metal grid base spewing out dry ice, it’s really one hell of a production.
It’s a light show designed to give us all a glimpse of his synesthesia (meaning he sees colours when he hears music (Billie Eilish has it too)) – essentially, if you couldn’t hear a thing and could only see the stage, you can still tell exactly what song is playing.
Still, when he saunters straight through the crowd to his smaller stage to mix tracks solo – no lasers, just a few lamps – flopping down onto a tangle of wires like a mad magpie building himself a nest, it’s a chance to remember this guy’s composing prowess.
A lot of the songs performed tonight are almost orchestral in their complexity, so that the whole show merges into one thundering, bewitching night of dancing and being blasted in the face by confetti.
It’s genius.
So can you not leave it another decade before you come back, Kevin?
Kahiki Soundhouse – the new Mint Lounge site is living up to the old name and its live music legacy
Danny Jones
If you went out in town back in the day (pretty much any time from the late 90s to the 2010s), or indeed have sampled a Funkdemia over the past couple of decades, chances are you tried or at least heard of Mint Lounge – but did you know it’s been replaced by a new kid on the block, Kahiki?
Kahiki Soundhouse, to give it its full name, is the new live music venue bar that has opened up the old basement space on Oldham Street in the Northern Quarter.
In truth, it’s now more of a classic lounge than ever before.
The large open-plan floor, which used to be filled with people standing/two-stepping inside a fairly barebones club room with no air conditioning, has now been traded up for a stylish space lined with plush padded seats, classy low-lit tables perfect to share a glass or two over, and lots of new features.
Perhaps the biggest change is that the old soundbooth/stage area that used to be way at the back has now been swapped for a central 360° podium that changes up each night.
It really is the star of the all-week-round Kahiki show, if you ask us.
This also means that no matter where you are in the main venue (there are other rooms, but we’ll get to that), be it tucked in a booth to the side, at the bar, or even ‘behind’ whoever’s playing, you’ll have a virtually unobstructed view of what’s happening from noon until night.
Seriously, thanks to their already jam-packed schedule, the reviews aren’t just off to a great start only a few days in, but people have been turning up in the early evening and staying well into the early hours of the next day.
They’ve got duelling pianos, live bandaoke, acoustic nights and straightforward DJ sets for those who still fancy a taste of the previous vibe.
Kahiki’s maiden Manchester city centre venue definitely harks back to the good times had in the Mint Lounge days, but the team, who possess decades of experience between them, have combined a retro feel almost more akin to 1960s speakeasies, cocktails and evening venues.
It’s no secret that clubbing and the UK nightlife scene have changed quite a bit since the pandemic, but these guys look to have found that perfect blend of more relaxed seating, along with plenty of room to get up and boogie; there’s even a raised mini-stage/dance cage for your main character moments.
Better still, if you do want something a little bit away from the crowds of punters that are continuing to make this one of the liveliest new additions to NQ, they also have adjustable karaoke rooms where bi-folding doors can make room for up to 50 of you and your lot to party in privacy.
Let’s just say the spirit of the Lounge is alive and well in the Soundhouse.
Just one corner of KahikiYour podium awaitsOne of the smaller karaoke rooms
Danny Jones -
16th December 2025 
