Nearly 1000 people who work in the live music industry in Manchester participated in a socially-distanced silent march through the city centre today.
The march formed part of the #WeMakeEvents – RED ALERT Day of Action nationwide event.
The #WeMakeEvents campaign – which has been organised by PLASA – is to raise awareness of the UK’s one million highly-skilled live music industry professionals, all of whom have had little to no work for the past four months amid the coronavirus (COVID-19) pandemic, and with little likelihood of the industry restarting until Spring 2021.
The live music sector includes a huge supply chain of workers in areas ranging from production, audio, lighting and video, to logistics, planning, transportation, and some of the world’s leading technology manufacturers.
#WeMakeEvents is calling on the UK government to “throw us a line”.
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As stated on the PLASA website, without additional government support for the supply chain, the UK is not only “in danger of losing its global position as a world leader in world class events”, but “all of our incredible creatives and technicians could lose their livelihoods for good”.
Manchester is a city synonymous with music and the industry needs our help.
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We support the 100,000+ professionals in #Manchester who make our city one of the top destinations in Europe for live music and events.
You should support them too. Their jobs could be lost without intervention. #WeMakeEvents
#WeMakeEvents is calling for “meaningful support from the government until the industry is allowed to operate in a way that is not limited by social distancing policies”.
This includes three main objectives:
1. Grants – not loans – made available to businesses in the events supply chain.
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2. Furlough scheme extended until the industry is back to work.
3. Extension of the self-employment scheme – tailored towards the live music industry.
— Hits Radio News | Manchester (@hitsmcrnews) August 11, 2020
#WeMakeEvents Great scenes in Manchester. First industry to stop, last to return! More support is needed from the government until live music and events are able to start up again #letmusiclivepic.twitter.com/izny27imai
— Hits Radio News | Manchester (@hitsmcrnews) August 11, 2020
There has been a substantial amount of support seen for the #WeMakeEvents campaign within the wider music industry and across social media this week.
Many famous and well-respected names in the Manchester music scene have publicly expressed their support.
Sacha Lord – Night Time Economy Adviser for Greater Manchester and co-creater of Parklife Festival, The Warehouse Project and United We Stream GM – said that work by many crucial events staff goes “unseen by the public”.
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This morning I will be marching (socially distanced and wearing my mask!) to support the freelancers, event and festival staff who have been simply forgotten. Nearly 114,000 people need urgent financial support now #WeMakeEventspic.twitter.com/JterGW7Cn1
Speaking to BBC Radio Manchester this morning, he said: “From my own experience with Parklife, there are about 4,500 people working on that,”
“The stages don’t erect by themselves, the Portaloos don’t arrive by themselves, the fences, the arenas, the lighting techs, it is a vast swathe of freelancers that work behind the scenes, and sadly they have been forgotten.”
Mr Lord was also seen present at the city centre March today as well.
Without major immediate support from the Government, the entire live events sector supply chain is at risk of collapse. Red Alert is a campaign to raise public and media awareness in support of the live events sector #WeMakeEventspic.twitter.com/IX3YdLtvvp
#WeMakeEvents is an initiative looking for a solution to the devastating crisis that the live music industry is facing. Concerts have been organised in the past to help people all around the world – right now, it’s those who arranged and worked at those events who need help
Yes, performers, artists, speakers. But also venues, lighting/sound engineers, photographers, event planners, bar & catering teams, security, tent & stage hire, booking agents, festival teams etc etc. So many of us with little or no support. #WeMakeEvents I’ll see you there. pic.twitter.com/iIGvRVYwzL
Today the #WeMakeEvents RED ALERT Campaign calls on the government to support the live events industry before we lose the talent and expertise that is the envy of the world.#WeMakeEvents
Buildings across Manchester and the UK are also set to light up red this evening in support of the live music industry and as part of the #LightItInRed campaign.
Over 500 buildings throughout the country are said to be registered to take part.
CALL TO ACTION!
We are calling again for companies and venues to light up red on the 11th of August 2020.
With many other activities also happening throughout the day, we want YOU involved!
You can find out more information and show your support for the #WeMakeEvents campaign here.
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Sankeys shares sneak peek at new venue as legendary Manchester nightclub gears up for return
Daisy Jackson
Sankeys has given Mancs a glimpse inside its new venue as the legendary nightclub gears up for its return.
The club was one of Manchester’s top nightlife spots for years, before shutting down seemingly for good almost a decade ago.
Set within Beehive Mill in Ancoats, Sankeys was a true icon of Manchester’s global nightlife scene.
And while the old Sankeys Soap nightlife space is now full of co-working spaces, the spirit of Sankeys is about to be reborn.
The exact location of the new club is still being kept under wraps ahead of its reopening at the end of January, but new renderings have been released to give us a glimpse of how it will look.
Sankeys is promising ‘A reimagined space. New energy. Same legendary nights’.
The new Sankeys Manchester will be a 500-capacity venue, designed to ‘capture the raw underground energy that made Sankeys one of the most iconic club brands in the world’.
It will feature an LED matrix grid installation that will immerse clubbers in ‘light, sound and atmosphere’.
Sankeys Manchester officially opens on 30 January – you can see a glimpse of how it will look below and grab tickets HERE.
The most annoying songs of 2025 according to ‘science’ have been revealed
Emily Sergeant
A list of the most annoying songs of 2025 according to ‘science’ has been published.
Music fans have already been sifting through their Spotify Wrapped, which came out earlier this month, with searches for it surging an astonishing 5,000% in recent weeks, proving that 2025 has been a memorable year for music.
We’ve had record-breaking releases, viral TikTok hits, and artists pushing creative boundaries across genres.
Despite the hits though, some tracks have sparked debates over how irritating they are – from repetitiveness to ‘harmonic dullness’.
Interested to discover the most annoying song releases of 2025, the experts at SeatPick analysed the most popular songs of 2025 according to official top charts, then measured their repetition, shrillness, harmonic dullness, and filler lyrics to calculate the percentage chance that listeners would find the song to be so-called ‘annoying’.
The most annoying songs of 2025 have been revealed according to ‘science’ / Credit: Jonas Leupe | Ketut Subiyanto (via Unsplash and Pexels)
Unfortunately for one artist – one very popular artist, it has to be said – they have claimed both the top and second spot, and that artist is pop royalty Sabrina Carpenter.
SeatPick’s findings revealed that Sabrina Carpenter’s ‘Sugar Talking’ and ‘Tears’, which were both featured on her latest album Man’s Best Friend, are the most annoying songs released in 2025, as the data metrics indicated that nearly half of listeners (46%) are likely to find these songs irritating due to they’re repetitiveness.
Lady Gaga’s ‘The Dead Dance’ ranks as the third most annoying track of the year, scoring high on the ‘annoyingness index,’ with repetition, brightness, and lyrical filler contributing to an overall 45.8% likelihood that listeners would find it irritating.
Rounding off the top four most irritating songs of 2025 is ‘Who’ by BTS member, Jimin, with there being a 45.5% chance that listeners would find his song irritating due to its repetitive hooks and bright, high pitched tones.
When it comes to the list of most irritating TikTok trending songs of 2025, that title went to ‘Dame Un Grrr’ by Fantomel and Kate Linn, with a 45.7% likelihood of being found irritating by listeners, closely followed by ‘She Twerkin’ by Ca$h Out in second, with a 44.1% likelihood of being found annoying by listeners.
One song we’re sure many of you won’t be surprised to find on the most irritating list is ‘Hold My Hand’ by Jess Glynne, which, of course, initially gained popularity through its use in a Jet2Holiday advertisement, and then later became widely featured in more than 3.4 million TikTok videos.
So, what do you make of these results then? Do you agree? What do you think the most annoying song that came out in 2025 is?
Emily Sergeant -
11th August 2020 
