Were you a blue, green, yellow or red hoody? Aston, Marvin, JB and Ortise are back, better than ever before with their hits tour ‘Everybody Say JLS: The Hits Tour’ and were smashing them out at Manchester’s AO Arena last night singing.
Not only did hearing all the classics live again make me extremely happy — being one of the girls who had all the posters on my wall and, of course, the blue Aston hoody — but I couldn’t think of a better way to describe this gig than pure nostalgia.
The runners-up of X-Factor 2008, JLS (Jack the Lad Swing, for any of you who always wondered) came back together once again to bring all the nostalgia of the noughties to a packed-out Manchester crowd.
With five number-one hits, six million records sold worldwide and four multi-platinum albums, it’s easy to forget just how big a thing these boys were in their heyday but there was never any doubt they were going to sell out the Arena — and that they did.
It isn’t the first time JLS have played Manchester’s AO Arena, but it somehow still felt like the old days (Credit: The Manc Audio)
Kicking off the night was the fabulous Persian-American pop star, Shab, who is supporting the band across all their UK dates. The passionate and outspoken singer is a rising star in the pop world and whether or not people were familiar with her beforehand, she certainly left an impression.
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Playing through singles including ‘Indestructible’, ‘Sexual’, her latest hit ‘VooDoo’ with rap veteran Fat Joe and what had to be my favourite, ‘Ain’t Thinking Bout You’, she kicked off the night with plenty of vibey pop music to get everyone going.
Dipping back into those high-school memories even more, British rap and fellow pop icon Tinchy Stryder came out next, walking out to the tune of ‘Seven Nation Army’ as people chanted, ‘Ohhh, it’s Tinchy Stryder’.
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Bringing back all of his classics like ‘Take Me Back’, ‘Never Leave You’ and, of course, finishing on ‘Number 1’ (still as much of a bop as you remember it), we knew from this point on how much of an enjoyable trip down memory lane this night was going to be.
Shab, Tinchy Stryder, JLS and a few Manc’s took centre stage at the AO Arena on Thursday night.
And then they arrived. There was A LOT of inaudible screaming, to say the least. Starting off with ‘Eyes Wide Shut’ — whipping out their original dance routines, no less — they made it clear this really was the ‘Greatest Hits Tour’ from the very off.
‘Hottest Girl in the World’, ‘One Shot’, ‘Do You Feel What I Feel’ and the first single from their last album in 2021, ‘Eternal Love’ (written by none other than Ed Sheeran); they even brought fans on stage for ‘I Know What She Like’.
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Shout to Paige, wherever you are, as she was not letting that moment go for anyone, dancing all around the stage and hugging the lads so tightly that Ortise and Aston had a handful trying to get her sat down. Brilliant.
And then it happened… The moment we’d all be waiting for — the meme all JLS die-hards and the majority of Brits know regardless of whether they’re a fan or not: JB SAID MERRY CHRISTMAS! Met with cheers and laughter in equal measure, all I could think was, ‘How can it get better from here?’
Of course, there were some tear-jerking moments as well, such as Ortise telling the crowd how the moving story of a family illness motivated him and his brothers to chase their dreams, before going on to build an even bigger family with the JLS boys.
Whenever an act asks the crowd to hold up their lights you know it’s going to be an emotional one too. As they played ‘Close to You’ and ‘Make Me Proud’, you could see all the friends hugging in the crowd as a magical sea of lights sparkled across the AO.
With a quick costume change, they came back out to ‘The Club Is Alive’ and this is where I knew we were going to get our next big moment and they didn’t disappoint: a trademark backflip from Aston because why the hell not? After all, this was a celebration of all things JLS and more.
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Speaking of which, the four-piece were intent on reliving the very best of their era, bringing out a set of DJ decks and facing off against each other with their favourite tracks from that beloved period of pop.
From Rihanna’s ‘Umbrella’ and ‘Baby’ by Justin Beiber to ‘Super Bass’, ‘All I Do is Win’, ‘Bonkers’ and so many more, the crowd was absolutely bouncing. But the fun didn’t stop there either, as they also brought out special guests Fleur East for her hit ‘Sax’ and The Wanted’s Max George singing ‘Glad You Came’. Trust us, glad doesn’t even begin to cover it.
We knew they had to end on a high, playing ‘Love You More’ as the penultimate track before disappearing into the floor in a blast of fireworks second to last, with fireworks, and then they disappeared into the ground before reappearing for the encore.
The AO Arena lit up in blue, red, green and yellow as if to call upon a team of pop music Power Rangers, we all knew what was coming as they polished off the show with ‘Everybody in Love’ — and believe us, absolutely everyone’s hands were up as confetti scattered across the sky.
As a girl who grew up loving JLS, whether they were part of your adolescent music taste or not, I can honestly say that the celebration of all things Noughties made it one of the best shows I have been to in a long time. I’ll be keeping one eye on summer in the hopes of another tour and more massive Manc dates.
Oasis promoters drop biggest Knebworth hint yet after securing license around key date
Danny Jones
Not that we’re the type to get carried away, but we’ll confess that our curiosity, interest and general levels of anticipation have been piqued, as Oasis’ main promoters have recently renewed the license to host events at the infamous Knebworth.
My word, is this it? Like the reunion, is it ACTUALLY going to happen?…
We’re sure the raw, uncontrollable excitement will come should it be fully confirmed, but for now, all we know is that our colleagues in music media, SJM Concerts, have renewed the land in and around Knebworth Park and House for live entertainment once again.
Moreover, the company have also done so on a rather fitting date decades on from the original and legendary outdoor gigs.
As can be found on the planning application section of the North Hertfordshire Council website – the county in which the storied Britpop gigs took place – a fresh license to hold new events.
If/when the announcement happens, the already granted permission will allow for a capacity of up to 125,000 and a curfew of 3am.
We know the original Knebworth shows were beyond iconic, but let’s say this would be nailed on to be nothing short of absolutely box office.
Besides having also helped promote Oasis’ colossal Live ’25 reunion tour last summer, it’s also worth noting that they secured said license just over a week before the 30th anniversary of the pair of nights back in 1996: 10-11 August, to be specific.
The licence is said to have come into effect this past Saturday (1 Aug) and is believed to be indefinite.
What added even more fuel to the fire of these well-established rumours over the past year was when Baroness Sharon Taylor of Stevenage told the House of Lords the band would be playing FIVE whole nights at Knebworth in the future, before later clarifying that she was speaking in “hypothetical terms.”
All that being said, it’s fair to say we’ll be keeping a very keen eye on socials over the next few days, in particular, just in case.
The Manc has reached out to SJM for an official comment (surprise, surprise), but we are yet to receive a response regarding the matter.
Your silence speaks volumes, just saying.
This coming Monday, 10 August 2026, will mark the official 30th anniversary of Oasis at Knebworth 1996, and with the likes of ‘Wonderwall’ seeing a chart resurgence as the go-to England anthem at this year’s World Cup, we’re choosing to be optimistic. What about you?
Blossoms deliver most rock and roll performance in years as Declan McKenna joins them on stage
Danny Jones
Last night, we were fortunate enough to be there in the flesh not only to see Blossoms play a special anniversary show in Manchester, but to witness Declan McKenna join them on stage.
A tiny part of us was wondering if we’d see Rick Astley roll out into the venue, but let’s just say we’ll absolutely take this.
Celebrating a decade to the day since the release of the self-titled debut LP – yes, we feel old, too – Blossoms announced the one-off intimate show at The Deaf Institute, a venue they hadn’t played in 12 whole years (good lord…), and it served as much more than a night of nostalgia.
But we’ll admit, the highlight was almost certainly seeing the ‘Brazil’ and ‘British Bombs’ singer join Tom Ogden, Charlie Salt, Josh Dewhurst, Myles Kellock and Joe Donovan on stage for their smallest gig since god knows when.
We’ve gotten somewhat used to seeing the Enfield-born solo artist popping up at random venues across the country and even performing DJ sets at local pubs.
If you haven’t seen that Kylie Minogue clip before, you really need to…
However, we don’t think anyone in the crowd was expecting this cameo, let alone hearing them perform a co-written track off the new record live in front of the audience for the very first time.
As if all of this wasn’t already a bit bonkers and left-field, the song in question, entitled ‘Additional Driver’, was self-admittedly so surprising in SO many ways that Tom felt he needed to explain the full story behind it and why Declan shouted “shoulda got the 192” before they started playing.
Yes, in some kind of Greater Mancunian fever dream, we’ve finally got artists writing lyrics about the region’s most infamous bus route that we’re sure most, if not all of you, can relate to.
But it wasn’t just this moment that had us debating in our heads, ‘are they the best Manc or maybe in Northern band full stop going right now?’, it was seeing them slip so seamlessly back into the more straight-down-the-line indie rock from their first chapter of studio material that did it.
Everyone knows and loves the biggest bangers from that inaugural outing: ‘Getaway’, ‘Charlemagne’, ‘At Most a Kiss’, ‘Honey Sweet’, etc.; but it’s hard to forget just how quintessentially rock and roll tunes like ‘Blow Rose’, ‘Cut Me and I’ll Bleed’, ‘Texia’ and even some of the other deep cuts/early releases are.
Don’t get us wrong, we love how much the dressing up (musically and quite literally) they’ve done over the years as their production, creativity and experimentation has increased, but it’s always hard to beat that feeling you get when finding an artist’s first album – especially one as good as Blossoms‘.
In fairness, listening back to ‘Deep Grass’ all these years later, we’ll still remember how spacey, psychedelic and downright different that intro felt back in the day; it now feels like a fitting end to that maiden outing and the perfect jumping-off point for what has been a real sonic exploration ever since.
For a lad born in SK2 and lucky enough to have seen these lads right from the start, stuff like this will never not feel surreal to me.
Long live ‘Blossoms from Stockport‘, and roll on Songs From The Wedding Cake this October.