After pop-punk mega group Fall Out Boy announced they were once again hitting the road for their latestlap of the Earth and its best arenas, fans scrambled for tickets to catch another glimpse of the band that once took up prime real estate on their iTunes playlists.
In support of their eighth studio album, So Much (For) Stardust, the band from a sleepy suburb north of Chicago embarked on a tour that has already taken them across North America and Europe, before heading off to South East Asia and Australia at the end of this year.
Thankfully, one of those stops was at Manchester’s very own AO Arena…
Having sold over nine million albums and counting, the American rock icons know a thing or two about how to sell out an arena, so as we entered the concourse the droves of early-arriving fans sheathed in black merchandise and brightly coloured hair comes as no surprise.
Fall Out Boy opened their AO Arena show with a bang. (Credit: The Manc Audio)
With Sunday pints at the ready, a sudden darkness triggers deafening screams from the congregation of both first-timers and day-oners who’ve waited five long years to sing their favourite emo anthems with the guys who first put them together.
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In a blaze of pyro and smoke, the foursome burst onto the stage with the energy of four teenagers after a wholesale crate of Red Bull, lifting the roof off the arena with their iconic, deafening sound. It’s like they haven’t aged a day.
Blatantly ignoring fire safety protocols, bassist Pete Wentz had strapped a flame thrower to the neck of his guitar and was sending plumes of fire into the sky at every possible opportunity.
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It doesn’t take long to pull out the big guns — no, not the aforementioned fiery guitar of death, but the hits we’ve come to know and love the band for over nearly two decades.
Never gets old.
Riveting performances of ‘Sugar, We’re Going Down’ and ‘Uma Thurman’ set the tempo early on in the show, with the raw harmony of the crowd taking over virtually every chorus they’ve practised in their cars over and over again.
Lighting up their 11th appearance in Manchester, the band continued to dig into the archives of their storied discography, giving fans both in the stands and fans in the mosh pits a mix of the big radio hits and some of the lesser-known tracks which separate the hardcore from everyone else.
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The set felt like a miniature Tomorrowland, with winking trees, oversized starfish, talking moons; a giant Doberman and even a mystic eight-ball looming high in the sky which Wentz used to determine which song would be next on the hit list — whether genuinely random or completely scripted, it was cool.
Frontman Patrick Stump then took a moment mid-set to give fans a piano rendition of everyone’s favourite power ballad, ‘Don’t Stop Believin”, which left some fans feeling like they were stuck in some Glee-based alternative reality or the final episode of The Sopranos (if you know, you know).
Fall Out Boy gave Mancs a bit of every flavour on Sunday night.
They even made time for a bit of magic, as Pete disappeared behind a black sheet and reappeared in the middle of the crowd to give floor-dwelling fans a close-up masterclass on bass, much to the delight of everyone in his immediate vicinity and those on his route back to the stage. These boys like pageantry.
Closing out an epic show, the guys go back to their roots with some classic Fall Out Boy, performing band favourite, ‘Saturday’, from their debut album, Take This to Your Grave.
It was an incredible way to end the weekend and, from the fans, a warm welcome back on a cold October evening. If only the clocks had gone back mid-performance, we could have gotten one more hour of Fall Out Boy smashing the AO Arena. Guess you can’t have it all — either way, what a show.
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‘Til next time, thanks for the memories. For instance, any excuse to relive the pleasure of seeing them at that very last-minute surprise Band on the Wall gig earlier this year too:
Aitch wells up in trailer for inspiring Netflix documentary about Kilimanjaro charity climb
Danny Jones
Mancunian musician Aitch has shared a brand-new trailer for his upcoming Netflix documentary charting his inspiring charity climb of Mount Kilimanjaro.
Tissues at the ready.
In case you missed it, the Manchester rapper took on the incredible challenge of summiting the highest peak in Africa last year, all on behalf of the Down’s Syndrome Association.
Sharing the first true glimpse at his moving mountain voyage, the Moston-born artist looks to reveal all in this candid chronicling of his fundraising feat.
Writing in the caption, the 26-year-old said: “Gracie, this is for you and the 40,000 other beautiful people just like you. Don’t Be Afraid!”
For anyone unaware of the context, a couple of years back, Aitch – Harrison James Armstrong, to give the Manc his full given name – announced that he would be embarking on the difficult journey that only 40-60% of trekkers ever successfully reach the top.
Beloved by upwards of 3.1 million followers across his various social media platforms, Grace has become a bit of a community icon and hero all of her own.
Here he is video calling her before his most recent challenge:
They have such a lovely bond.
The inspiration for the 2022 track ‘My G’ with Ed Sheeran on his debut album, Close to Home, the song itself also ended up serving as a significant fundraiser, going on to complete a skydive over Old Sarum airfield with his dad, Mike.
A few clips have been shared on Aitch’s YouTube channel since he first confirmed he would be taking on ‘Kili’, such as his altitude training and other glimpses behind the scenes, but until now, we’ve seen very little footage from the infamous trail itself.
Set to drop later this month, Aitch’s Kilimanjaro doc, entitled Don’t Be Afraid, is releasing on Netflix on Sunday, 26 July – which also just so happens to be ‘Manchester Day‘; we’ll be making sure we don’t miss either of them.
He’s not the only local lad taking on huge obstacles for a good cause.
Featured Images — Screenshots (via Netflix/Instagram)/Anthony Trivet (via Wikimedia Commons)
Audio
Oasis’ Wonderwall on the brink of becoming UK number one for first time ever 30 years after initial release
Emily Sergeant
Could Wonderwall FINALLY become UK number one for the first time ever?
England may no longer be in the running to win the 2026 FIFA World Cup after being knocked out in the Semi Finals by Argentina, who claimed a 2-1 win when the two teams faced off in Atlanta on Wednesday night (15 July), but it looks like that hasn’t harmed Wonderwall’s trajectory to the top of the Official UK Charts.
Oasis’ most-streamed song of all time – and arguably their most famous – is currently sitting right at the top of Spotify’s Global charts, meaning it is in the race to become the official UK number one later today.
Despite the fact it never reached number one when it was first released back in 1996 as part of the band’s second studio album, (What’s The Story) Morning Glory?, the song has always had such cultural significance here in Manchester.
But after being adopted by the fans of the England men’s national football team during this World Cup, and belted out after every Three Lions victory this tournament, the song has taken on a whole new life.
Wonderwall was described at the time by the band’s lead guitarist and songwriter, Noel Gallagher, as being about ‘an imaginary friend who’s gonna come and save you from yourself’ – with the song’s title inspired by George Harrison’s solo album Wonderwall Music.
Sure, it has nothing to do with football (but neither did Sweet Caroline, let’s be real), but it’s an absolute anthem and one that’s become a symbol this year for the belief that football may have just been coming home after 60 years.
Win or lose, Wonderwall remains.
Unfortunately, while Wonderwall is in pole position as it stands, it’s up against some fierce footballing competition with the likes of Baddiel, Skinner & Lightning Seeds’ enduring anthem, Three Lions (Football’s Coming Home), hot on its heals.
Standing between both of them – and chart glory – is, of course, Sam Fender and Olivia Dean’s record-breaking duet, Rein Me In, which looks to retain the top spot as it eyes a 17th non-consecutive week at the summit.
It’s also expected that The Beatles’ iconic 1968 hit, Hey Jude, will also find its way into the Top 40 in honour of the tournament’s star player Jude Bellingham.
So, will Wonderwall reign supreme then? Will the Gallagher brothers have another reason to celebrate tonight after the success of last year’s historic Oasis Live ’25 reunion tour? We’ll have to wait and see.
You can tune into the Official Chart Show on BBC Radio 1 from 4pm today.
The Manc Audio -
30th October 2023 
