A number of prominent musicians and names within the Manchester music scene have condemned Rishi Sunak’s comments appearing to suggest arts workers should “find other jobs”.
The Chancellor of the Exchequer’s comments have gone on to cause uproar online.
In a video-recorded and printed interview with ITV Politics this morning, Mr Sunak appeared to issue some vague remarks about what people working in the arts should do as the industry struggles amid the coronavirus (COVID-19) pandemic.
He said: “I can’t pretend that everyone can do exactly the same job that they were doing at the beginning of this crisis.
“That’s why we’ve put a lot of resource into trying to create new opportunities.”
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He then went on to say that government is “trying to do everything we can to protect as many jobs as possible”, but conceded that unemployment is “likely to increase”.
When asked whether he was suggesting some of the UK’s “fabulous musicians and artists and actors” should get another job, Sunak said “as in all walks of life everyone’s having to adapt”. He continued: “Can things happen in exactly the way they did? No. But everyone is having to find ways to adapt and adjust to the new reality”.
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The ITV article was later updated to state: “This article has changed to reflect that the Chancellor’s comments were about employment generally and not specifically about the music or arts sector.” however, Sunak’s comments still caused anger from those working in the struggling arts sector.
Now, well-known names on the Manchester music scene have had their say.
Oasis frontman Liam Gallagher, The Smith’s guitarist, co-songwriter and solo artist Johnny Marr, Charlatans’ lead singer and solo performer Tim Burgess, and Bolton-born singer/songwriter Badly Drawn Boy have all taken to Twitter this afternoon to address Mr Sunak’s controversial comments on the arts sector.
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In his expletive-filled rant, Liam Gallagher asked the government to “show a bit of respect”.
So the dopes in gov telling musicians and people in arts to retrain and get another job what and become massive cunts like you nah yer alright c’mon you know LG x
He also went on to state that: “If anyone needs to retrain, it’s [the government]”.
The same sentiment was echoed by Tim Burgess, who also called on Chancellor Rishi Sunak to talk with him about the struggles the arts sector is currently facing.
Hey @RishiSunak – I think we need to talk about this : /
Johnny Marr questioned the Chancellor’s comments with regard to the content produced by the arts sector and consumed by the public during lockdown.
This is someone running the country. How about you not have your movies, TV shows, Netflix etc during lockdown ? All the music, paintings, art in the culture since time began. Moron. pic.twitter.com/jyBXf2sjde
Sacha Lord – Night Time Economy Advisor for Greater Manchester – has also hit back at the Chancellor’s comments today.
The co-founder of Warehouse Project and Parklife has continued to be vocal on the topic on Twitter and in the media over the past few months, and more significantly in the wake of the #CancelTheCurfew campaign – the nationwide campaign calling on the UK government to remove the curfew which requires venues to shut at 10pm – where he has previously that the lack of support would result in “a tidal wave of redundancies” across the country.
Taking to Twitter to respond to Rishi Sunak’s comments this afternoon, Mr Lord indicated that the government is “killing off our scene”.
He also called on live music fans to “remember this when we are through it”.
Today, the Chancellor has said musicians and others in the arts industry should look for another job.
That includes your favourite DJ….
If you like to go to nightclubs/events/festivals, just remember this when we are through it.
Earlier in the day, Mr Lord had also taken to Twitter to call on the government to “urgently introduce a sector-specific support package” and stated that the night time economy would not survive without it.
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One of the significant points in his call was to “cancel the current 10pm curfew” for public safety.
Today I am calling on the Government to urgently introduce a sector-specific support package if the night time economy is to survive #WeAreViablepic.twitter.com/HFbv9RF944
Rishi Sunak has since responded to the backslash surrounding his comments.
Following the change in headline of the originally-published ITV article to reflect the nature of the comments in the interview, the Chancellor took to Twitter to respond to the widespread criticism he has received throughout the day.
He indicated that the original article headline “falsely suggested” his thoughts on the arts sector.
An earlier @itvnewspolitics tweet falsely suggested I thought people in arts should retrain and find other jobs.
I'm grateful they have now deleted that tweet. I care deeply about the arts which is why our £1.57bn culture package is one of the most generous in the world. https://t.co/raEXxXUMqx
Mr Sunak also went on to say that he “cares deeply about the arts”.
He then referenced the government’s £1.57 billion culture package – which he called “one of the most generous in the world” – as a reason to back up his supportive stance.
Audio
Unknown Mortal Orchestra at the Albert Hall Manchester – groovy, hazy and effortlessly cool
Clementine Hall
Unknown Mortal Orchestra at the Albert Hall proved exactly why they’ve built such a cult following over the past decade.
Formed in 2010 by frontman Ruban Nielson, the band first broke through with their scrappy, lo-fi self-titled debut and since then, they’ve become known for their signature blend of psychedelic rock, funk, and warped pop.
I first saw the band back in 2023 at Glastonbury, and yes sorry I am one of those annoying people that bring it up all the time.
They’re the perfect band to close your eyes, sway your head and tap your foot to – and that’s exactly what the crowd were doing in unison last night at the Albert Hall.
Image: The Manc Group
From the second they stepped on stage, there was no rush – just that signature hazy groove met with enough stage lights to sink a ship.
You could barely see them on stage, but that made it even cooler. And you can only imagine how gorgeous the Albert Hall looked with hundreds of spotlights in different colours whizzing all over it.
Early tracks simmered and pulled us in before the band stretched out into crowd pleasers like ‘Multi-Love’ and ‘Hunnybee’. What an absolute tune by the way.
Image: The Manc Group
There wasn’t much crowd interaction but, again, there didn’t need to be. They let the music do the talking and by treating us to some of the most epic guitar solos we’ve ever heard (no, seriously), we’ll forgive them for not talking to us.
Each song melted into each other as the band oozed effortless charm and talent throughout the almost two hour set, which is no mean feat.
Of course, a sea of phones shot up for ‘So Good at Being in Trouble‘, their most popular track which prompted a harmonious audience singalong. Not very harmonious by me, admittedly.
It was a fantastic ending that left the audience feeling united by the laidback brilliance of Unknown Mortal Orchestra, and I hope they don’t leave it too long to come back this time.
Review | Leon Thomas at Manchester Academy – ‘Mutts Don’t Heel’ but this gig healed me
Thomas Melia
American singer-songwriter Leon Thomas visited Manchester Academy last night, performing hits from his deluxe album to a sold-out crowd of more than 2,600.
One year after an exclusive London MUTT Live date, Mr Thomas returns to the UK with the ‘MUTTS DON’T HEEL’ Tour, venturing to five cities, including the music capital of the North: Manchester.
The night started off just how it should’ve done with ‘HEEL’, as the audience were welcomed by the drum-loop and a chill atmosphere from the start.
Now, it wouldn’t be a Leon Thomas gig without at least one Ty Dolla $ign collaboration making the setlist, and there’s plenty to choose from with a new one dropping just over a month ago, ‘miss u 2’.
Leon Thomas performing hits at Manchester Academy (Credit: Audio North)
The funk-influenced musician opted for ‘FAR FETCHED’, and the audience was in the palm of his hand. No matter which of the four link-ups he chose, it was always going to go down well – Manchester never disappoints.
Leon didn’t even have to ask the crowd to bring more energy; they already matched him. When he sings, “For someone who don’t ask for favours, I’ve done way too many favours”, on ‘PARTY FAVORS’, he really meant it.
Last year, Leon Thomas dropped PHOLKS, a project which saw him exploring old-school funk and soul sounds even further and ‘Just How You Are’ had even the shyest dancer pulling out a little two step.
This isn’t the only hit that sent the crowd into a frenzy; ‘Baccarat’ and its impressive psychedelic guitar solo had jaws literally falling to the floor at Manchester Academy.
His songs might not be dramatic or extravagant, but they don’t need to be. Leon’s artistry prevails when he’s softly singing, and you’re still able to detect each instrument.
Leon Thomas brought the MUTTS DON’T HEEL Tour to Manchester Academy (Credit: The Manc)
‘Breaking Point’ is an easy-listening soul track that had all 2,600 Leon Thomas fans in our feelings as we realised we were coming to the end of a phenomenal concert.
And of course, ‘Mutt’ – his biggest single to date: a bouncy and swag-filled number that sticks in your head for weeks on end – sounded even better when backed by a live band as I discovered last night.
There was some insane musicality, distinct bangers and impeccable live arrangements that elevated the original studio recordings. Maybe ‘Mutts Don’t Heel’, but Leon Thomas definitely healed me.
He wasn’t the only cool cat playing last night either: