The full shortlist for the inaugural Nordoff and Robbins Northern Music Awards has been announced, and Tim Burgess is set to receive a huge honour.
The first-ever Northern Music Awards, set to take place in Manchester next month (before moving to different host cities in subsequent years), will be honouring the incredible talent of the northern music scene.
Across 15 awards categories, the event will champion everything from artist to venue to event to individual, who have all helped to make our corner of the UK such a global force in the music industry.
Created by the UK’s largest music therapy charity, Nordoff and Robbins, the awards will be taking place at the Albert Hall in Manchester on 23 April, with tickets on sale now.
And ahead of the glittering event, the Northern Music Awards have announced that indie superstar Tim Burgess will be honoured with the headline Northern Music Award 2024.
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The Worsley-born Charlatans frontman has five solo albums under his belt, as well as 13 with the indie rock band, and brought people together online (first in lockdown) with his ingenious Listening Parties.
The shortlist for the favourite northern festival award, sponsored by us here at The Manc, has been announced today as Sounds From The Other City in Salford, Beatherder in Lancashire, Tramlines in Sheffield, Kendal Calling in Cumbria, and Moovin in Stockport.
This is the only publicly-voted award, with voting closing on Wednesday 27 March.
Also announced today are the winners of the Disruptor in Music Award, sponsored by Notion Magazine, which goes to Rotherham’s indie-rock juggernauts The Reytons.
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Both The Reytons and Tim Burgess will be there to collect their awards in person on the night.
And the new shortlist for Music and Culture for Wellbeing highlights the power of music provision across the region, recognising projects that use music and culture to support and connect with people that face health, wellbeing, and socio-economic challenges.
Supported by the Greater Manchester Combined Authority, the shortlist for this award is Barnsley Libraries – Biblio Beats Festival; DanceSyndrome – Everybody Dance, Lancashire; Kirklees Council – Kirklees Year of Music; Manchester Camerata – Music in Mind; Royal Liverpool Philharmonic – Music and Health Programme; and Oyé Active Zone, Liverpool.
10 northern live music venues are in the running across two Inspirational Venue of the Year categories, sponsored by Skiddle.
The award for under 500 capacity sees Brudenell Social Club in Leeds, Future Yard in Birkenhead, Trades in Hebden Bridge and Manchester’s Night and Day, and Yes all shortlisted for the prize.
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Night & Day Cafe in Manchester. Credit: The Manc Group
The larger venues in the running for(under 2,000) are Albert Hall, Band on the Wall and New Century Hall – all in Manchester – along with Barbican in York and City Hall in Newcastle.
Nordoff and Robbins is the UK’s largest music charity and hopes that the event will be an essential fundraiser for a new centre in Salford, as well as kickstarting a new chapter celebrating the breadth of talent across the north of England.
Tim Burgess said: “It’s incredible to be recognised with the inaugural Northern Music Award. Music is important on so many levels, and I’m a firm believer in the unique way that it can connect people.
“It means a lot to me to be able to support the great work of Nordoff and Robbins, who use music therapy to unlock life for some of the most vulnerable people in society – and through the funds raised by everyone coming along to the Northern Music Awards we’ll be opening up music therapy to even more people across the North.”
Nadra Shah, Director of Engagement and Communications, Nordoff and Robbins, said: “Music is powerful, it’s universal, it breaks down barriers and it allows us to communicate in ways that otherwise some may not be able to – it’s the heartbeat of our organisation.
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“The Northern Music Awards is a chance for us to shine a light on those who work tirelessly to make sure live music is available and accessible throughout the North of England.
“We are excited to honour some of the industry’s much loved venues and festivals alongside an array of live performances and appearances from some of the most celebrated artists from the region.”
Sarah Slater, vice president – music and festivals, Ticketmaster UK, said: “We’re proud to be supporting the first ever Northern Music Awards and celebrating everyone who helps to bring live music to the north of England.
“It’s also an honour to be helping to raise funds for Nordoff and Robbins’ life-changing music therapy work, it has such an astoundingly positive impact for some of the most vulnerable people in society.”
You can find out more and book £40 public tickets for the inaugural Northern Music Awards here.
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Premium package tickets are also available to book. The package includes access to both the industry and public awards, live performances, canapes, a two-course evening meal and an alcohol and non-alcohol drinks package. Tickets are £250 with packages available. Email [email protected] for details.
The full list of nominees for the 2024 Nordoff and Robbins Northern Music Awards
Special Recognition Award, Sponsored by SJM Concerts
Melanie C
Northern Icon
Lisa Stansfield
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Northern Music Award 2024, Sponsored by Live Nation
Tim Burgess
Newcomer of the Year, Sponsored by PizzaExpress Live
Inspirational Venue of the Year (under 500), Sponsored by Skiddle
Brudenell Social Club – Leeds
Future Yard – Birkenhead
Night and Day – Manchester
Trades – Hebden Bridge
Yes – Manchester
Inspirational Venue of the Year (under 2,000), Sponsored by Skiddle
Albert Hall – Manchester
Band on the Wall – Manchester
Barbican – York
City Hall – Newcastle
New Century Hall – Manchester
Music Moment of the Year, Sponsored by Raymond Weil
TBA on the night
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Industry Icon, Sponsored by Tysers Live
Michael Adex, NQ
Music and Culture for Wellbeing Award, Supported by the Greater Manchester Combined Authority
Barnsley Libraries – Biblio Beats Festival
DanceSyndrome – Everybody Dance, Lancashire
Kirklees Council – Kirklees Year of Music
Manchester Camerata – Music in Mind
Royal Liverpool Philharmonic – Music and Health Programme
Oye Active Zone, Liverpool
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Audio
The Stone Roses’ Gary ‘Mani’ Mounfield has died aged 63
Daisy Jackson
Tributes are pouring in for Gary ‘Mani’ Mounfield, after it was announced that the Stone Roses legend has died at the age of 63.
The bassist, who was also part of Primal Scream, was born in Crumpsall and has been one of Manchester’s most beloved musical figures ever since finding fame in the 1980s.
Mani’s brother Greg broke the news this afternoon, writing on Facebook: “IT IS WITH THE HEAVIEST OF HEARTS THAT I HAVE TO ANNOUNCE THE SAD PASSING OF MY BROTHER GARY MANI MOUNFIELD. RIP RKID.”
Mani’s wife Imelda also passed away in late 2023 after a battle with bowel cancer, for which the pair had raised money and awareness since her diagnosis.
That included a huge star-studded fundraising party where Mani and Imelda raised more than £100k for The Christie and local NHS charities.
Mani and Imelda shared twin sons, who were born in 2012.
Tributes are now flooding in for Mani, especially from those who have also been a part of the Manchester music scene.
Stone Roses frontman Ian Brown posted on X: “REST IN PEACE MANi X”
Rowetta shared a photo with Mani and Imelda and wrote: “Back with your Imelda, Mani. Going to miss you so much. All my love to the boys, the family & all those who knew & loved him.”
Tim Burgess of The Charlatans fame said: “I shared this photo a week or so ago on Mani’s birthday. It never failed to bring a smile to my face – and that was exactly the same for the man himself.
“One of the absolute best in every way – such a beautiful friend. Love you Mani x x. Never to be forgotten”
Shaun Ryder wrote: “RIP Mani – my heartfelt condolences to his twin boys and all of his family X”
Reverend and the Makers shared: “My heart is broken. Found out this morning and just felt low as it gets all day.
“Mani was my musical hero and just a lovely genuine human. When my Dad died , he offered me the warmest and best advice. No fuss, privately, straight up and always available to everyone.
“I’m a bit ill myself at the minute and not ashamed to say I shed at tear at the news. See on the next one mate.
“A true legend of the game. RIP”
Echo and the Bunnymen wrote: “I’m absolutely gutted to hear the news about Mani, who I have always loved and always will love, deeply and forever. Like a brother.
“I am in shock to be honest. Please tell me I’m just having a bad, bad dream. My thoughts and feelings and Mani, love to all of his family from me. Mac Bunnyman Xxx”
Featured image: Paul Husband
Audio
Honey Dijon and Mix-stress on Homobloc, Manchester nightlife and more
Danny Jones
We sat down at Manchester’s iconic Star and Garter with the legendary Honey Dijon and Manchester’s own, Rebecca Swarray aka, Mix-Stress for an exclusive interview ahead of Homobloc 2025 to talk about all things queer culture, house music, and the future of clubbing.
From Chicago to Manchester, the pair reflected on the roots of the scene, finding joy in dark times, and why the dancefloor remains a sacred space.
Put simply, it was fascinating to see the pair dive deep into the culture.
Sharing a drink in the historic Manchester city centre pub, here’s how the chat between Mix-Stress and Honey went down…
Mix-Stress meets Honey Dijon – the interview
‘Every time I play Manchester, it’s just always a vibe’
Mix-Stress (MS): Welcome toThe Star and Garter. Manchester and Homobloc obviously holds a special place, and you’ve played here a few times. Can you tell me about any sets that stand out that are staying with you over the times you’ve visited here?
Honey Dijon (HD): I always have a great time when I play Manchester. Every time I play Warehouse Project, it’s just always a vibe. The crowd is just so enthusiastic and so fun and just so up for it. And Manchester and Chicago have a long history with house music, so it’s always fun to come here and represent. It doesn’t matter where, when or how – all my sets here have been incredibly fun.
‘So much has changed over the years – it feels like a different century’
MS: This will be your fourth time playing Homobloc in December. You played in 2019 when it started, then two post-pandemic shows. What do you feel has evolved over the years, musically, spiritually or sonically?
HD: So much has changed over the years. I mean, pre-pandemic, it was such a different world. It feels like it was a different century, actually, and we had no idea what we were going into.
At that time, we were just coming from the MeToo movement and the lack of diversity in dance music, so there was all this political awareness around club culture, which was really great – because so many voices that started this global movement have been queer people, people of colour, a lot of women.
The funny thing about diversity is about who’s having that conversation, because my friends and what I grew up with have always been diverse. So it was a different landscape.
During lockdown, there was a shift. If you were like an 18-year-old kid, there were two or three years where you couldn’t experience anything except online. That’s when this major shift happened – things became much more corporate, much more sanitised, and more about metrics and numbers.
There was less focus on, in my opinion, the heart of it – and it became big business. What I try to do as an artist is remind people whose shoulders I stand on and where I learned my craft, and to bring people together from all walks of life. There’s a new generation coming through, but it always goes back to the house.
MS: We’ve seen dancefloors across the world put out safe spaces policies. What does a ‘safe space’ mean to you today, and how do you create that energy?
HD: I try to play music that uplifts and celebrates. I think, with just the artist that I am, I try to make everyone welcome. It’s about joy, celebration, and release. Dancefloors are sacred spaces in a lot of ways, and I think through the music vibrationally that I play and what I speak on, it attracts a certain crowd.
For me, safe spaces aren’t just about not being harassed – it’s about being able to show up as yourself without being judged.
A safe space is where all feel welcome, where people can be free and not judged or harassed based on gender or sexuality. Dancefloors do what government and religion can’t – they bring people together from all walks of life to celebrate through music.
As the world moves further right, these spaces are becoming more important than ever. None of us are free until all of us are free – so I try to do that through my work, through the music and what I speak on.
‘Look into the darkness, but don’t stare at it.’
MS: The world is heavy right now – historically and currently. Where do you find joy, and how do you filter that into what you do?
Honey Dijon always gives an insightful interview.
HD: Where do I find joy? Turn off the internet. Be aware. I love this quote from RuPaul: “Look into the darkness, but don’t stare at it.” That really resonates with me.
Music is powerful – that’s why far-right governments fear art and music, because there’s so much power in it. I find joy in love, in freedom of expression, and in self-autonomy. Those are the things I try to facilitate through my art and through my music.
‘If Homobloc was a fragrance…’
MS: IfHomobloc was a fragrance, what would be the concoction?
HD: Armpit, asshole, and lip gloss.
If that isn’t an advert for a memorable night at Depot Mayfield, then we don’t know what is.
You can see the full lineup for Homobloc 2025 and grab your tickets to see Honey Dijon in Manchester and plenty more rightHERE.
Daisy Jackson -
20th March 2024 
