A new survey published by the Musicians’ Union (MU) has found that 34% of British musicians are thinking about giving up their music career thanks to the impacts of COVID-19 on the music and events industry.
A total of 2,000 union members were surveyed and the results are worrying.
Nine in 10 respondents (88%) believe the government has not done enough for the music industry throughout the pandemic. The lack of support has meant there are hundreds of thousands of people left in limbo.
Eighty-seven percent of those who were covered by the furlough scheme have also said they’ll experience financial problems once it ends. And as the scheme is due to wind up in October, the industry is in need of emergency action.
Musicians’ Union
Currently, moral is low within the music community.
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It isn’t just musicians feeling the strain but all the venues, festivals and people behind the scenes that make our favourite events happen, too.
Many people are still out of work and without hope of things changing soon.
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So, it’s no wonder some are considering packing it all in and turning to other careers.
Reports have suggested that people have been forced to seek out additional work as delivery drivers or supermarket assistants in order to make ends meet.
The O2 Ritz is unable to open. Image: The Manc Audio
Commenting on the findings, Horace Trubridge, General Secretary of the MU, said: “These figures are devastating and show how many musicians are struggling financially and at real risk of leaving music for good.
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“In better times, our members drive a £5bn music industry with their talent. One artist’s gig will create a domino effect of jobs – from lighting technicians to ticket sellers. If one musician is out of work, you can be sure many others will be affected too.
“We appreciate all the Government has done to support our members through the furlough and self-employment income support schemes so far, but they must not abandon musicians now. With social distancing measures still in place, venues can only sell at around 30% of usual capacity.
“We are calling on the Government to implement a seat-matching scheme, which would take venues’ potential revenue to 60%, providing a lifeline to musicians and the wider industry.
“Getting musicians back to work is the priority. However, this is simply not realistic for so many of our members while social distancing remains in place. We strongly urge the Government to recognise the unique situation that our members are in and to provide sector specific financial support for musicians.”
Image: Diego Sulivan/Unplash
These findings arrive before even more restrictions were announced by Boris Johnson last night.
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The rules particularly affecting the music industry include the 10pm curfew, table service only and the “rule of six”. It’s believed that implementing these will make putting on events impossible, killing the industry further.
Sacha Lord, Night Time Economy advisor for Greater Manchester, has widely shared his views on the matter. On hearing the announcements yesterday, he called for more support from Rishi Sunak. He tweeted:
Without extending support, this Government will be remembered for ripping the heart out of our 5th biggest UK sector.
Huge redundancies and mass closures of theatres, live music venues, pubs, bar, restaurants, nightclubs and cultural organisations.@RishiSunak it's over to you:
The Warehouse Project and Parklife boss has warned that three out of five Manchester venues and night-time businesses could close for good without extra help.
Members of the industry have taken matters into their own hands in recent months.
In August, PLASA – the organisation behind the #WeMakeEvents campaign – held a march in Manchester where 100,000 industry members walked through the city in silent protest.
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The march called for financial help for the music industry through grants and the consideration of extending the furlough scheme until it was safe to return to work.
#WeMakeEvents Campain – PLASA
Another peaceful #WeMakeEvents demonstration outside Parliament is planned for September 29.
They hope to raise awareness of the unemployment risk, as thousands are at risk of losing their livelihood as a result of current restrictions.
Organisers are urging people to arrive masked up, remain socially distanced and sign in to Track and Trace to make sure the demonstration adheres to Covid-19 guidelines.
Manchester without music is a worrying prospect.
Audio
Unknown Mortal Orchestra at the Albert Hall Manchester – groovy, hazy and effortlessly cool
Clementine Hall
Unknown Mortal Orchestra at the Albert Hall proved exactly why they’ve built such a cult following over the past decade.
Formed in 2010 by frontman Ruban Nielson, the band first broke through with their scrappy, lo-fi self-titled debut and since then, they’ve become known for their signature blend of psychedelic rock, funk, and warped pop.
I first saw the band back in 2023 at Glastonbury, and yes sorry I am one of those annoying people that bring it up all the time.
They’re the perfect band to close your eyes, sway your head and tap your foot to – and that’s exactly what the crowd were doing in unison last night at the Albert Hall.
Image: The Manc Group
From the second they stepped on stage, there was no rush – just that signature hazy groove met with enough stage lights to sink a ship.
You could barely see them on stage, but that made it even cooler. And you can only imagine how gorgeous the Albert Hall looked with hundreds of spotlights in different colours whizzing all over it.
Early tracks simmered and pulled us in before the band stretched out into crowd pleasers like ‘Multi-Love’ and ‘Hunnybee’. What an absolute tune by the way.
Image: The Manc Group
There wasn’t much crowd interaction but, again, there didn’t need to be. They let the music do the talking and by treating us to some of the most epic guitar solos we’ve ever heard (no, seriously), we’ll forgive them for not talking to us.
Each song melted into each other as the band oozed effortless charm and talent throughout the almost two hour set, which is no mean feat.
Of course, a sea of phones shot up for ‘So Good at Being in Trouble‘, their most popular track which prompted a harmonious audience singalong. Not very harmonious by me, admittedly.
It was a fantastic ending that left the audience feeling united by the laidback brilliance of Unknown Mortal Orchestra, and I hope they don’t leave it too long to come back this time.
Review | Leon Thomas at Manchester Academy – ‘Mutts Don’t Heel’ but this gig healed me
Thomas Melia
American singer-songwriter Leon Thomas visited Manchester Academy last night, performing hits from his deluxe album to a sold-out crowd of more than 2,600.
One year after an exclusive London MUTT Live date, Mr Thomas returns to the UK with the ‘MUTTS DON’T HEEL’ Tour, venturing to five cities, including the music capital of the North: Manchester.
The night started off just how it should’ve done with ‘HEEL’, as the audience were welcomed by the drum-loop and a chill atmosphere from the start.
Now, it wouldn’t be a Leon Thomas gig without at least one Ty Dolla $ign collaboration making the setlist, and there’s plenty to choose from with a new one dropping just over a month ago, ‘miss u 2’.
Leon Thomas performing hits at Manchester Academy (Credit: Audio North)
The funk-influenced musician opted for ‘FAR FETCHED’, and the audience was in the palm of his hand. No matter which of the four link-ups he chose, it was always going to go down well – Manchester never disappoints.
Leon didn’t even have to ask the crowd to bring more energy; they already matched him. When he sings, “For someone who don’t ask for favours, I’ve done way too many favours”, on ‘PARTY FAVORS’, he really meant it.
Last year, Leon Thomas dropped PHOLKS, a project which saw him exploring old-school funk and soul sounds even further and ‘Just How You Are’ had even the shyest dancer pulling out a little two step.
This isn’t the only hit that sent the crowd into a frenzy; ‘Baccarat’ and its impressive psychedelic guitar solo had jaws literally falling to the floor at Manchester Academy.
His songs might not be dramatic or extravagant, but they don’t need to be. Leon’s artistry prevails when he’s softly singing, and you’re still able to detect each instrument.
Leon Thomas brought the MUTTS DON’T HEEL Tour to Manchester Academy (Credit: The Manc)
‘Breaking Point’ is an easy-listening soul track that had all 2,600 Leon Thomas fans in our feelings as we realised we were coming to the end of a phenomenal concert.
And of course, ‘Mutt’ – his biggest single to date: a bouncy and swag-filled number that sticks in your head for weeks on end – sounded even better when backed by a live band as I discovered last night.
There was some insane musicality, distinct bangers and impeccable live arrangements that elevated the original studio recordings. Maybe ‘Mutts Don’t Heel’, but Leon Thomas definitely healed me.
He wasn’t the only cool cat playing last night either:
Hannah Starkie -
23rd September 2020 
