If like me, you had resided in the fact that you’d never see the day that you’d be dancing with your pals and enjoying live music again, then you’re probably breathing a sigh of relief seeing the mass of gig and event announcements that are flooding your timelines.
But one person even more excited than us is Tom Kingham, co-founder of Open Beat, whose inaugural music event has been nearly two years in the making now.
Back in April last year, Open Beat were forced to wait it out like the rest of the music industry, after their launch night at Hatch was of course cancelled. Now, they’re full steam ahead with organising monthly live showcases of some of Manchester’s best unsigned talent.
And we’re finally allowing ourselves to get excited over the prospect.
Live music at Hatch. Credit: Hatch/Mike Garry
But lockdown wasn’t all bad for Open Beat – as Tom recalls it was almost a blessing in disguise. It gave them the unique chance to refine their idea and widen their circle of contacts. “We’d kind of planned [the first event] pretty quick last year and didn’t think long term,” he said. “But now we’ve had a good year to plan it, it’s kind of worked in our favour because we’ve managed to get so many more acts on the cards.
“That’s how big the expansion has gone now and we’re not just looking at the indie bands now, we’re also looking at the Manchester grime and hip-hop artists, too.”
In the beginning, Tom admits there were worries over the longevity of Open Beat, wondering, “are we going to be able to keep it up? Are we going to be able to find more and more acts to bring through? Or is it just going to be the same people?” In the end, lockdown forced the guys to take it slow and make careful decisions – and the result is more focused and determined.
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One thing at the forefront of Open Beat’s ethos is promoting the city’s up-and-coming musicians. The idea for the event first came about in the summer of 2019, when Tom and fellow co-founder, Miftah Ali, realised there was little in the way of a big platform for up-and-coming artists to play live.
With a history in organising music events, Tom has experience with some of the biggest events in Manchester like Warehouse Project and Parklife. But he shares humble beginnings putting on student nights at the old Tiger Tiger in the Printworks back in the day. So, he understands how these things work on multiple levels.
But even after working with such big events, Tom likes to go back to his roots with intimate open mic nights and showcases every now and again. Simply because of the connection you get with a smaller audience. “It’s the intimacy – you get emotionally connected to it because it’s just you and them,” said Tom.
“Of course, there’re other people around you. But it’s not another 60,000 people – it’s just you, them, their guitar and the same appreciation of that act as you in the same room.
“These [acts] are really, really good – they’re good enough to make it and sign a deal. It’s just them not being in the right place at the right time – and we want to get them in the right place at the right time.”
So this ended up being the driving force behind Open Beat – to give these amazing artists the large platform they deserve, whilst bringing likeminded music lovers together at the same time.
Tom believes these kinds of opportunities are limited for unsigned artists. “[Music] is sort of like a pyramid system, like there would be in football. There’s a lot of money at the top but the further and further you go down, there is less and we kind of want to even the odds as much as we can.”
Open mic night at The Whisky Jar. Credit: Jason S Kenny
Tom and Miftah have already managed to grow the Open Beat team. Joining them are two members of the music scene. The first being DJ and Unity Radio presenter, Jermaine Lee, who has made appearances at Parklife, Warehouse Project and Victoria Warehouse. The second being singer Joe McAdam, who has also ran the legendary open mic night at The Whisky Jar for seven years. Together, they make up a solid team with tons of industry knowledge.
With this growing team, expansion is more likely. So, aside from soon becoming a recognised and well-respected Manchester promoter, naturally there are plans take the concept to other cities. In doing this, the guys hope to jump into the festival scene and host their own small stage as a platform to do what they do on an even bigger scale. Still using the same local and unsigned talent, but giving them opportunities that really don’t come along all too often.
Now that we’re allowed to play out again soon, the thought of hearing live music again makes us want to burst. To get ourselves prepared, The Manc Audio will be partnering with Open Beat over the next few months to bring you even more of Manchester’s unsigned music. So, you’ll be hearing plenty from them in the near future as they finally get to live out their summer 2019 masterplan.
Oasis are being linked with a massive outdoor gig next year
Danny Jones
After 16 long years of waiting, Oasis are officially the biggest band on the planet again (not that they ever really stopped), and now they’re being linked with a rather big outdoor gig at the storied Slane Castlenext year.
They’ve already done Knebworth, so why not tick another one off the list?
With the Live ’25 reunion tour well underway, and rumblings over what they’re going to do once this run of global comeback shows is done, Britpop fever hasn’t just had fans of the band reliving the 1990s – it’s practically taken over the music world.
There’s already plenty of talk circling – including a potential return to Knebworth – but now Oasis is pretty much the first and only name being tipped for a huge headline slot at Slane Castle, after 2026 dates were slated by the estate’s owners.
Slane Castle hosted natives, U2, for their Go Home live concert film back in 2002. (Credit: Sara Einarsson via WikiCommons)
While Harry Styles played Ireland’s historic and equally iconic venue back in 2023, the Co Meath concerts, located in the heart of the Boyne Valley, have somewhat dried up in recent years.
Prior to the former One Direction star, the last major musicians to play there were rock and heavy metal veterans, Metallica, more than half a decade ago.
However, the new lord of the manor, Alex Conyngham, is now looking to carry on where his father, Henry Mountcharles, left off in carrying on their live music legacy; and given that another legendary rock and roll band is pretty much anyone can talk about at the minute, their name has already been put forward.
As per the Drogheda Independent writer, John Kierans, Conyngham is reported to have said: “We want to bring the shows back, we miss them. It is not just about the revenue, but keeping the name of Slane as a rock venue on the map.
“It is what Slane Castle is known for, and I don’t want that legacy to fade away. This is one of the world’s great rock and roll venues with the most natural setting. We are working on plans, and hopefully we can pull something off for next year.”
While Oasis are due to play two nights at Croke Park in Dublin later this month, there is now a strong belief/expectation that a number of 2026 dates will also be announced. But will the stars align?
Slane Castle are said to be in negotiations to stage a massive concert in 2026.
Croke Park theoretically has a concert capacity of 82,000, but I'd love to see them at Slane Castle. Saw Oasis and REM there in 1995. It was epic. pic.twitter.com/CYf6VDDgPw
— 🟥 deli⁷ | just a person🥢ᶠᵘᵗᵘʳᵉ'ˢ ᵍᵒⁿⁿᵃ ᵇᵉ ᵒᵏᵃʸ (@na_do_saram) August 3, 2025
It’s also worth mentioning that they’ve played the 1,500-acre grounds before. Twice, in fact.
The first occasion was in July 1995, supporting R.E.M just before they hit arguably the height of their own powers with the release of their second album, (What’s the Story) Morning Glory? just a few months later, on 2 October.
Burnage‘s most famous sons and their bandmates go to do it all over again in 2009 (the same year they would eventually split up), with some incredible ‘warm-up acts’ in The Prodigy, Kasabian and Glasvegas.
Let’s be honest, either of those artists could probably book and sell out the place these days, so god knows how much a ticket for that lineup would set you back present day.
Regardless, if there’s one band that fits the billing to bring back the Slane Castle gigs at their boldest and best, it’s the almighty Oasis.
Whether or not the heavily rumoured 2026 dates are domestic to the UK and Ireland, we’ll have to wait and see, but the clamour is already there, no matter where they sign on to perform.
If you were at Heaton Park or had the fortune of seeing any of the Live ’25 shows, you’ll know they still sound as good as ever.
Featured Images — Sitomon (via Flickr)/Kinsie84 (via Wikimedia Commons)/Press Shots
Music
Drake at Co-op Live, Manchester: Forget ‘One Dance’ – we had many
Thomas Melia
Canadian hitmaker Drake graced Co-op Live in Manchester for the final night of the ‘Some Special Shows 4 UK’ tour with PartyNextDoor.
First song in and multi-hyphenate Drake is already feeling sentimental with ‘Gimme a Hug’ as he admits, “I appreciate the fans rockin’ with me / This is really just a small token.”
‘Marvin’s Room’ played out right after, and although the song prior references it as a favourite of “Durk’s boy”, this same love was shared between 23,500 fans in the crowd at Co-op Live last night.
Shortly after, the Toronto-born rapper began the usual minute-long introduction of his gigantic single ‘Passionfruit’ with fans roaring as soon as he sang the long-awaited ‘Listen’.
Drake played out to 94,000 fans across four sold-out nights at Co-op Live in Manchester (Credit: Audio North)
Less than halfway through this stacked setlist, and it was time for the holy trinity of the night: ‘God’s Plan’, ‘In My Feelings’ and ‘Nice for What’ – nothing short of back-to-back bangers.
Fellow Canadian artist PartyNextDoor joined the self-proclaimed ‘Champagne Papi’ on stage to perform a medley of hits from their collaborative album ‘Some Sexy Songs 4 U’ next.
This R’n’B act made sure to play out his murky trap-fused number ‘No Chill’, and he squeezed in the equally melancholic melody ‘Somebody Loves Me’, too.
The pair may be promoting their joint LP but they took a second to squeeze in a throwback, matching each other’s energy while executing the 2016 collaboration ‘Come and See Me’.
Drake’s career is timeless, and the setlist proves just that as he delivers a rendition of one of his most recent successes, ‘Girls Want Girls’, followed by a track that laid the foundations of his career, ‘Fancy’.
Drake and PartyNextDoor for the ‘Some Special Songs 4 UK’ tour(Credit: The Manc)
Almost 30 songs deep and Drake still had fans reciting bars, verses and everything in between, and this continued as the two-time Brit award winner started 2023 anthem ‘Rich Baby Daddy’.
St. Louis rapper Sexyy Red wasn’t present for her renowned chant, but Manchester stepped up to the occasion, professing: “Hands on your knees, hands on your knees / Shake that *ss for Drake / Now shake that *ss for me”, verbatim.
It was only fair that the global rap titan finished with the setlist with two cellular-themed tracks, starting with the “You used to call me on my cell phone” number ‘Hotline Bling’ before the “Who’s callin’ my phone?” viral smash ‘Nokia’.
The setlist follows a very cyclical structure, as although Drake is known for his comical and cheeky persona on stage and online, deep down, the chart topper is very attentive.
Ending on the ever-emotive ‘Yebba’s Heartbreak’ with lines like, “How much can I show my love for you?”, it’s safe to say this international act is feeling pretty grateful after seeing 94,000 fans show up and show out for him across four non-consecutive nights.
Drake may refer to himself as the ‘Champagne Papi’, but it’s the 23,500 fans who were popping bottles and raising a toast to the rap champ; the support for this musical act is ‘Nonstop’.
Co-op Live really is booking all the big names now.