In case you missed it, British boyband and pop-rockers Scouting For Girls have announced a 20-date UK tour for early next year.
They’re already planning potential set lists for the tour already including some very special surprises as well as an entire brand new album.
Lead vocalist Roy Stride reminisces on life in a boyband, career highlights and just how excited he is to play Manchester once again.
After playing at Manchester Cathedral earlier this year, the boys are coming back to one of Manchester’s city centre music venues for a 15-year anniversary tour for their sophomore LP, Everybody Wants To Be On TV.
With the announcement of a new tour, can we expect any new music to coincide with this?
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We have announced a new album that will come out after our tour. This tour is all about celebrating the second album, we’re going to slip in maybe one or two new songs into the setlist as we go, though.
How excited are you to be coming back to Manchester after the reception of your cathedral gig earlier this year?
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That Manchester Cathedral gig was like it, I was gonna say biblical, but it really, it really, like, it was an amazing place to play it and it, it was unlike any gig we’d done before. Audience participation and people singing along works so well in a cathedral.
It really was a great feeling.
Are there any songs that you’ve put out on Everybody Wants To Be On TV that have grown on you over time or become your favourite all these years later?
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There’s a song on there called ‘Posh Girls’ which I still can’t believe we put on the record, but it’s so ridiculous and fun, you know, that’s probably a real favourite of mine. It’s a real live favourite too.
Scouting for Girls are heading to O2 Apollo in Manchester early next year.Credit: Press Shot
This time round you’re playing O2 Apollo and in the past you’ve played multiple venues in our city centre, which has been your favourite?
Night and Day Cafe and O2 Apollo but we’ve even played old Trafford. We played in between a football or rugby game, that was pretty epic.
There’s a video which went round our band and crew WhatsApp group of the first time we played [O2 Apollo] in 2010, like when the album first came out.
We played the Royal Albert Hall the night before with these trumpet players, and they got really drunk and ended up staying on the tour bus with us. The trumpet players weren’t supposed to be there, but we hid them in the Manchester crowd and got them to play this fanfare intro.
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It was really bad because they were just incredibly hung over, it was all over the place and our guitarists’ were just filming it but it’s still a real core memory for me.
It’s not just Manchester you’re stopping off at either, you’re playing a 20 date UK tour, how are you feeling ahead of playing a tour this big?
I love traveling around the country. I love being on a tour bus. I love getting a show really good. Our shows are quite fluid and they change, and the setlists change, but when you get really tight on tour it’s a magical place because you go on stage and you know, whatever happens, it’s going to be amazing.
And in fact, the weirdest stuff that happens, whether I end up in the crowd or the balcony, doing a conga – it’ll be a great night every night.
On your album you have a song titled ‘Michaela Strachan’, you all met for the first time last year at your Shepherd’s Bush show – Have you considered the potential of her joining you on stage during this song?
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Maybe. I don’t know, however, I’m quite a good friend of Chesney Hawkes, who was just in the Big Brother house, and he was supposed to play a couple of songs last tour.
He was going to pop up and play like ‘The One and Only’ at one of our shows last year and we couldn’t make it happen because our guitarist ended up having a baby early and we didn’t have enough time to do it. I think we will have to play ‘Michaela Strachan’ on tour, though.
You have a song titled ‘Elvis Ain’t Dead’ named after the rock ‘n’ roll legend, besides the Memphis icon, who are your favourite music legends?
I’ve got a holy trinity: The Beatles, The Beach Boys and The [Rolling] Stones, everything goes back to those bands for me.
I also like REM I’d love for them to get back together. They were one of the first bands I saw and when they split up I honestly mourned when they split us up, I was depressed for like two weeks. Their last album was so good.
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They’ve done a few shows now so I don’t whether they’ll get back together, but that is definitely something I would love to see.
With this tour celebrating the remarkable 15 year anniversary of Everyone Wants To Be On TV, are there any songs off this project you wish fans showed more attention to when the album initially came out?
There was a song called ‘Take A Chance’ which was the last single, I hadn’t listened to the album for many years but going back and listening to it properly there’s some really good moments on it.
You spoke on social media about your single ‘The Place We Used To Meet’ and the album of the same name being very personal to you. Did fans respond the same way they did to your first few records?
It was a slightly different record. I suppose the songs were a bit more like this inner love song in terms of being more introspective, a bit more ballady. We still had an amazing response to it and we’re really, really proud of that album. But I don’t think it had like a banger like our first records.
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If you could pick one song off The Place We Used To Meet that each of you connects to the most, what would it be and why?
Glow. It was one of the singles and it’s all about how I sort of met my wife and how we met in Tokyo, got engaged, went back to Tokyo and I proposed to her. I went and did a video [for ‘Glow’] in Tokyo too. So it’s really special.
I think we’re working out what songs we’re going to put in the festival set but I think that’s still got to be in there.
Have there been any moments in your career that have made you feel like ‘The Luckiest Boy In The World’?
‘This Ain’t A Love Song’, because it went to number one and we got to play ChristmasTop of the Pops. It was a massive thing for us – that was definitely a bucket list moment.
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We also made Pete, our drummer, wear a Santa costume and told him we were all going to dress up, then we walked out the dressing rooms and he was the only one in an outfit, so he’s just there with this whole Santa costume and beard set while we’re just dressed looking normal.
To this day, he can’t prove that he was actually on Top of the Pops because it just looks like a guy with a massive beard.
Scouting for Girls are heading out on tour to celebrate 15 years of ‘Everybody Wants To Be On TV’.
Two decades at the forefront of clubbing: Manchester is celebrating 20 years of WHP
Danny Jones
You heard us right: The Warehouse Project is celebrating its 20th anniversary this year, and with 2026 already shaping up for another stellar programme, it’s a truly great moment in which to mark the milestone.
But besides the still-to-be-completed WHP26 lineup itself, the promotion has gone TONNES more in-store to help toast two decades of remarkable nightlife and music-filled autumns and winters.
From its raw beginnings over at the Boddies Brewery in Strangeways, through its formative years at Store Street, the Victoria Warehouse era, and now the modern Depot Mayfield era, WHP has truly only gotten bigger and better as time has gone on.
Now world-famous and even hosting overseas events in the likes of Rotterdam, people travel all over and from all over; nothing quite compares to a long night and well into the early hours over at the warehouse.
As you can see, in addition to the upcoming gigs and sets themselves, they’re looking back on their contribution to Manc club culture, including a brand-new film, podcast series, photography exhibition, and tonnes more.
WHP are even commissioning a special limited-edition print magazine.
This will document the countless people, artists and spaces, as well as Greater Manchester and creative communities that have shaped The Warehouse Project since its inception in 2006.
Speaking of the new six-minute documentary movie, Twenty Years In Manchester, is directed by filmmaker Leigh Powis, reflecting on the WHP story through the lens of iconic and some never-before-seen archive footage, as well as fresh scenes shot across Manchester.
Alongside the film, WHP is also launching a new podcast uncovering untold stories from its history, an outdoor photography exhibition, which will also feed into the aforementioned one-off music mag. documenting the artists, nightlife and culture that have shaped the past 20 years.
Shot across three nights in Manchester, this ‘definitive’ piece of cinematic art positions the city itself as a central character alongside a cast of authentic local dancers and clubbers who have graced these rooms over the years.
Some of it’s even been captured on the last remaining rolls of Kodak Ektachrome film in the world.
A cross-generational retrospective on pure Manc and UK dance music heritage.
The WHP film is set for digital online release globally from Thursday, 29 May, and will be available exclusively to Apple Music subscribers 48 hours before general release HERE as part of their continued collaboration with the streaming platform.
WHP co-founders, Sam Kandel and Richard McGinnis, said in a statement: “Reaching 20 years is a huge moment for us. The Warehouse Project has always been about progression and pushing the boundaries wherever possible.
“Since that first event when Public Enemy played the opening night at Boddingtons Brewery, we’ve always tried to keep things moving and respond as the music and culture around us have evolved.
“That feels like only yesterday! We have some truly incredible parties and line-ups in the pipeline for this 20th season, and both feel so proud to still be here in Manchester, being able to do this.”
We’re already thinking ahead to 2026 and we want to hear your feedback on your experience with us this year. Share your thoughts in our survey and you’ll be in with the chance of winning a season pass to WHP26, giving you access to two tickets to every… pic.twitter.com/xUpsudM4SL
Featured Images — The Warehouse Project (supplied)/Rob Jones
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New Century to open new 450-capacity gig venue in Manchester
Lydia Mastrolonardo
New Century has announced it will introduce a brand-new live music and events venue, ‘Locker’, this autumn.
Ever since the much-loved, reborn building announced that the current food traders would be moving out, with the New Century Kitchens food hall concept making way for a ‘new chapter’, we’ve been on the edge of our seats wondering what would take its place.
And now the legendary mid-century building has confirmed that a second, 450-capacity gig venue will be opening beneath the iconic existing music hall.
New Century have just revealed that part of their ground floor space will now be a brand new live music venue called ‘Locker’, and it’s opening to the public this autumn.
This new intimate venue joining Manchester’s ‘live music ecosystem’ is set to host both Manchester-based and nation-wide artists, catering to all music lovers and showcasing a whole range of music genres from rock, jazz and hip-hop to electronic music and more.
Manchester has always been home to some of the most influential live music venues, and this one is hoping to leave its mark as a platform facilitating the exposure of emerging talent, whilst remaining an exciting food and drinks space, in the heart of Manchester.
New Century believe in the importance of supporting smaller artists and pride themselves on providing new opportunities and a platform for promoters and talent new to Manchester’s music scene, whilst simultaneously providing an affordable space for the public to enjoy live music.
New Century Kitchens is to remain operating throughout the transformation later this year, with the current food vendors moving out on a staggered basis over the summer, to make way for the introduction of one central food concept.
New Century to open new 450-capacity gig venue, Locker, in ManchesterLocker will be opening where the existing New Century Kitchens is based
The new food concept will operate alongside the new separate, sound-proofed space that is ‘Locker,’ equipped with a high-spec live setup, described as one of the best available to us here in Manchester for a venue of its capacity.
Fear not – the existing bar is there to stay, alongside the spectacular outdoor seating area which will remain capturing the sunlight just right in these summer months, as well as there being plenty of exciting plans in place for us over summer, including screenings for the World Cup and much more.
Abby Mudge, Managing Director of New Century, said: “Locker aims to reimagine our ground floor in a way that enables us to support grassroots talent further, as well as providing independent hospitality for which New Century is known and loved.
“Our loyal guests will still be able to enjoy the same look and feel, the same great team, our beautiful bar and an exciting new food concept throughout the day and into the evening. We’re proud to be creating more space in the city for emerging artists and promoters in a building that lives and breathes music.
“Locker will also provide even more experience and opportunities for the students who call our building home at dBs Institute, supporting New Century’s musical ecosystem. We can’t wait to welcome Manchester to Locker in the Autumn!”
The arrival of Locker is also warmly welcomed by the Music Venue Trust, as Jay Taylor, the organisation’s Regional Venues Alliance Coordinator added: “New Century expanding to incorporate a second 450-capacity grassroots space is a huge step forward which will create significant opportunities for artists, promoters and audiences.
“This is a really encouraging addition to Manchester’s live music ecosystem, strengthening our vital infrastructure and grassroots scene.”
Nestled within Manchester’s NOMA district and a only short walk from both Manchester Victoria Train Station and Shudehill interchange, this venue is easily accessible to all music and food lovers on the hunt for a refreshing new venue to visit.
We never thought we’d say it but autumn can’t come soon enough.
For the latest news on Locker and exclusive access to 25% off opening tickets plus the chance to win a £200 food and drinks tab sign up to their newsletterHERE.
Thomas Melia -
5th May 2025 
