Highest Point festival has just added a raft of new artists to its line-up for its 2023 festival in the grounds of Williamson Park.
Joining already-announced headliners Bastille, Anne-Marie and Hacieenda Classical will be the likes of Sub Focus, Sigma, Friendly Fires and Freya Ridings.
Half of the Highest Point tickets have already sold even before the Lancashire music event dropped the full line-up for its weekend of music, food and activities.
Set to take place between 11 and 13 May, the festival will bring together more than 100 artists and some of the biggest names from pop, indie, funk and soul.
Joining the line-up this week was Lost Without You singer Freya Ridings, just in time to debut her new album Blood Orange.
ADVERTISEMENT
Dance floor icon and Coronation Street legend Craig Charles is also joining the Highest Point bill with his Funk and Soul night, headlining The Woods stage.
Also added to the festival’s list of artists are indie band Friendly Fires, British drum and bass DJ duo Sigma, drum and bass legend Sub Focus, DJ Mag Breakthrough winners Girls Don’t Sync alongside the legend that is Skream, plus Manchester-based indie band, The Lottery Winners, known for their top 40 hits Young Love and Hawaii.
ADVERTISEMENT
Hacienda Classical will open the festival on the Thursday night, with their first live performance since their sold out performance in 2018.
Bastille will also be taking to the main stage performing their hit singles like Pompeii and Happier on the Friday night.
Saturday night will be headlined by ten-time BRIT-Award nominee Anne-Marie, known for her chart-topping singles CiaoAdios and 2002.
ADVERTISEMENT
Highest Point Festival. Credit: Robin Zahler
Other acts joining the festival line-up include Radio 1’s Danny Howard & Charlie Tee, DJ Paulette, Gok Wan, House Gospel Choir, Elvis Fronted Nirvana, Toploader, General Levy and The Cuban Brothers with Guilty Pleasures taking over The Woods on the Saturday. Chris Hawkins (6 Music) will be hosting The Dell Inn, a pub in the woods, in collaboration with Manchester Union Brewery.
The Dell Inn, soon to be everyone’s favourite festival pub, will be the home of comedy, poetry slams and acoustic sets across the weekend, as well as opening its door, or branches, to some well-known stars. This is one of the many changes the festival has made this year as part of its ambitions to become bigger and better, as well as Bushrocker Hi-fi roots reggae takeover at the Waterfall and a new look to the much-loved Sundial stage.
Highest Point spans across six stages in the beautiful 54-acre grounds of Williamson Park, with music running alongside a premier regional street food and craft beer offering.
Festival Director, Jamie Scahill, said: “We are always looking for new ways to make Highest Point bigger and better every year so there will definitely be a few changes this year. The team behind the festival are working really hard to make this year the best one yet with new and exciting experiences added to the festival, as well as a much more diverse lineup of acts.”
Tickets for Highest Point festival are available via Skiddle’s website, costing £145 per adult. Day tickets are also available from £39.50 per adult for Thursday, and Friday and Saturday tickets each costing £69.50 per adult.
ADVERTISEMENT
HIGHEST POINT 2023 LINEUP
Hacienda Classical / Bastille / Anne-Marie Arielle Free / A Little Sound / Charlie Tee / Chris Hawkins / Craig Charles / Cuban Brothers / Danny Howard / DJ Paulette / Elvana / Freya Ridings / Friendly Fires / General Levy / Girls Don’t Sync / Goddard / Gok Wan / Guilty Pleasures / House Gospel Choir / K-Klass / Lottery Winners / Skream / Sigma (DJ set) / Sub Focus (DJ set) / Toploader / Turno / AMA / Beth / Bklava / Buckrocker Hi-Fi / Eldon / Emily Makis / Funkademia / Ki Creighton / Matt Thiss / Matrefakt / Mike Garry / Murphys Law / Nathan X / Nico Balducci / Phoebe Hall / Pirate Copy / Sam Redmore with many more…
Review | Snow Patrol roll back the years at Co-op Live for a mini-Manc’s first gig
Danny Jones
This weekend we enjoyed a new kind of live music experience: rediscovering the joy of listening to a childhood favourite by watching it through the eyes of the next generation – that was how we witnessed a fully-fledged arena return to Manchester for Snow Patrol at Co-op Live.
And it was special for lots of reasons.
Taking a little one to their first gig is something you’ll never forget and sharing a new-found connection with a band that you loved when you were their age is one of those magical things about music that we’re eternally grateful for.
You might assume the Snow Patrol crowd one skews a little older for the most part but we were pleased to see there were more than a few kids and teenagers donning tour tees, looking wide-eyed at the sheer size of the Co-op Live arena, and singing the words back better than Gary Lightbody at times.
Sees the sign: ‘Race you there!’ (Credit: Audio North)
Yes, the Belfast-born frontman made a few mistakes on the night, but it did add a rather laid-back quality to what many acts might have found a daunting performance: playing a sell-out night to around 23,500 fans inside the enormous state-of-the-art venue.
But, obviously, there wasn’t even a whiff of nerves from these lads.
You don’t get to have been around for this long and become as successful as they are without being able to relax on stage and lean into those idiosyncratic perfections that feel more like private moments shared between the artist and the crowd.
The young lad sat watching it with us certainly got a kick out of it and though we might not have been able to cover his ears in time to censor some light but ever-charming swear words (it always sounds better in Irish, don’t you think?), it made for some nice banter between him and the crowd.
Big props must go to Johnny McDaid on the keys too, who besides having written for the likes of Ed Sheeran, Robbie Williams, Alicia Keys, Biffy Clyro and countless others over the years, also managed to impress by playing the majority of this entire tour after having trapped his hand in a train door. OUCH.
Credit: The Manc Group
Not only was that little interlude up there with one of the most applause-worthy parts of the entire show, but we were always pretty blown away by what we saw, as we all as what we heard.
Be it watching a digital tree come to life, shed its leaves and then fall as petal confetti, two sheer semi-opaque paper-thin screens swirl to create the album cover art for their latest album, or kicking the gig off with ‘Take Back The City’ as a multicoloured skyline appeared behind them, it was all pretty incredible.
We even got to hear a personal favourite of ours, ‘Set Fire To The Third Bar’, complete with a virtual performance from the voice that truly makes the song: Martha Wainwright.
It was in moments like this when we turned to see a 10-year-old’s face not quite sure of what it was seeing but an open-mouthed expression confirming they were finding it as stunning as we were.
We thoroughly enjoyed going through the back catalogue and working our way right up to plenty of the songs from The Forest Is The Path – which Gary himself firmly believes is their best work yet when we interviewed him – but it was as visually stunning as it was to the gorgeous sonically.
Up there with one of the prettiest gig snapshots in our memory.Not quite a hologram but very cool nonetheless.The production levels are always top-tier at Co-op Live but the Snow Patrol set was much more impressive than we expected.
Both proved to be a brilliant way to see the contemporary rock, indie and alternative veterans, but there’s something about giving them a stage as big as this that reminds you of just how much they deserve it.
Last but not least, thanks to Co-op Live not just for having but for creating a little boy’s memory that he’ll never forget.
Biig Piig brings home the bacon at Manchester’s New Century Hall
Clementine Hall
After releasing her long-awaited debut album, Biig Piig delivered an electric performance at one of the city’s coolest venues.
Oversized satin bomber jacket slipping off her shoulders, Biig Piig aka Jessica Smyth, wasted no time jumping around the stage to an audience equally as energetic.
The Irish artist’s headline tour is in celebration of her debut album 11:11, but the night was scattered with tracks from her prolific seven-year discography.
Biig Piig has two methods to her madness which she effortlessly switches between. Her chilled-out atmospheric songs inspired by R&B and jazz alongside her club dance tracks with heavy drops and mesmerising synth.
Throughout the night we were treated to both, receiving a masterclass in finding the balance between the two.
“You guys have filled out this room. I love Manchester there is so much energy”, she says just moments after opening with track ‘4am’.
“I’m out and I’m back and I’ve missed you”, she pleads to the crowd whilst parading up and down the stage adorned with hot pink strobe lights.
Her band, which features a bassist/saxophonist and drummer, adds nice bits of detail to her songs, specifically ‘Roses and Gold’ which won itself a groovy sax solo which was met with rapturous applause.
Moments later she picks up the pace with a few welcomed dance party throwbacks, ‘Sunny’ had everyone two-stepping along with her whilst flirty ‘Favourite Girl’ transformed the venue into an underground dance party.
Ending the night with a bang was ‘Kerosene’ for which she got the crowd to get low on the ground and bounce together as one, a request which can often prove risky but one which was pulled off without hesitation.
It was clear to see the fun that Jessica, her band, and the crowd were having throughout the hour-long show.
But what’s even clearer is Biig Piig’s path to the top of dance music stardom.
Daisy Jackson -
9th February 2023 
