There aren’t many bands who can sell out SEVEN arena shows in Manchester – but Take That is clearly one of them.
Gary Barlow, Mark Owen and Howard Donald were set to perform a staggering run of shows across May and June at the Co-op Live – but we all know what happened there.
Their first five gigs have now been moved to the AO Arena instead, and will officially kick off on Tuesday 7 May.
It’s a huge homecoming gig for the trio, who’ll be performing hits from their whopping nine studio albums.
Ever since their comeback in 2006 they’ve become one of the biggest and best-selling pop groups on the planet, with almost every album topping the charts and reaching Platinum status.
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But change of venue for Take That has meant thousands of tickets have been reallocated, and there is a date change in the mix too.
If you’re one of the lucky ones to bag tickets for Take That’s This Life On Tour tour in Manchester, we’ve rounded up everything you need to know.
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What dates are Take That performing in Manchester?
Take That’s first batch of Manchester gigs have moved from the Co-op Live (right) to the AO Arena. Credit: The Manc Group
At AO Arena
Tuesday 7 May
Thursday 9 May (rescheduled from Wednesday 8 May)
Friday 10 May
Saturday 11 May
Sunday 12 May
At Co-op Live
Tuesday 11 June
Wednesday 12 June
How to get your new tickets after venue change from Co-op Live
If you had tickets for the group’s original planned shows at the new Co-op Live arena, you’re probably wondering how the venue change will work.
Any tickets that were purchased through Ticketmaster will automatically change in your account in the next few days (if they haven’t already).
If you have any queries about your ticket, contact your point of purchase.
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What if your new seats for Take That are worse than your original booking?
Take That will bring their huge 2024 tour to Manchester this week. Credit: Publicity picture
Ooh yeah, this has been a bit of a sore subject for Take That fans, some of whom have found themselves in much worse seats than they initially paid for.
That’s down to the different layouts of the two arenas, and the fact that the AO Arena is slightly smaller than Co-op Live.
The AO Arena has asked ticketing providers to reallocate seats as fairly as possible, keeping seats as close to the original booking as they can.
The arena said in a statement to one disgruntled fan: “We appreciate your frustration and advise you contact your provider to discuss further.”
On their FAQ page, it states: “The transfer process takes into account the position of previous tickets, and the number of tickets in the individual booking.
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:However, each venue is different in their block row and seat configuration, which will undoubtedly mean that some fans won’t get exactly what they had for the original show.”
If you’re one of the affected people who’s not happy with your new seat, you need to contact your ticket provider directly for help and advice.
What to do if you can’t make the rescheduled date
Most of the Take That shows have remained on their original dates, simply switching from Co-op Live arena to the AO Arena.
But the show originally scheduled for Wednesday 8 May has unfortunately had to be rearranged to Thursday 9 May.
If the new date doesn’t work for you, refunds are available from your point of purchase.
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Seating plan at the AO Arena for Take That’s Manchester gigs
The exact venue layout for Take That at the AO Arena hasn’t actually been released by Ticketmaster at the time of writing.
But after decades hosting some of the biggest acts in the world, the venue is pretty familiar to most of us at this point.
The below chart is the one for Girls Aloud, which is also being staged as a fully seated concert.
Take That have been making use of a B Stage in the heart of the floor audience too, which will likely be added to their Manchester gig.
Who is supporting Take That at their Manchester shows?
In an effort to create the most chart-friendly, crowd-pleasing, middle-of-the-road pop night of all time, Take That have recruited Olly Murs as their support act.
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The former X Factor alumni headlined arenas across the UK in 2023 with his Marry Me tour, and now he’s back to warm up the crowds for Take That.
You can expect to hear some of the 39-year-old’s biggest hits, including Please Don’t Let Me Go, Heart Skips a Beat, and Dear Darlin.
What is Take That’s expected setlist?
Take That have already performed multiple dates on this tour, so we’ve got a good idea of what their setlist in Manchester will look like.
Keep Your Head Up
Windows
Giants
Days I Hate Myself
Everything Changes
Sure
Shine
A Million Love Songs
I Found Heaven
Pray
Forever Love (Gary Barlow song)
Clementine (Mark Owen song)
Speak Without Words (unreleased Howard Donald song)
Patience
The Flood
Get Ready for It
March of the Hopeful
The Champion
This Life
Greatest Day
These Days
Time and Time Again
Relight My Fire
One More Word
Hold Up a Light
Back for Good
Never Forget
Rule the World
What will the stage times be for Take That at the AO Arena Manchester?
Doors – 6pm
Olly Murs – 7.20pm
Take That – 8.35pm
Curfew – 11pm
*Stage times are often subject to change so allow plenty of time to get into the arena.
At the minute, tickets have been taken off sale for Take That, presumably while the AO Arena and Ticketmaster deal with transferring tickets from one arena to the other.
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But given that Co-op Live was completely sold out, and the AO Arena is smaller, there are unlikely to be any tickets remaining.
Your one remaining chance may be some re-released tickets from those who can no longer make the rearranged date, or reliable re-sale sites.
Is tram travel included with your gig ticket?
As part of Co-op Live’s huge opening season, they announced free tram travel for gig-goers in a partnership with TfGM.
Thankfully, this is being honoured for the shows that have switched to the AO Arena.
Tram travel around Greater Manchester is included with event tickets for four hours before and after Take That on Tuesday 7, Thursday 9, Friday 10, Saturday 11 and Sunday 12 May.
Ticket requests are now officially open for Harry Styles’ one-night-only Manchester gig
Emily Sergeant
The time has come – the ticket request system for Harry Styles’ one-night-only gig in Manchester is now live.
In case you hadn’t heard, it was announced on Wednesday evening after much speculation that Harry Styles would be making a return home to Manchester for a one-night-only ‘intimate’ gig at Co-op Live to celebrate the release of his fourth studio album next month.
Styles is set to share Kiss All The Time. Disco, Occasionally with the world on Friday 6 March – and it’s that very same night he’ll be taking to the stage in Manchester.
Although little is known about what to expect at the gig, the poster for the event does state that there’ll be a ‘special performance of the album’, so it seems fair to say that Manchester will be the first to hear the new set of songs in full live.
And if all of that wasn’t exciting enough as it is, the tickets are only £20 per person.
But, of course, there is a bit of a catch, as this isn’t your regular online queuing up for tickets scenario, this is a ‘ticket request’ system instead.
So, like us – and literally every other fan in the vicinity of Greater Manchester and beyond this week – you’re probably wondering what a ‘ticket request’ system is… what does it look like? How does it work? Basically, what the heck is it? Well, we’ve done a bit of digging around to get to the bottom of it so you’re not left too much in the dark.
According to Ticketmaster’s website, if an artist is running a ticket request, they’ll invite fans to request tickets so you don’t have to compete in a first-come, first-served sale.
This means you can take your time to review the available options and request the right tickets for you.
All you need to do is tell Ticketmaster which shows you’re interested in, the type of ticket you want, and your payment details. Then, if the tickets you request can be fulfilled, your card will be charged and you’ll get emailed instructions to access them in the Ticketmaster App.
Unfortunately, as much as we’d love it to be the case for everyone, submitting a request doesn’t guarantee you tickets – it really is just luck of the draw.
To request tickets, you’ll need to follow these three simple steps:
Select which shows you’re interested in and the type of ticket you want
Add your payment details
Harry Styles ticket requests are now live / Credit: Johnny Dufort (Publicity Picture)
Ticketmaster will then send you a summary email that details the tickets you’ve requested. Your card won’t be charged at this time, but they may charge a temporary £1 authorisation to your card to validate your request.
A maximum of two tickets per person can be requested, which has been set to allow for as many fans as possible to get tickets.
Now, here’s the crucial part – you will need to submit your request for tickets while the window is open until Sunday 8 February at 11pm GMT. After the request window closes, you’ll get a second email by 11:59pm GMT on Tuesday 10 February confirming whether or not your request has been fulfilled.
All that’s left to do now is provide you with the link here and send you on your way… oh, and may the odds be ever in your favour.
Featured Image – Wikimedia Commons
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The story behind Sâlo: the rising Georgian-born Salford artist set be one of the region’s next stars
Danny Jones
We always love stories of people moving to Manchester to be more creatively engaged, but tales of entire families relocating here for a better life and art being born out of it is something truly special – and besides her obvious talent, that’s what has attracted us and plenty others to Sâlo.
This up-and-coming Salfordian artist may have been born around the border between Eastern Europe and Western Asia during a particular fraught time for her country, but she’s been raised and moulded like so many of us by this city’s rich music culture and wider artistic heritage.
She came to the UK with her family as a baby, with her parents fleeing poverty and lingering friction in Georgia following the collapse of the Soviet Union in the 90s, and their journey as asylum seekers eventually brought them here to the North West.
It was clear from a young age that Sâlo (short for Salome) had a gift for the piano, but it was when her family moved to the Greater Manchester area that her own interest in genres and styles began to develop. Here’s a little snippet of her recent performance at the stunning Stoller Hall.
This short video was taken from her feature in a recent episode of Manchester: Unplugged, the web series by StreamGM that launched just last year and spotlights local songwriters.
Honing in on one of her newest releases, ‘Set Me Free’, which taps into that pure love for the keys.
While this clip shows a stripped-back version of the fully-fledged electronic studio version, with production playing a key role in defining her sound, she blends everything from classical music and jazz to neo-soul as well as drum and bass.
You hear the phrase ‘genre-bending’ thrown around a lot these days, but if this mid-20s star in the making isn’t the epitome of that term, then we don’t know who is.
Speaking more about her background in the short documentary film, which aired on YouTube this week, she talks about her first memory of visiting Forsyth Music Shop in Manchester city centre, and the inspiration behind the track in question.
You watch the Sâlo episode of Manchester: Unplugged in full here.
Detailed in the description of the newest edition of the online show, “Classically trained from the age of four, Sâlo’s journey runs through some of Manchester’s most important music spaces”, including time spent at the RNCM and Chetham’s School of Music and more.
As for the tune itself, not only do the lyrics revolve around a difficult patch in a personal relationship – this being one of the first times she felt like she’s fully opened up and not held back on letting people know what she’s speaking about – but it’s also the first track she’s produced and mixed entirely on her own.
Painstakingly mastered from a small studio at home, she almost “fell out of love” with the song altogether, but getting back to that simple joy of playing piano helped revive her passion for it.
With a stunning voice, natural musical talent when it comes to her instrument, and a great blend of different analogue and digital influences, Sâlo is definitely one to watch moving forward.
Daisy Jackson -
6th May 2024 
