How we’re already halfway through August is pretty ridiculous. But now that “summer” is in full swing – albeit minus the sun –our calendars are jam-packed with post-lockdown gigs and events.
So, we’re continuing to soundtrack your week again wherever you might be headed, with a little bit of everything on our New Manchester Music playlist.
We have our list of highlights from the playlist right here and it’s another great selection of new releases – even if we do say so ourselves.
On the list this week is another summery number, a band tipped for big things and a thought-provoking look into men’s mental health.
To listen to them all plus loads more new stuff, head to our Spotify playlist here.
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Macious – Jazz
We’re loving Macious’s latest disco-infused house drop ‘Jazz’ – and we can confirm we’ve had it on repeat.
Not only does it feature catchy old school piano keys and a melodious trumpet sample that wouldn’t be out of place at the poolside in Ibiza, but the uplifting basslines are bound to put you in a good mood.
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Macious produced this track at a house party some years ago now. But sadly it’s been sitting on a hard drive all this time. We’re glad it’s finally getting its debut this week.
The song is actually named after a taxi driver called Jazz who Macious met at the party. Apparently, Jazz’s energy matched that of the track’s and was vibing with it on the night. So, of course Macious had to name it after him.
And if that’s not another reason to give it a listen, I don’t know what is.
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Idle Hours – Made Flesh
A new discovery for us just this week was Manchester band Idle Hours – and they happened to drop a new track on Wednesday which was perfect timing.
The band emerged from the ashes of 2020 with an established and confident sound, taking influences from garage-rock.
Their new one, ‘Made Flesh’, has some really cool guitar melodies. It’s been stuck in our heads since we first listened to it.
Also, they’ve got a headline gig at Manchester’s legendary Castle Hotel this weekend as well, so head down if you’re about and show them some support.
Yawn – Simple Sensations
‘Simple Sensations’ is the debut single from synth-pop trio Yawn.
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Supposedly inspired by BBC’s Normal People, the track navigates the tricky journey from teens to adulthood. Its slow pace and smooth vocals resemble the long old slog of growing up.
Emerging in the height of lockdown in April 2020, the lads are still very much living the ‘new normal’. They’re recording everything at home in front of their laptops, amidst Zoom meetings.
Perhaps even the band name is reference to these boring and tiresome times we’re living in? Either way, there’s nothing boring about Yawn’s debut. It’s soft and easy-listening with twinkly keys that are pretty dreamy.
Superlative – Can I Be Excused?
Rapper and producer, Superlative, has dropped a new track from his forthcoming EP ‘Can I Be Excused’ this week.
The seven-track collection which is out next Friday taps into the vulnerabilities of a man that appears to have it together. It touches on mental health and personality traits, too, and highlights some common misconceptions about what it means to be ‘a man’.
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The bottom-line being that Superlative wants to challenge the association between rappers and the streets.
Its title track, ‘Can I Be Excused’ is a sort of audio diary. It’s emotive and tense in places. The instrumental is based on a half-time walking bass that changes every eight bars to create a notion of going round in circles. We imagine this is designed to emphasise the EP’s key themes.
This one’s only out on YouTube on Friday 13 August, but is on streaming services from next Friday. So, you’ll have to listen to this one here for now.
StreamGM and The Manc have teamed up to show some some serious love and support to the region’s renowned theatres, nightclubs, and live-music venues with the launch of SeeGM – a digital campaign to shine a bright spotlight on many of the amazing events, club nights, gigs and shows in our region.
Oasis promoters drop biggest Knebworth hint yet after securing license around key date
Danny Jones
Not that we’re the type to get carried away, but we’ll confess that our curiosity, interest and general levels of anticipation have been piqued, as Oasis’ main promoters have recently renewed the license to host events at the infamous Knebworth.
My word, is this it? Like the reunion, is it ACTUALLY going to happen?…
We’re sure the raw, uncontrollable excitement will come should it be fully confirmed, but for now, all we know is that our colleagues in music media, SJM Concerts, have renewed the land in and around Knebworth Park and House for live entertainment once again.
Moreover, the company have also done so on a rather fitting date decades on from the original and legendary outdoor gigs.
As can be found on the planning application section of the North Hertfordshire Council website – the county in which the storied Britpop gigs took place – a fresh license to hold new events.
If/when the announcement happens, the already granted permission will allow for a capacity of up to 125,000 and a curfew of 3am.
We know the original Knebworth shows were beyond iconic, but let’s say this would be nailed on to be nothing short of absolutely box office.
Besides having also helped promote Oasis’ colossal Live ’25 reunion tour last summer, it’s also worth noting that they secured said license just over a week before the 30th anniversary of the pair of nights back in 1996: 10-11 August, to be specific.
The licence is said to have come into effect this past Saturday (1 Aug) and is believed to be indefinite.
What added even more fuel to the fire of these well-established rumours over the past year was when Baroness Sharon Taylor of Stevenage told the House of Lords the band would be playing FIVE whole nights at Knebworth in the future, before later clarifying that she was speaking in “hypothetical terms.”
All that being said, it’s fair to say we’ll be keeping a very keen eye on socials over the next few days, in particular, just in case.
The Manc has reached out to SJM for an official comment (surprise, surprise), but we are yet to receive a response regarding the matter.
Your silence speaks volumes, just saying.
This coming Monday, 10 August 2026, will mark the official 30th anniversary of Oasis at Knebworth 1996, and with the likes of ‘Wonderwall’ seeing a chart resurgence as the go-to England anthem at this year’s World Cup, we’re choosing to be optimistic. What about you?
Blossoms deliver most rock and roll performance in years as Declan McKenna joins them on stage
Danny Jones
Last night, we were fortunate enough to be there in the flesh not only to see Blossoms play a special anniversary show in Manchester, but to witness Declan McKenna join them on stage.
A tiny part of us was wondering if we’d see Rick Astley roll out into the venue, but let’s just say we’ll absolutely take this.
Celebrating a decade to the day since the release of the self-titled debut LP – yes, we feel old, too – Blossoms announced the one-off intimate show at The Deaf Institute, a venue they hadn’t played in 12 whole years (good lord…), and it served as much more than a night of nostalgia.
But we’ll admit, the highlight was almost certainly seeing the ‘Brazil’ and ‘British Bombs’ singer join Tom Ogden, Charlie Salt, Josh Dewhurst, Myles Kellock and Joe Donovan on stage for their smallest gig since god knows when.
We’ve gotten somewhat used to seeing the Enfield-born solo artist popping up at random venues across the country and even performing DJ sets at local pubs.
If you haven’t seen that Kylie Minogue clip before, you really need to…
However, we don’t think anyone in the crowd was expecting this cameo, let alone hearing them perform a co-written track off the new record live in front of the audience for the very first time.
As if all of this wasn’t already a bit bonkers and left-field, the song in question, entitled ‘Additional Driver’, was self-admittedly so surprising in SO many ways that Tom felt he needed to explain the full story behind it and why Declan shouted “shoulda got the 192” before they started playing.
Yes, in some kind of Greater Mancunian fever dream, we’ve finally got artists writing lyrics about the region’s most infamous bus route that we’re sure most, if not all of you, can relate to.
But it wasn’t just this moment that had us debating in our heads, ‘are they the best Manc or maybe in Northern band full stop going right now?’, it was seeing them slip so seamlessly back into the more straight-down-the-line indie rock from their first chapter of studio material that did it.
Everyone knows and loves the biggest bangers from that inaugural outing: ‘Getaway’, ‘Charlemagne’, ‘At Most a Kiss’, ‘Honey Sweet’, etc.; but it’s hard to forget just how quintessentially rock and roll tunes like ‘Blow Rose’, ‘Cut Me and I’ll Bleed’, ‘Texia’ and even some of the other deep cuts/early releases are.
Don’t get us wrong, we love how much the dressing up (musically and quite literally) they’ve done over the years as their production, creativity and experimentation has increased, but it’s always hard to beat that feeling you get when finding an artist’s first album – especially one as good as Blossoms‘.
In fairness, listening back to ‘Deep Grass’ all these years later, we’ll still remember how spacey, psychedelic and downright different that intro felt back in the day; it now feels like a fitting end to that maiden outing and the perfect jumping-off point for what has been a real sonic exploration ever since.
For a lad born in SK2 and lucky enough to have seen these lads right from the start, stuff like this will never not feel surreal to me.
Long live ‘Blossoms from Stockport‘, and roll on Songs From The Wedding Cake this October.
Hannah Starkie -
13th August 2021 
