How we’re already halfway through August is pretty ridiculous. But now that “summer” is in full swing – albeit minus the sun –our calendars are jam-packed with post-lockdown gigs and events.
So, we’re continuing to soundtrack your week again wherever you might be headed, with a little bit of everything on our New Manchester Music playlist.
We have our list of highlights from the playlist right here and it’s another great selection of new releases – even if we do say so ourselves.
On the list this week is another summery number, a band tipped for big things and a thought-provoking look into men’s mental health.
To listen to them all plus loads more new stuff, head to our Spotify playlist here.
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Macious – Jazz
We’re loving Macious’s latest disco-infused house drop ‘Jazz’ – and we can confirm we’ve had it on repeat.
Not only does it feature catchy old school piano keys and a melodious trumpet sample that wouldn’t be out of place at the poolside in Ibiza, but the uplifting basslines are bound to put you in a good mood.
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Macious produced this track at a house party some years ago now. But sadly it’s been sitting on a hard drive all this time. We’re glad it’s finally getting its debut this week.
The song is actually named after a taxi driver called Jazz who Macious met at the party. Apparently, Jazz’s energy matched that of the track’s and was vibing with it on the night. So, of course Macious had to name it after him.
And if that’s not another reason to give it a listen, I don’t know what is.
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Idle Hours – Made Flesh
A new discovery for us just this week was Manchester band Idle Hours – and they happened to drop a new track on Wednesday which was perfect timing.
The band emerged from the ashes of 2020 with an established and confident sound, taking influences from garage-rock.
Their new one, ‘Made Flesh’, has some really cool guitar melodies. It’s been stuck in our heads since we first listened to it.
Also, they’ve got a headline gig at Manchester’s legendary Castle Hotel this weekend as well, so head down if you’re about and show them some support.
Yawn – Simple Sensations
‘Simple Sensations’ is the debut single from synth-pop trio Yawn.
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Supposedly inspired by BBC’s Normal People, the track navigates the tricky journey from teens to adulthood. Its slow pace and smooth vocals resemble the long old slog of growing up.
Emerging in the height of lockdown in April 2020, the lads are still very much living the ‘new normal’. They’re recording everything at home in front of their laptops, amidst Zoom meetings.
Perhaps even the band name is reference to these boring and tiresome times we’re living in? Either way, there’s nothing boring about Yawn’s debut. It’s soft and easy-listening with twinkly keys that are pretty dreamy.
Superlative – Can I Be Excused?
Rapper and producer, Superlative, has dropped a new track from his forthcoming EP ‘Can I Be Excused’ this week.
The seven-track collection which is out next Friday taps into the vulnerabilities of a man that appears to have it together. It touches on mental health and personality traits, too, and highlights some common misconceptions about what it means to be ‘a man’.
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The bottom-line being that Superlative wants to challenge the association between rappers and the streets.
Its title track, ‘Can I Be Excused’ is a sort of audio diary. It’s emotive and tense in places. The instrumental is based on a half-time walking bass that changes every eight bars to create a notion of going round in circles. We imagine this is designed to emphasise the EP’s key themes.
This one’s only out on YouTube on Friday 13 August, but is on streaming services from next Friday. So, you’ll have to listen to this one here for now.
StreamGM and The Manc have teamed up to show some some serious love and support to the region’s renowned theatres, nightclubs, and live-music venues with the launch of SeeGM – a digital campaign to shine a bright spotlight on many of the amazing events, club nights, gigs and shows in our region.
Beat-Herder Festival 2026 – the wonderfully weird festival we can’t stop coming back to
Emily Johnson
Another weekend done in the magical, mystical world that is Beat-Herder.
For one weekend every year, a farm in Clitheroe transforms into what the organisers describe as “a place full of beats and barminess” – and honestly, they couldn’t have summed it up any better.
Big enough to keep you discovering something new all weekend, yet small enough that you’ll keep bumping into the same friendly faces, Beat-Herder strikes the balance perfectly.
Every corner has something different going on, every stage has its own personality, and every sound system is absolutely dialled in.
Where else can you go for a swim, get a tattoo, pop into church, visit Paris and dance until sunrise? No, we’re not describing a chaotic stag-do… we’re talking about Beat-Herder.
Every stage deserves a mention, but a few really stood out this year.
Julie’s Barn, a.k.a. ‘Gay Paris’, remains one of the festival’s best-kept secrets. Hidden away in the woods, it’s worth every wrong turn trying to find it.
A glowing dancefloor, disco balls hanging from the trees and a crowd that somehow never seems to leave. We even stumbled across a secret ‘Samurai Breaks SSBB’ set that had the place bouncing all the way through until sunrise.
Credit: The Manc Group
Over at Stumblefunk At The Factory, Breakage delivered one of the sets of the weekend. The bass rattled the roof, the crowd never stopped moving, and the whole place felt like it was about to lift off.
It’s also home to one of Beat-Herder’s many weird little surprises, with hidden missions and the chance to spy on other festival-goers. If you know, you know.
The Garage is another annual favourite. DJs squeezed into the front seat of a car while everyone else danced on the bonnet of old scrapped cars, bouncing to the bass that rattled from White Noise Audio’s soundsystem. It’s those ridiculous little details that make this festival unlike anywhere else.
Then there’s Beat-Herder’s Got Talent, which has become a non-negotiable part of our weekend. The winner earns a slot on the main stage, so every act gives it everything. This year’s line-up featured everything from incredible harmonica performances and live bands to rap duos.
But one contestant completely stole the show.
She walked on stage, admitted she wasn’t sure her talent was quite as impressive as everyone else’s, and the crowd fell silent. No instrument. No backing track. You could hear a pin drop. What on earth was this contestant about to do? And then she proceeded to fit her entire fist in her mouth.
If that doesn’t sum up Beat-Herder, we’re not sure what does. The wonderful woman didn’t win the contest unfortunately, but let’s hope she can get booked for next year, ey?
One of this year’s new additions was The Dub Tub, which quickly became one of our favourite discoveries. Artists like Woody Cook swapped high-energy sets for slower, dub-inspired sessions, creating the perfect place to reset before diving back into the madness.
Oh, and of course, in true Beat-Herder fashion, the DJs were performing in a bathtub, of course.
And speaking of madness… all the classics are still there. The famous tunnel leading to hidden stages, the weird and wonderful walkabout performers, the random discoveries you’ll never find on a map, the hidden swimming pool, fancy dress costumes, and the constant feeling that you’re about to stumble across something completely unexpected.
Massive credit has to go to everyone behind the scenes. From the organisers to the volunteers and crew, everything runs incredibly smoothly, despite how wonderfully chaotic it all feels. Beat-Herder, you’ve done it again; roll on 2027.
Aitch wells up in trailer for inspiring Netflix documentary about Kilimanjaro charity climb
Danny Jones
Mancunian musician Aitch has shared a brand-new trailer for his upcoming Netflix documentary charting his inspiring charity climb of Mount Kilimanjaro.
Tissues at the ready.
In case you missed it, the Manchester rapper took on the incredible challenge of summiting the highest peak in Africa last year, all on behalf of the Down’s Syndrome Association.
Sharing the first true glimpse at his moving mountain voyage, the Moston-born artist looks to reveal all in this candid chronicling of his fundraising feat.
Writing in the caption, the 26-year-old said: “Gracie, this is for you and the 40,000 other beautiful people just like you. Don’t Be Afraid!”
For anyone unaware of the context, a couple of years back, Aitch – Harrison James Armstrong, to give the Manc his full given name – announced that he would be embarking on the difficult journey that only 40-60% of trekkers ever successfully reach the top.
Beloved by upwards of 3.1 million followers across his various social media platforms, Grace has become a bit of a community icon and hero all of her own.
Here he is video calling her before his most recent challenge:
They have such a lovely bond.
The inspiration for the 2022 track ‘My G’ with Ed Sheeran on his debut album, Close to Home, the song itself also ended up serving as a significant fundraiser, going on to complete a skydive over Old Sarum airfield with his dad, Mike.
A few clips have been shared on Aitch’s YouTube channel since he first confirmed he would be taking on ‘Kili’, such as his altitude training and other glimpses behind the scenes, but until now, we’ve seen very little footage from the infamous trail itself.
Set to drop later this month, Aitch’s Kilimanjaro doc, entitled Don’t Be Afraid, is releasing on Netflix on Sunday, 26 July – which also just so happens to be ‘Manchester Day‘; we’ll be making sure we don’t miss either of them.
He’s not the only local lad taking on huge obstacles for a good cause.
Hannah Starkie -
13th August 2021 
