In the world’s biggest band, every week offers its own new dose of pandemonium.
Festivals. Fights. Flings. Flights.
When you’re a rockstar, each seven-day period is more intense, thrilling and exotic than the last.
That’s why no two pages in the story of Oasis are the same.
Throughout the nineties and noughties, this group of Mancunian rascals were overindulgent, grandstanding superstars who practised what they preached; living a hard and fast lifestyle that served as a perfect visual accompaniment for their self-produced soundtrack of roaring guitars and crashing symbols.
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But in their two decades at the top, no week of Oasis mania was ever more definitive than this one: The first seven days of October.
This was the week that propelled the band beyond the island of tea and scones onto the international stage. And it was also the week that would ultimately mark the end.
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It all started on October 2, 1995.
The scene was set for Britain’s most exciting up-and-coming band to justify the hype – as Oasis’ sophomore album, What’s The Story (Morning Glory)? was carefully placed on shelves around the UK.
Once those store doors opened, nothing was ever the same again.
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What’s The Story was snapped up by more than 345,000 fans in its first week – spending 10 weeks at number one in the UK charts.
One glance at the tracklist reveals why.
Roll With It, Wonderwall, Don’t Look Back In Anger, Some Might Say, She’s Electric, Champagne Supernova.
The record was packed with anthemic earworms created to stand the test of time – enjoying constant airplay, analysis and mimicry for twenty-five years and counting.
When What’s The Story landed in shops, Oasis achieved superstar status.
Fast-forward almost exactly thirteen years, and another similar scenario was unfolding.
It’s October 6, 2008, and for the seventh time in history, legions of Oasis supporters are swarming to stores for a another new release – an album the group has titled Dig Out Your Soul.
Fans didn’t know it at the time, but they’d never queue for an Oasis album ever again.
Dig Out Your Soul signalled the end.
In the same week the world watched Oasis swagger into the spotlight, we would also soon hear their swansong.
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An epic 18-month promotional tour of Dig Out Your Soul proved to be the tipping point for the two Gallagher brothers.
The pair had quarrelled over the cancellation of a show at V Festival (Liam citing laryngitis, Noel calling bullshit and said his brother had a hangover) before pulling the plug on a performance in France seconds before stepping out on stage.
By the time they’d reached the Rock En Seine festival in August 2009, tensions were as high as they’d ever been, with the two siblings already travelling separately to shows.
Just before the Paris gig, a blazing row culminated in Liam “wielding a guitar like an axe”.
The pair were interrupted by a sudden knock at the door that cut through the chaos: It was their five-minute warning to prepare for the gig.
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Instead of using these 300 seconds to make his way to the stage, Noel spent them inside his car.
It was during those few moments he decided that was that.
Oasis was done.
A message on the band’s website, written by Noel, eventually appeared stating: “It is with some sadness and great relief…I quit Oasis tonight. People will write and say what they like, but I simply could not go on working with Liam a day longer.”
And that was that. The band was gone, and the two brothers remain at loggerheads a decade down the line.
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Rumours of a reunion have been a weekly occurrence in the eleven years ever since, but a reconciliation has always been just out of reach.
The post-Oasis years have given birth to bands Beady Eye and High Flying Birds, and whilst there’s never really been any sight of a sincere olive branch, Noel has seemingly ignored impromptu tweets by Liam asking to give things another go, if only for a one-off gig.
The band’s’ closer, Dig Out Your Soul, is often lost within the footnotes of Oasis trivia today; bundled beneath the glory days of What’s The Story, origin tales of debut Definitely Maybe, and the drug-addled anecdotes of Be Here Now.
But DOYS is sort of remarkable in how it holds up as such a solid piece of work despite the growing turbulence going on behind the scenes.
Fittingly, the very last words to appear on an Oasis album are “soldier on” – an apt description of the brothers’ fruitless attempts to persevere through an upcoming tour fraught with tension; which would ultimately bring about the band’s demise.
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You could frown at the Oasis timeline and spend hours trying to decide which dates to circle as being the most definitive moments in the band’s history.
But no single week is more fascinating than this one.
This was when we got the best and last of Oasis.
In ‘95, the leap to glory. In ‘08, the unknowing goodbye.
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Five Greater Manchester-based artists we’ve been listening to this month | October 2025
Danny Jones
Surprise, surprise, it’s that time again: we’re rounding up the best music from in and around Greater Manchester that we’ve been listening to over the past few weeks, and this month’s been a belter.
In fact, we actually got a lot of our favourite stuff of late all in one day, and that just so happened to be Halloween 2025, a.k.a. one of the best new music Fridays we’ve had in ages.
We had a few new releases on our radar come 31 October, and they didn’t disappoint, with regional artists both new and old dropping some tasty new material.
So, without further ado, here is the Greater Manchester-based music we’ve been enjoying recently.
Music from in and around Manchester we’re listening to lately
1. Richard Ashcroft
Where else to start than with the man of the moment, in our opinion: the almighty Richard Ashcroft, who recently came back to not only the live circuit in the biggest way as the main support act on the Oasis Live ’25 reunion tour, but who finally returned with new music since 2018.
Releasing his seventh studio album, ‘Lovin You, this October, we’ll admit that we much prefer his classic Britpop style to the few attempts at more modern poppy rock on the record, but the second you get onto the second track ‘Out Of These Blues’, you know that his timeless sound hasn’t depreciated one bit.
Now 54 and a music industry veteran, we still firmly believe he’s one of our greatest artists and songwriters. We’d recommend ‘Find Another Reason’ and ‘Heavy News’ off the new LP, as well as ‘All My Dream’ for old time’s sake. All hail “King Richard” and here’s to more long-overdue recognition for Wigan‘s finest.
We never tire of ‘They Don’t Own Me’, nor listening to the Oasis that pays tribute to him, either.
2. The Charlatans
From one local icon to another legendary British band with deep roots here in Manchester. This year’s big music story may have been the Oasis reunion, but there’s another band of Britpop/Madchester survivors that recently reared their heads again, too, and that’s The Charlatans.
Led by frontman Tim Burgess, the veteran alternative band always had one foot in the indie side of the Manc music scene, meanwhile keeping the other in the more psychedelic sub-section of UK rock, and nothing has changed with this satisfying return.
Even from the instantly recognisable and heavily processed keys in lead single ‘Deeper Deeper’, you’re immediately reminded of ‘The Only One I Know’, and the title track of their first new album since 2017, ‘We Are Love’, is one of the best in years; ‘You Can’t Push The River’ is also a quiet delight.
It’s good to have you back, lads. (Credit: Cat Stevens)
3. The Maple State
Now, this is a band that we always felt never really got the recognition back in the day, but since they’ve also been on an understated comeback trail of their own, we’d like to think they’ve picked up a few new fans – and that’s part of the reason they’re included this month, because they deserve it.
We’d argue that The Maple State never quite fully took off because the emo/American-influenced scene here in Greater Manchester didn’t either; back in 2004, when the band was formed by two brothers and some school friends who started playing regularly in college, it was still mostly a transatlantic export.
Either way, we always had a soft spot for this unsung act that tried appealing to fans of that style over here, and their debut album, At Least Until We’ve Settled In, became a cult favourite of some famous names. ‘Temperate Lives’ is a timeless track for us, and we love ‘Canonball’ from their long-overdue 2018 follow-up, but we couldn’t be happier to hear them back in the studio again. Hear more below.
4. Westside Cowboy
Speaking of US influences, one group that has arguably benefitted from that same climate shifting over the years is the hugely exciting Westside Cowboy. As a kid who grew up somewhat awkwardly straddling a love for the big bands in the States and our domestic rock artists, the ‘Britainicana’ movement is right up my street.
Delivering the exact kind of sound you’d expect with a name like that – blending those more American, perhaps even ‘Midwest emo’ sounds with more familiar UK vibe and context – this isn’t a culture clash: it’s a contrast that really works and we’re hoping to see more of, with the guys at the forefront.
Expect twangy, metallic guitar riffs, staccato snares mixed in with marching drum patterns that steadily build behind the joint vocals of their different vocalists and more. Our favourite songs so far include ‘Don’t Throw Rocks’, ‘Drunk Surfer’, and ‘I’ve Never Met Anyone I Thought I Could Love (Until I Met You)’. How very 1975 of you, WC.
Last but not least, this one is almost more of a special mention as they’re more North West than Manc per se, but they’re only based down the road in neighbouring Warrington; plus, since we’ve already written about other bands from Cheshire and other nearby outposts, we’re making an exception.
‘Why so keen to include them…’, you ask? Well, for one, they’re so bloody brilliant we couldn’t not talk about them, and two, they already have strong roots here in Manchester. Besides, regularly visiting and performing here, they recorded their first-ever EP in our city and even feature a tram on their single art.
Speaking of their material, Gustaffson‘s debut album, Black & White Movie, was even produced by Elbow’s very own Craig Potter, which only reinforces that local connection further. The LP itself has soulful notes similar to The Teskey Brothers and St Paul and the Broken Bones, and really is a joy from start to finish – get a load of their latest track, which was also recorded and visualised in Manchester:
A soulful, funk throwback with contemporary blues and a dancey feel. What a vibe.
We hope you give this October’s round-up of new Greater Manchester music a go and find these names in your rotation for months to come.
As always, the best part about doing this is sharing artists people may not have heard yet, so please feel free to ping your own suggestions our way.
You’ll find us here again the same time next month, but until then, why not check out September’s picks?
Featured Images — Press shot/Cat Stevens (supplied)/Gustaffson (screenshot via YouTube)
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A rave in a chippy is happening in Greater Manchester this weekend
Daisy Jackson
We have always loved a weekend trip to the chippy, but that trip might look a little different this week – because there’s a rave going on inside.
A collective of local DJs will be putting their decks alongside the fryers at one of Manchester’s top-rated fish and chip shops, Chips @ No. 8 in Prestwich.
The one-off event is part of the latest instalment of Love Dose, which has been hosting parties all over the North for more than a decade.
This week, Love Dose will be upstairs in Cuckoo until the early hours, with a number of DJs playing alongside special guest Simba.
Before the main event kicks off in Cuckoo though, they’ve announced a pre-party at Chips @ No. 8 to get warmed up.
“You’ve seen the recent trend of parties popping over in coffee shops, why not a chippy!?” they said.
Kerrie DJing at a previous Love Dose rave
Love Dose was founded back in 2012 and is run by Ste Evans, Ste Nalty and Pete Asiaw, DJs who all live around Prestwich.
They said: “We’ve always loved the vibe at Chips@No8 and thought it would be a great pre party spot.”
Previous Love Dose events have taken place everywhere from warehouses and rooftops to disused car garages and even a prison.
They’ve also appeared in legendary local venues like Hidden, Ramona and The White Hotel (before it was known as The White Hotel).
Once they finish with the chippy rave, it’ll be over to Cuckoo to dance into the early hours.
Love Dose is promising quality beats to go with your batter from 5pm til 8pm on Saturday 1 November.
The Manc -
6th October 2020 
