A whopping 515 tonnes of carbon is saved right here in Manchester each year thanks to a “visionary” decarbonisation scheme.
Manchester’s very-own Science and Industry Museum is currently delivering a sector-leading programme of decarbonisation across its city centre site that is “harnessing green technology” to heat its historic spaces, and the project is aiming to place zero carbon technologies at the heart of the visitor experience, all while creating a sustainable museum for the future.
Work has now started to transform the museum’s environmental sustainability, improve energy efficiency, and lower carbon emissions across the site, supporting its goal to become carbon neutral by 2033 and Greater Manchester’s goal to become carbon neutral by 2038 – which is 12 years ahead of the national target.
The museum says this has been made possible thanks to a £4.3 million award from the government’s Public Sector Decarbonisation Scheme.
So, how did this revolutionary scheme begin then? And how does it work?
Well, in the 1800s, a well was constructed in the lower ground floor of the world’s first railway warehouse -the museum’s Grade I-listed 1830 Warehouse – to harness the power of the ground water, and this natural resource is now being utilised by the installation of a new water source heat pump network, which includes boreholes.
Using the natural resource of the ground aquifer and a borehole drilling rig – which is 12 metres tall and weighs 32 tonnes – an extraction borehole is currently being drilled 85 metres into the ground in front of the Grade II-listed Power Hall, and a re-injection borehole is also being drilled in the Lower Yard to a depth of 135 meters.
The water will then be extracted and directed to the 1830 Warehouse and Power Hall down a network of pipes, where the ground source heat pump will use the water to heat the buildings.
Upgrades to the Power Hall roof include fitting a sustainable form of insulation, which is the size of a premiership football pitch / Credit: Jason Lock / Science and Industry Museum
The museum says a painstaking exercise of temporarily removing the listed cobbles is currently underway, allowing for pipes and cables to be fitted in new trenches underground, and that all the work on this historic site is being delivered with care and attention by working with specialists to ensure that the heritage of the buildings and the public spaces are preserved.
Other environmental measures currently being undertaken at the museum include a new electric boiler, and upgrades to the Power Hall roof and windows – including fitting a sustainable form of insulation, which is the size of a premiership football pitch.
All the work the museum is delivering aims to save 515 tonnes of carbon per year, site wide.
“This is a visionary project where the original and modern meet,” explains Sally MacDonald – Director of the Science and Industry Museum.
“We want to create a sustainable museum for the future and inspire our visitors, the future generations of engineers and innovators – with the story of the next industrial revolution, powered by green energy.
The scheme is turning the Power Hall into a landmark symbol of the past, present, and future of industry / Credit: Science and Industry Museum
“The museum includes the world’s oldest surviving passenger railway station and the world’s first railway goods warehouse in the heart of the world’s first industrial city, alive with science and innovation today.”
Edward Clark – Programme Manager at Salix – added: “”We are extremely excited about the project works taking place in the Science and Industry Museum, including the series of building upgrades taking place in the Grade II listed Power Hall [and] the installation of a new substation is a key milestone within this project, which results in increased carbon savings.
“The new green technology will be on display in the Power Hall for visitors to see alongside the Historic Working Machinery.”
Featured Image – Jason Lock / Science and Industry Museum
News
Revenue from Manchester’s ‘big gigs’ to go towards supporting local grassroots music venues
Emily Sergeant
Manchester City Council is set to earmark almost £250,000 to support grassroots music venues in the city.
Following on from the success of the city’s huge summer of music, which in recent weeks has seen hundreds of thousands of fans converge in the city to see massive names like Olivia Rodrigo, Billie Eilish, Charlie XCX, Elbow, and Robbie Williams, as well as other talents like Fontaines D.C. and Sam Fender still yet to come.
Oh yeah, and there was also that small matter of Oasis reuniting for five nostalgia-drenched gigs in Manchester’s Heaton Park earlier last month.
Over the course of the summer, it has been estimated that Manchester will have attracted a whopping 1.3 million music tourists, which is being described as a ‘tremendous’ boost for the city’s economy as a whole, especially the hospitality industry.
Revenue made from Manchester’s ‘big gigs’ this summer is to go towards supporting local grassroots music venues / Credit: Eldhose Kuriyan | Joshua Hanson (via Unsplash)
These huge events are also generating income for the Council too, either by being hosted in the city’s largest parks with commercial arrangements for their use, or through the business rates paid by major venues – and it’s this income that has been earmarked to go towards supporting grassroots music venues throughout the city.
As well as reinvesting part of this revenue into parks and greenspaces, the Council is planning to set aside £245,000 to be made available in financial support for Manchester’s grassroots venues.
While exact details are in the process of being finalised, the intention is that the scheme will be administered by the Music Venue Trust to ensure that the money gets to where it is needed as ‘quickly and effectively’ as possible.
It’s estimated that Manchester will have welcomed 1.3 million music tourists before summer’s out / Credit: Nathan Mullet (via Unsplash)
“Manchester is a big noise in the music world,” commented Councillor Bev Craig, who is the Leader of Manchester City Council, “and this summer, all eyes have been on the city as we’ve hosted some huge concerts and seen unprecedented success in our large venues.
“But while the biggest gigs might dominate the headlines, we know they are only possible because they are part of a wider ecosystem, with grassroots venues providing the launchpads for acts to develop and grow.
It's been a BIG summer of music in Manchester.
We've got pioneering plans to use money raised by some of the biggest gigs to support our grassroots venues – a vital ingredient of the city's amazing music scene: https://t.co/8ekQN7AmGBpic.twitter.com/MpVWpeHqbk
— Manchester City Council (@ManCityCouncil) July 31, 2025
“We know that across the country, grassroots venues are struggling. That’s why we want to ensure that our grassroots venues can share some of the benefit from the success of those big events.
“We’re blessed in Manchester with an array of great smaller venues.
“They are there to be enjoyed and I’d encouraged anyone who values them to get out and support them.”
Featured Image – Rahul Kukreja (via Unsplash)
News
Police issue response and update after ‘shocking’ BBC documentary on The Moors Murders airs
Emily Sergeant
A response and update has been issued by the police after a new documentary on The Moors Murders aired on the BBC this week.
The Moors Murders: A Search for Justice is a two-part documentary series that takes a look back at what is, undoubtedly, one of the most heinous crimes in British history more than 60 years after it happened in the hopes of discovering new evidence and finding answers to the questions that are still left open.
The show aims to document the six decades of suffering that the victims’ families endured in the case that shook the nation.
A synopsis for the two-part documentary series on the BBC website reads: “The Moors murderers, Ian Brady and Myra Hindley, were sentenced to life in 1966 for killing three children. In fact, they had killed five children, and 12-year-old Keith Bennett has never been found.
Moors Murders victim Keith Bennett / Credit: GMP
“But now a team, including author and film-maker Duncan Staff, former murder detective Martin Slevin and forensic archaeologist Professor John Hunter, has examined past investigations, rediscovered files and delved into Ian Brady’s archive.
“They reveal possible grave sites, uncover critical material and perhaps help to solve a case that’s remained open for nearly 60 years.”
The first episode of the documentary aired on BBC Two on Wednesday night (30 July), and the next episode is due to hit TV screens next Wednesday 6 August at 9pm – with more ‘revelations’ and ‘newly uncovered evidence’ expected to be presented.
Public interest in the case has hardly been lost over the past six decades, but given the recent attention the documentary has brought, this has led Greater Manchester Police (GMP) to issuing a statement and update on their ongoing investigations, and assuring that the case is still very much open and and being looked into.
Myra Hindley and Ian Brady – the serial killers behind the Moors Murders, including Keith Bennett / Credit: GMP
“Greater Manchester Police’s investigation into Keith’s disappearance has remained open since 1964,” the statement begins.
“While visible searches have paused over time, with the most recent taking place in 2022, an investigation team within our Major Crime Review Unit, continues our work to find the answers Keith family deserves.”
GMP confirmed that most of the case’s investigative activity continues ‘outside of public view’, revealing that this is done in the hopes that further evidence relating to this case can be uncovered.
The Moors Murders: A Search for Justice is currently airing on the BBC / Credit: BBC
The update continues: “We are in regular contact with Keith’s family, who are central to any action we take. They are kept updated on the ongoing lines of enquiry – some of which, could be jeopardised by public disclosure, and no further comment on these matters will be given.”
Police say they remain ‘very interested’ in any information that could lead to the discovery of Keith.
“We will be seeking to obtain, review, and establish the relevance of all the information held by the documentary team,” GMP’s statement concludes.
Emily Sergeant -
24th September 2021 
