Budweiser has teamed up with musician and environmental advocate Professor Green for Earth Day 2021 to raise awareness of the simple changes everyone can make to lead a greener life.
Taking place on April 22 every year, Earth Day is an internationally-recognised day of environmental awareness which aims to drive action and change. This year, Budweiser has singled out Manchester for praise for its sustainability work, as the city works towards its goal of becoming a net zero carbon city.
It comes as research by the brewery has uncovered a sense of “green guilt” in Manchester, meaning people are aware of the damaging affects their actions are having on the environment but are unsure how to help.
Budweiser’s study of 2,000 people has shown 47% of people living in Manchester feel guilty for not doing enough for the environment – with 41% having felt guilty for turning the heating on, and food waste being a major concern for them too.
In response, Budweiser and Professor Green have devised the “Pro Green Guide” containing practical ideas to incorporate into our lives and inspire better choices.
Make responsible choices regarding sustainable meat and fish
Be aware of packaging, say no to plastic and recycling where possible
Buy sustainable products
Fashion:
Go for quality and no quantity when buying clothes
Wash clothes at 30 degrees
At home:
Switch to a green energy provider
Choose appliances with high efficiency ratings
Professor Green – a.k.a. Stephen Manderson – told The Manc how these small changes show how easy it is to make a difference to our perceptions of “green guilt” – but also to reinforce the positive choices that we’re already making.
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“[The guide] is mainly based around all the changes that I implemented in my own life in order to become a little more sustainable.
“It’s really easy to feel like it’s not significant and not going to make a difference because it’s just one person, but if that’s the attitude of everybody there will be no change.”
“I think this is the right way to do things because the worst thing to do is say to someone ‘you’re not doing enough’,” he explains.
“Imagine walking into someone’s life and going ‘right you need to change this this this this and this’, you’re probably going to be met with a ‘f*ck you’, aren’t you?”
https://www.instagram.com/p/CN7-RV4sTry/
So, Professor Green’s partnership with Budweiser is based on a mutual agreement of how important it is to approach huge topics in an accessible way.
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Instead of telling people off and ramming data down necks so much that they lose interest, we should be praising people for the good that they are doing. With positive reinforcement they hope to encourage better choices in the future.
“Nobody’s perfect and it’s not something you can change overnight. I still forget to take my bags to the shops every once in a while, but it’s good to encourage people and show people that there are really small changes that are quite easy to implement,” he says.
“It’s easy to become defeatist and think it’s too little, too late – and it’s scary. You’ve got all these promises being made by governments and our prime minister in the last day in particular, he’s literally just putting lipstick on a pig. He’s dressing things up and it’s crazy.
“We have to be aware of how real this problem is and you have to understand that what someone says isn’t necessarily what’s happening. With the direction the planet is heading it’s important that people stand up and take notice.”
With the campaign slogan reading ‘green by name and green by nature’, Stephen was the perfect partner for Budweiser on the project. But this isn’t the first time Stephen has taken an interest in environmental activism. His awareness has stemmed from his childhood.
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“I grew up a city kid – I grew up in Hackney, just down the road is the London borough of Tower Hamlets where my partner grew up and it’s where I used to spend a lot of time – my dad used to manage a shop. The statistic around there is something like 75% of children have a 5% reduction in lung capacity because of the illegal amount of pollution in the air. It’s terrible,” he explains.
“This is affecting adults as well but it’s affecting kids and having become a father you start to think more about the world that you leave behind.”
But Stephen is hopeful for the younger generations who are the open-minded and more aware ones driving action towards a better future.
Budweiser billboard on the Printworks
Here in Manchester, the city is working hard to become one of the greenest in the world. There are a number of initiatives and schemes like the Council’s ‘Our Manchester Strategy’ which hope to put Manchester on top by 2025.
In 2016, the Council promised it would be a 100% zero-carbon city by 2050 – but has since revised this date to 2038 since they’ve consistently met their targets.
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On the campaign, Stephen says we need to have open and frank conversations on a local community level, as this is where most change occurs.
“The more aware people become the better the decisions they’ll make,” says Stephen. “With the platform that Budweiser has, the platform that I have, the platform that Manchester has – and The Manc – there’s a lot to be done and I think it’s a conversation that we have to keep having.”
“It’s the same with the work I do around mental health, it’s not a conversation we should stop having. It’s not a case of ‘okay everyone’s aware now, we can go back to how things were’, because how things were were not great.”
Sustainability is a hot topic for Budweiser who, since January 2021, have been brewing every can, bottle and keg of their beer using renewable energy from wind and solar sources.
The $1 billion dollar investment into renewables has meant that The Budweiser Brewing Group now generates enough renewable electricity in the UK to power the brewing operations of not only Budweiser but also Bud Light, Stella Artois, Corona and Becks.
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So, what better way to toast Earth Day and our city’s sustainability achievements than with a zero-carbon beer.
Cheers, Manchester!
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Review | The Lion, The Witch and The Beaver* – sorry, Wardrobe
The Manc
What an enchanting evening at The Lowry as we were transported to Narnia to review the live stage adaptation of The Lion, The Witch and The Wardrobe in Media City as the production began its festive run in Greater Manchester.
As we entered the playing space, the atmosphere was set with a pianist on stage, slowly drowning out the noise of the outside world and settling the audience in for a night of magic.
Launching ‘Act One’ with a touching rendition of the British wartime classic, ‘We’ll Meet Again’ by Vera Lynne, we meet the large ensemble, multi-instrumentalist cast.
This talented ensemble pivots around multiple roles throughout the performance, creating a shape-shifting atmosphere with some impressive seamless transitions, allowing us to “open our minds” and be absorbed into the mythical world of Narnia alongside The Pevensies.
Sweetly played by Joanna Adaran, Jesse Dunbar, Kudzai Mangombe and Bunmi Osadolor, they excel in exploring sibling dynamics such as rivalry, trust, but most of all, loyalty and love.
The most mind-blowing element of this performance, however, was the production; it truly is the unsung hero of the entire show, so we’ll so the singing on their behalf.
Set and costume (designed by Tom Paris), lighting (done by Jack Knowles), puppetry design and direction (by Max Humphries and Toby Olie), sound design (credit to Tom Marshall) and hair, make-up and wig designer (Susanna Perez).
All this carefully curated talent helped create a world where we had no choice but to believe in magic.
For us as an audience, it made things so much easier to immerse and delight in the world of C.S. Lewis’ imagination, as it is so wonderfully presented in front of us.
This was elevated once again by levitation and disappearing acts – the scene was set on the boards and in the air.
Huge credit goes to Gwen Hales (aerial director) and Chris Fisher (magic and illusions); it felt as if anything was possible, and we needed no convincing that we were in the presence of pure enchantment.
However, arguably the most magnificent moment of the show was the reveal of Aslan himself. As this grand puppet prowled onto the stage, you could hear gasps echo throughout the theatre.
Manoeuvred by three puppeteers, this skilful spectacle was a credit to bringing the story to life in live theatre. The seamless, lifelike movements of breath and king-like presence were both majestic and a credit to the production.
Accompanied by Stanton Wright, we had no doubt that this was the true hero of Narnia.
If you want us to sum up our review of The Lion, The Witch and The Wardrobe at The Lowry, quite simply, this show is nothing short of a marvel.
Make sure to take home a cuddly lion toy, of course. (Credit: The Manc)
With constant playfulness and wit throughout – mainly brought to you from the broad Northern and oh-so lovable Mr Beaver (Ed Thorpe), and fellow believer in magic, ‘The Professor’ (Kraig Thornber).
It’s the lattermost that left us with a lasting thought, as he warmly reminds the audience that even when times feel dark, “the sun is always up there, we just have to look.”
The Lion, The Witch and The Wardrobe is running from The Lowry in Salford Quays all the way up until Sunday, 11 January 2026. Don’t miss the magic and grab your tickets HERE.
If you’re interested in finding out what else we’ve enjoyed at the theatre in Manchester recently, then look no further…
Featured Images — The Manc Group/Press shots (Brinkhoff/Moegenburg supplied via The Lowry)
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Peaky Blinders confirm title and release date of upcoming film
Danny Jones
After what feels like an age since it was first announced, Peaky Blinders and Netflix have finally confirmed the title and release date of the upcoming feature-length film.
It was revealed that the global streaming giant secured exclusive rights to the movie last year, and it has now been revealed that it will also be released in selected theatres before it hits the platform.
With production on the long-talked-about project getting underway in September 2024, we’ve heard little else from creator Steven Knight, who has also been booked to deliver the Oasis reunion documentary chronicling their Live ’25 world tour.
However, we now know not only the official title of the film, Peaky Blinders: The Immortal Man, and that it will be dropping early next year. They’ve even shared the first poster.
Clearly referring to the series’ most famous lead character, Thomas Shelby – played by now fully-fledged Hollywood A-lister Cillian Murphy since 2013 – the teaser shows him sat astride a horse, not to mention covered in a fair amount of dirt and/or blood.
Alongside the suit and the trademark newsboy cap with blades inserted in the brim (the calling card of both the fictional and the real ‘Peaky Blinders’), it’s quite a classic look of Tommy’s.
Scheduled to release in limited cinemas on 6 March before arriving on Netflix on 20/3/2026, this will not only be the first film in the wider franchise but the first to air separately from the BBC.
While its parent network is still involved as collaborators on the flick, this is the first instalment in the IP to be distributed directly by Netflix after they bought the rights to release the show in the US.
Another look at a seemingly older Tommy Shelby (Credit: Publicity picture via Netflix)
As for The Immortal Man, both new and returning members of the cast include:
Cillian Murphy (Oppenheimer, 28 Days Later)
Rebecca Ferguson (Dune, Silo)
Tim Roth (Reservoir Dogs, The Hateful Eight)
Sophie Rundle (After the Flood, Gentleman Jack)
Ned Dennehy (Culprits, The Peripheral)
Packy Lee (Blue Lights)
Ian Peck (His Dark Materials, Robin Hood)
Jay Lycurgo (Steve, Half Bad: The Bastard Son & The Devil Himself)
Barry Keoghan (Saltburn, The Banshees of Inisherin)
Stephen Graham (Adolescence, A Thousand Blows)
Speaking in a full press release, Murphy said: “It seems like Tommy Shelby wasn’t finished with me. It is very gratifying to be re-collaborating with Steven Knight and Tom Harper on the film version of Peaky Blinders. This is one for the fans.”
Returning four years after the end of the mainline series, but catching up with Tommy at the outset of WWII in terms of the actual timelines, Netflix say that the Shelby patriarch “is driven back from a self-imposed exile to face his most destructive reckoning yet.”
Safe to say we cannot wait to be back in the world.
In the meantime, you can find out more about the next season(s) of Peaky Blinders coming to the BBC very soon down below.