Local campaigners in Manchester have set up a new petition to hopefully pedestrianise what they have deemed the ‘untapped’ Tib Street in the Northern Quarter.
And not only do they arguably have a strong point, but the proposal might have legs, too.
Even if the name Tib St doesn’t quite ring a bell, if you live centrally or have been to the city centre enough times, the chances are you’ll likely have walked down it at least once or twice.
More importantly, you could be walking, drinking, eating and plenty more there soon, if the people behind this petition pull off the plans they’re hoping to put in place with the help of Manchester City Council.
Staging a small, simple but considered and definitive demonstration on Friday, 24 October, a group of Manc businesses, residents and volunteers gathered to hold out the banner seen above, calling for exactly what it says: for local authorities to pedestrianise Tib Street.
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They believe it has more potential. (Credit: The Manc Group)
Having seen the success of nearby Thomas Street and Edge St, which have become two of the busiest parts of what is already one of Manchester’s most vibrant districts and cultural hubs, they essentially want a piece of the action – and you can’t exactly blame them.
While at least part of the road is well utilised with the likes of Northern Soul, Evelyn’s, MyThai, and other independents sit pretty tucked away up into the slightly raised buildings above street level, with that recognisable bridge hanging above, the thoroughfare as a whole still remains a bit of a bottleneck.
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It’s arguably even more so further down the street as you head more towards Ancoats, too, with the backstreet sitting behind the likes of Tib Street Tavern, Matt and Phreds, and The Butcher’s Quarter still mainly reserved for little more than deliveries and people trying to secure a shortcut.
Nearby native Fiona Moinuddin, who has rallied to try and get the Council on side in the past, says: “Pedestrianisation has already transformed other parts of NQ, and Tib Street should be next.
“This is about making our streets safer, supporting local businesses, and giving people space to enjoy our city centre. I’m calling on the Council to listen to residents and act.”
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In fact, there have already been calls to roll back the road to a bygone era and bring back one particular treasured piece of its heritage.
Before it was known for lorries, diversions and traffic, it was home to a rather famous bit of artwork.
Chatting with the Tavern’s co-owners on the day, Rory O’Keefe and Jon Dootson, they told The Manc that “it’d be so much better for the street to be closed.”
“We’ve obviously got Dorsey Street, which could be opened up and turned into a terrace of a sort of community garden, and just tidy this area up and make it look a lot nicer for the city – it’ll be great for businesses as well.”
“I think there are too many cars coming down here. Obviously, everything’s mainly featured on Stevenson Square, and we feel a little bit left out around the corner.”
They also noted that although it’s been great to see how their Thomas and Edge St neighbours are thriving, not to mention they’ve been around for over two decades themselves, they have sadly lost a lot of business due to the disparity – especially when the sun comes out.
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We also spoke to Matt and Phreds‘ boss, Claire Turner, who said: “Tib would be really good for pedestrianisation, so we can have some outdoor furniture, maybe even bring some live music into the street in the summer; it would just kind of tie everything together with the rest of the Northern Quarter.
“I understand it’s not going to be for everybody, but I’m hoping the council will logistically sort everything out so that there’s still plenty of access for deliveries etc., but I just think it’s a positive thing for all of us.”
If you’d like to get behind the movement, you can sign the petition to pedestrianise Tib Street HERE.
Joey Barton officially sentenced over offensive online posts
Danny Jones
Retired footballer Joey Barton has officially been sentenced following a series of offensive posts on social media over the past year or so.
Six counts pertaining to three individuals, in particular, were highlighted when he appeared for his final hearing at Liverpool Crown Court on Monday, 8 December: online abuse directed at fellow ex-pros Eni Aluko, Lucy Ward and broadcaster Jeremy Vine.
Charged and now finally found guilty of ‘grossly offensive electronic communication with intent to cause distress or anxiety’, Joey Barton has been given a six-month prison sentence – suspended for 18 months, however, meaning he won’t serve jail time unless he reoffends during this period.
Here he is queuing up outside the Crown Court earlier today:
BREAKING: Former footballer Joey Barton given six-month prison sentence suspended for 18 months over "grossly offensive" social media posts about Jeremy Vine, Lucy Ward and Eni Aluko. pic.twitter.com/dQuAAT1mQu
For context, the social media posts in question refer to the ones made on X (previously known as Twitter) and directed at the aforementioned public figures.
The former Manchester City player and Liverpool youth product, who is originally from Merseyside but is now based around Widnes in Cheshire, was found guilty on Friday despite insisting his innocence throughout.
Barton – now 43 and having become a vocal far-right commentator – compared Aluko and Ward to two of the most infamous convicted serial killers in British history, writing that they were “the Fred and Rose West of football commentary” back in January 2024.
He also labelled radio host and TV presenter, Vine, a “bike nonce” in a post that he later went on to dismiss as nothing more than “crude banter” and an attempt at “dark and stupid humour”, stating that he has no intention of actually suggesting he was a paedophile.
Elsewhere in the court appearance, Barton claimed that he is a victim of “political prosecution”; nevertheless, the judge found that the one-time England international (who also played for Newcastle, QPR, Burnley, Rangers and Marseille) “crossed the line between free speech and a crime.”
You can see the moment Judge Andrew Menary handed down the verdict, which will see him avoid time in custody once more, in full down below.
As per an official update via the Crown Prosecution Service (CPS), Senior Prosecutor Callum Bryce of CPS Mersey-Cheshire said: “Between early January and mid-March 2024, Barton subjected three public figures to offences of malicious communications.
“Barton said in his evidence before the court that in some of his messages he was trying to make a serious point in a provocative way and that in others he was simply joking.
“The finding of the jury confirmed that his conduct had gone beyond any joke and his messages were grossly offensive with the purpose of causing anxiety and distress to his victims.”
It’s also worth noting that he has been charged, found guilty and sentenced before already this year.
Review | The Lion, The Witch and The Beaver* – sorry, Wardrobe
The Manc
What an enchanting evening at The Lowry as we were transported to Narnia to review the live stage adaptation of The Lion, The Witch and The Wardrobe in Media City as the production began its festive run in Greater Manchester.
As we entered the playing space, the atmosphere was set with a pianist on stage, slowly drowning out the noise of the outside world and settling the audience in for a night of magic.
Launching ‘Act One’ with a touching rendition of the British wartime classic, ‘We’ll Meet Again’ by Vera Lynne, we meet the large ensemble, multi-instrumentalist cast.
This talented ensemble pivots around multiple roles throughout the performance, creating a shape-shifting atmosphere with some impressive seamless transitions, allowing us to “open our minds” and be absorbed into the mythical world of Narnia alongside The Pevensies.
Sweetly played by Joanna Adaran, Jesse Dunbar, Kudzai Mangombe and Bunmi Osadolor, they excel in exploring sibling dynamics such as rivalry, trust, but most of all, loyalty and love.
The most mind-blowing element of this performance, however, was the production; it truly is the unsung hero of the entire show, so we’ll so the singing on their behalf.
Set and costume (designed by Tom Paris), lighting (done by Jack Knowles), puppetry design and direction (by Max Humphries and Toby Olie), sound design (credit to Tom Marshall) and hair, make-up and wig designer (Susanna Perez).
All this carefully curated talent helped create a world where we had no choice but to believe in magic.
For us as an audience, it made things so much easier to immerse and delight in the world of C.S. Lewis’ imagination, as it is so wonderfully presented in front of us.
This was elevated once again by levitation and disappearing acts – the scene was set on the boards and in the air.
Huge credit goes to Gwen Hales (aerial director) and Chris Fisher (magic and illusions); it felt as if anything was possible, and we needed no convincing that we were in the presence of pure enchantment.
However, arguably the most magnificent moment of the show was the reveal of Aslan himself. As this grand puppet prowled onto the stage, you could hear gasps echo throughout the theatre.
Manoeuvred by three puppeteers, this skilful spectacle was a credit to bringing the story to life in live theatre. The seamless, lifelike movements of breath and king-like presence were both majestic and a credit to the production.
Accompanied by Stanton Wright, we had no doubt that this was the true hero of Narnia.
If you want us to sum up our review of The Lion, The Witch and The Wardrobe at The Lowry, quite simply, this show is nothing short of a marvel.
Make sure to take home a cuddly lion toy, of course. (Credit: The Manc)
With constant playfulness and wit throughout – mainly brought to you from the broad Northern and oh-so lovable Mr Beaver (Ed Thorpe), and fellow believer in magic, ‘The Professor’ (Kraig Thornber).
It’s the lattermost that left us with a lasting thought, as he warmly reminds the audience that even when times feel dark, “the sun is always up there, we just have to look.”
The Lion, The Witch and The Wardrobe is running from The Lowry in Salford Quays all the way up until Sunday, 11 January 2026. Don’t miss the magic and grab your tickets HERE.
If you’re interested in finding out what else we’ve enjoyed at the theatre in Manchester recently, then look no further…