Manchester‘s newest landmark arts complex Factory International is reportedly in talks to sell naming rights to the venue to help fund the rising costs of the project.
After it was reported earlier this month that the huge arts centre being built in Manchester city centre – which is set to be a world-leading theatre, performance space, and cultural hub – had blown past its budget once again, and was seeking for a further £25.2 million in funding from the government and Arts Council England to be approved by Manchester City Council, it’s now been revealed that the option for selling naming rights is being explored.
Plans for the unique structure – which boasts 21m-high ceilings and an enormous warehouse-style space that can be divided up for different audiences – were first announced in 2016, and back then, its total budget was set to be £110 million, with an opening date pencilled in for 2019.
But now, as construction costs continue to skyrocket, the landmark complex is actually looking at a total cost of £210.8 million, which is almost double its original budget, and a completion date in 2023.
Councillors are expected to approve the renewed request for funding at an executive meeting next week – but local authority leaders say they hope “a significant proportion” of the costs will be recovered by selling the naming rights to the venue.
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Factory International is set to be a world-leading theatre, performance space, and cultural hub / Credit: Pawel Paniczko
MIF executive director Randel Bryan told the Council that the naming deal is expected to raise at least £25 million.
This is said to go above the total fundraising target previously set for the arts centre.
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“We’ve already had really advanced conversations with a number of leading brands that have been in excess of the £24 million mark,” Mr Bryan said.
“Those deals, for a number of reasons, are still being developed and are still in a pipeline, but it does show that there are sponsors and partners out there that are prepared to exceed our ambitions with naming rights.”
Factory bosses hope to finish the naming rights deal before the venue opens in 2023, with around 70% of the proceeds from the deal going to the Council directly and the remaining 30% to support MIF and the future of the venue.
When it’s finally completed, the complex will be programmed and operated by the team behind Manchester International Festival (MIF) to act as a permanent home to the roving arts festival, and it’s expected to create or support around 1,500 jobs, attract 850,000 visitors a year, and contribute around £1.1 billion to the economy over a decade.
Manchester City Council says the venue will be “inclusive and inspiring”, with plenty of free and low cost events and opportunities for Manchester people to get involved, both as participants as well as audiences.
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Arrest made after 14-year-old boy found in critical condition on Market Street
Daisy Jackson
An arrest has been made after a teenage boy was found unresponsive on Market Street in Manchester city centre.
Detectives believe that the boy, 14, was approached by seven males who stole a designer jacket from him.
Following the altercation, he went into cardiac arrest and was rushed to hospital in a critical condition.
Thankfully, the teenager is continuing to recover well.
Detectives from Manchester City Centre Criminal Investigation Department confirmed that an 18-year-old male was arrested yesterday, Thursday 20 February.
He has been arrested on suspicion of robbery and remains in police custody.
Detective Inspector Mark Astbury of GMP’s City Centre Criminal Investigation Department, said: “We hope the victim can continue his recovery following what must have been a terrifying ordeal for him.
“Officers are fully investigating all aspects of this shocking incident that has left a man with serious injuries in hospital.
“Our work doesn’t stop here, we are continuing to investigate this incident and information from the public plays an incredibly important role in our investigations and I ask that the community keep talking to us and keep sharing their concerns with us so our teams can act.”
If you have any information, contact GMP 101 or 0161 856 4305 quoting log 2854 of 16/2/25.
Comedy is being prescribed instead of antidepressants as part of UK trials
Emily Sergeant
Trials are currently underway to see if comedy could be an alternative to antidepressants as a way to reduce NHS costs.
UK tech company Craic Health has secured important funding for its ‘comedy on prescription’ project that’s aimed at helping the Government work with the comedy industry, communities, and organisations on comedy-based social prescriptions in the hope that they can solve financial struggles within the NHS.
The groundbreaking scheme uses stand-up shows and workshops to help people who are isolated, lonely, and vulnerable.
Craic believes comedy is an ‘untapped opportunity’ to improve health and wellbeing, and has a goal to make comedy easier to access, so that it can help communities experience its mental health and social benefits.
To achieve this, the company has started trialling Comedy-on-Prescription experiences in the UK – starting in London, with the potential for expansion – which includes things like curated comedy panel game show events and workshops, and general stand-up comedy shows at some of the capital’s world-famous venues.
Comedy is being prescribed instead of antidepressants as part of UK trials / Credit: Wikimedia Commons
“Mental health issues like loneliness, isolation, and stress are more common than ever,” the company explains.
“So much so that it’s projected that by 2030, mental health problems, particularly depression, will be the leading cause of mortality and morbidity globally, [but] in this challenging world, comedy stands out as a universal language that breaks barriers.
“Research shows that comedy and laughter have powerful effects – they bring people together, create positive connections, and make life more enjoyable.”
Craic Health says that social prescribing, of which Comedy-on-Prescription is a part of, is all about inclusivity, which makes it making it suitable for people of all ages, backgrounds, and abilities.
Its focus is on personalised support, tailored to individual needs and preferences.