Greater Manchester has been allocated over £1 billion in funding to deliver its “transformational” transport network.
It’s been a long time coming, but Greater Manchester Combined Authority (GMCA) has revealed that the government has officially confirmed a package of revenue funding from the City Region Sustainable Transport Settlements (CRSTS) for the city-region.
The funding will ultimately pave the way for the highly-anticipated, London-style transport system – the Bee Network.
Although the CRSTS funding allocation of £1.07 billion was initially announced ahead of last year’s autumn Budget, it’s been confirmed this week that it will be supported by £170 million in local contributions, which means there’ll be £1.2 billion worth of investment in local roads, bus, train and tram services over the next five years – with new quality bus corridors, cycling and walking routes and improved transport infrastructure and connectivity for towns and high streets in the region, GMCA says.
The funding will also help boost the city-region’s plans to improve air quality.
ADVERTISEMENT
Greater Manchester will receive £1.07bn from City Region Sustainable Transport Settlements to help deliver Bee Network: a transformational London style transport system for GM.
— Greater Manchester Combined Authority (@greatermcr) April 4, 2022
It’s set to support a move to a fully-electrified bus fleet, with 50 new zero emission buses expected to serve Bolton and Wigan when the first phase of bus franchising is introduced on 17 September 2023.
Cheaper fares will also be rolled out alongside bus franchising, with adult and children single journey fares capped at £2 and £1 respectively.
ADVERTISEMENT
Breaking down the funding allocation from this week’s groundbreaking announcement, it was confirmed that Greater Manchester will receive £94.8 million from the government’s Bus Back Better strategy, and the Metrolink will also receive £20.5 million recovery funding to support the continued operation of services for the next six months.
Greater Manchester has been allocated over £1 billion in funding to deliver its “transformational” transport network / Credit: TfGM
A funding allocation for the city-region’s bus operators, however, is yet to be confirmed.
ADVERTISEMENT
Mayor of Greater Manchester Andy Burnham has called for “more certainty over recovery funding”, with around £70 million said to be needed to keep tram and bus services operating at the current level throughout this financial year – especially as a “stable and reliable” public transport network is central to the delivery of the Bee Network.
“This funding will allow us to bring forward an improved bus service, with new buses, lower fares and more frequent services,” Mayor Andy Burnham said of the funding announcement.
“However, as welcome as [the] announcement is, the revenue funding is about half of what we bid for, and we still don’t know how much recovery funding bus operators will get to keep services running.
The funding will ultimately pave the way for the highly-anticipated, London-style transport system – the Bee Network / Credit: TfGM
“We have been working closely with government on a funding model that will enable us to stabilise, rebuild and ultimately transform public transport, but can only deliver the Bee Network if we have a sound foundation to build upon and without a longer-term recovery settlement, the threat of cuts to services still looms large.
“This is the final piece of the puzzle that will really enable us to get on and deliver the Bee Network and this is the case I will make to government as we continue to work together to unlock Greater Manchester’s full potential.”
Microdot exhibit for BRITs 2026: the artwork of Oasis, Verve and more up in Manchester Piccadilly
Danny Jones
If you’ve passed through Manchester Piccadilly of late, you might have noticed two things: one, it’s really quiet, and two, there’s loads of cool Britpop merch and memorabilia on display, including original Oasis, The Verve, Inspiral Carpets art and more – all courtesy of Microdot.
Set up as part of the city’s own BRITs celebrations, along with a raft of other nationwide festivities, as the annual music award ceremony prepares to make its Manc debut at the Co-op Live this month, the showcase features special edition frames and more, all pride of place in the middle of the train station.
This collection, simply entitled ‘A Microdot Design’, is all done by the legendary Brian Cannon, the graphic designer and art director behind so much recognisable visual material within the genre.
We recently had the honour of speaking to the man himself in person ahead of Piccadilly’s temporary closure; you can see our interview with him right here:
The Wigan-born artist and visionary didn’t just make promotional materials for some of the biggest bands in the 1990s; he’s responsible for what has gone on to become some of the most familiar iconography in British music history.
With this pop-up exhibit available for a limited time only, we strongly urge you to go along and, for once, take your time rather than rushing around the station as you peruse the boards placed right near the main entrance.
Charting his work from circa 1990 up until now, it’s crazy to see just how many of Brian and Microdot’s fingerprints are all over so many different bands and artists.
From native names like Oasis, The Verve and the Inspirals, as mentioned, as well as the likes of Cast, Super Furry Animals, Suede and Ash, plus so many more, this guy has been nothing short of prolific over the past few decades.
Audio North took a little tour of the King Street South unit last year in the lead-up to Oasis Live ’25 reunion world tour, and we felt like kids in a Britpop sweetshop.
While this site has sadly since closed, shutting up shop back in July, Brian’s mini, modest, but nevertheless magic Microdot Boutique up in the Lake District is still standing.
Located in the popular North West town and tourist attraction, Kendal, it’s worth a trip there to see more of his portfolio alone.
Currently on display at Manchester Piccadilly ahead of the full 2026 BRITs Week and shindig at Co-op Live, it’s one of the best completely free things you can do in town at the moment – but the exhibition finishes on Sunday, 1 March, so make sure you don’t miss it.
Speaking of the BRIT Awards, if you’re wondering what else is on as 0161 gets ready welcome them for their two-year stint (at least), look no further…
Two brothers from Oldham are beating out the likes of Taylor Swift in the iTunes charts
Danny Jones
A pair of brothers from Oldham who simply go by Two Connors are now holding on to the top spot in one of the biggest iTunes charts, and they’re beating the likes of Taylor Swift, Bruno Mars, Bad Bunny and many more.
Stuff your global music stars, we’ll back a duo from Greater Manchester all day long.
Danny and Callum Connor, a couple of blokes from Oldham in their mid-30s, are currently number one in the iTunes singles charts with their latest song, ‘Familiar Faces’, but this isn’t the first time they’ve gone big with a release online.
Carving out their own little corner not only in the old Lancashire borough but a small pocket in the UK’s wider grime, drill, rap and hip-hop scene, they’ve only gotten bigger over the last 18 months or so.
After releasing their first two tracks back in 2024, Callum and Danny have been on a very gradual rise, but they quickly gained a cult local following in and around Oldham.
Writing about life and around the area, with high personal and anecdotal lyrics that feel like niche references and in-jokes specifically for‘Roughyed’ residents – it’s not just music by them but FOR them.
In addition to recording their own unique cover of ‘Bad Habits’ by Ed Sheeran, they also went fairly viral for releasing a music video featuring crowds of local children.
Putting their own chant-based chorus slant on ‘Hi Ho, Hi Ho, “It’s off to Work We Go”‘, written by Mitch Miller and The Sandpipers (yes, as in the main theme from Snow White and the Seven Dwarfs), it was a fairly radio-friendly tune that was easy for kids and more to sing along with.
With various other natives getting involved in the music video, joining them on the town centre streets and lip-syncing the lyrics, it was circulated online all over Britain and beyond.
You can watch it in full down below.
Fast forward to February 2026, and not only have they grown their following across the region, but even further afield now, as it turns out; currently sitting ahead of ‘Opalite’ from worldwide smash-hit album, The Life of a Showgirl, who needs big label backing, eh?
Bringing smiles to even more Greater Mancs by quite literally shining the spotlight on ‘Familiar Faces’ and punters from nearby pubs such as The Up Stepps Inn and former nightclub Sruples, it is a real tribute to their homeland.
Only time will tell how long they’ll cling to that iTunes top spot, but with nearly 73,000 monthly listeners on Spotify and counting, they might be one of the biggest music names to come out of OL in some time.
In other big news over in Oldham, on the sporting side of things, RLFC are staring down yet more uncertainty, with local hero Bill Quinn also wrapping up his time at the club.
Emily Sergeant -
5th April 2022 
