DJs from Manchester’s iconic club The Hacienda are returning with a new gig series that lets concertgoers get up close and personal.
The Hacienda might be one of the greatest pieces of Manchester music history, and now people can relive it all over again with a new experience that is bringing clubbing back to its original roots.
Running across 2025, party people have multiple opportunities to relive the high life of traditional clubbing in a venue situated in the heart of Manchester city centre.
Well-established pub and frequent club-night host, Joshua Brooks, is bringing back The Hacienda but on a much more personal level, not like the Warehouse Project event hosting around 10,500 fans.
‘The Hacienda: All Night Long’ is a bi-monthly residency starting in February with a performance from Graeme Park followed by a packed lineup of incredible music makers and lovers.
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The original Hacienda club in its hay-day / Credit: Jon Shard.
The next event after the initial launch is in April with David Morales on the decks throughout the evening with good tunes and usual sleek style.
Greg Wilson is taking up a slot in June known for his work in dance music and the ‘re-edit movement’ which is still shaping music today.
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Keeping spirits high and vibes even higher, in August, attendees are in good company with your night soundtracked by Manc legend DJ Paulette.
Finishing off a phenomenal run of music mixing events is K-Klass who are notorious within the music scene for working with musical forces like Whitney Houston and Rihanna. The group even first met each other in The Hacienda!
Each event will include an extended set up to six hours long (or even more, if you’re lucky).
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Graeme Park putting on a show.K-Klass in their element behind the decks.Credit: Supplied
This run of live DJ sets are set to be an unmissable experience, partly due to the fact that there is a ‘No Photos, Just Music’ policy to help people live their life in real time and not through a digital device.
This rule is put in place by event organisers so that people can relive or first-hand experience an original club setting with no distractions and fully focus on the music being played out across the venue.
Graeme Park said of Haçienda – All Night Long: “A long time ago, in a nightclub, far, far away, I started DJing in a dark booth in the corner of a dark room, in a dark nightclub.
“I had absolutely no idea what I was doing, but over the next few years I learnt my craft by DJing all night long. Back then, it was all about the music and the crowd with the DJ being the person in the corner playing the tunes that mattered.
“This is why, after more than 40 years on the decks, I’m really excited to be back at the fabulous Joshua Brooks in February for another All Night Long session where I can play an extended DJ set in intimate surroundings, close up and personal with a superb sound system and an enthusiastic crowd right in front of me.
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“Last time we were all connected through the music and I can’t wait to do it all again.”
If you fancy celebrating clubbing in its truest form guided through the night by some Hacienda greats, you can grab tickets HERE.
Government to introduce price cap on ticket touts and launch consultation on dynamic pricing
Danny Jones
The UK government are finally set to install a price cap on re-sale tickets for touts and open an official consultation on the growing trend of dynamic pricing.
If you’ve bought a ticket to a live music show over the past year or so, you’ll have noticed that ticket prices in general are on the up – particularly if purchased from a reseller, in which case you might have paid through the nose for the privilege.
Not only does ticket touting remain a prevailing problem in the industry, with tonnes of tickets for big shows, especially, being snapped up in bulk or by bots and listed for re-sale before you’ve even added them to your basket, but the advent of this new dynamic pricing lark has made things even harder.
You only have to look at the controversy and chaos surrounding Oasis’ reunion tour, which ultimately saw some fans paying significant amounts more for practically the same ticket just a few days later in what many dubbed as ‘fraud’ and even ’emotional blackmail’.
Justin Timberlake at Co-op Live Manchester was one of countless gigs where ticket prices fluctuated. (Credit: The Manc Group)
Tackling resellers head-on
Knowing full well that people will go to extreme lengths to try and see the musicians and artists they love so dearly – in some cases being backed into a corner as the final figure displayed on the screen when they checkout suddenly jumps up – the modern ticketing industry is severely broken.
With all that in mind, the government are now looking to enact more stringent measures on resellers, by announcing a new price cap on tickets put back up for sale which is set to be introduced (hopefully) in the very near future.
Targeting sites infamous for inflating re-sale costs such as Viagogo, StubHub and others, the bill published on Friday, 10 January proposes a price cap of face value plus 10-30% but no more, with an obvious aim to keep that number as low as possible.
According to the current figures, touts reportedly cost music fans alone more than £145 million in extra re-sale fees when purchasing tickets every year – a frankly ridiculous sum. There will always be tickets ending up on re-sale sites, that’s unavoidable, but a price cap could seriously improve the situation.
The Manc music legends themselves claim they had little control over the situation.
Down with dynamic pricing
Labour, who were voted into power back in July, are also set to try and combat dynamic prices, which essentially sees gigs and events set people back more or less depending on how the popular ticket sales have been up to that point, market trends and general demand. An initial review was called for last year.
Put simply, the more people want to attend a gig, platforms like Ticketmaster feel they are able to jack up their margins even after the initial price point has been established. The European Commission has been investigating these methods since September 2024.
Although it is still unclear as to the exact time scale of when these changes will come in, Labour MP Chris Bryant told NME that although they are still in the early stages, it is “now just a matter of how the government takes action.” And that’s where you come in.
The consultation is also crucially public, with the calling for people to submit their evidence on current pricing practices and continue engaging in the discussion throughout the progress. New Year’s Resolution: let’s curb ticket touts as much as we possibly can.
Free animated projection to create dazzling display on major Salford building
Thomas Melia
A staple Salford landmark is undergoing a huge transformation for two nights only as part of a free animated event suitable for all ages.
Next week, the former Swinton and Pendlebury Town Hall, which is now known as Salford Civic Centre, will look a little different to usual, as the historical building is hosting a special animated display which will be projected onto it.
All of the frontage, situated on Chorley Road, will be lit up with a dazzling display depicting a collection of imagery titled ‘Swinton Ark’.
Salford Civic Centre, where ‘Swinton Ark’ will be projected onto / Credit: Supplied
Some of the visuals that visitors can expect to see alongside the ark include infamous Swinton objects, moments and memories.
This project is really wholesome too, as artist Lowri Evans got involved to help create and fill the ark with meaningful objects that the locals requested.
Evans perched up a mini stand in Swinton and asked a wide range of locals the question: “If you could save one object, what would it be?”, and she received a huge amount of responses.
Residents of the local area will be able to see their suggestions of precious items and special trinkets loaded onto the ark to save from the flood.
Salford Civic Centre has a 70-metre facade, and with all the cargo that the community want to bring onto the boat, it’s a good thing the building is so wide.
Don’t worry about missing a thing either, as this 12-minute projection will run every 15 minutes for just over three hours across two nights on Thursday 16 and Friday 17 January, meaning you can watch the projection until your heart’s content.
Artist Lowri Evans asking Swinton a very thought provoking question / Credit: Supplied
The whole display will be supported by some phenomenal sound and music arrangements too, and the animated screen will really come to life as it will also be 3D.
You can drop in at any point over the two days, and whether you watch the projection a thousand times over, or even just want to catch a glimpse of it, everyone is invited – and better yet, it’s free.
Thomas Melia -
27th November 2024 
