Homobloc, Manchester’s legendary queer rave for all, returns this November with another day-to-night party featuring a star-studded line-up of DJs and performers.
Reuniting the clans once again, on 4 November Homobloc is set to welcome artists, performers, spectators, and clubbers to come together and present one of the most extraordinary dancefloor coalitions of the LGBTQ+ community.
Featuring a roster of heavyweight live acts, headliners this year will include the 2023 Mercury Prize nominated artist Jessie Ware, Australian indie electro-pop band Confidence Man, and Canadian electroclash producer, Peaches.
Further headline DJ sets include performances from The Blessed Madonna, Romy, David Morales, Avalon Emerson, Horse Meat Disco, LSDXOXO, salute, SHERELLE and many, MANY more.
Credit: Homobloc 2023
The programming is a joint effort by many, including LGBTQ+ collectives from Manchester and beyond.
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The collectives and curation include work by Ghetto Fabulous, Creatures by Beau Azra, Miss Chief by Banksie and Strutty Bitch, who have been part of the Homobloc family since day one, as well as new collectives The Cavalcade and Drag Kings Of Manc.
Homobloc will take over the full expanse of Depot Mayfield, including the three main stages (Depot, Concourse, Archive), as well as expanding across to Temperance Street and into the historic Star & Garter pub.
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As if that wasn’t enough, this year it will also grow upwards as queer club icons Horse Meat Disco takes over the rooftop with a cinema screening, acoustic performances, pop-up shops, in-session podcasts, talks and more.
You can see the full lineup down below and, boy, what a treat you’re in for:
Rod Connolly, Promoter from Homobloc, said in a statement following the announcement of this year’s event: “It’s with great pleasure we unveil the most adventurous Homobloc line-up to date.
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“For 2023 we have straddled the edges of queer culture to introduce fresh new sounds and textures from the alternative music scene, aligning them with some of the biggest names in electronic and dance music to create a unique international party-busting with nitty-gritty northern queer energy.”
“The LGBTQ+ community has experienced another challenging year, particularly our Trans siblings who are facing a relentless wave of discrimination.
“Trans rights and liberation are under real threat and in response we are growing our charity partners this year to offer much-needed resources deep within the Trans community. We are also working on a cultural spaces charity partnership to support independent artists and creatives within the Salford and Greater Manchester area.”
As you can see, there’s so much more going on with this event than just the live music side and we simply can’t wait to see how big Depot Mayfield goes off this year.
Presale tickets for Homobloc 2023 go on sale at 10am Thursday, 3 August, with general admission going live at the same time on Friday, 4 August. Be ready and waiting to grab yours HERE.
Tame Impala at Co-op Live, Manchester – lasers, lights, and a bit of a hangover
Daisy Jackson
The coolest man in the southern hemisphere has finally made his way back up north, for his first Manchester gig in a decade.
That cool man in question is Tame Impala, the music project of what-the-hell-can’t-he-play multi-instrumentalist Kevin Parker.
Sure, last year’s single release ‘Dracula’, and then its remix re-release with K-pop megastar Jennie, may have propelled Tame Impala up towards the top of the UK singles chart for the first time, but he’s got almost two decades-worth of music to dig through beyond that too.
It’s a hefty discography and it leads to a setlist that seems to almost peak about six times.
‘How could it possibly get better than this?’ we seem to ask as he plays The Moment, Elephant, Dracula, and Let It Happen pretty early on – but better it does indeed get.
It doesn’t seem to matter whether he’s up on the main space-ship-esque stage surrounded by lasers and lights, or sat on the floor of the B Stage playing around with a keyboard, Tame Impala has an irresistible, enchanting charisma. A lot more charisma that you’d expect from a man called Kevin.
Early on, he confesses that he’s quite severely hungover from last night’s show, where he had Dua Lipa (he wrote and produced her Radical Optimism album) as a surprise guest.
But you can see the hangover clear from his eyes in real time as 23,500 Mancs scream in his face. Which might not sound like a likely hangover cure, but who am I to argue with the evidence in front of me?
Although Kevin writes, produces, and records his music solo, he’s got half a dozen musicians up on the main stage with him, which looks like a convoluted space ship that fires confetti out of its thrusters (FOUR TIMES!).
With revolving lights, dancing lasers, and a metal grid base spewing out dry ice, it’s really one hell of a production.
It’s a light show designed to give us all a glimpse of his synesthesia (meaning he sees colours when he hears music (Billie Eilish has it too)) – essentially, if you couldn’t hear a thing and could only see the stage, you can still tell exactly what song is playing.
Still, when he saunters straight through the crowd to his smaller stage to mix tracks solo – no lasers, just a few lamps – flopping down onto a tangle of wires like a mad magpie building himself a nest, it’s a chance to remember this guy’s composing prowess.
A lot of the songs performed tonight are almost orchestral in their complexity, so that the whole show merges into one thundering, bewitching night of dancing and being blasted in the face by confetti.
It’s genius.
So can you not leave it another decade before you come back, Kevin?
Kahiki Soundhouse – the new Mint Lounge site is living up to the old name and its live music legacy
Danny Jones
If you went out in town back in the day (pretty much any time from the late 90s to the 2010s), or indeed have sampled a Funkdemia over the past couple of decades, chances are you tried or at least heard of Mint Lounge – but did you know it’s been replaced by a new kid on the block, Kahiki?
Kahiki Soundhouse, to give it its full name, is the new live music venue bar that has opened up the old basement space on Oldham Street in the Northern Quarter.
In truth, it’s now more of a classic lounge than ever before.
The large open-plan floor, which used to be filled with people standing/two-stepping inside a fairly barebones club room with no air conditioning, has now been traded up for a stylish space lined with plush padded seats, classy low-lit tables perfect to share a glass or two over, and lots of new features.
Perhaps the biggest change is that the old soundbooth/stage area that used to be way at the back has now been swapped for a central 360° podium that changes up each night.
It really is the star of the all-week-round Kahiki show, if you ask us.
This also means that no matter where you are in the main venue (there are other rooms, but we’ll get to that), be it tucked in a booth to the side, at the bar, or even ‘behind’ whoever’s playing, you’ll have a virtually unobstructed view of what’s happening from noon until night.
Seriously, thanks to their already jam-packed schedule, the reviews aren’t just off to a great start only a few days in, but people have been turning up in the early evening and staying well into the early hours of the next day.
They’ve got duelling pianos, live bandaoke, acoustic nights and straightforward DJ sets for those who still fancy a taste of the previous vibe.
Kahiki’s maiden Manchester city centre venue definitely harks back to the good times had in the Mint Lounge days, but the team, who possess decades of experience between them, have combined a retro feel almost more akin to 1960s speakeasies, cocktails and evening venues.
It’s no secret that clubbing and the UK nightlife scene have changed quite a bit since the pandemic, but these guys look to have found that perfect blend of more relaxed seating, along with plenty of room to get up and boogie; there’s even a raised mini-stage/dance cage for your main character moments.
Better still, if you do want something a little bit away from the crowds of punters that are continuing to make this one of the liveliest new additions to NQ, they also have adjustable karaoke rooms where bi-folding doors can make room for up to 50 of you and your lot to party in privacy.
Let’s just say the spirit of the Lounge is alive and well in the Soundhouse.
Just one corner of KahikiYour podium awaitsOne of the smaller karaoke rooms