Marcus Rashford and Jesse Lingard have both spoken out to publicly condemn antisemitism after an image of the two with rapper Wiley has been circulating online.
The Manchester United and England pair were photographed with the 43-year-old grime artist in an image which is thought to have been taken on Sunday in Dubai, where Wiley has been performing and a number of England footballers are currently on holiday.
Wiley – whose real name is Richard Kylea Cowie, and is often labelled the ‘Godfather of Grime’ – was one of the most well-known and successful artists on the UK grime scene since the turn of the century, but was notably dropped by his management back in 2020 after making a number of offensive and antisemitic comments during rants on social media.
The rapper has been banned from Twitter and Instagram multiple times for his remarks.
Following the circulation of the image on social media this week, Rashford and Lingard have both issued statements condemning the rapper’s previous comments.
They have insisted they do not support Wiley or his beliefs.
This picture has been brought to my attention which I understand now, given context, could easily be misconstrued. I would like to reinforce that I do not and will not condone discriminative language or behaviour of any kind aimed at the Jewish community or any other community.
24-year-old Rashford said in his statement on Twitter yesterday: “This picture has been brought to my attention which I understand now, given context, could easily be misconstrued. I would like to reinforce that I do not and will not condone discriminative language or behaviour of any kind aimed at the Jewish community or any other community.
“I truly believe that tackling antisemitism in and outside of the game requires a greater level of attention and should very much form part of the game’s anti-racism stance.”
When further questioned on Twitter by a Jewish journalist about the context of the picture as this was “not explained in [his] statement”, Rashford responded that he “wasn’t aware” of Wiley’s comments at the time the photo was taken.
“I wasn’t aware of comments that had been made when I got pulled into a photo opportunity. Comments that I absolutely condemn [and] I apologise for any upset caused,” he said.
“We just all happened to be in the same place at the same time.”
Jesse Lingard also took to Twitter to speak out after the picture was seen circulating.
The 29-year-old said: “I’ve been made aware of a photo circulating currently, that can easily be misconstrued.
“I want to make it clear that I do not condone any form of racism whatsoever.”
I’ve been made aware of a photo circulating currently, that can easily be misconstrued. I want to make it clear that I do not condone any form of racism whatsoever!
Back in July 2020, shortly after the rapper made several offensive comments against Jewish people on social media, Wiley did an interview with Sky News about such antisemitic beliefs, where he refused to distance himself from them, and claimed the comments were aimed at his Jewish manager.
“My comments should not have been directed to all Jews or Jewish people,” he said.
“I want to apologise for generalising, and I want to apologise for comments that were looked at as antisemitic.”
Sky News was strongly criticised for giving the rapper a platform to explain himself.
Featured Image – Instagram (@manchesterunited | @jesselingard)
News
‘Dazzling’ Victorian silver sculpture goes on public display in Greater Manchester after fears it was lost
Emily Sergeant
A long-lost masterpiece of Victorian silverwork has been saved and is now on display to the public in Greater Manchester.
Anyone taking a trip over to the National Trust’s historic Dunham Massey property, on the border of Greater Manchester into Cheshire, this summer will get to see the ‘dazzling’ sculpture called Stags in Bradgate Park – which was commissioned by a former owner in a defiant gesture to the society that shunned him.
The dramatic sculpture of two rutting Red Deer stags, commissioned in 1855 by George Harry Grey, 7th Earl of Stamford, was said to be an ‘act of love and rebellion’.
It also serves as a symbol of ‘locking horns’ with the society that ostracised him over his marriage to a woman considered ‘beneath him’.
“This isn’t just silver – it’s a story,” says James Rothwell, who is the National Trust‘s curator for decorative arts.
“A story of a man who fell in love with a woman that society deemed unworthy. When the Earl married Catherine Cox, whose colourful past was said to have included performing in a circus, Victorian high society was scandalised. Even Queen Victoria shunned the couple at the opera and local gentry at the horse races in Cheshire turned their backs on them.”
Modelled by Alfred Brown and crafted by royal goldsmiths Hunt & Roskell, Stags in Bradgate Park is a meticulously-detailed depiction of nature, and was considered a ‘sensation’ in its day.
Showing the rutting deer positioned on a rocky outcrop with gnarled hollow oaks, it graced the pages of the Illustrated London News, was exhibited at the London International Exhibition of 1862, and at the Paris Exposition Universelle of 1867 – both of which were events that drew millions of visitors.
A ‘dazzling’ Victorian silver sculpture has gone on public display in Greater Manchester / Credit: Joe Wainwright | James Dobson (via Supplied)
The silver centrepiece was the celebrity art of its time, paraded through streets and admired by the public like no other.
Gradually over the years, some of the Earl of Stamford’s silver collection has been re-acquired for Dunham Massey, and this particular world-renowned sculpture, thought to be lost for decades and feared to have been melted down, has miraculously survived with its ‘dramatic’ central component being all that is left.
“The sculpture is not only a technical marvel, with its lifelike depiction of Bradgate Park’s rugged landscape and wildlife, but also a dramatic human story key to the history of Dunham Massey,” added Emma Campagnaro, who is the Property Curator at Dunham Massey.
“It speaks of nature, of craftsmanship, and of a couple who chose each other over status and what others thought of them.”
The sculpture has now gone on display at Dunham Massey from Thursday 26 June.
Featured Image – James Dobson (via Supplied)
News
Lewis Capaldi announces MASSIVE comeback gig in Manchester this year
Thomas Melia
Everyone’s favourite Scottish ballad-maker, Lewis Capaldi, is heading out on tour across the UK, including a massive Manchester date.
Scottish singer-songwriter Lewis Capaldi is ready to tug at our heartstrings again right in front of our eyes as he announces a new UK arena tour.
This huge announcement comes right after his surprise set at the UK’s biggest music event of the year, Glastonbury, where he made a heroic return to the Pyramid Stage just two years after being forced to pull out.
Capaldi is known for writing some of the most notable and emotive hits of the late 2010s and early 2020s, including a long list of anthems such as ‘Someone You Loved’, ‘Bruises’ and ‘Before You Go’.
His monster of a hit ‘Someone You Loved’ has surpassed 3.9 billion views and is the UK’s most-streamed song of all time, so it is safe to say that his presence has been well and truly missed.
To many fans’ delight, the singer has stepped back into the spotlight and is ready to sing his heart out live at a variety of arenas across the UK, including Co-op Live right here in Manchester.
Now, in a post on his official Instagram account announcing this upcoming UK and Ireland arena tour, it’s good to see the Scottish powerhouse hasn’t lost his wit and charm as he jokes, “About time I got back to work.”
These shows are set to be in high demand as the singer has also revealed these upcoming dates, “Will be my only shows in the UK, Ireland or Europe this year! Would love to see ya there.”
On the back of his glorious Glasto return, Capaldi has dropped a huge heart-wrencher titled ‘Survive’ which offers more insight into the struggles and challenges the singer has been facing.
There is no confirmation of whether this new single marks the launch of a bigger project or not, but we can’t wait to scream his hits at the top of our lungs, regardless of when he pays Manchester a visit later this year.
Emily Sergeant -
26th January 2022 
