A video has emerged on social media of a police officer apparently seen punching a worker outside a cafe where dozens of people were said to be dining.
The incident was confirmed to have taken place at the Kate & Luc Cafe Restaurant in Burnage yesterday.
The cafe was allegedly operating in breach of the rules of England’s third national lockdown, which permits hospitality businesses to provide collection / takeaway and delivery services, but does not allow patrons to sit inside the premises.
As well as the initial video footage which appears to show the assault taking place – posted by Twitter user @88gaz88, and amassing over 4K interactions and comments – a second video from the scene shows the staff member being led outside by Greater Manchester Police officers, with customers jeering and clapping.
Many of those same customers then followed the scene outside.
Throughout both of the clips posted to Twitter, people can be heard shouting at the officers “He’s trying to earn a living”, “You will pay for this”, and “You will get what you deserve, have you got children?”.
Guys I am not after numbers or followings! This has just happened five minutes ago!! Greater Manchester Police have assaulted a man at the cafe in burnage. 4 seconds of your time and please share the absolute hell out of this!! @gmpolice you should be ashamed of yourselves pic.twitter.com/hIFxrbGuyn
The owners of the cafe have posted regularly on their Facebook page about remaining open, despite the current lockdown rules, and a further video released from the scene – which looks to have been filmed inside the cafe – shows children among the crowd of people sitting at tables, the majority of whom appear to not be social distancing or wearing masks.
An eyewitness present at the scene provided an insight into the context of the incident, stating that: “[The cafe] has been open for takeaways, but recently we’ve seen people sitting inside [and] today there were about 50 or 60 people inside and outside.
“No-one was wearing a mask [and] it was like they were protesting [against the lockdown].
Greater Manchester Police confirmed it is “aware of the footage” from the incident circulating online and are “continuing to assess the circumstances of the incident”.
A police spokesperson said: “Police were responding to reports of non-compliance with COVID-19 restrictions by a café on Burnage Lane in Manchester,”
“Officers attended and in line with procedure, attempted to engage with individuals and disperse attendees.
“This resulted in an officer being assaulted.
“GMP are aware of the footage circulating online and are continuing to assess all the circumstances of the incident, including this footage as well as other footage obtained, at what remains an early stage in the investigation.”
GMP is aware of a video circulating online involving a man who appears to be struck by a police officer.
This incident happened whilst a 38-year-old man was being arrested on suspicion of assault of an emergency worker and resisting arrest. pic.twitter.com/nI9MZa5UET
The force also confirmed that one of their officers sustained injuries during the altercation – which took place shortly after 12pm yesterday – but did not require hospital treatment.
Officers issued a total of 14 fixed penalty notices.
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‘Dazzling’ Victorian silver sculpture goes on public display in Greater Manchester after fears it was lost
Emily Sergeant
A long-lost masterpiece of Victorian silverwork has been saved and is now on display to the public in Greater Manchester.
Anyone taking a trip over to the National Trust’s historic Dunham Massey property, on the border of Greater Manchester into Cheshire, this summer will get to see the ‘dazzling’ sculpture called Stags in Bradgate Park – which was commissioned by a former owner in a defiant gesture to the society that shunned him.
The dramatic sculpture of two rutting Red Deer stags, commissioned in 1855 by George Harry Grey, 7th Earl of Stamford, was said to be an ‘act of love and rebellion’.
It also serves as a symbol of ‘locking horns’ with the society that ostracised him over his marriage to a woman considered ‘beneath him’.
“This isn’t just silver – it’s a story,” says James Rothwell, who is the National Trust‘s curator for decorative arts.
“A story of a man who fell in love with a woman that society deemed unworthy. When the Earl married Catherine Cox, whose colourful past was said to have included performing in a circus, Victorian high society was scandalised. Even Queen Victoria shunned the couple at the opera and local gentry at the horse races in Cheshire turned their backs on them.”
Modelled by Alfred Brown and crafted by royal goldsmiths Hunt & Roskell, Stags in Bradgate Park is a meticulously-detailed depiction of nature, and was considered a ‘sensation’ in its day.
Showing the rutting deer positioned on a rocky outcrop with gnarled hollow oaks, it graced the pages of the Illustrated London News, was exhibited at the London International Exhibition of 1862, and at the Paris Exposition Universelle of 1867 – both of which were events that drew millions of visitors.
A ‘dazzling’ Victorian silver sculpture has gone on public display in Greater Manchester / Credit: Joe Wainwright | James Dobson (via Supplied)
The silver centrepiece was the celebrity art of its time, paraded through streets and admired by the public like no other.
Gradually over the years, some of the Earl of Stamford’s silver collection has been re-acquired for Dunham Massey, and this particular world-renowned sculpture, thought to be lost for decades and feared to have been melted down, has miraculously survived with its ‘dramatic’ central component being all that is left.
“The sculpture is not only a technical marvel, with its lifelike depiction of Bradgate Park’s rugged landscape and wildlife, but also a dramatic human story key to the history of Dunham Massey,” added Emma Campagnaro, who is the Property Curator at Dunham Massey.
“It speaks of nature, of craftsmanship, and of a couple who chose each other over status and what others thought of them.”
The sculpture has now gone on display at Dunham Massey from Thursday 26 June.
Featured Image – James Dobson (via Supplied)
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Lewis Capaldi announces MASSIVE comeback gig in Manchester this year
Thomas Melia
Everyone’s favourite Scottish ballad-maker, Lewis Capaldi, is heading out on tour across the UK, including a massive Manchester date.
Scottish singer-songwriter Lewis Capaldi is ready to tug at our heartstrings again right in front of our eyes as he announces a new UK arena tour.
This huge announcement comes right after his surprise set at the UK’s biggest music event of the year, Glastonbury, where he made a heroic return to the Pyramid Stage just two years after being forced to pull out.
Capaldi is known for writing some of the most notable and emotive hits of the late 2010s and early 2020s, including a long list of anthems such as ‘Someone You Loved’, ‘Bruises’ and ‘Before You Go’.
His monster of a hit ‘Someone You Loved’ has surpassed 3.9 billion views and is the UK’s most-streamed song of all time, so it is safe to say that his presence has been well and truly missed.
To many fans’ delight, the singer has stepped back into the spotlight and is ready to sing his heart out live at a variety of arenas across the UK, including Co-op Live right here in Manchester.
Now, in a post on his official Instagram account announcing this upcoming UK and Ireland arena tour, it’s good to see the Scottish powerhouse hasn’t lost his wit and charm as he jokes, “About time I got back to work.”
These shows are set to be in high demand as the singer has also revealed these upcoming dates, “Will be my only shows in the UK, Ireland or Europe this year! Would love to see ya there.”
On the back of his glorious Glasto return, Capaldi has dropped a huge heart-wrencher titled ‘Survive’ which offers more insight into the struggles and challenges the singer has been facing.
There is no confirmation of whether this new single marks the launch of a bigger project or not, but we can’t wait to scream his hits at the top of our lungs, regardless of when he pays Manchester a visit later this year.