Award-winning theatre-makers Candice Edmunds and Jamie Harrison have cast a spell, transforming a childhood classic into a new must-see musical.
Bedknobs and Broomsticks is flying across the country on a musical tour, opening at our very own Palace Theatre this week for a world premiere.
A proper classic, production for the original film was given the green light by Disney studios in 1969 and received five Academy Awards in 1971.
Now, for the first time ever, a stage musical adaption of Mary Norton’s fantasy is being shown in theatres across the country.
The Manc was lucky enough to go see the magic unfold.
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Michael Harrison’s stage adaption is a force to be reckoned with. Energetic, imaginative, and fun for all – it’s sure to become the nation’s new favourite.
The Palace Theatre was packed and as the house lights lowered a spooky murmur spread across the audience. Being the first stage performance of Bedknobs and Broomsticks, to say this production had some high expectations to meet is an understatement.
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But, wow, Brian Hill’s adaption went above and beyond (there is literally a floating bed).
The main characters flying on the iconic bed / Image: Johan Persson
Seeing the original story come back to life was a pleasure for all, especially in such capable hands. The production also stayed loyal to the Disney classic in all the right places.
The set design was nothing short of magical and had audiences marveling at one another in the interval.
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Co-director and set designer James Harrison also designed the set on Harry Potter and the Cursed Child. Harrison certainly possessed the sorcery needed to conjure the magical land of ‘Bedknobs and Broomsticks’ on stage.
The iconic bed floated inexplicably above the auditorium glowing with colour and light. Miss Price commands an army of floating clothes while soaring over the audience on a broomstick. A hungry lion, a fishing bear, and a flustered bird were masterfully brought to life through puppetry. Actors turned into white rabbits and back again so seamlessly that gasps were heard followed by applause after every trick.
With these special effects, it was hard not to start believing.
Dianne Pilkington as Eglantine Price soars on a broomstick / Image: Johan Persson.
West-End star Dianne Pilkington (Glinda in Wicked and Donna in Mamma Mia!) is back on the stage for the first time to play the mysterious witch Eglantine Price. A role known and loved to be Angela Lansbury’s who played Eglantine in the film, Pilkington had mighty shoes to fill.
But only Dianne Pilkington could have filled them.
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Pilkington approaches the role with confidence and fresh energy. She captures the attention of all audience members through her unfailing vocal abilities and witty interpretation of the character. We couldn’t take our eyes off her.
Charles Brunton (Miss Trunchball in Matilda) played the con artist Emelius Brown with all the charm of a quintessential shabby Englishman. Brunton is the perfect match for Pilkington and the two danced around each other with perfect ease, a duo we would like to see again.
The Rawlins, three orphans evacuated from London and reluctantly adopted by Miss Price, were played by (Connor O’Hara, Evie Lightman, and Jasper Hawes). The children played their roles with sensitivity and were all strong vocal talents.
The three Rawlins children on stage / Image: Johan Persson.
New songs and additional music and lyrics by Neil Bartram were a grand success. ‘Nobody’s Problem’ proved the five-core actor’s strength as an ensemble, their choral harmonisations added to the heart-wrenching sadness of Bartram’s lyrics.
Sherman Brother classics including ‘Age of Not Believing’ and ‘The Beautiful Briny’ made a comeback. Combined with being old favourites and the added verve of theatricality, you wondered why this was their first time being performed on stage.
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But it was ‘Portobello Road’ that stole the show. Costumes dazzled with glitter, chorus members whirled around on carts and the detailed choreography won it The Manc’s song of the show.
The play was granted the standing ovation it deserved. Whoops and cheers shook the auditorium.
Home to lavish musicals and pantomimes since the beginning of the 20th Century, The Palace Theatre was the perfect place for Bedknobs and Broomsticks to open in Manchester.
The Palace has put on thousands of performances, but Bedknobs and Broomsticks is sure to become a gem in the crown jewels.
Grab your tickets for its run in Manchester here. Or if not, you can chase it as it flies round the rest of the country here.
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Manchester dates: October 19 – 24
Directors: Candice Edmunds and Jamie Harrison
Running Time: 2 hours
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Featured Image – Johan Persson
News
Ticket requests are now officially open for Harry Styles’ one-night-only Manchester gig
Emily Sergeant
The time has come – the ticket request system for Harry Styles’ one-night-only gig in Manchester is now live.
In case you hadn’t heard, it was announced on Wednesday evening after much speculation that Harry Styles would be making a return home to Manchester for a one-night-only ‘intimate’ gig at Co-op Live to celebrate the release of his fourth studio album next month.
Styles is set to share Kiss All The Time. Disco, Occasionally with the world on Friday 6 March – and it’s that very same night he’ll be taking to the stage in Manchester.
Although little is known about what to expect at the gig, the poster for the event does state that there’ll be a ‘special performance of the album’, so it seems fair to say that Manchester will be the first to hear the new set of songs in full live.
And if all of that wasn’t exciting enough as it is, the tickets are only £20 per person.
But, of course, there is a bit of a catch, as this isn’t your regular online queuing up for tickets scenario, this is a ‘ticket request’ system instead.
So, like us – and literally every other fan in the vicinity of Greater Manchester and beyond this week – you’re probably wondering what a ‘ticket request’ system is… what does it look like? How does it work? Basically, what the heck is it? Well, we’ve done a bit of digging around to get to the bottom of it so you’re not left too much in the dark.
According to Ticketmaster’s website, if an artist is running a ticket request, they’ll invite fans to request tickets so you don’t have to compete in a first-come, first-served sale.
This means you can take your time to review the available options and request the right tickets for you.
All you need to do is tell Ticketmaster which shows you’re interested in, the type of ticket you want, and your payment details. Then, if the tickets you request can be fulfilled, your card will be charged and you’ll get emailed instructions to access them in the Ticketmaster App.
Unfortunately, as much as we’d love it to be the case for everyone, submitting a request doesn’t guarantee you tickets – it really is just luck of the draw.
To request tickets, you’ll need to follow these three simple steps:
Select which shows you’re interested in and the type of ticket you want
Add your payment details
Harry Styles ticket requests are now live / Credit: Johnny Dufort (Publicity Picture)
Ticketmaster will then send you a summary email that details the tickets you’ve requested. Your card won’t be charged at this time, but they may charge a temporary £1 authorisation to your card to validate your request.
A maximum of two tickets per person can be requested, which has been set to allow for as many fans as possible to get tickets.
Now, here’s the crucial part – you will need to submit your request for tickets while the window is open until Sunday 8 February at 11pm GMT. After the request window closes, you’ll get a second email by 11:59pm GMT on Tuesday 10 February confirming whether or not your request has been fulfilled.
All that’s left to do now is provide you with the link here and send you on your way… oh, and may the odds be ever in your favour.
Featured Image – Wikimedia Commons
News
Oldham RLFC chairman to step aside following ‘stadium ban’ and winding-up petition
Danny Jones
Oldham Rugby League Football Club chairman Bill Quinn has said he is stepping down from his role at the organisation following a reported club-wide stadium ban and an HMRC winding-up petition earlier this month.
Quinn has now claimed that the petition, which requires a company to appear in court over debts, has since been resolved, but the 59-year-old is still set to leave the local outfit.
Mirroring the concerning circumstances that nearly saw Salford Red Devils disappear completely last year, before a former player’s investment rescued the sporting institute in the eleventh hour, Oldham RLFC looked to be staring down a deeply concerning period of uncertainty.
Speaking directly to Roughyeds fans in a lengthy video share on social media, Quinn said that while he disagreed with many of the comments left by supporters online over the last few weeks, he understands their frustration and right to know what’s going on in and around Boundary Park.
Reiterating that he’s “more than happy” to answer reasonable questions levelled by Oldham residents and matchgoers, he said that he denies allegations made by fellow native club, Oldham Athletic, stating that they are “totally unfounded and untrue”.
The Latics are currently refusing the rugby league side from using their usual home ground, with the football team also serving as landlords and raising concerns over unpaid taxes and outstanding funds still owed to debtors – including OAFC themselves.
You can read their most recent public statement in full HERE.
However, Quinn claims that both entities claim the other one owes them money, and the situation looks to be unfortunately heading towards formal litigation.
Nevertheless, while Chorley-based businessmen say the club is prepared to settle their monetary differences if arrears prove to be the case on their part, he has still said that he will soon be quitting.
As you can see, despite plenty of support and sympathy from the faithful fan base, the process looks to already be in motion, and many are being urged to provide their feedback on what should happen next.
"Trust between a club and its supporters relies on openness and communication — both of which currently feel lacking. This open letter is not written in a spirit of hostility, but out of genuine concern for the future of Oldham RLFC".
Despite Quinn’s insistence that “everyone will be paid”, the spectre of possible liquidation has still caused plenty of concern among the community.
In the case of Salford RLFC, they were fortunate enough to have ex-winger Mason Caton-Brown step in as part of a consortium – you can read our full interview with him HERE – but as the weeks and months of that saga proved, a lot can change even day to day.
As for the coaching front, Alan Kilshaw has been confirmed as the new boss of the Roughyeds following director of rugby Mike Ford and his assistant Callum Irving leaving last week.
While winding-up summons obviously still loom large over the club at the moment, Oldham fans do at least have games to look forward to, with the Greater Manchester Championship club set to face off against Dewsbury Rams in the third round of the Challenge Cup this Sunday, 8 February (3pm).
Dolly Busby -
22nd October 2021 
