The Royal Exchange Theatre has announced that it has entered into ‘redundancy consultation’ with staff members and may be forced to make up to 65% of permanent roles redundant.
The theatre, in the heart of Manchester city centre, has cited the coronavirus (COVID-19) pandemic and the uncertainty around when it may be able to once again reopen doors for live performances, as having a detrimental effect.
Theatre directors said “there is nothing on the table which gives us confidence or clarity to be able to restart any activities in the immediate future” and that they “simply can’t trade” at this moment in time, even with social distancing measures in place, as it is “just not financially viable within our current structure”.
Announcing via a formal statement on its website yesterday evening, the Royal Exchange Theatre said that the impact of the pandemic has been “monumental” and they have been “working incredibly hard to ensure the survival and the future of our theatre”.
The statement continues: As a direct result of this, and the dramatic loss of income associated with it, we have no other choice than to scale back the organisation and reduce our overheads in order to survive. This means that we have been forced to make the incredibly hard decision to enter a period of redundancy consultation with our staff.”
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“At the end of this period we may have to make up to 65% of permanent roles redundant.”
“We have explored all other possible options and this is the last resort in protecting the future of the Royal Exchange Theatre. The primary focus now is our duty of care to our staff [and] we have an incredible team of people who have shown enormous commitment and resilience.”
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“This is a very sad and difficult time for everyone involved.”
“As a company, we remain committed to our vital role as a key cultural organisation for Greater Manchester, the North West and the national theatre ecology.”
“We will emerge from this period as a different organisation in a very different landscape, but we are determined to deliver the best cultural experiences for our audiences and communities once more, and we will do our utmost to bring our stages back to life as soon as it is safe and economically possible, opening our spaces, inviting communities and presenting bold and inventive work from vibrant and original voices”.
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Bryony Shanahan, Artistic Director, said “It’s been heart-breaking to come to the realisation that this is the action we have no choice but to take.”
“Our staff are dedicated, talented, loyal and they don’t deserve this – and neither do the thousands of people in our industry who are facing job loss and uncertainty. It is an awful time for us all, and it’s also hugely frustrating that government support simply hasn’t reached us in time, despite clear warning signals and cries for help.”
“Access to culture for all should not be a luxury but a right, and so we must value it as such as we heal and move forward from this time.”
Roy Alexander Weise, Artistic Director, said: “The only way through this tremendously difficult time is to have unwavering optimism; keeping our eyes firmly on the goal of building again a vibrant hub of creativity and connection for Greater Manchester.”
“This catastrophe sadly forces us to change drastically to brace the world’s uncertainty but we look further ahead with hope to becoming a theatre which benefits more people than ever before, brings our community relationships into sharper focus, and helps us to employ and sustain more talent in the future.”
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“Theatre will survive because as human beings we crave stories to make sense of our existence and imagination will help us to create a future. Our Engagement work with community participants never stopped during lockdown, and we have been committed to people remaining connected with us and each other.”
“We have learnt through this time that we can do and be so much more for the people of this great city. Theatre, arts and culture will be needed more than ever to support our collective recovery [and] when we eventually open our doors, we will be a pillar of strength, love and resilience for all.”
Steve Freeman, Executive Director, said: “The current economic landscape is desperate for theatres up and down the country, but we remain committed to being able to bring joy and entertainment to peoples’ lives once more. In the short-term, this means that we are having to take the most drastic and painful actions now.”
“However, we know that our role in providing people with the space to congregate for cultural experiences will be all the more important in the new world we are all facing.”
The Royal Exchange Theatre has started the #RXConnect hashtag on social media, which has seen much interaction and support from members of the public over the past few months since closing its doors back in March.
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The Royal Exchange Theatre closed out its statement thanking everyone for their continued and invaluable support and vowed to “be back as soon as we can”.
For more information, visit the Royal Exchange Theatre website here.
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Plans to bring Greater Manchester’s rail services onto the Bee Network unveiled
Emily Sergeant
Ambitious plans to bring all rail services in Greater Manchester onto the Bee Network have been unveiled this week.
After the success of all the region’s buses returning to local control at the start of the year, Mayor Andy Burnham has set out Greater Manchester’s step-by-step plan to bring rail into the Bee Network by 2028, working alongside the rail industry to do this as the next part of his joined-up ‘London-style’ public transport system, which is intended to boost passenger numbers, and drive growth across the region.
Developed in partnership with the rail industry, Department for Transport (DfT) and Shadow Great British Rail, Mr Burnham says his plan is aimed at not only improving transport but unlocking major regeneration and housing opportunities on land around the region’s stations too.
Greater Manchester’s proposition is for eight commuter rail lines, covering 64 stations, to be brought into the Bee Network in three phases over the next five years.
Under the plan, the first two lines – which will work to connect Manchester to Glossop and Stalybridge, in Tameside – will join the Bee Network by December 2026, and then a further 32 stations, and all lines within Greater Manchester, would join by 2030.
Not only that, but Greater Manchester leaders have also committed to working with the Government and the rail industry to “improve reliability” and “implement service changes” to help drive growth too.
If all goes to plan, the first branded Bee Network train will be running by the end of 2026.
Bus, tram and train will finally be united in a tap-in, tap-out payment system with a daily cap offering much better value for money than existing rail fares.
Another major change is that TfGM has said it will work with the rail industry to accelerate the delivery of accessibility improvements – with more than 60% of stations on the eight lines set to have step-free access by 2028, compared to 43% at the end of 2024.
“Our rail system today is acting as a brake on growth and, as the UK’s fastest growing city-region, Greater Manchester deserves better,” commented Mayor Andy Burnham, as he unveiled his plans this week.
“We need a railway that is reliable and fully integrated with the rest of the Bee Network to drive growth and deliver new homes with public transport connections on the doorstep.
“Our plan puts passengers first by delivering a simplified, joined-up public transport network, with better services, stations and overall experience. Only by making travel by train more reliable, simpler, flexible and accessible to everyone, will we convince more people to leave the car at home and make the switch to the Bee Network.”
If everything goes according to plan, it’s expected to boost the number of trips by train by 1.3 million each year.
Featured Image – Wikimedia Commons
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Manchester United reinstate season ticket of fan with dementia after fury over cancellation
Danny Jones
Manchester United have quickly reinstated the season ticket of a lifelong fan suffering from dementia after it was cancelled following confusion over his attendance.
The Premier League was met with huge backlash this week after a fan account on social media posted a message from a fellow supporter explaining how their grandfather had been stripped of his season ticket for supposedly failing to attend the last five games – only that wasn’t the case at all.
As detailed in the lengthy text shared countless times on X, the elderly fan who not only struggles with the neurological condition but also doesn’t own a mobile phone, has been using a paper ticket with a QR code printed on it ever since the majority of stadiums transitioned to largely digital ticketing systems.
Not only were many quick to point out that e-ticketing can be excluding for fans of a certain age and/or accessibility needs but the result in this instance could have been avoided had they taken into account an issue no doubt many other supporters face week in and week out.
@MUSTChair@MU_ST can you guys investigate this? I am not surprised but this is disgusting behaviour. Granted it's no doubt an automated IT system but the club need to make arrangements for the older/non IT fan
As the message goes on to explain, the QR code itself “hasn’t worked all season” and the stewards have simply been making an exception and letting him in on good faith and discretion, along with the presumption that there may have just been an error during the printing of the ticket.
However, since had and could not be scanned on each of these occasions, there was no real record of his entry on their database whatsoever, meaning that he unknowingly hit the limit of games supporters are allowed to miss before a season ticket can be removed.
As a result, not only was his season ticket of more than 45 years cancelled but his seat was immediately relisted for the ballot and quickly sold to someone else ahead of the Brighton game on Sunday, 21 January – at a now inflated price, no less.
Understandably, United supporters and various other clubs were left shocked by the error of the club, damning the decision as “shameful” and disgusting”, with many claiming that they are once again turning their back on so-called ‘legacy fans’.
One person replied: “Man United failing in their duties under the Disability Discrimination Act / Equality Act 2010, with regard to reasonable adjustments, and the club is now vulnerable to legal action […] Scandalous that clubs cannot just do the right thing anymore and only see fans as cash cows to exploit and (effectively) abuse as they see fit.”
What’s even more alarming is the worry that this has already or will happen again to other fans in similar situations, as a fellow Red responding to a response from the club reinforced the same concerns, claiming that they were unwilling to make reasonable adjustments for a family member with Alzheimer’s.
I'm the same. My mum has alzheimer's and I can't always go, especially to night matches but it maybe short notice so can't sell ticket. I asked if this could be taken into consideration at the end of the season and they said no. If you miss games then sell your ticket.
Thankfully, as per multiple outlets, the club has now at the very least rectified this particular mistake and although the club’s Director of Supporter Services had been “unhelpful” up until that point, the right steps have finally been taken.
On the other hand, as the original poster wrote following the update, “Good to hear this has now been resolved, but it should never have happened in the first place.”
Moreover, it’s clear that better measures and safeguarding practices need to be put into place when it comes to contingencies like this because although the Premier League has stated a full switch to digital e-tickets must be complete by the end of 2027 at the latest, there will always need to be exceptions.
As for ticket prices themselves, another banner up at Old Trafford after the club adjusted ticket prices and removed concessions across all categories for the remainder of the season – it read: £66 of your debt, not ours”. It’s not the first time fans have already protested since Sir Jim Ratcliffe’s tenure began.
“£66 you’re taking the p*ss” sing those protesting behind the banner. There are also chants of “you’re forcing us out.” pic.twitter.com/L34l36uvXk