A true music entertainment pioneer and UK culture shaper left the building on Sunday, and his passing has rocked the foundation of many in the UK music industry and beyond.
Last night it was confirmed that Youtube star and SBTV founder Jamal Edwards had passed away, aged 31. Tributes have been pouring in thick and fast following the news of his death.
The son of Loose Women star Brenda Edwards, Jamal was awarded an MBE for his services to music in 2014. Described by his mum as an “inspiration” and the “centre of [her] world”, she has confirmed that he died of a “sudden illness” over the weekend.
After the devastating death of Jamal, our thoughts are with Brenda today. She’s sent us this message: pic.twitter.com/EZWH3b5tcX
He is credited with helping to kick start the careers of huge artists like Skepta, Ed Sheeran, Dave and Jessie J through his Youtube channel, but his impact stretched much wider than that – touching many artists in Manchester and beyond.
As Despa Robinson, CEO and founder of Birmingham-based record company B£83 Music wrote in tribute: “He left the door open and 1000s of us ran through it.”
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I used to talk to this 15 y/o kid on MSN & we compared notes on cameras in my early Despacam days.
That kid went on to become a giant by the name of Jamal Edwards. He left the door open & 1000s of us ran through it.
SBTV first launched in 2007 with a grainy video recording of a rap battle, filmed by Jamal on a college excursion to Cadbury’s chocolate factory in Birmingham. This DIY aesthetic would go on to define the channel in more ways than one.
Changing the career trajectory for a host of underground UK artists, SBTV helped to make artists ubiquitous at a time when urban music in the UK was changing rapidly and the industry just hadn’t caught up.
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Instead of waiting to get airplay on the radio or for a label to sign them, artists could pave their own way by getting onto his Youtube – and they flocked to him.
SBTV launched the same year as YouTube did.
Its hard to describe just how hard things were for UK rappers at that time. But the best example is the charts – where there were 0 (zero) UK rappers in the Top 100.
Jamal’s vision gave a real platform to the underrepresented.
SBTV wasn’t the only channel doing this – but it was very much up there. Over the years, Jamal’s Youtube featured a huge array of Mancunian up-and-comers including DRS, Tobi Sunmola, Bugzy Malone, Shotty Horroh, Skittles, MC Fox, Fumez, Chimpo, Blizzard, Lady Ice and many more.
As Manchester rapper Lady Ice put it: “Back then no one was really looking at us Manny artists and being a female was worse.”
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“In 2014 Jamal Edwards was the first person that gave me an opportunity to hit a major platform. You believed in me.”
“You have done incredible things for the scene. A true pioneer. Fly high.”
Harnessing the power of Youtube before others had caught on, SBTV successfully undercut the traditional music industry trajectory and launched a whole new generation of urban artists to fame in a way that took the mainstream by surprise.
As Guardian columnist Kieran Yates wrote of Edwards back in 2017, “[he] enabled and emboldened artists to make the case that they had a real following. He legitimised the voices of the streets.”
Manchester rapper Blizzard has credited SBTV with shaping his career, but he has also spoken highly about him as a person too – tweeting about how he was there for him at his lowest ebb.
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This is why Jamal is the GOAT
I posted I was suicidal early last year and he phoned me out of the blue before ANYONE, even family – and he just chatted to me for nearly an hour about how things were gonna get better and I'll never ever forget that. 💔
Further tributes from Manchester artists have come from Konny Kon and Tyler Daley of Children of Zeus, who this morning tweeted “We should all make an effort to tell people while they’re here what we think of them”.
Manchester rapper and producer Chimpo described him as a pioneer and gentleman, writing: “Rest Easy Jamal. All the success he had n legendary things he achieved, my man still had all the humbleness and enthusiasm in the world. A pioneer and a gentleman.”
And a Mancunian reporter for ITV, Jam Williams-Thomas, said: “This man did so much for grime and UK music. I grew up watching SBTV to see all the underrepresented artists of the scene. His grind is unmatched. A real inspiration and a huge, huge loss to the industry. Honoured to share first names with you. RIP Jamal Edwards.”
RIP Jamal Edwards, a real trailblazer.
I remember seeing this ad spot in the X-Factor back in 2011 & being instantly inspired to get into media. Prayers for his family 🕊 pic.twitter.com/wc2BbiDjO3
Manchester night tsar and Warehouse Project founder Sacha Lord tweeted: “RIP the nicest, loveliest guy in the industry, Jamal Edwards. Shocked and very very saddened, A legend.”
Manchester’s Thirty Pound Gentleman founder, Danny ‘Falz’ Fahey, wrote: “Jamal E Edwards is a pioneer and creator we can’t ever forget in our culture. Always with the self belief and encouragement for our young people, always close to the ground regardless of his remarkable success. Rest well.”
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Dave tweeted: “Thank you for everything. Words can’t explain.”
Vernon Kay wrote: “Jamal Edwards. RIP. Always someone you were drawn to. Learnt so much from him every time we met…A pioneer and a generous dude. Shocked he’s gone.”
Feature image – Flickr
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Review | The Lion, The Witch and The Beaver* – sorry, Wardrobe
The Manc
What an enchanting evening at The Lowry as we were transported to Narnia to review the live stage adaptation of The Lion, The Witch and The Wardrobe in Media City as the production began its festive run in Greater Manchester.
As we entered the playing space, the atmosphere was set with a pianist on stage, slowly drowning out the noise of the outside world and settling the audience in for a night of magic.
Launching ‘Act One’ with a touching rendition of the British wartime classic, ‘We’ll Meet Again’ by Vera Lynne, we meet the large ensemble, multi-instrumentalist cast.
This talented ensemble pivots around multiple roles throughout the performance, creating a shape-shifting atmosphere with some impressive seamless transitions, allowing us to “open our minds” and be absorbed into the mythical world of Narnia alongside The Pevensies.
Sweetly played by Joanna Adaran, Jesse Dunbar, Kudzai Mangombe and Bunmi Osadolor, they excel in exploring sibling dynamics such as rivalry, trust, but most of all, loyalty and love.
The most mind-blowing element of this performance, however, was the production; it truly is the unsung hero of the entire show, so we’ll so the singing on their behalf.
Set and costume (designed by Tom Paris), lighting (done by Jack Knowles), puppetry design and direction (by Max Humphries and Toby Olie), sound design (credit to Tom Marshall) and hair, make-up and wig designer (Susanna Perez).
All this carefully curated talent helped create a world where we had no choice but to believe in magic.
For us as an audience, it made things so much easier to immerse and delight in the world of C.S. Lewis’ imagination, as it is so wonderfully presented in front of us.
This was elevated once again by levitation and disappearing acts – the scene was set on the boards and in the air.
Huge credit goes to Gwen Hales (aerial director) and Chris Fisher (magic and illusions); it felt as if anything was possible, and we needed no convincing that we were in the presence of pure enchantment.
However, arguably the most magnificent moment of the show was the reveal of Aslan himself. As this grand puppet prowled onto the stage, you could hear gasps echo throughout the theatre.
Manoeuvred by three puppeteers, this skilful spectacle was a credit to bringing the story to life in live theatre. The seamless, lifelike movements of breath and king-like presence were both majestic and a credit to the production.
Accompanied by Stanton Wright, we had no doubt that this was the true hero of Narnia.
If you want us to sum up our review of The Lion, The Witch and The Wardrobe at The Lowry, quite simply, this show is nothing short of a marvel.
Make sure to take home a cuddly lion toy, of course. (Credit: The Manc)
With constant playfulness and wit throughout – mainly brought to you from the broad Northern and oh-so lovable Mr Beaver (Ed Thorpe), and fellow believer in magic, ‘The Professor’ (Kraig Thornber).
It’s the lattermost that left us with a lasting thought, as he warmly reminds the audience that even when times feel dark, “the sun is always up there, we just have to look.”
The Lion, The Witch and The Wardrobe is running from The Lowry in Salford Quays all the way up until Sunday, 11 January 2026. Don’t miss the magic and grab your tickets HERE.
If you’re interested in finding out what else we’ve enjoyed at the theatre in Manchester recently, then look no further…
Featured Images — The Manc Group/Press shots (Brinkhoff/Moegenburg supplied via The Lowry)
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Peaky Blinders confirm title and release date of upcoming film
Danny Jones
After what feels like an age since it was first announced, Peaky Blinders and Netflix have finally confirmed the title and release date of the upcoming feature-length film.
It was revealed that the global streaming giant secured exclusive rights to the movie last year, and it has now been revealed that it will also be released in selected theatres before it hits the platform.
With production on the long-talked-about project getting underway in September 2024, we’ve heard little else from creator Steven Knight, who has also been booked to deliver the Oasis reunion documentary chronicling their Live ’25 world tour.
However, we now know not only the official title of the film, Peaky Blinders: The Immortal Man, and that it will be dropping early next year. They’ve even shared the first poster.
Clearly referring to the series’ most famous lead character, Thomas Shelby – played by now fully-fledged Hollywood A-lister Cillian Murphy since 2013 – the teaser shows him sat astride a horse, not to mention covered in a fair amount of dirt and/or blood.
Alongside the suit and the trademark newsboy cap with blades inserted in the brim (the calling card of both the fictional and the real ‘Peaky Blinders’), it’s quite a classic look of Tommy’s.
Scheduled to release in limited cinemas on 6 March before arriving on Netflix on 20/3/2026, this will not only be the first film in the wider franchise but the first to air separately from the BBC.
While its parent network is still involved as collaborators on the flick, this is the first instalment in the IP to be distributed directly by Netflix after they bought the rights to release the show in the US.
Another look at a seemingly older Tommy Shelby (Credit: Publicity picture via Netflix)
As for The Immortal Man, both new and returning members of the cast include:
Cillian Murphy (Oppenheimer, 28 Days Later)
Rebecca Ferguson (Dune, Silo)
Tim Roth (Reservoir Dogs, The Hateful Eight)
Sophie Rundle (After the Flood, Gentleman Jack)
Ned Dennehy (Culprits, The Peripheral)
Packy Lee (Blue Lights)
Ian Peck (His Dark Materials, Robin Hood)
Jay Lycurgo (Steve, Half Bad: The Bastard Son & The Devil Himself)
Barry Keoghan (Saltburn, The Banshees of Inisherin)
Stephen Graham (Adolescence, A Thousand Blows)
Speaking in a full press release, Murphy said: “It seems like Tommy Shelby wasn’t finished with me. It is very gratifying to be re-collaborating with Steven Knight and Tom Harper on the film version of Peaky Blinders. This is one for the fans.”
Returning four years after the end of the mainline series, but catching up with Tommy at the outset of WWII in terms of the actual timelines, Netflix say that the Shelby patriarch “is driven back from a self-imposed exile to face his most destructive reckoning yet.”
Safe to say we cannot wait to be back in the world.
In the meantime, you can find out more about the next season(s) of Peaky Blinders coming to the BBC very soon down below.