The significance of the floral arrangement on top of HM Queen Elizabeth II‘s coffin has been revealed, as well as the words written on the “loving” note placed in the centre.
The nation bid a final farewell to our longest-reigning monarch at a State Funeral today.
Around 2,000 guests attended the official service at Westminster Abbey, including world leaders representing nearly 200 countries and territories, 500 foreign dignitaries – such as politicians, civil servants, and some celebrities – and many ordinary members of the public selected for charitable or community works.
Tens of thousands of mourners also travelled to London and Windsor for the State Funeral and burial service, and many more were seen gathering at different hubs across the UK to watch the historic event in real-time.
Queen Elizabeth II’s children – including the newly-ascended King Charles III and Queen Consort – were in attendance, as were her grandchildren, great-grandchildren, and other extended family members.
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The service concluded with a two-minute silence observed by the nation.
Now, it has been revealed why the floral arrangement placed on top of the Queen’s coffin is so significant and sentimental to her and the Royal Family, as well as what the message written on the card placed within the flowers reads.
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HM Queen Elizabeth II’s State Funeral took place at Westminster Abbey today / Credit: The Royal Family
The millions of people watching the State Funeral broadcast live will have seen the colourful wreath of flowers siting on top of Her Majesty’s coffin, along with the Royal Standard flag, and the Queen’s crown, orb and sceptre.
The wreath was made completely sustainably, upon King Charles III’s request.
The Royal Family has revealed that, also upon the King’s request, the floral wreath includes myrtle flowers which have been grown from a sprig of the Queen’s wedding bouquet when she married Prince Philip The Duke of Edinburgh back in 1947.
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The wreath also features foliage of rosemary, which is an ancient symbol of remembrance, and English Oak, which is a national symbol of strength.
The nation came together to commemorate the life of our longest-reigning monarch / Credit: The Royal Family
Flowers cut from the gardens of the Balmoral estate – the Scottish castle where the Queen spent much of her time including her final days before her passing – also feature prominently in the arrangement, and these include the Queen’s favourite flower, the sweet pea, as well as dahlias, phlox, white heather, and pine fir.
Many of these floral tributes also hold a poignant tribute to the Queen’s relationship with her late husband.
Dahlia flowers symbolise a lasting bond and lifelong commitment between two people, while sweet peas are associated with departures and goodbyes, as well as being the birth flower of April – which was the Queen’s birth month.
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At The King's request, the wreath contains foliage of Rosemary, English Oak and Myrtle (cut from a plant grown from Myrtle in The Queen's wedding bouquet) and flowers, in shades of gold, pink and deep burgundy, with touches of white, cut from the gardens of Royal Residences. pic.twitter.com/5RteIWahuW
Typical of many floral arrangements at funeral services, many spectators also noticed that there was a card with a tribute message was placed in the centre of the wreath, and the message written on the note has now been revealed and shared by the BBC on the live television broadcast.
The message on the note card was from King Charles III, and was said to simply read – “In loving and devoted memory, Charles R.”
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HM Queen Elizabeth II died aged 96 on 8 September 2022.
During her reign, she served as Queen of the United Kingdom and the Commonwealth – undertaking an important symbolic and unifying role as a head of state, spanning numerous geographical regions, cultures, and religions.
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She was not just the longest-reigning British monarch in history, but she was also the first-ever monarch to reign in the UK for 70 years.
Admired for her duty and dedication to the role, today her remarkable life was remembered by all.
Featured Image – The Royal Family (via Twitter)
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Review | The Lion, The Witch and The Beaver* – sorry, Wardrobe
The Manc
What an enchanting evening at The Lowry as we were transported to Narnia to review the live stage adaptation of The Lion, The Witch and The Wardrobe in Media City as the production began its festive run in Greater Manchester.
As we entered the playing space, the atmosphere was set with a pianist on stage, slowly drowning out the noise of the outside world and settling the audience in for a night of magic.
Launching ‘Act One’ with a touching rendition of the British wartime classic, ‘We’ll Meet Again’ by Vera Lynne, we meet the large ensemble, multi-instrumentalist cast.
This talented ensemble pivots around multiple roles throughout the performance, creating a shape-shifting atmosphere with some impressive seamless transitions, allowing us to “open our minds” and be absorbed into the mythical world of Narnia alongside The Pevensies.
Sweetly played by Joanna Adaran, Jesse Dunbar, Kudzai Mangombe and Bunmi Osadolor, they excel in exploring sibling dynamics such as rivalry, trust, but most of all, loyalty and love.
The most mind-blowing element of this performance, however, was the production; it truly is the unsung hero of the entire show, so we’ll so the singing on their behalf.
Set and costume (designed by Tom Paris), lighting (done by Jack Knowles), puppetry design and direction (by Max Humphries and Toby Olie), sound design (credit to Tom Marshall) and hair, make-up and wig designer (Susanna Perez).
All this carefully curated talent helped create a world where we had no choice but to believe in magic.
For us as an audience, it made things so much easier to immerse and delight in the world of C.S. Lewis’ imagination, as it is so wonderfully presented in front of us.
This was elevated once again by levitation and disappearing acts – the scene was set on the boards and in the air.
Huge credit goes to Gwen Hales (aerial director) and Chris Fisher (magic and illusions); it felt as if anything was possible, and we needed no convincing that we were in the presence of pure enchantment.
However, arguably the most magnificent moment of the show was the reveal of Aslan himself. As this grand puppet prowled onto the stage, you could hear gasps echo throughout the theatre.
Manoeuvred by three puppeteers, this skilful spectacle was a credit to bringing the story to life in live theatre. The seamless, lifelike movements of breath and king-like presence were both majestic and a credit to the production.
Accompanied by Stanton Wright, we had no doubt that this was the true hero of Narnia.
If you want us to sum up our review of The Lion, The Witch and The Wardrobe at The Lowry, quite simply, this show is nothing short of a marvel.
Make sure to take home a cuddly lion toy, of course. (Credit: The Manc)
With constant playfulness and wit throughout – mainly brought to you from the broad Northern and oh-so lovable Mr Beaver (Ed Thorpe), and fellow believer in magic, ‘The Professor’ (Kraig Thornber).
It’s the lattermost that left us with a lasting thought, as he warmly reminds the audience that even when times feel dark, “the sun is always up there, we just have to look.”
The Lion, The Witch and The Wardrobe is running from The Lowry in Salford Quays all the way up until Sunday, 11 January 2026. Don’t miss the magic and grab your tickets HERE.
If you’re interested in finding out what else we’ve enjoyed at the theatre in Manchester recently, then look no further…
Featured Images — The Manc Group/Press shots (Brinkhoff/Moegenburg supplied via The Lowry)
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Peaky Blinders confirm title and release date of upcoming film
Danny Jones
After what feels like an age since it was first announced, Peaky Blinders and Netflix have finally confirmed the title and release date of the upcoming feature-length film.
It was revealed that the global streaming giant secured exclusive rights to the movie last year, and it has now been revealed that it will also be released in selected theatres before it hits the platform.
With production on the long-talked-about project getting underway in September 2024, we’ve heard little else from creator Steven Knight, who has also been booked to deliver the Oasis reunion documentary chronicling their Live ’25 world tour.
However, we now know not only the official title of the film, Peaky Blinders: The Immortal Man, and that it will be dropping early next year. They’ve even shared the first poster.
Clearly referring to the series’ most famous lead character, Thomas Shelby – played by now fully-fledged Hollywood A-lister Cillian Murphy since 2013 – the teaser shows him sat astride a horse, not to mention covered in a fair amount of dirt and/or blood.
Alongside the suit and the trademark newsboy cap with blades inserted in the brim (the calling card of both the fictional and the real ‘Peaky Blinders’), it’s quite a classic look of Tommy’s.
Scheduled to release in limited cinemas on 6 March before arriving on Netflix on 20/3/2026, this will not only be the first film in the wider franchise but the first to air separately from the BBC.
While its parent network is still involved as collaborators on the flick, this is the first instalment in the IP to be distributed directly by Netflix after they bought the rights to release the show in the US.
Another look at a seemingly older Tommy Shelby (Credit: Publicity picture via Netflix)
As for The Immortal Man, both new and returning members of the cast include:
Cillian Murphy (Oppenheimer, 28 Days Later)
Rebecca Ferguson (Dune, Silo)
Tim Roth (Reservoir Dogs, The Hateful Eight)
Sophie Rundle (After the Flood, Gentleman Jack)
Ned Dennehy (Culprits, The Peripheral)
Packy Lee (Blue Lights)
Ian Peck (His Dark Materials, Robin Hood)
Jay Lycurgo (Steve, Half Bad: The Bastard Son & The Devil Himself)
Barry Keoghan (Saltburn, The Banshees of Inisherin)
Stephen Graham (Adolescence, A Thousand Blows)
Speaking in a full press release, Murphy said: “It seems like Tommy Shelby wasn’t finished with me. It is very gratifying to be re-collaborating with Steven Knight and Tom Harper on the film version of Peaky Blinders. This is one for the fans.”
Returning four years after the end of the mainline series, but catching up with Tommy at the outset of WWII in terms of the actual timelines, Netflix say that the Shelby patriarch “is driven back from a self-imposed exile to face his most destructive reckoning yet.”
Safe to say we cannot wait to be back in the world.
In the meantime, you can find out more about the next season(s) of Peaky Blinders coming to the BBC very soon down below.
Emily Sergeant -
19th September 2022 
