Bongo’s Bingo is hands-down a cracking night out. Mix up some cocktail pitchers with a rave in a historical hall and you’ve got a recipe for success.
But it’s also more than your average Manchester event. Bongo’s Bingo is mad, unadulterated entertainment: A Year Six disco crossed with an office Christmas party. Only this time, boys and girls are not lingering in opposite corners and the teachers are stood on tables singing ‘Sweet Caroline’ – fuelled up on Woo-Woos and jaeger bombs whilst waving glow sticks.
With Rich Furness and his two hype-men dressed in drag headlining the show, Bongo’s cranks up the volume and turns Albert Hall into an absolute riot.
Rich Furness and his two hype men dressed in drag are experts in entertainment.
Bongo’s is always that night-out where ‘that crazy thing’ happened.
During the event we attended, a lad stopped the game and proposed – a gesture greeted by hoots from an auditorium of smashed strangers and awarded with a pat on the back from Rich.
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And that’s the best thing about Bongo’s – nothing is off-limits, and no one cares. Everyone is there for one thing and one thing only – to get smashed and have a cracking night out.
Oh, and to play Bingo, of course.
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Bongo’s version of bingo is on steroids – and so are the prizes.
Here’s a bit more about what’s involved…
It’s a game of chance, anyone could be walking out with a serious cash prize
The Game:
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Bongo’s version of bingo is split into five games with three rounds.
First round is won by crossing off just one horizontal row, the second is won by two rows and the third by getting a full house.
Huge numbers flash up on the screen and are read out seriously quickly, so you’ve got to be on the ball. But that also means the more tequila consumed by your competitors, the higher chance of winning the later prizes (just a tip from us).
Then, the steroids kick in. Bongo’s takes a pensioner’s hobby and makes it wild, verging on an X-rated Mad Hatter’s party.
One false call and the crowd shouts “D*ckhead!” repeatedly at you – public humiliation you won’t forget.
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Shout “Bingo!” at the same time as someone else, and you’re in for a dance off.
Coco Pops that were won were immediately sprayed over the crowd.
The Prizes:
Prizes at Bongo’s range from a box of Coco Pops (sprayed over the crowd) to a life-size cut out of Michael Bublé – that’s right, you could win the king of Christmas himself.
If you’re really lucky, you might even wheel home a new Henry Hoover or a huge set of Disney Princess Barbies. There’s even a karaoke machine up for grabs – if you’re willing to sing for it.
Lucky winners can take home £50, £200 and £1,000 – and all you have to do is get drunk and turn up.
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Everyone’s a winner at Bongo’s, though. Singing Take That whilst ordering in another round of shots… it’s a class night out.
Five Greater Manchester-based artists we’ve been listening to this month | December 2025
Danny Jones
This is it: the last Greater Manchester music round-up of the year, only a couple of days late due to a mix of the post-NYE 48-hour hangover and quite possibly still being in a largely mince pie-induced food coma.
In all seriousness, 2025 has been an absolute belter not just for music but the North, in particular, and especially here in Manchester.
We know we say it all the time, but we really are blessed and well beyond lucky to live in one of the creative and audio capitals on planet Earth.
So, for one last time (an Audio North encore, if you will), please give it up for the amazing musicians based in and around Greater Manchester that we were listening to in December.
Five local artists we’ve been listening to this past month
1. Concrete Club
First off is some deeply satisfying British indie in the shape of Concrete Club – a fitting name for a band based in an ever-growing metropolis, swept up in a sea of cranes and never-ending construction. Intentional? Unsure, but given they formed in 2022, it makes sense and sounds as good as they do.
Vocally, it can take a minute to get used to frontman and bassist Jonny Brewster’s approach, as it swings between everything from Fran from Red Rum Club, Brandon Flowers and White Lies’ Harry McVeigh. There’s some serious range on show, and it makes seeing where each track goes next exciting in itself.
Not only is it extremely impressive, but once you get used to the minor whiplash, it can often feel like you’re getting an ever-so-slightly different singing style each time. In terms of tracks to start with, we’d recommend ‘Relentless’, ‘Jackie Don’t Mind’ and ‘Electric Sunrise’, but there’s plenty of breadth to enjoy in their easily-digestible discography. They even got the nod from the late, great Mani. RIP to a legend.
This one's for Mani. Our mentor, our champion and our friend. We can't describe how much we'll miss him – and we'll leave it at that.
Next up is some unapologetic girl rock, which may have been born in the West Midlands, but solo artist Lissy Taylor is fast taking her music all over, with the ride so far taking her across the UK, Europe and even the United States, before posting up here in Manchester.
We’ll admit that seeing any musician donning a Stoke City shirt whilst performing live on BBC coverage was always going to catch our eye, but after we learned she had also become the first woman from the area to ever be signed by Universal, she held our attention. She might not be the finished article just yet, but you can tell she’s a woman on a mission.
More than a decade into her career, and now based in our fair city, you can tell that Taylor has more confidence and conviction than ever: you can hear it in her music. It started in 2023 with our fave, ‘Feel For Me’, and has spread into tunes like ‘Life Changing’ and her latest single ‘Jealous’. Give them a go.
3. Plastic Heart
They say three is the magic number, and judging by what we’ve heard so far from Manc alternative rock outfit Plastic Heart, they just might be on to something. Even with just a few properly studio-produced and finished tunes on the internet, they already have a very well-defined sound, and it’s got us hyped.
A five-piece from in and around Greater Manchester, these lot look like they’re off on the right foot, as they’re not just getting themselves about on social media but, most importantly, they’re clearly busy at work writing, rehearsing and recording a solid first batch of material.
In terms of what is out there so far, you’ll get hints of Vukovi/PVRIS in ‘Hear My Call’ and ‘Tension’; plus, based on their little teaser on Instagram, we’re looking forward to the fully-fledged version of another as-yet-unreleased song, ‘Ashes’. Get on board from the start and thank us later when that first EP drops.
From yet another female-led group to another fun, albeit very kind of vocalist, but one that we have been left very intrigued by, to say the least. We’ll begin by assuring that, yes, this is their name, and no, there are no typos in the spelling; this Manchester-based project isn’t like much you’ll have heard before.
We came across them via their show alongside equally unique poet and musician Edward Barton, as they joined up with the veteran artist and all-round eccentric at The Yard, as well as having written with each other earlier in the year. At first glance, they seem just as idiosyncrantic, charmingly unserious and entirely singular as he is, but we suspect there’s more to come.
The lyrics are arguably even more anecdotal and amusing, and rather conveniently, we can only find two tracks on Spotify, so you can similarly get up to speed on this very intriguing concept before falling into what we can only imagine will go on to be a pretty wild Bandcamp wormhole.
5. Chloe Slater
One more fantastic artist doing wonders for women in music, for good measure, shall we? Plenty of you will have no doubt heard of Bournemouth-born singer-songwriter and 0161 adoptee, Chloe Slater, but we’ll confess it’s taken us far too long to dive deep into her full catalogue.
It was probably one of the biggest musical mistakes we made this past 12 months, but we will be rectifying it as one of our first New Year’s Resolutions. Going from a somewhat disaffected uni dropout to an opinionated, outspoken and politically charged lyricist – she’s been a Northerner in spirit, alright.
Touching everything from regional and generational challenges, we struggle to play favourites, but sod it: ‘Price On Fun’, ‘Harriet’, ‘Nothing Shines On This Island’, ‘Death Trap’, ‘Tiny Screens’. Just trust us and listen to every second of this up-and-comer who’s already supported fellow rising alt-pop star Role Model and, coincidentally, is a dead ringer for actor Daisy Edgar-Jones…
So that’s it for another year, only the best part is we’ll be keeping this show on the road all throughout 2026 as we hunt for more local music legends in the making.
With that in mind, if you’ve got suggestions for Manchester-based bands we should listen to next or know a native who you believe is the next best thing, please do drop them in the comments.
Oh, and if you want even more of our favourite artists over the past year, why not check out the list of what The Manc, HootandThe Sheff team named as the top albums of 2025?
Audio North’s favourite albums of 2025
Danny Jones
It’s that time of the year again: time to round up the best, or at least our favourite albums of 2026 here at Audio North.
We’re ready for your spiky opinions and intense judgement.
For those of you who haven’t been following over the past year or so, members of The Manc, The SheffandThe Hoot have banded together in our love of music to create the one-stop shop for all the best Northern tunage there is, going to as many gigs and chatting with as many artists as possible.
However, we’d never dare limit an audiophile’s listening to one region, so you can expect plenty of globe-trotting, genre-hopping and head-bopping excellence on this list. Without further ado, here is Audio North‘s round-up of the best records of the year for 2025.
Lux by Rosalía – Emily
5/5
I am not a trusted voice in music criticism, nor do I claim to be, so take what this verging-on-30-year-old white girl who only speaks English and has no relationship to religion whatsoever, says with a pinch of salt… but I think this might be one of the best albums of the decade, never mind this year.
When was the last time a genre-bending concept album about feminine spirituality and female saints sung in 14 DIFFERENT languages managed to wiggle its way into the cultural zeitgeist and onto the global charts? Yeah, never.
But that’s exactly what’s happened with Spanish singer Rosalía’s fourth studio album, Lux. It sees the hugely influential musician return to her roots by showcasing her classical training, with touches of flamenco mixed in with contemporary pop and orchestral sound – and to me, it’s exactly where she belongs.
Go on, give it a listen if you haven’t already.
We’re Never Getting Out by Deaf Havana – Danny
4.5/5
Since early adolescence onwards, Deaf Havana have been with me through every major milestone, significant moment and formative part of my life, good, bad, and everything in between, so it only feels fitting that I’d enter my third decade on this planet with one of their records to start me off right.
In fact, not only did they release this in my birthday month, but they also happened to play Manchester not long before the big day. I couldn’t have asked for a better 30th gift, but getting to hear this long-awaited batch of new tunes live and seeing frontman James Veck-Gilodi back at his best felt special.
They’ve been through many iterations over the years and I’ve loved them all in their own way; their previous two albums definitely felt like a return to form after perhaps somewhat of a blip (for various background reasons), but it still staggers me how Matty and James’ stuff never fails to connect with me more than any other artist, no matter the age, stage or style.
To be completely truthful, I’ll always lean towards their heavier guitar-driven stuff – and they’ll never abandon it – but I guess there’s a comfort in knowing just how challenging a period of life James has gone through, yet he still continues to be the most raw, introspective and eternally honest lyricist.
For my money, the best and most underrated songwriter of a generation. Help hail him if you want it, or don’t; even if not, it feels like he gets to stay mine, or at least for those of us initiated, OURS.
Thanks for everything up until now, and you know what? Sod it, I’ll take the liberty of speaking on behalf of all Deaf fans when I say we’re SO bloody happy you’re back with us, even if ‘The Present Is still feels like* a Foreign Land’.
Would I have called myself a Lily Allen fan six months ago? No. But I have always called myself a fan of a diss track and a good gossip, so when I learned of her divorce album, I consumed it HARD.
West End Girl is a solid pop album, but also a masterclass in knowing your worth, speaking your truth, and serving revenge ice-cold. And bringing the receipts, too.
It’s also a masterclass in music marketing – not only did it drop right before the release of her ex-husband’s biggest project of his career, but her tour posters were then placed directly opposite Stranger Things posters, so her face reflected back over his.
He effectively vanished from his own press tour, and possibly the face of the planet? Has David Harbour gone into witness protection in ‘The Upside Down’? I would.
Love and light, Lily, and thank you for delivering the best.
Before you ask, yes, I have endured a breakup this year and, coincidentally, around the same time as Ms Dean released this absolute masterclass of a sophomore album.
The Art of Loving is a perfect analysis of love in all forms. Her heartfelt yet humoured lyricism explores its constant ups and downs, from delightfully romantic songs like ‘So Easy (To Fall In Love)’to more gut-wrenching, raw confessions like ‘Let Alone The One You Love’.
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But perhaps the most prominent theme of love throughout is self-love; Olivia portrays herself as not a victim but a student, and we, as listeners, are reassured that we’re all in the same boat and that if we trust the process, the right sort of love will find us eventually.
It’s no surprise that Olivia Dean is one of the most exciting artists in the world right now, oozing class, charm and impeccable talent – we can’t wait to see her live again and to see what she does next.
A Complicated Woman by Self Esteem – Kris
5/5
Self Esteem has kicked the door off its hinges this year with her third studio album, A Complicated Woman, with standout critical acclaim. The album explores identity, womanhood and burnout against a backdrop of delicious pop-bops and powerfully honest lyrics with a theatricality that few other musicians can muster.
I only properly “discovered” Self Esteem this year, and she has absolutely knocked my musical socks off. I had the joy of watching her sensational performance at Glastonbury, shedding a number of tears at the likes of ‘I Do And I Don’t Care’, ‘In Plain Sight’ and ‘Focus Is Power’.
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Her lyrics and her music have a way of mining the depths of your emotions and dragging feelings out of you that you didn’t even know existed. ‘The Deep Blue Okay’ is the perfect closer, reminding us that self-preservation is acceptable and OK.
In a world where there is constant pressure, internally and externally, to be perfect, this whole album reminds us that sometimes being imperfect and trying is what matters. Every day we get to have is big.
Whilst Sheffield-born Self Esteem might be a complicated woman, there is nothing complicated about this album being an absolute knock-out.
I’m usually a pop-punk, obsessed with Oli Sykes kinda girl, but Addison Rae… You are my Queen.
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The soundtrack to my summer, Addison Rae brought us all classics like ‘Summer Forever’, ‘Diet Pepsi’, ‘Headphones on’, and the absolute fan favourite ‘Fame Is A Gun’ on the self-titled album, Addison.
She followed me to all my holidays, and the album itself takes you on a journey of what it’s like to be a woman; it’s empowering, showcasing what it’s like to be young, being in love, not wasting time and maybe a little bit of money – it’s a joyful masterpiece.
I fell short of seeing her live in Manchester earlier this year, but it didn’t stop me from scrolling through TikTok the next morning.
Addison, thank you for being the noise of one of my favourite summers – now put your ‘headphones on’ and enjoy.
People Watching by Sam Fender – Lonnie
4/5
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People Watching… WHAT an album. Where do I even start? Sam Fender really has knocked it out of the park on this one – Wythenshawe Park, specifically.
It’s raw, emotional, yet still full of energy. I was lucky enough to see Fender for that wonderful day fest in Wythy back in August, where he did this album the utmost justice.
The title track ‘People Watching’ is a full-on banger: high energy and massive sound. It also carries a message that will hit people from all walks of life. Knowing it’s about a late mentor and friend of Sam’s made it land even harder.
‘Rein Me In’ is another standout, touching on self-sabotage in love, which most of us can acknowledge we have done at one time or another. It’s honest, extremely relatable, and hits home without trying too hard; having Clem’s favourite Olivia Dean then hop on it was just the stuff of dreams.
Overall, the album feels incredibly human. Reflective without being boring, emotional without being over the top. It’s the sort of record you stick on and let play, and it’ll hit different ways depending on where your head is. A brilliant album and one of Sam Fender‘s strongest to date.
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Hopefully! by Loyle Carner – EmJ
4/5
Hopefully! has been one album I’ve listened to time and time again this year. Loyle Carner (real name Benjamin Coyle Larner) continues to prove why his music connects so deeply with so many people.
From the moment I pressed play on the record, I was met with an immediate sense of comfort. The opening track, ‘feel at home’, begins with a child-like sound of wind chimes before switching into a jungle/breakbeat rhythm – a more experimental direction for Loyle, but one that feels completely natural.
Sonically, the album is interesting. There are moments that lean into a murky, slightly off-kilter sound that will remind many listeners of King Krule and Mac DeMarco – more in mood and atmosphere than direct influence. It shows Ben pushing himself creatively without losing what makes his music feel so personal.
Throughout the album, you can hear the weight in Loyle Carner’s voice. Often sounding like there’s a lump in his throat, his thoughts feel raw, unpolished and imperfect, and that’s exactly what makes the record resonate with me.
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Vulnerability has always been at the heart of Loyle’s music, but it feels especially front and centre here. The album flows effortlessly, and it’s one of those records you end up listening to front-to-back without even realising.
Tyler, The Creator’s latest album, DON’T TAP THE GLASS, is another reminder of why his evolution has been so compelling to watch. I’ve been listening to his music since the Odd Future days, and what’s impressive is how he’s managed to grow without losing that edge.
The album is inspired by people’s fear of dancing in public due to social media; it’s an album about letting loose and expressing yourself. Production is layered and interesting, but never distracting, giving Tyler room to say exactly what he wants to say.
‘Sugar On My Tongue’ stands out immediately. It’s the kind of track that grows with every listen and sticks around long after the album ends.
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This isn’t Tyler trying to prove anything. It’s an artist fully comfortable in his sound, still pushing himself forward while staying true to where he started.
Hearts Sold Separately by Mariah the Scientist – Thomas
4.5/5
With this project featuring my top song, album and artist of the year, ‘Is It a Crime’ if I didn’t choose this to be my album of the year? Yes. Mariah has resorted to every artist’s favourite era of inspiration, calling back to the 80s for some echoey drums, chimes and synths which dominate this record’s soundscape.
This album’s magnum opus, ‘Burning Blue’, sees her letting down her guard as she finds true love with ‘Eternal Flame’ and ‘Like You Never’ continuing this theme. Fittingly, Ms Scientist uses this album to discuss her expertise in one specific chemical reaction, love.
Roll on January, when I’ll be belting out Hearts Sold Separately for its entire duration when she plays Manchester Academy.
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Getting Killed by Geese – Lilly
5/5
As an avid rock fan, I’ve been hungry for an album that flips the genre on its head and finally provides us with a fresh new perspective. Thankfully, Geese DELIVERED this year, and brought out their third wild and weirdly wonderful LP, Getting Killed, which has since gone platinum in my house.
Each song on the album feels like its own religious experience; it’s a perfectly crafted amalgamation of art-rock and post-punk with references to prime funk and soul, conveyed through groovy basslines and sonic shifts.
Cameron Winter’s uniquely brilliant vocal range shines through once again, accompanied by his absurdist lyricism and the band’s overall 70s flair; Getting Killed isn’t just a good rock album in my eyes, it’s a modern-day classic.
With a name like ‘Geese’… It’s hard to forget a band like these lot – and once you hear this album, they’ll be cemented in your brain forever.
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Go on, then – how did we do?…
Let us know your favourite albums of 2025 down below, and here’s to what we’re sure will be another brilliant year of music in ’26.
Dolly Busby -
10th December 2021 
