Bongo’s Bingo is hands-down a cracking night out. Mix up some cocktail pitchers with a rave in a historical hall and you’ve got a recipe for success.
But it’s also more than your average Manchester event. Bongo’s Bingo is mad, unadulterated entertainment: A Year Six disco crossed with an office Christmas party. Only this time, boys and girls are not lingering in opposite corners and the teachers are stood on tables singing ‘Sweet Caroline’ – fuelled up on Woo-Woos and jaeger bombs whilst waving glow sticks.
With Rich Furness and his two hype-men dressed in drag headlining the show, Bongo’s cranks up the volume and turns Albert Hall into an absolute riot.
Rich Furness and his two hype men dressed in drag are experts in entertainment.
Bongo’s is always that night-out where ‘that crazy thing’ happened.
During the event we attended, a lad stopped the game and proposed – a gesture greeted by hoots from an auditorium of smashed strangers and awarded with a pat on the back from Rich.
And that’s the best thing about Bongo’s – nothing is off-limits, and no one cares. Everyone is there for one thing and one thing only – to get smashed and have a cracking night out.
Oh, and to play Bingo, of course.
Bongo’s version of bingo is on steroids – and so are the prizes.
Here’s a bit more about what’s involved…
It’s a game of chance, anyone could be walking out with a serious cash prize
The Game:
Bongo’s version of bingo is split into five games with three rounds.
First round is won by crossing off just one horizontal row, the second is won by two rows and the third by getting a full house.
Huge numbers flash up on the screen and are read out seriously quickly, so you’ve got to be on the ball. But that also means the more tequila consumed by your competitors, the higher chance of winning the later prizes (just a tip from us).
Then, the steroids kick in. Bongo’s takes a pensioner’s hobby and makes it wild, verging on an X-rated Mad Hatter’s party.
One false call and the crowd shouts “D*ckhead!” repeatedly at you – public humiliation you won’t forget.
Shout “Bingo!” at the same time as someone else, and you’re in for a dance off.
Coco Pops that were won were immediately sprayed over the crowd.
The Prizes:
Prizes at Bongo’s range from a box of Coco Pops (sprayed over the crowd) to a life-size cut out of Michael Bublé – that’s right, you could win the king of Christmas himself.
If you’re really lucky, you might even wheel home a new Henry Hoover or a huge set of Disney Princess Barbies. There’s even a karaoke machine up for grabs – if you’re willing to sing for it.
Lucky winners can take home £50, £200 and £1,000 – and all you have to do is get drunk and turn up.
Everyone’s a winner at Bongo’s, though. Singing Take That whilst ordering in another round of shots… it’s a class night out.
Drake at Co-op Live, Manchester: Forget ‘One Dance’ – we had many
Thomas Melia
Canadian hitmaker Drake graced Co-op Live in Manchester for the final night of the ‘Some Special Shows 4 UK’ tour with PartyNextDoor.
First song in and multi-hyphenate Drake is already feeling sentimental with ‘Gimme a Hug’ as he admits, “I appreciate the fans rockin’ with me / This is really just a small token.”
‘Marvin’s Room’ played out right after, and although the song prior references it as a favourite of “Durk’s boy”, this same love was shared between 23,500 fans in the crowd at Co-op Live last night.
Shortly after, the Toronto-born rapper began the usual minute-long introduction of his gigantic single ‘Passionfruit’ with fans roaring as soon as he sang the long-awaited ‘Listen’.
Drake played out to 94,000 fans across four sold-out nights at Co-op Live in Manchester (Credit: Audio North)
Less than halfway through this stacked setlist, and it was time for the holy trinity of the night: ‘God’s Plan’, ‘In My Feelings’ and ‘Nice for What’ – nothing short of back-to-back bangers.
Fellow Canadian artist PartyNextDoor joined the self-proclaimed ‘Champagne Papi’ on stage to perform a medley of hits from their collaborative album ‘Some Sexy Songs 4 U’ next.
This R’n’B act made sure to play out his murky trap-fused number ‘No Chill’, and he squeezed in the equally melancholic melody ‘Somebody Loves Me’, too.
The pair may be promoting their joint LP but they took a second to squeeze in a throwback, matching each other’s energy while executing the 2016 collaboration ‘Come and See Me’.
Drake’s career is timeless, and the setlist proves just that as he delivers a rendition of one of his most recent successes, ‘Girls Want Girls’, followed by a track that laid the foundations of his career, ‘Fancy’.
Drake and PartyNextDoor for the ‘Some Special Songs 4 UK’ tour(Credit: The Manc)
Almost 30 songs deep and Drake still had fans reciting bars, verses and everything in between, and this continued as the two-time Brit award winner started 2023 anthem ‘Rich Baby Daddy’.
St. Louis rapper Sexyy Red wasn’t present for her renowned chant, but Manchester stepped up to the occasion, professing: “Hands on your knees, hands on your knees / Shake that *ss for Drake / Now shake that *ss for me”, verbatim.
It was only fair that the global rap titan finished with the setlist with two cellular-themed tracks, starting with the “You used to call me on my cell phone” number ‘Hotline Bling’ before the “Who’s callin’ my phone?” viral smash ‘Nokia’.
The setlist follows a very cyclical structure, as although Drake is known for his comical and cheeky persona on stage and online, deep down, the chart topper is very attentive.
Ending on the ever-emotive ‘Yebba’s Heartbreak’ with lines like, “How much can I show my love for you?”, it’s safe to say this international act is feeling pretty grateful after seeing 94,000 fans show up and show out for him across four non-consecutive nights.
Drake may refer to himself as the ‘Champagne Papi’, but it’s the 23,500 fans who were popping bottles and raising a toast to the rap champ; the support for this musical act is ‘Nonstop’.
Co-op Live really is booking all the big names now.
Five Manchester artists we’ve been listening to this month | July 2025
Danny Jones
Hello again, it’s us: The Manc, or more specifically, our Audio North arm – back to talk about the music coming out of Greater Manchester that we’ve been listening to over the past month.
If you’re new here, it really is as simple as that, and whether they’re revered veterans of the region’s music scene or what we think might be the next up-and-coming thing, as long as it’s from ’round our way, we’ll give it a chance.
Five native artists, three recommended tracks from each and hopefully hours of exciting new listening if you play your cards right.
Headphones and playlists at the ready. Here’s what we had on in July.
Manchester music we’ve been into recently
1. poor effort
We’re kicking things off with an experimental project from Salford-born and Manchester-based musician and writer, Matty Dagger, whose new outing in the spoken word space immediately caught our attention when it came down the grapevine. It’s a bit alternative, a bit punk and very Manc. We love it.
Some might say it’s reminiscent of Yard Act and Sleaford Mods, which would be fair, but more specifically, our first listens gave us Stockport’s very own Hello Cosmos with a sprinkling of Oldham’s Seb Lowe (both previous monthly picks). The lyrical/vocal delivery is charmingly casual and anecdotal.
Dagger’s poor effort couldn’t be anything less than; there seems to be a very considered approach to the more electronic style of spoken word and poetry-driven music. You can complete the discography already, but we’d start with ‘you’re wrong, i’m right (symphony)’, ‘HMRC’, and then ‘City of Hope’.
Cool visual aesthetics going on too.
2. Victoria Jane
Next up is a big knee-jerking turn in genre and overall temperament, as if Dagger has been making us pay microscopic attention to every word and Greater Mancunian reference, this local musician hooked us in with her somewhat quieter but inviting timbre of voice and smooth, almost sleepy melodies at times.
Victoria Jane may have been born in London, having previously collaborated as part of the Vibbar collective, but having moved to 0161 as a kid and falling in love with Man United, she’s always immersed herself in the Northern way. The R’n’B act also presents BBC Radio 1 ‘Future Soul’ show.
Her work really hits all the notes you want, from smooth and soulful singing, to not quite voice cracks but soft, intentional breaks that often feel nigh on agonising – as if she’s into you and welcoming you to slump back the other way. ‘The One’, ‘Voicenote Freestyle’ and ‘On My Own’ are our picks.
Number three is, admittedly, another big whiplash when it comes to overall experience, but it’s one of the most unique musical discoveries we’ve made in a hit minute. This musical duo is called Phellotape, conceived by double bassist Alice Phelps and multi-instrumentalist producer Thomas ‘Twem’ Twemlow.
They met while playing in the queer alt-rock outfit, The Irrepressibles, but this project could be branded as anything from alternative and/or experimental to maybe even art pop. All we know is the multi-talented mix of instruments within almost every section, and pulling from numerous styles is pretty staggering.
Rather fittingly, there are only two recorded tracks to their name so far; ‘Rain’ is a quiet, atmospheric song that puts you in mind of London Grammar with a mix of the xx and Massive Attack, while ‘Hungry Ghost’ is quite easily one of the most interesting tunes we’ve heard in the past decade. No exaggeration.
4. 10cc
Fancing something more familiar for number four? Well, as a born and bred Stopfordian myself, every now and again I go back and admire some of the incredible names that recorded at the town’s famous Strawberry Studios – one of which is Stockport‘s very own 10cc. Great name, great band.
The moment I heard my then-teenage brother play ‘Donna’, I was baffled as to why he was playing what I then just dismissed as “old music”, before it quickly got stuck in my head. Is it their best tune? No. Does it still hold a special place in my head and heart? Yes. Do they have other standouts? Absolutely.
For the record, while most people recognise the likes of the controversial ‘Dreadlock Holiday’, I’d argue ‘Good Morning Judge’ is their best track and the first time I listened to it, I thought it was one of the coolest sounding intros ever. Still do. ‘I’m Not In Love’ with them, but they are a core childhood memory.
A hugely undercelebrated of Greater Manchester music history (Credit: AVRO/Dirk Annemans (via Wikimedia Commons)
5. Oasis
Speaking of legends who evoke nothing but feelings of hometown pride, legacy and pure admiration, it’d be the most see-through lie ever to pretend that we haven’t spent most of this last month listening to the almighty Oasis amid their comeback tour.
We had the pleasure of being there at Heaton Park and up on ‘Gallagher Hill’, which now has its own precious place in British music history, and July as a whole still feels akin to a fever dream and similar to what we imagine Glastonbury is like for those nearby when it takes over their entire universe.
July 2025 really was “biblical” and we don’t think we’ll ever get over it, so, last but not least, we’d thought we’d give a special shout-out to some of our favourite tracks that didn’t make the setlist. ‘Don’t Go Away’, ‘Shock of the Lightning’, ‘Round Are Way’. Done.
As The Masterplan proved, everything from the so-called ‘filler’ album tracks to those B-sides is better than most other bands could dream of. As you were x
Dolly Busby -
10th December 2021 
