A couple moves into a new house, only to find that something sinister is keeping one of them up at night…
It’s an age-old story we’ve heard countless times, now brought to life onstage through a suspenseful and complex exploration of belief and the afterlife, with a twist that’ll keep you up at night.
The award-winning supernatural thriller, 2:22 A Ghost Story, usually only playing on London’s West End, is continuing its award-winning run spooking audiences across the country.
Written by Danny Robbins, the production is playing at The Lowry between the 4 and 15 June as part of its second tour across the country in under a year.
The story centres around a couple experiencing supernatural events at precisely 2:22am in their home, which doesn’t exactly sound like a new concept – we’ve all grown up on ghost stories about haunted houses.
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The familiar genre tropes are all here too; the believer and the skeptic. Throw in a suburban house under construction, halfway between its old and new self, a digital clock and strange noises through a baby monitor, each used as dramatic devices for building suspense throughout the script, and you’ve got yourself a setup audiences know like the back of their hand.
Except, 2:22 A Ghost Story’s writer knows this and uses this familiar setup to lead us into a false sense of security.
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2:22 A Ghost Story is a thriller play currently running at The Lowry theatre in Salford
The play takes place across one night, aside from its appropriately spooky opening, where two couples come together for a dinner party.
You have Jenny (Fiona Wade), a young mother who is convinced that her new house is haunted after strange occurrences happen at the same time every night; Jenny’s husband, Sam (George Rainsford), a man who values logic, reason and science above all else (even his own wife’s experiences), whose stubbornness causes much of the conflict throughout the play; Lauren (Vera Chok), an old friend of Sam’s and Ben (The Wanted’s Jay McGuiness); and Lauren’s partner.
Various jump scares create tension throughout, but it’s through the opposing beliefs and ideas of these characters that the tension grows more palpable.
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Across the evening the characters discuss their own personal accounts of the paranormal as they open up to one another. Fear and belief are the beating thematic heart of the play, themes that spur interesting and sometimes disturbing conversations about the afterlife that’ll linger with you long after the play finishes.
Masterfully directed by Matthew Dunster and Isabel Marr, 2:22A Ghost Story is not all spooky goings-on though. The supernatural thriller’s script is brought to life through an amazing cast that juggles suspenseful moments with comedy to lighten the predominantly moody atmosphere.
2:22 A Ghost Story is a thriller play currently running at The Lowry theatre in Salford
The plot unfolds at a steady pace, with each act revealing new layers of mystery. The pacing is well-balanced, allowing moments of intense drama to be interspersed with lighter, more reflective scenes.
A particularly memorable twist will leave you gobsmacked – the less said about this the better.
Whereas most plays centre themselves around the meaning of life and what it means to be human in one way or another, 2:22 A Ghost Story concerns itself more with the meaning of death and our relationship with it.
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“I read somewhere that humans are rational machines caught between irrational beliefs,” says one of the characters in the play’s final act. Themes of belief, fear, and the unknown are explored with nuance. The dialogue is sharp and thought-provoking, prompting us to question our perception of reality. The play’s exploration of these themes is both timely and timeless.
By intertwining moments of genuine terror with thought-provoking dialogue, 2:22 A Ghost Story transcends the typical ghost story. The play’s direction, script and cast all come together to create a powerful commentary on the limits of human understanding and the enduring mystery of what lies beyond. Its well-crafted plot, stellar performances, and high production values make it a must-see.
In the end, the play leaves us with more questions than answers, compelling us to confront the shadows in our own lives. It is a haunting reminder that sometimes, the most frightening ghosts are not the ones we see, but the ones that reside within us.
You can book tickets for 2:22 A Ghost Story at The Lowry here.
Featured image: Supplied
Theatre
Bat Out Of Hell the Musical is returning to Manchester filled with Meat Loaf’s greatest hits
Daisy Jackson
Bat Out of Hell – The Musical, which is packed full of Jim Steinman and Meat Loaf’s biggest hits, is heading back to Manchester early next year.
The huge production toured the UK, Ireland and beyond between 2021 and 2023, scooping up several awards as it went.
And now it’s returning to the Palace Theatre for an extra go at a UK-wide tour.
The reimagined show features an eight-piece rock band on stage with multi-level stage scenes.
Bat Out of Hell audiences are transported through several worlds, from Raven’s bedroom to the depths of the Lost’s underground domains.
The Meat Loaf album which shares a name with the musical is one of the biggest-selling albums in history after its release in 1977, spawning two more Bat Out of Hell albums several years later.
For the stage musical, the legendary and award-winning Jim Steinman incorporates iconic songs from the albums, including You Took the Words Right Out of My Mouth, Bat Out of Hell, I Would Do Anything for Love (But I Won’t Do That) and Two Out Of Three Ain’t Bad, as well as the previously unreleased song What Part of My Body Hurts the Most.
When Bat Out Of Hell returns to Manchester in 2025, it will again follow the Lost boys and girls who flee into tunnels below the city from its ruler Falco.
Down here, Falco’s daughter Raven falls into a love-at-first-sight romance with Strat, the fearless leader of the Lost, which threatens to destroy both their families.
Glenn Adamson & Katie Tonkinson, Bat Out of Hell the Musical, credit Matt CrockettGlenn Adamson & Katie Tonkinson, Bat Out of Hell the Musical, credit Matt Crockett
Returning to the cast are Glenn Adamson (We Will Rock You, London Coliseum, Bat Boy in concert, London Palladium) as Strat, Katie Tonkinson (Bonnie and Clyde, UK & Ireland Tour) as Raven and original leading cast members Rob Fowler (MAMMA MIA!, UK & International tour, Tanz Der Vampire Das Musical, German tour) as Falco and Sharon Sexton (MAMMA MIA!, UK & International tour, Billy Elliot The Musical) as Sloane.
The book, music and lyrics are by Jim Steinman, direction is by Jay Scheib, with musical supervision and additional arrangements by Michael Reed, additional choreography by Xena Gusthart, set and costume design by Jon Bausor, original costume designs by Meentje Nielsen, original wig designs by Linda McKnight, video design by Finn Ross, lighting design by Patrick Woodroffe, sound design by Gareth Owen, orchestration by Steve Sidwell, original casting by David Grindrod CDG and casting by Anne Vosser.
The West End & UK Tour of Bat Out of Hell – The Musical is produced by Michael Cohl, Tony Smith & David Sonenberg with executive producer Julian Stoneman.
Bat Out of Hell will be at the Palace Theatre in Manchester between 24 February and 8 March.
Tickets will go on sale on Wednesday 26 June at midday here.
Sir Ian McKellen thanks NHS as he speaks out for first time after falling off stage
Emily Sergeant
Sir Ian McKellen has thanked the NHS in a statement speaking out for the first time after suffering an on-stage fall.
The revered Burnley-born actor is currently starring as John Falstaff in a production of Player Kings at the Noel Coward Theatre in London’s prestigious West End, but during Monday (17 June) night’s show, the 85-year-old was said to have he lost his footing on stage while performing a fight scene and reportedly fell into the orchestra pit.
Audience members who took to social media shortly after the incident said they heard the McKellen “cry out in pain” after falling, before the theatre was swiftly evacuated.
Sir Ian was taken to hospital for medical treatment following the dramatic fall, and the theatre subsequently issued a statement saying it had made the decision to cancel the shows on Tuesday and Wednesday night.
Fans were reassured, however, that the actor was “in good spirits” and expected to “make a full recovery”.
Sir Ian McKellen is is currently starring as John Falstaff in Player Kings at the Noel Coward Theatre / Credit: ATG Tickets
Now, for the first time since suffering the fall, the Tony, Olivier, and Golden Globe award-winning actor has issued a statement thanking the public for all their “kind messages and support”, as well as thanking the country’s health service for the treatment he received.
McKellen said he is “hugely indebted” to the NHS in his update message.
Taking to X to speak to fans directly yesterday evening (18 June), Sir Ian wrote: “I want to thank everyone for their kind messages and support.
“Since the accident, during a performance of Player Kings last night, my injuries have been diagnosed and treated by a series of experts, specialists and nurses working for the National Health Service. To them, of course, I am hugely indebted.”
I want to thank everyone for their kind messages and support. Since the accident, during a performance of Player Kings last night, my injuries have been diagnosed and treated by a series of experts, specialists and nurses working for the National Health Service. To them, of…
As well as thanking fans for their support and the NHS for the treatment he received, Sir Ian also gave an update on his anticipated recovery journey, and made sure to say how much he is eager to get back on stage as soon as possible.
“[The NHS] have assured me that my recovery will be complete and speedy,” McKellen’s statement continued, “and I am looking forward to returning to work.”
The Noel Coward Theatre has confirmed in an updated statement on X that it intends to go ahead with tomorrow night’s show (Thursday 19 June).