A couple moves into a new house, only to find that something sinister is keeping one of them up at night…
It’s an age-old story we’ve heard countless times, now brought to life onstage through a suspenseful and complex exploration of belief and the afterlife, with a twist that’ll keep you up at night.
The award-winning supernatural thriller, 2:22 A Ghost Story, usually only playing on London’s West End, is continuing its award-winning run spooking audiences across the country.
Written by Danny Robbins, the production is playing at The Lowry between the 4 and 15 June as part of its second tour across the country in under a year.
The story centres around a couple experiencing supernatural events at precisely 2:22am in their home, which doesn’t exactly sound like a new concept – we’ve all grown up on ghost stories about haunted houses.
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The familiar genre tropes are all here too; the believer and the skeptic. Throw in a suburban house under construction, halfway between its old and new self, a digital clock and strange noises through a baby monitor, each used as dramatic devices for building suspense throughout the script, and you’ve got yourself a setup audiences know like the back of their hand.
Except, 2:22 A Ghost Story’s writer knows this and uses this familiar setup to lead us into a false sense of security.
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2:22 A Ghost Story is a thriller play currently running at The Lowry theatre in Salford
The play takes place across one night, aside from its appropriately spooky opening, where two couples come together for a dinner party.
You have Jenny (Fiona Wade), a young mother who is convinced that her new house is haunted after strange occurrences happen at the same time every night; Jenny’s husband, Sam (George Rainsford), a man who values logic, reason and science above all else (even his own wife’s experiences), whose stubbornness causes much of the conflict throughout the play; Lauren (Vera Chok), an old friend of Sam’s and Ben (The Wanted’s Jay McGuiness); and Lauren’s partner.
Various jump scares create tension throughout, but it’s through the opposing beliefs and ideas of these characters that the tension grows more palpable.
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Across the evening the characters discuss their own personal accounts of the paranormal as they open up to one another. Fear and belief are the beating thematic heart of the play, themes that spur interesting and sometimes disturbing conversations about the afterlife that’ll linger with you long after the play finishes.
Masterfully directed by Matthew Dunster and Isabel Marr, 2:22A Ghost Story is not all spooky goings-on though. The supernatural thriller’s script is brought to life through an amazing cast that juggles suspenseful moments with comedy to lighten the predominantly moody atmosphere.
2:22 A Ghost Story is a thriller play currently running at The Lowry theatre in Salford
The plot unfolds at a steady pace, with each act revealing new layers of mystery. The pacing is well-balanced, allowing moments of intense drama to be interspersed with lighter, more reflective scenes.
A particularly memorable twist will leave you gobsmacked – the less said about this the better.
Whereas most plays centre themselves around the meaning of life and what it means to be human in one way or another, 2:22 A Ghost Story concerns itself more with the meaning of death and our relationship with it.
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“I read somewhere that humans are rational machines caught between irrational beliefs,” says one of the characters in the play’s final act. Themes of belief, fear, and the unknown are explored with nuance. The dialogue is sharp and thought-provoking, prompting us to question our perception of reality. The play’s exploration of these themes is both timely and timeless.
By intertwining moments of genuine terror with thought-provoking dialogue, 2:22 A Ghost Story transcends the typical ghost story. The play’s direction, script and cast all come together to create a powerful commentary on the limits of human understanding and the enduring mystery of what lies beyond. Its well-crafted plot, stellar performances, and high production values make it a must-see.
In the end, the play leaves us with more questions than answers, compelling us to confront the shadows in our own lives. It is a haunting reminder that sometimes, the most frightening ghosts are not the ones we see, but the ones that reside within us.
You can book tickets for 2:22 A Ghost Story at The Lowry here.
Featured image: Supplied
Theatre
A queer comedy night is coming to Manchester next month
Thomas Melia
A comedy night packed with raunch and hilarious storytelling is heading to Manchester and its fronted by one of comedy’s leading queer comedians.
Titled ‘Queer as F*ck’ (we love a good pun), this night is devoted especially to queer comedy and sees Welsh comedian Morgan Rees taking the wheel with a wonderful roster of acts set to play too.
Taking inspiration from the cult-favourite queer comedy, this leading comedian is no stranger to seeing his work in the limelight as he has written for some of the funniest flagship shows like Mock The Week and The Great American Joke-Off.
Rees also doubles as the co-writer for smash internet hit The Uncle Roger Show, starring fellow comic Nigel Ng, and will definitely be bringing some of his razor-sharp one-liners on the night.
Ben Hodge, the MC for the queer comedy night in Manchester.Morgan Rees, the comedian headlining ‘Queer as F*ck’.Jenny Hart, one of the acts lined up for the queer comedy night in Manchester.Credit: Press Images (supplied)
The event, which has the full title of ‘brew. haha: Queer as F*ck comedy night’ will be MC’d by trans-male stand-up Ben Hodge and lesbian comedian Louise Young.
The latter may be a familiar name as she is currently supporting Alan Carr and Tom Allen on their latest tour while also stopping off in Manchester for this very special occasion.
Along with Rees and co., finishing the line-up are two impressive performers ready to raise the roof at this comedy night in Manchester: gay author Martin Dixon and trans comedian Jenny Hart.
Obviously, Rees doesn’t want to give everything away, but he has revealed an insight into what guests can expect to be chuckling away at in their seats.
Morgan Rees is excited to talk about “bad one night stands, growing up queer in a Welsh working class town, coming out late, and starting my first relationship in my 30s – it’s all in there.”
Taking place at Contact Theatre, this much-loved arts space is tucked away just behind the University of Manchester and another impressive city centre venue, Manchester Academy.
And if all this comedy talk wasn’t enough to get you down there, brew will be serving up Detroit-style pizzas with a range of draft beers and ciders – what a night you’re in for.
‘brew. haha: Queer as F*ck’ is coming to the Contact in Manchester on Wednesday, 9 April and ttickets are already on sale.
Featured Images — Rachel Sherlock/Press Shots (supplied)
Theatre
Cruel Intentions at the Palace Theatre Manchester – a nostalgia-fuelled revamp of a cult classic
Clementine Hall
There’s no shortage of movie to musical adaptations, but this one is a cut above the rest.
Cruel Intentions: The ’90s Musical is a show that truly lives up to its name, a jukebox musical ready to take you on a whistle stop of catchy 90s pop hits.
And yes I’m taking about all the big ones, throughout the production the audience are treated to absolute bangers from Britney Spears and The Verve to Christina Aguilera and NSYNC (seriously, there’s some proper tunes in this).
Based on the 1999 movie, Cruel Intentions tells the tale of step-siblings Kathryn and Sebastian as they engage in a cruel bet on whether Sebastian can take the virginity of the headmaster’s innocent daughter.
Image: Supplied
The script doesn’t vary much from the film, but whilst the plot stays strong the constant flow of songs is stronger.
From effortlessly belting Wannabe by the Spice Girls to slowly transitioning into Natalie Imbruglia’s Torn, the show takes a tongue-in-cheek approach to the somewhat absurd action of breaking out into song mid-conversation.
And that’s how this production is best enjoyed, it’s a show of pure entertainment that’ll have you giggling in your seat with a glass of vino (or two) in hand.
Image: Supplied
But that’s not to undermine the absolutely stellar performances from the small but mighty cast.
The first thing that stands out are the impeccable vocals, both Will Callan and Nic Myers who played Sebastian and Kathryn had voices that rivalled any of the pop sensation’s who’s hits they were covering.
Myers specifically had a belt which required the full attention from the audience, she also perfectly captured the cruel and bitchy persona of the role which gives the word ‘cruel’ to the show’s title.
Image: Supplied
The real standout performance of the evening, though, was Lucy Carter who played the geeky, funny, cheeky but completely hilarious role of Cecile Caldwell.
Her incredible comic timing paired with her jaw-dropping voice completely stole the show, and her interpretation of I’ll Make Love To You had audience members cackling throughout. A real star in the making.
Overall if you’re looking for a night of fun at the theatre, then you absolutely cannot go wrong with getting a ticket for Cruel Intentions. It’s on at the Palace Theatre until Saturday 29 March, and you can grab your tickets here.
Dylan Whitty -
5th June 2024 
