International smash hit musical Six has returned to the Lowry theatre in Salford, telling the tale of Henry VIII’s notorious marital history… through pop songs.
First performed by Cambridge University students at the Edinburgh Fringe festival in 2017, Six has since ruled the theatre scene with its chart-topping soundtrack and powerful female cast.
West End productions and Broadway shows have garnered rave reviews and Six has been nominated for multiple awards at the Laurence Olivier Awards.
Credit: Johan Persson. (Caitlin Tipping as Jane Seymour, Vicki Manser as Katherine Howard, Lauren Drew as Catherin of Aragon, Maddison Bulleyment as Anne Boleyn, Shekinah McFarlane as Anna of Cleves & Elena Gyasi as Catherine Parr.)
Postponed twice already, the return of the six Queens was long awaited. Queues for the Six merchandise at the Lowry outdid the queue for food twice over.
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Groups were singing the songs in the foyer, snapping their fingers and grooving their hips, hyping themselves up to finally see it live. The Six album has reached over 10 million views on YouTube.
The Queens begin on stage with the chilling ‘Ex-wives’, introducing themselves explaining how they are more than ‘just one word in a stupid rhyme’.
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Each take centre stage in turns to prove they were the the worst-treated of Henry’s wives, with clever lyrics laying bare Henry’s blatant mistreatment of women and how he got away with it.
Credit: Johan Persson
It’s historically accurate, but this time it’s herstory – Six is a re-writing of the history books and takes the crown as this year’s musical must-see.
Writers Toby Marlow and Lucy Moss – masters of comedy – fill the hour and twenty minutes with laughs, catchy lyrics and some home truths about female victimhood and empowerment.
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Each wife takes to the stage in a hip-hop, rap, techno, soul, rock battle, fighting for the crown of the worst treated by Henry VIII.
Credit: Johan Persson. (Caitlin Tipping as Jane Seymour, Vicki Manser as Katherine Howard, Lauren Drew as Catherin of Aragon, Maddison Bulleyment as Anne Boleyn, Shekinah McFarlane as Anna of Cleves & Elena Gyasi as Catherine Parr.)
The queens really do sparkle. Gabrielle Slade kills it with her modern glittery take on 18th century dress.
The costumes here are made up of corsets, puffed sleeves, skin-tight trousers, short petit-coats and delicate hair crowns, all topped off with cute heels and biker boots.
All the anthems are girl power to the max. Spice Girls meets Beyonce meets Avril Lavigne meets Little Mix with a Tudor twist.
The performances are slick and flawless. The cast of all-female power icons are set to become musical-theatre giants after Six.
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Credit: Johan Persson.
The stars are supported by their ‘Ladies in Waiting’ who are instrumental (excuse the pun) to the performance. Usually, the band sit in the pit of the theatre, but these rock-stars are front and centre jamming on the electric keyboard, drums, bass and guitar.
The performances are wonderfully overwhelming, chills are guaranteed, and tears will well with the uplift of female empowerment.
The crowd at The Lowry become a sea of beaming faces and pumping fists, with a standing ovation and cheers of ‘encore’ echoing long after the music dies.
The play spins GCSE history into a much more entertaining experience, filled with glittery corsets and banging break-up anthems.
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Teach your children the right version of history and go and watch Six – we cannot wait to see it again.
Six sexy ex-wives give you their take on the infamous stories that have defined them for centuries, and Henry VIII gets what he’s had coming for him… a revenge musical.
It’s on it’s 2021 tour – so grab your tickets online here.
Theatre
Review | The Karate Kid at Palace Theatre and Opera House, Manchester – very much wax ON
Lonnie Bowes
The theatrical version of The Karate Kid has arrived at the Palace Theatre and Opera House, bringing a well-known story of discipline, resilience and mentorship to a live audience.
Best known for its iconic cinematic legacy, The Karate Kid translates surprisingly well to the stage. It leans less on spectacle and more on character, movement and emotional growth.
At the production’s heart, the story still revolves around a young outsider trying to find confidence and belonging in an unfamiliar environment, guided by an unexpected mentor.
The narrative follows Daniel, played by Gino Ochello, marking his first professional stage debut, as he struggles to adjust to a new life, facing intimidation and self-doubt before encountering the legendary Mr Miyagi, played by Adrian Pang.
What unfolds is more than just a story of learning karate; it becomes a study of patience, balance and inner strength for Daniel. The central relationship between student and teacher remains the production’s strongest theme, grounding the story in warmth and sincerity.
The bond between student and Sensei is clear to see throughout. Focusing more on the movement side of things, the musical definitely has its fair share of action; the production shines with storytelling through choreography.
The fight sequences are carefully staged. The whole production walks a balanced line between movement and tension that feels immediate without losing theatrical elements.
These scenes are not about aggression alone but about control, reflecting the philosophy at the core of the story: balance. If you’ve seen the movies or the likes of Cobra Kai, you’ll know the vibes.
The cast works cohesively to maintain this balance. Ochello playing Daniel captures a mix of genuine vulnerability and determination as he attempts to settle into his new life in California, a million miles from the streets of Jersey he once knew.
While Adrian Pang portrays Mr Miyagi does this with a quiet authority. Their dynamic evolves on stage flawlessly, allowing the audience to invest in their journey rather than simply anticipating the next fight.
Visually, the production makes effective use of staging and design. The set shifts fluidly between locations, using lighting and more than a few well-timed transitions to keep the pace moving.
Subtle changes in atmosphere mirror the cast’s internal world, moving from insecurity and isolation to confidence and connection as the story progresses. The music throughout further supports this, blending nostalgia from the old flicks we all knew and love, with a new contemporary stage feel.
As the story builds toward its familiar ending, the focus remains less on winning and more on personal growth. The final moments emphasise discipline, self-belief and restraint rather than triumph alone.
A well-deserved standing ovation. (Credit: The Manc)
Reinforcing why the story has endured across generations and how the themes explored remain powerful pillars of life in today’s world.
Ultimately, The Karate Kid on stage at the Palace Theatre succeeds not by trying to replicate the film exactly, but by reinterpreting its themes for a live audience. It’s a production that leans into character, movement, friendship and emotional resilience.
It reminds viewers that its real power lies not in the fights, although sometimes necessary as a last resort, but in what they represent on the inside. We had a much deeper experience than we expected, and loved pretty much every minute of it.
Smash-hit West End musical Trainspotting is coming to Manchester later this year
Emily Sergeant
Trainspotting The Musical is coming to Manchester.
30 years on from the film that changed everything, and following its successful world premiere run in London’s West End, Trainspotting The Musical is heading out on a major UK tour later this year, and will be taking to one of Manchester‘s most iconic stages in the autumn.
Written by Irvine Welsh – as adapted from his best-selling debut novel – and directed and developed by Caroline Jay Ranger, Trainspotting The Musical has been described by critics as ‘radical, invigorating and life-affirming’ since its premiere.
It’s said to be an unforgettable production that’ll have even the most sceptical audiences leave on a ‘consciousness-altering high.’
➕ ATG+ PRESALE ➕
CHOOSE LIFE.
Trainspotting: The Musical is coming to the Palace Theatre this November. Written by Irvine Welsh.
Groups presale 👉 Tues 12 May 10am General sale 👉 Wed 13 May 10am
— Palace & Opera Mcr (@PalaceAndOpera) May 11, 2026
In 1996, the breakthrough British film of the same name was released and became the biggest grossing UK film of the year, winning a slew of awards in the process – including a BAFTA for Best Screenplay, and even being ranked tenth in the BFI’s top 100 greatest British films of the 20th century.
Now, three decades later, the industrial drug crazed working-class heroes of British youth culture are back… but this time, live on stage.
Trainspotting The Musical is coming to Manchester later this year / Credit: Supplied
“I believe the musical has a bigger, loudly beating human heart than either the book or the film,” creator Irvine Welsh commented as the UK tour was announced this week.
“People need to think about the world we’re living in, and we offer that inspection, but they also need to sing their hearts out and laugh their heads off. It’s what being human is all about. We’ve put together an incredible Scottish cast and I can’t wait to see them bring the musical to life.”
Trainspotting The Musical will taking to the stage at Manchester Palace Theatre later this year from Monday 2 – Saturday 7 November 2026, and tickets officially go on general sale tomorrow (Wednesday 13 May) from 10am.
Dolly Busby -
16th December 2021 
